Bar Jazz Best

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Happy Hour
2▶CD: Smooth Grooves
3▶CD: Cocktail Lounge
4▼CD: Jazzy Voices
#TitleArtistRatingLength
1I’ve Got a Crush on You
cover recording of:
I’ve Got a Crush on You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
Ella Fitzgerald2:22
2Dancing in the Dark
cover recording of:
Dancing in the Dark
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
Tony Bennett2:29
3Solo el Fin (For All We Know)
engineer:
Rudy van Gelder (on 1971-02-01)
producer:
Creed Taylor
bass:
Russell George (bassist/violinist) (on 1971-02-01)
cello:
George Ricci (on 1971-02-01)
double bass [bass]:
George Russell (American jazz pianist and composer) (on 1971-02-01)
drums (drum set):
Dennis Seiwell (US drummer) (on 1971-02-01)
electric guitar:
Bob Mann (US session guitarist) (on 1971-02-01)
electric piano:
Eumir Deodato (on 1971-02-01)
guitar:
Gene Bertoncini (guitar player) (on 1971-02-01)
viola:
Harold Coletta (on 1971-02-01)
violin:
Paul Gershman (on 1971-02-01), Emanuel Green (on 1971-02-01), Julie Held (on 1971-02-01), Harry Katzman (on 1971-02-01), Joe Malin (on 1971-02-01) and Gene Orloff (on 1971-02-01)
vocals:
Astrud Gilberto (on 1971-02-01)
conductor:
Eumir Deodato (on 1971-02-01)
arranger:
Eumir Deodato
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1971-02-01)
recording of:
Solo el fin
lyricist:
James Griffin (soft rock singer/songwriter/guitarist) and Robb Wilson
composer:
Fred Karlin
translator:
Kathleen Freed
translated version of:
For All We Know (Lovers and Other Strangers, 1970)
Astrud Gilberto With Stanley Turrentine3:12
4Choo Choo Ch’Boogie
cover recording of:
Choo Choo Ch’Boogie
writer:
Denver Darling, Milt Gabler and Vaughn Horton
publisher:
Rytvoc (ASCAP) and Warner/Chappell (Warner/Chappell Music, Inc.)
recording of:
Choo Choo Ch’Boogie
writer:
Denver Darling, Milt Gabler and Vaughn Horton
publisher:
Rytvoc (ASCAP) and Warner/Chappell (Warner/Chappell Music, Inc.)
The Manhattan Transfer2:55
5Bijou
Lambert, Hendricks & Ross3:16
6Ain’t Misbehavin’
producer:
George Treadwell
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
George Treadwell and his All Stars (on 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, United States (on 1950-05-18)
cover recording of:
Ain’t Misbehavin’ (on 1950-05-18)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Sarah Vaughan with George Treadwell & His All Stars2:59
7Déjà Vu
recording of:
Déjà vu
lyricist:
Adrienne Anderson
composer:
Isaac Hayes
publisher:
Cotton Picking Soul Music, Rightsong Music Inc. and Universal Music Careers
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dionne Warwick5:07
8I Wonder Why
producer:
Glen Ballard
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1991)
music videos:
I Wonder Why by Curtis Stigers
recording of:
I Wonder Why
writer:
Glen Ballard and Curtis Stigers
publisher:
Aerostation Corporation, Arlovol Music, C. Montrose’s Music, Inc., MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony Music Publishing (worldwide except Japan, ended 1995) and Sony Tunes, Inc.
Curtis Stigers4:26
9Still Tossin and Turnin (remix)
membranophone programming:
Ken Wedlow
assistant engineer:
Adlai Alexander, Nancy Scharlau and Mark Slagle
engineer:
Tuck Andress and Howard Johnston (engineer, co-owner “Different Fur Recording”)
producer:
Patti Cathcart
mixer and editor:
Howard Johnston (engineer, co-owner “Different Fur Recording”)
electric guitar:
Tuck Andress
keyboard:
Khaliq
tenor saxophone:
Harvey Wainapel
vocals:
Patti Cathcart
arranger:
Patti Cathcart
recorded at:
Binky Studios in Menlo Park, California, United States and Different Fur Studios in San Francisco, California, United States
mixed at and edited at:
Different Fur Studios in San Francisco, California, United States
remix of:
Tossin’ and Turnin’ by Tuck & Patti
recording of:
Tossin’ and Turnin’
writer:
Thurston R. Bilal, Patti Cathcart, Lester Gene Finley, Craig Steven Kenoly and Dean Kenneth Wedlow Jr.
Tuck & Patti5:31
10All Would Envy
additional keyboard:
Billy Childs (US composer/jazz pianist) and Jeff Young (US ex-Megadeth guitarist)
bass:
Christian McBride (American jazz bassist)
drums (drum set):
Vinnie Colaiuta (drummer)
guitar:
Dominic Miller (guitarist)
keyboard:
Kipper (Mark Eldridge)
percussion:
Luis Conte (percussionist)
trumpet:
Chris Botti
additional vocals:
Lani Groves
guest lead vocals:
Shawn Colvin
performer:
Shawn Colvin
recording of:
All Would Envy
lyricist and composer:
Sting (singer, songwriter & member of The Police)
Chris Botti Featuring Shawn Colvin5:01
11What a Difference a Day Made
recorded in:
New York, New York, United States (on 1964-02-10)
producer:
Robert Mersey
lead vocals:
Aretha Franklin (on 1964-02-10)
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964, in 1992)
cover recording of:
What a Diff’rence a Day Made (on 1964-02-10)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Aretha Franklin33:29
12Miss Brown to You
recording engineer:
Fred Plaut (on 1961-06-29)
producer:
Teo Macero (American jazz saxophonist and composer)
cornet:
Nat Adderley (on 1961-06-29)
double bass:
Bob Cranshaw (on 1961-06-29)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (on 1961-06-29)
guitar:
Mundell Lowe (on 1961-06-29)
piano:
Norman Simmons (on 1961-06-29)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1961-06-29)
vocals:
Carmen McRae (on 1961-06-29)
recorded at:
Columbia Studios in New York, New York, United States (on 1961-06-29)
recording of:
Miss Brown to You (on 1961-06-29)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger and Richard A. Whiting (composer)
Carmen McRae2:27
13In The Wee Small Hours
Kyle Eastwood With Julia Fordham4:32
14The Way You Look Tonight
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
Betty Carter & Ray Bryant22:41
15I Concentrate On You
guitar:
Al Caiola and Tony Mottola
vocals:
Johnny Mathis (US pop/soul singer)
cover recording of:
I Concentrate on You
lyricist and composer:
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
Johnny Mathis3:14
16Me and You
alto saxophone:
Johnny Hodges (on 1956-01-23)
alto saxophone and clarinet:
Russell Procope (on 1956-01-23)
baritone saxophone:
Harry Carney (on 1956-01-23)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-23)
double bass:
Jimmy Woode (on 1956-01-23)
drums (drum set):
Sam Woodyard (on 1956-01-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-01-23)
tenor saxophone:
Paul Gonsalves (on 1956-01-23)
trombone:
Quentin Jackson (on 1956-01-23) and Britt Woodman (on 1956-01-23)
trumpet:
William “Cat” Anderson (on 1956-01-23), Willie Cook (US jazz trumpeter) (on 1956-01-23), Ray Nance (on 1956-01-23) and Cootie Williams (on 1956-01-23)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-23)
lead vocals:
Rosemary Clooney (on 1956-01-23)
recording of:
Me and You (on 1956-01-23)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Rosemary Clooney2:28
5▶CD: Round Midnight