Bar Jazz Best

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD: Happy Hour
Nr.TitelKünstlerBewertungLänge
1Mack the Knife
recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:44
2Hey! Ba‐Ba‐Re‐Bop / Hamp’s Boogie Woogie
Lionel Hampton and His All-Stars5:59
3Singin’ in the Rain
recording of:
Singin’ in the Rain
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
Singin’ in the Rain (stage musical)
Teil von:
Singin’ in the Rain (soundtrack of the 1952 film)
Teil von:
The Hollywood Revue (1929 MGM musical film)
Duke Ellington3:20
4Java
Al Hirt And His Chorus, Al Hirt And His Orchestra1:55
5Trolley Song
recorded in:
New York, New York, Vereinigte Staaten (am 1962-07-05)
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Paul Desmond (am 1962-07-05)
Klavier:
Dave Brubeck (am 1962-07-05)
Kontrabass:
Eugene Wright (bass) (am 1962-07-05)
Schlagzeug:
Joe Morello (am 1962-07-05)
instrumental cover recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (am 1962-07-05)
Texter:
Ralph Blane
Komponist(in):
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. und United Partnership Ltd.
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Meet Me in St. Louis (1944 musical film soundtrack)
Dave Brubeck3:02
6Girl Talk
Neal Hefti42:51
7Watermelon Man
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (France) S.A. (not for release label use! Sony Music Entertainment FR subsidiary from 1988–2003) (in 2002)
Mongo Santamaría3:11
8You’d Be Nice to Come Home To
Paul Desmond7:03
9Lil’ Rousin
Charlie Rouse5:57
10Sugar Free
Hank Crawford4:39
11Tea for Two
recorded in:
New York, New York, Vereinigte Staaten (am 1963-02-26)
Klavier:
Thelonious Monk (am 1963-02-26)
Kontrabass:
John Ore (am 1963-02-26)
Schlagzeug:
Frankie Dunlop (American jazz drummer) (am 1963-02-26)
instrumental recording of:
Tea for Two (No, No, Nanette) (am 1963-02-26)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
Thelonious Monk3:47
12Super Strut
recording of:
Super Strut
Komponist(in):
Eumir Deodato
publisher:
Kenya Music (beendet) und EMI Full Keel Music
Eumir Deodato4:54
13Comes Once in a Lifetime
Dave Grusin3:33
14La Cuna
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (France) S.A. (not for release label use! Sony Music Entertainment FR subsidiary from 1988–2003) (in 2002)
Ray Barretto45:24
15Out of Nowhere
James Carter4:28
16Amor Em Brasilia
recording of:
Amor Em Brasilia
Komponist(in):
Luiz Bonfá
publisher:
Editora E Imp Musical Fermata Do Brasil
Luiz Bonfá2:19
2▼CD: Smooth Grooves
Nr.TitelKünstlerBewertungLänge
1Soulful Strut
Grover Washington, Jr.3:20
2Fly by Night
Lee Ritenour4:56
3Caravan of Dreams
Peter White5:57
4I Remember Wes
Bass:
Chuck Rainey (American bassist)
flute und Tenorsaxophon:
Arthur Clarke (baritone saxophonist) und George Marge
Gitarre:
George Benson (jazz guitarist/singer)
Klavier:
Paul Griffin (American pianist, session musician)
Saiteninstrumente:
The Winston Collymore Strings
Schlagzeug:
Leo Morris
Vibraphon:
Jack Jennings
conductor:
Horace Ott
arranger:
Horace Ott
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1969) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (vom 1975 bis heute)
recording of:
I Remember Wes
Komponist(in):
Don Sebesky
publisher:
Screen Gems Emi Music Publishing Ltd.
George Benson4:07
5Dark Eye Tango
assistierende(r) Techniker(in):
Jim Galante
Techniker(in):
Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes)
Produzent(in):
Al Di Meola
Bass:
Anthony Jackson (US bassist)
E-Gitarre:
Al Di Meola
Hybrid-Piano und Orgel:
Barry Miles
Schlagzeug:
Steve Gadd (drummer) (in 1977)
arranger:
Al Di Meola
Al Di Meola5:21
6The Groove
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
recording of:
The Groove
Komponist(in):
Rodney Franklin
Rodney Franklin4:55
7Cafe Amore
Spyro Gyra5:01
8Smooth Operator
Greg Adams3:46
9Living for the City
Kirk Whalum4:32
10Isn’t She Lovely
instrumental cover recording of:
Isn’t She Lovely
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher) und Jobete Music Co., Inc.
sub-publisher:
大洋音楽 (Taiyō Music)
recording of:
Isn’t She Lovely
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher) und Jobete Music Co., Inc.
sub-publisher:
大洋音楽 (Taiyō Music)
Dexter Gordon43:21
11Summer Breezin’
Akustikgitarre und Gitarre:
Toninho Horta
Bass:
Byron Miller (bass guitarist)
Flügelhorn:
Jerry Hey
Hybrid-Piano, Hybrid-Piano [Rhodes], Rhodes Piano, Röhrenglocken und Sologesang:
George Duke
Perkussion:
Chico Batera
Posaune:
Bill Reichenbach, Jr. (jazz trombonist)
Schlagzeug:
Robertinho Silva (Brazilian drummer and percussionist) und Roberto Silva (Brazilian singer and composer)
Tenorsaxophon:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
vocals:
Lynn Davis (vocalist), George Duke und Josie James
George Duke4:48
12Saving All My Love for You
Don Braden7:03
13Time After Time
Bass:
Darryl "the Munich" Jones (bassist for The Rolling Stones)
Gitarre:
John Scofield (US guitarist/composer)
Perkussion:
Steve Thornton (percussionist)
Schlagzeug:
Al Foster
Synthesizer [synthesizers]:
Robert Irving III (keyboardist)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter)
instrumental cover recording of:
Time After Time
Verfasser(in):
Rob Hyman und Cyndi Lauper
publisher:
Sony Songs Inc. (beendet, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Miles Davis1.255:32
14I’ve Got to Get a Message to You
Hubert Laws3:06
15One Wish
Produzent(in):
Dan Kuramoto
recording of:
One Wish
Komponist(in):
Dan Kuramoto
Hiroshima4:48
16Mystica
Gato Barbieri5:14
3▼CD: Cocktail Lounge
Nr.TitelKünstlerBewertungLänge
1Someday My Prince Will Come
Klavier:
Wynton Kelly (am 1961-03-20)
Kontrabass [bass]:
Paul Chambers (US jazz bassist) (am 1961-03-20)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1961-03-20)
Tenorsaxophon:
John Coltrane (am 1961-03-20) und Hank Mobley (US jazz tenor saxophonist) (am 1961-03-20)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1961-03-20)
aufgenommen bei:
Columbia Studios in New York, New York, Vereinigte Staaten (am 1961-03-20)
instrumental cover recording of:
Someday My Prince Will Come (am 1961-03-20)
Texter:
Larry Morey (American lyricist, 1905–1971)
Komponist(in):
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
Teil von:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
Miles Davis9:04
2Memories of You
recording of:
Memories of You
Texter:
Andy Razaf (in 1930)
Komponist(in):
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
Benny Goodman3:10
3It’s the Talk of the Town
Erroll Garner3:15
4I Can’t Get Started
recording of:
I Can’t Get Started
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Duke Ellington4:19
5Moon Nocturne
vocals:
Earle Warren
Count Basie3:25
6Song From M*A*S*H (Suicide Is Painless)
Techniker(in):
Rudy van Gelder (von 1974-09-24 bis 1974-09-26)
Produzent(in):
Creed Taylor
Mix:
Mark Wilder (US recording/mastering engineer)
E-Gitarre [guitar]:
Ed Bickert (von 1974-09-24 bis 1974-09-26)
Kontrabass [bass]:
Ron Carter (US jazz double-bassist) (von 1974-09-24 bis 1974-09-26)
Schlagzeug:
Connie Kay (von 1974-09-24 bis 1974-09-26)
conductor:
Don Sebesky (von 1974-09-24 bis 1974-09-26)
arranger:
Don Sebesky
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (von 1974-09-24 bis 1974-09-26)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Vereinigte Staaten
cover recording of:
Suicide Is Painless (von 1974-09-24 bis 1974-09-26)
Texter:
Mike Altman
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
Chappell Music Ltd., Twentieth Century Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Paul Desmond43:01
7The Girl From Ipanema
Charlie Byrd2:45
8My Latin Brothers
George Benson6:49
9The Two Lonely People
Bill Evans6:12
10Laura
recording of:
Laura (original 1944 film theme)
Komponist(in):
David Raksin (in 1944)
Dexter Gordon7:38
11Here I’ll Stay
recording of:
Here I’ll Stay (from “Love Life”)
Texter:
Alan Jay Lerner
Komponist(in):
Kurt Weill (composer)
publisher:
Chappell & Co.
Teil von:
Love Life (Musical by Lerner & Weill)
Gerry Mulligan4:56
12Ligia
recording engineer:
Stanley Tonkel (engineer)
Mix:
John Guerriere (recording engineer and supervisor at Columbia Records)
Bass:
Clint Houston (am 1975-05-21) und Steve Swallow (am 1975-05-21)
Gitarre:
Oscar Castro‐Neves (am 1975-05-21) und João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (am 1975-05-21)
Klavier:
Albert Dailey (am 1975-05-21)
Perkussion:
Ray Armando (am 1975-05-21), Rubens Bassini (am 1975-05-21), Sonny Carr (am 1975-05-21), João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (am 1975-05-21) und Airto Moreira (percussionist) (am 1975-05-21)
Schlagzeug:
Billy Hart (US jazz drummer aka “Jabali” Billy Hart) (am 1975-05-21) und Grady Tate (am 1975-05-21)
Tenorsaxophon:
Stan Getz (am 1975-05-21)
vocals:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (am 1975-05-21) und Miúcha (am 1975-05-21)
aufgenommen bei:
Columbia Studios in New York, New York, Vereinigte Staaten (am 1975-05-21)
cover recording of:
Lígia (am 1975-05-21)
Komponist(in):
Chico Buarque (Brazilian singer/lyricist) und Antônio Carlos Jobim
Stan Getz5:20
13Lisa
recording of:
Lisa (from "Passenger 57")
Komponist(in) und arranger:
Stanley Clarke
Stanley Clarke4:32
14Sandu
James Carter7:32
15Burma Road
Greg Adams4:44
16April in Paris
Supersax & L.A. Voices3:09
4▼CD: Jazzy Voices
Nr.TitelKünstlerBewertungLänge
1I’ve Got a Crush on You
cover recording of:
I’ve Got a Crush on You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
Ella Fitzgerald2:22
2Dancing in the Dark
cover recording of:
Dancing in the Dark
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
Tony Bennett2:29
3Solo el Fin (For All We Know)
Techniker(in):
Rudy van Gelder (am 1971-02-01)
Produzent(in):
Creed Taylor
Bass:
Russell George (bassist/violinist) (am 1971-02-01)
Bratsche / Viola:
Harold Coletta (am 1971-02-01)
Cello:
George Ricci (am 1971-02-01)
E-Gitarre:
Bob Mann (US session guitarist) (am 1971-02-01)
Geige / Violine:
Paul Gershman (am 1971-02-01), Emanuel Green (am 1971-02-01), Julie Held (am 1971-02-01), Harry Katzman (am 1971-02-01), Joe Malin (am 1971-02-01) und Gene Orloff (am 1971-02-01)
Gitarre:
Gene Bertoncini (guitar player) (am 1971-02-01)
Hybrid-Piano:
Eumir Deodato (am 1971-02-01)
Kontrabass [bass]:
George Russell (American jazz pianist and composer) (am 1971-02-01)
Schlagzeug:
Dennis Seiwell (US drummer) (am 1971-02-01)
vocals:
Astrud Gilberto (am 1971-02-01)
conductor:
Eumir Deodato (am 1971-02-01)
arranger:
Eumir Deodato
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1971-02-01)
recording of:
Solo el fin
Texter:
James Griffin (soft rock singer/songwriter/guitarist) und Robb Wilson
Komponist(in):
Fred Karlin
Übersetzer:
Kathleen Freed
übersetzte Version von:
For All We Know (Lovers and Other Strangers, 1970)
Astrud Gilberto With Stanley Turrentine3:12
4Choo Choo Ch’Boogie
cover recording of:
Choo Choo Ch’Boogie
Verfasser(in):
Denver Darling, Milt Gabler und Vaughn Horton
publisher:
Rytvoc (ASCAP) und Warner/Chappell (Warner/Chappell Music, Inc.)
recording of:
Choo Choo Ch’Boogie
Verfasser(in):
Denver Darling, Milt Gabler und Vaughn Horton
publisher:
Rytvoc (ASCAP) und Warner/Chappell (Warner/Chappell Music, Inc.)
The Manhattan Transfer2:55
5Bijou
Lambert, Hendricks & Ross3:16
6Ain’t Misbehavin’
Produzent(in):
George Treadwell
Gitarre:
Freddie Green (am 1950-05-18)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
George Treadwell and his All Stars (am 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, Vereinigte Staaten (am 1950-05-18)
cover recording of:
Ain’t Misbehavin’ (am 1950-05-18)
Texter:
Andy Razaf (in 1929)
Verfasser(in):
Andy Razaf
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
Sarah Vaughan with George Treadwell & His All Stars2:59
7Déjà Vu
recording of:
Déjà vu
Texter:
Adrienne Anderson
Komponist(in):
Isaac Hayes
publisher:
Cotton Picking Soul Music, Rightsong Music Inc. und Universal Music Careers
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dionne Warwick5:07
8I Wonder Why
Produzent(in):
Glen Ballard
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1991)
Musikvideos:
I Wonder Why von Curtis Stigers
recording of:
I Wonder Why
Verfasser(in):
Glen Ballard und Curtis Stigers
publisher:
Aerostation Corporation, Arlovol Music, C. Montrose’s Music, Inc., MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony Music Publishing (worldwide except Japan, ended 1995) und Sony Tunes, Inc.
Curtis Stigers4:26
9Still Tossin and Turnin (remix)
membranophone-Programmierung:
Ken Wedlow
assistierende(r) Techniker(in):
Adlai Alexander, Nancy Scharlau und Mark Slagle
Techniker(in):
Tuck Andress und Howard Johnston (engineer, co-owner “Different Fur Recording”)
Produzent(in):
Patti Cathcart
Mix und Editing:
Howard Johnston (engineer, co-owner “Different Fur Recording”)
E-Gitarre:
Tuck Andress
Keyboard:
Khaliq
Tenorsaxophon:
Harvey Wainapel
vocals:
Patti Cathcart
arranger:
Patti Cathcart
aufgenommen bei:
Binky Studios in Menlo Park, California (Kalifornien), Vereinigte Staaten und Different Fur Studios in San Francisco, California (Kalifornien), Vereinigte Staaten
mixed at und edited at:
Different Fur Studios in San Francisco, California (Kalifornien), Vereinigte Staaten
Remix von:
Tossin’ and Turnin’ von Tuck & Patti
recording of:
Tossin’ and Turnin’
Verfasser(in):
Thurston R. Bilal, Patti Cathcart, Lester Gene Finley, Craig Steven Kenoly und Dean Kenneth Wedlow Jr.
Tuck & Patti5:31
10All Would Envy
Bass:
Christian McBride (American jazz bassist)
Gitarre:
Dominic Miller (guitarist)
Keyboard:
Kipper (Mark Eldridge)
Perkussion:
Luis Conte (percussionist)
Schlagzeug:
Vinnie Colaiuta (drummer)
Trompete:
Chris Botti
zusätzlich Keyboard:
Billy Childs (US composer/jazz pianist) und Jeff Young (US ex-Megadeth guitarist)
Gast Sologesang:
Shawn Colvin
zusätzlich vocals:
Lani Groves
Interpret(in):
Shawn Colvin
recording of:
All Would Envy
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
Chris Botti Featuring Shawn Colvin5:01
11What a Difference a Day Made
recorded in:
New York, New York, Vereinigte Staaten (am 1964-02-10)
Produzent(in):
Robert Mersey
Sologesang:
Aretha Franklin (am 1964-02-10)
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964, in 1992)
cover recording of:
What a Diff’rence a Day Made (am 1964-02-10)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Aretha Franklin33:29
12Miss Brown to You
recording engineer:
Fred Plaut (am 1961-06-29)
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
Gitarre:
Mundell Lowe (am 1961-06-29)
Klavier:
Norman Simmons (am 1961-06-29)
Kontrabass:
Bob Cranshaw (am 1961-06-29)
Kornett:
Nat Adderley (am 1961-06-29)
Schlagzeug:
Walter Perkins (Chicago jazz drummer) (am 1961-06-29)
Tenorsaxophon:
Eddie “Lockjaw” Davis (jazz saxophonist) (am 1961-06-29)
vocals:
Carmen McRae (am 1961-06-29)
aufgenommen bei:
Columbia Studios in New York, New York, Vereinigte Staaten (am 1961-06-29)
recording of:
Miss Brown to You (am 1961-06-29)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Ralph Rainger und Richard A. Whiting (composer)
Carmen McRae2:27
13In The Wee Small Hours
Kyle Eastwood With Julia Fordham4:32
14The Way You Look Tonight
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
Betty Carter & Ray Bryant22:41
15I Concentrate On You
Gitarre:
Al Caiola und Tony Mottola
vocals:
Johnny Mathis (US pop/soul singer)
cover recording of:
I Concentrate on You
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
Johnny Mathis3:14
16Me and You
alto saxophone:
Johnny Hodges (am 1956-01-23)
alto saxophone und Klarinette:
Russell Procope (am 1956-01-23)
baritone saxophone:
Harry Carney (am 1956-01-23)
Klarinette und Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1956-01-23)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1956-01-23)
Kontrabass:
Jimmy Woode (am 1956-01-23)
Posaune:
Quentin Jackson (am 1956-01-23) und Britt Woodman (am 1956-01-23)
Schlagzeug:
Sam Woodyard (am 1956-01-23)
Tenorsaxophon:
Paul Gonsalves (am 1956-01-23)
Trompete:
William “Cat” Anderson (am 1956-01-23), Willie Cook (US jazz trumpeter) (am 1956-01-23), Ray Nance (am 1956-01-23) und Cootie Williams (am 1956-01-23)
Ventilposaune:
John Sanders (US jazz trombonist) (am 1956-01-23)
Sologesang:
Rosemary Clooney (am 1956-01-23)
recording of:
Me and You (am 1956-01-23)
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Rosemary Clooney2:28
5▼CD: Round Midnight
Nr.TitelKünstlerBewertungLänge
1Moonlight Serenade
recording of:
Moonlight Serenade (original instrumental version)
Komponist(in) und arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
Glenn Miller and His Orchestra3:40
2Stella by Starlight
Produzent(in):
Teo Macero (American jazz saxophonist and composer)
alto saxophone:
Cannonball Adderley (am 1958-05-26)
Klavier:
Bill Evans (pianist) (am 1958-05-26)
Kontrabass [bass]:
Paul Chambers (US jazz bassist) (am 1958-05-26)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1958-05-26)
Tenorsaxophon:
John Coltrane (am 1958-05-26)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1958-05-26)
aufgenommen bei:
Columbia 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1958-05-26)
instrumental recording of:
Stella by Starlight (am 1958-05-26)
Texter:
Ned Washington (in 1946)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Miles Davis44:49
3Love Walked In
recording of:
Love Walked In
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
Chet Baker2:56
4Dreamy
Erroll Garner3:03
5Can You Stop the Rain
Grover Washington, Jr.6:32
6Ebb Tide
Fausto Papetti2:40
7I’m a Fool to Want You
cover recording of:
I’m a Fool to Want You
Verfasser(in):
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) und Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Lisa Ekdahl2:58
8Deja’s Theme
recording of:
Deja's Theme (from "Higher Learning")
Komponist(in):
Stanley Clarke
Stanley Clarke3:54
9Detour Ahead
Terence Blanchard4:32
10I’ve Grown Accustomed to Your Face
Stan Getz5:01
11Misty
recording of:
Misty
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
Henry Mancini & His Orchestra3:35
12’Til I Get It Right
Kirk Whalum4:56
13It Might as Well Be Spring
Don Braden7:17
14That Beautiful Sadness
Mark Isham5:56
15Lotus Blossom
James Williams Sextet3:57
16Summertime
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Teddy Wilson and His Trio43:31

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