Annotation

tracklist band splits need verifying. only sides defined for now.

Annotation last modified on 2022-05-24 10:10 UTC.

Tracklist

112" Vinyl: SAXF 114
212" Vinyl: SAXF 115
#TitleArtistRatingLength
1Les Noces de Figaro: Acte II, Scène I, 10. Cavatine "Porgi, amor qualche ristoro"
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
2Les Noces de Figaro: Acte II, Scène II, Récitatif "Vieni, cara Susanna"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. Recitativo “Vieni, cara Susanna” (La Contessa, Susanna, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
3Les Noces de Figaro: Acte II, Scène III, Récitatif "Quando duolmi, Susanna"
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quanto duolmi, Susanna” (La Contessa, Susanna, Cherubino) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
4Les Noces de Figaro: Acte II, Scène III, 11. Canzona "Voi, che sapete..."
producer:
Walter Legge (British classical producer) (task: artistic director)
mezzo-soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
5Les Noces de Figaro: Acte II, Scène III. Récitatif "Bravo! Che bella voce!"
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Bravo! che bella voce!” (La Contessa, Susanna, Cherubino) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
6Les Noces de Figaro: Acte II, Scène IV, 12 Aria "Venite, inginocchiatevi…"
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
7Les Noces de Figaro: Acte II, Scène IV, Récitatif "Quante buffonerie!"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quante buffonerie” (Il Conte, La Contessa, Cherubino, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
8Les Noces de Figaro: Acte II, Scène V, Récitatif "Che novità!"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Che novità!” (Il Conte, La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
9Les Noces de Figaro: Acte II, Scène VI, 13. Terzetto "Susanna, or via sortite"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. (no. 14) Terzetto “Susanna or via, sortite” (Il Conte, La Contessa, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
10Les Noces de Figaro: Acte II, Scène VI. Récitatif "Dunque voi non aprite"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Dunque, voi non aprite?” (Il Conte, La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
11Les Noces de Figaro: Acte II, Scène VII, 14. Duettino "Aprite presto, aprite"
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IV. (no. 15) Duettino “Aprite, presto, aprite” (Susanna, Cherubino) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
12Les Noces de Figaro: Acte II, Scène VIII, Récitatif "Tutto è come il lasciai"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena V. Recitativo “Tutto è come io lasciai” (Il Conte, La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
13Les Noces de Figaro: Acte II, Scène VIII, 15. Finale "Esci ormai, garzon malnato"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Esci, ormai, garzon malnato” (Il Conte, La Contessa, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
14Les Noces de Figaro: Acte II, Scène VIII, "Signore! Cos'è quel stupore?"
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Signore, cos’è quel stupore?” (Il Conte, La Contessa, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
15Les Noces de Figaro: Acte II, Scène VIII, "Conoscete, signor Figaro"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IX. (no. 16) Finale “Conoscete signor Figaro” (Il Conte, La Contessa, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
16Les Noces de Figaro: Acte II, Scène VIII, "Voi signor, che giusto siete"
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
tenor vocals [Basilio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena XI. (no. 16) Finale “Voi signor che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
312" Vinyl: SAXF 116
412" Vinyl: SAXF 117

Credits

Release

liner notes:Dorel Handman

Release group

excerpts:Le nozze di Figaro: Highlights (1959 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Schwarzkopf (German-born Austrian/British soprano), Moffo (soprano), Taddei (baritone), Cossotto (mezzo-soprano), Wächter (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Giulini (conductor)
Discogs:https://www.discogs.com/master/655148 [info]
other databases:http://www.operadis-opera-discography.org.uk/CLMONOZZ.HTM#51 [info]