The Complete Recordings

~ Release by Elgar; Sir Adrian Boult (see all versions of this release, 1 available)

Annotation

Packaging: box with booklet and 19CDs (each in cardboard sleeve)

Status: All 19 discs now have tracklists entered. All records I could find shared/merged. All ARs entered.

Still to do: Some editing for consistency. Linking (and creating if needed) works.

Annotation last modified on 2017-09-16 05:02 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Cockaigne (In London Town), op. 40 — Concert Overture
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1970-09-29)
conductor:
Sir Adrian Boult (conductor) (on 1970-09-29)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972) and Warner Classics (in 1987)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (on 1970-09-29)
recording of:
Cockaigne (In London Town), op. 40 (on 1970-09-29)
composer:
Edward Elgar (composer) (in 1897)
premiered at:
[concert] (1901-06-20)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes) (in 1901)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-06-20)
part of:
Works of Edward Elgar by opus number (number: op. 40)
Sir Edward Elgar14:56
2Froissart, op. 19 — Concert Overture
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1971-02-19)
conductor:
Sir Adrian Boult (conductor) (on 1971-02-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1988)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (on 1971-02-19)
recording of:
Froissart Overture, op. 19 (on 1971-02-19)
premiered in:
Worcester, Worcestershire, England, United Kingdom (on 1890-09-09)
composer:
Edward Elgar (composer) (in 1890)
part of:
Works of Edward Elgar by opus number (number: op. 19)
Sir Edward Elgar12:54
3Serenade in E minor, op. 20: I. Allegro piacevole
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-10-29 until 1972-12-10)
conductor:
Sir Adrian Boult (conductor) (from 1972-10-29 until 1972-12-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973, in 1985)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-10-29 until 1972-10-30)
recording of:
Serenade for Strings in E minor, op. 20: I. Allegro piacevole (from 1972-10-29 until 1972-12-10)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Sir Edward Elgar3:50
4Serenade in E minor, op. 20: II. Larghetto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-10-29 until 1972-12-10)
conductor:
Sir Adrian Boult (conductor) (from 1972-10-29 until 1972-12-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973, in 1985)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-10-29 until 1972-10-30)
recording of:
Serenade for Strings in E minor, op. 20: II. Larghetto (from 1972-10-29 until 1972-12-10)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Sir Edward Elgar5:21
5Serenade in E minor, op. 20: III. Allegretto — Come prima
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-10-29 until 1972-12-10)
conductor:
Sir Adrian Boult (conductor) (from 1972-10-29 until 1972-12-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973, in 1985)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-10-29 until 1972-10-30)
recording of:
Serenade for Strings in E minor, op. 20: III. Allegretto (from 1972-10-29 until 1972-12-10)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Sir Edward Elgar3:16
6Chanson de nuit, op. 15 no. 1
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18, on 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18, on 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1985)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-18)
recording of:
Chanson de nuit, op. 15 no. 1 (for orchestra) (on 1967-04-18)
orchestrator and composer:
Edward Elgar (composer)
publisher:
Public Domain (refers to works that are in the public domain)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-09-14)
version of:
Chanson de nuit, op. 15 no. 1 (for violin and piano)
Sir Edward Elgar4:29
7Chanson de matin, op. 15 no. 2
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18, on 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18, on 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1985)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-18)
recording of:
Chanson de matin, op. 15 no. 2 (for orchestra) (on 1967-04-18)
orchestrator and composer:
Edward Elgar (composer)
publisher:
Public Domain (refers to works that are in the public domain)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-09-14)
arrangement of:
Chanson de matin, op. 15 no. 2 (for violin and piano)
Sir Edward Elgar3:11
8Three Bavarian Dances: I. The Dance (Sonnenbichl): Allegretto giocoso
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
Three Bavarian Dances: No. 1. The Dance (from 1967-04-17 until 1967-04-18)
composer and arranger:
Edward Elgar (composer)
arrangement of:
From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl)
part of:
Three Bavarian Dances, op. 27a
Sir Edward Elgar3:32
9Three Bavarian Dances: II. Lullaby (In Hammersbach): Moderato
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
Three Bavarian Dances: No. 2. Lullaby (from 1967-04-17 until 1967-04-18)
composer and arranger:
Edward Elgar (composer)
arrangement of:
From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach)
part of:
Three Bavarian Dances, op. 27a
Sir Edward Elgar3:15
10Three Bavarian Dances: III. The Marksman (Bei Murnau): Allegro vivace
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
Three Bavarian Dances: No. 3. The Marksmen (from 1967-04-17 until 1967-04-18)
composer and arranger:
Edward Elgar (composer)
arrangement of:
From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau)
part of:
Three Bavarian Dances, op. 27a
Sir Edward Elgar4:49
11Meditation (from the Light of Life, op. 29)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1974-02-06)
conductor:
Sir Adrian Boult (conductor) (on 1974-02-06)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and Warner Classics (in 1975, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1974-02, on 1974-02-06)
recording of:
The Light of Life, op. 29 no. 1: Meditation (on 1974-02-06)
composer:
Edward Elgar (composer)
part of:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Edward Elgar5:56
12Imperial March, op. 32
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1976-12-16)
conductor:
Sir Adrian Boult (conductor) (on 1976-12-16)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1977, in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-12-16)
recording of:
Imperial March, op. 32 (on 1976-12-16)
composer:
Edward Elgar (composer) (from 1896 until 1897)
dedicated to:
H.M. Queen Victoria
premiered at:
The Crystal Palace in London (Greater London), England, United Kingdom (on 1897-04-19)
part of:
Works of Edward Elgar by opus number (number: op. 32)
Sir Edward Elgar4:29
13Triumphal March (from Caractacus, op. 35)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1974-02-04 until 1974-02-11)
conductor:
Sir Adrian Boult (conductor) (from 1974-02-04 until 1974-02-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1975, in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-02-04, on 1974-02-06, on 1974-02-11)
recording of:
Caractacus, op. 35: Scene VI, Rome: “The March Triumphal Thunders” (Orchestra and Chorus) (from 1974-02-04 until 1974-02-11)
composer:
Edward Elgar (composer)
part of:
Caractacus, op. 35
part of:
Caractacus, op. 35
Sir Edward Elgar7:03
2▼CD
#TitleArtistRatingLength
1Variations on an Original Theme “Enigma”, op. 36: Theme
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (from 1970-08-04 until 1970-08-06)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar1:23
2Variations on an Original Theme “Enigma”, op. 36: I. C.A.E. (the composer’s wife)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (from 1970-08-04 until 1970-08-06)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Caroline Alice Elgar (English author, married to Edward Elgar)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar1:53
3Variations on an Original Theme “Enigma”, op. 36: II. H.D.S.-P. (Hew David Steuart-Powell)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (from 1970-08-04 until 1970-08-06)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar0:46
4Variations on an Original Theme “Enigma”, op. 36: III. R.B.T (Richard Baxter Townshend)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (from 1970-08-04 until 1970-08-06)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Baxter Townshend
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar1:27
5Variations on an Original Theme “Enigma”, op. 36: IV. W.M.B (William Meath Baker)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (from 1970-08-04 until 1970-08-06)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
William Meath Baker
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar0:29
6Variations on an Original Theme “Enigma”, op. 36: V. R.P.A (Richard Penrose Arnold)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (from 1970-08-04 until 1970-08-06)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Penrose Arnold
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar1:54
7Variations on an Original Theme “Enigma”, op. 36: VI. Ysobel (Isabel Fitton)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (from 1970-08-04 until 1970-08-06)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Isabel Fitton
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar1:12
8Variations on an Original Theme “Enigma”, op. 36: VII. Troyte (Troyte Griffith)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (from 1970-08-04 until 1970-08-06)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Arthur Troyte Griffith
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar0:56
9Variations on an Original Theme “Enigma”, op. 36: VIII. W.N. (Winfred Norbury)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (from 1970-08-04 until 1970-08-06)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Winifred Norbury
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar1:44
10Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod (A.J. Jaeger)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1970-08-04 until 1970-08-06)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar3:54
11Variations on an Original Theme “Enigma”, op. 36: X. Intermezzo: Dorabella (Dora Penny)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (from 1970-08-04 until 1970-08-06)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Dora Penny
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar2:52
12Variations on an Original Theme “Enigma”, op. 36: XI. G.R.S (George Robertson Sinclair)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (from 1970-08-04 until 1970-08-06)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
George Robertson Sinclair
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar0:59
13Variations on an Original Theme “Enigma”, op. 36: XII. B.G.N (Basil G. Nevinson)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (from 1970-08-04 until 1970-08-06)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Basil George Nevinson
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar2:21
14Variations on an Original Theme “Enigma”, op. 36: XIII. Romanza: *** (Lady Mary Lygon)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (from 1970-08-04 until 1970-08-06)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Lady Mary Lygon
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar2:34
15Variations on an Original Theme “Enigma”, op. 36: XIV. Finale: E.D.U (the composer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-04 until 1970-08-06)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-04 until 1970-08-06)
balance engineer:
Michael Gray (UK classical recording engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971) and Warner Classics (in 2002)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-04 until 1970-08-06)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (from 1970-08-04 until 1970-08-06)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar5:47
16Pomp and Circumstance, op. 39 — Military Marches: No. 1 in D
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1977-01-10)
conductor:
Sir Adrian Boult (conductor) (on 1977-01-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1977, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1977-01-10)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (on 1977-01-10)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar6:06
17Pomp and Circumstance, op. 39 — Military Marches: No. 2 in A minor
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1976-12-16)
conductor:
Sir Adrian Boult (conductor) (on 1976-12-16)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1977, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-12-16)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 2 in A minor (on 1976-12-16)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
composer:
Edward Elgar (composer) (in 1901)
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar2:53
18Pomp and Circumstance, op. 39 — Military Marches: No. 3 in C minor
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1976-12-16)
conductor:
Sir Adrian Boult (conductor) (on 1976-12-16)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1977, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-12-16)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 3 in C minor (on 1976-12-16)
composer:
Edward Elgar (composer) (in 1904)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1905-03-08)
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar5:41
19Pomp and Circumstance, op. 39 — Military Marches: No. 4 in G
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1976-10-10)
conductor:
Sir Adrian Boult (conductor) (on 1976-10-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1977, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1976-10-10)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major (on 1976-10-10)
composer:
Edward Elgar (composer) (in 1907)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1907-08-24)
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar5:05
20Pomp and Circumstance, op. 39 — Military Marches: No. 5 in C
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1976-10-10)
conductor:
Sir Adrian Boult (conductor) (on 1976-10-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1977, in 1986)
engineered at:
Kingsway Hall in London (Greater London), England, United Kingdom
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 5 in C major (on 1976-10-10)
composer:
Edward Elgar (composer) (in 1930)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1930-09-20)
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar5:38
21Grania and Diarmid, op. 42 — Incidental Music: I. Incidental Music
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1974-02-04 until 1974-02-11)
conductor:
Sir Adrian Boult (conductor) (from 1974-02-04 until 1974-02-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1975, in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-02-04, on 1974-02-06, on 1974-02-11)
recording of:
Grania and Diarmid, op. 42: I. Incidental Music (from 1974-02-04 until 1974-02-11)
composer:
Edward Elgar (composer) (in 1901)
part of:
Grania and Diarmid, op. 42
Sir Edward Elgar2:48
22Grania and Diarmid, op. 42 — Incidental Music: II. Funeral March
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1974-02-04 until 1974-02-11)
conductor:
Sir Adrian Boult (conductor) (from 1974-02-04 until 1974-02-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1975, in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1974-02-04 until 1974-02-11, on 1974-02-06, on 1974-02-11)
recording of:
Grania and Diarmid, op. 42: II. Funeral March (from 1974-02-04 until 1974-02-11)
composer:
Edward Elgar (composer) (in 1901)
part of:
Grania and Diarmid, op. 42
Sir Edward Elgar6:48
23Dream Children, op. 43: I. Andante
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1974-02-04 until 1974-02-11)
conductor:
Sir Adrian Boult (conductor) (from 1974-02-04 until 1974-02-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1975, in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-02-04, on 1974-02-06, on 1974-02-11)
recording of:
Dream Children, op. 43: I. Andante (from 1974-02-04 until 1974-02-11)
composer:
Edward Elgar (composer) (in 1902)
part of:
Dream Children, op. 43
Sir Edward Elgar2:44
24Dream Children, op. 43: II. Allegretto piacevole
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1974-02-04 until 1974-02-11)
conductor:
Sir Adrian Boult (conductor) (from 1974-02-04 until 1974-02-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1975, in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-02-04, on 1974-02-06, on 1974-02-11)
recording of:
Dream Children, op. 43: II. Allegretto piacevole (from 1974-02-04 until 1974-02-11)
composer:
Edward Elgar (composer) (in 1902)
part of:
Dream Children, op. 43
Sir Edward Elgar3:33
25Empire March
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1977-01-10)
conductor:
Sir Adrian Boult (conductor) (on 1977-01-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1977, in 1995)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1977-01-10)
recording of:
Empire March (on 1977-01-10)
composer:
Edward Elgar (composer) (in 1924)
premiered at:
Wembley Stadium (1st incarnation, 1923–2000) in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (on 1924-07-21)
Sir Edward Elgar4:26
3▼CD
#TitleArtistRatingLength
1The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: I. Overture: Allegro molto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
The Wand of Youth Suite no. 1, op. 1a: I. Overture (from 1967-04-17 until 1967-04-18)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar1:41
2The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: II. Serenade: Andantino
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
The Wand of Youth Suite no. 1, op. 1a: II. Serenade (from 1967-04-17 until 1967-04-18)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar2:35
3The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: III. Minuet (Old Style): Andante
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
The Wand of Youth Suite no. 1, op. 1a: III. Minuet (Old Style) (from 1967-04-17 until 1967-04-18)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar2:27
4The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: IV. Sun Dance: Presto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
The Wand of Youth Suite no. 1, op. 1a: IV. Sun Dance (from 1967-04-17 until 1967-04-18)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar2:43
5The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: V. Fairy Pipers: Allegretto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
The Wand of Youth Suite no. 1, op. 1a: V. Fairy Pipers (from 1967-04-17 until 1967-04-18)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar4:01
6The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: VI. Slumber Scene: Moderato
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
The Wand of Youth Suite no. 1, op. 1a: VI. Slumber Scene (from 1967-04-17 until 1967-04-18)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar3:28
7The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: VII. Fairies and Giants: Presto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
The Wand of Youth Suite no. 1, op. 1a: VII. Fairies and Giants (from 1967-04-17 until 1967-04-18)
composer:
Edward Elgar (composer)
is based on:
Humoreske
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar3:12
8The Wand of Youth — Music to a Child’s Play: Second Suite, op. 1b: I. March (Alla Marcia): Allegro moderato
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
The Wand of Youth Suite no. 2, op. 1b: I. March (from 1967-04-17 until 1967-04-18)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 2, op. 1b
Sir Edward Elgar4:29
9The Wand of Youth — Music to a Child’s Play: Second Suite, op. 1b: II. The Little Bells (Scherzino): Allegro molto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
The Wand of Youth Suite no. 2, op. 1b: II. The Little Bells (Scherzino) (from 1967-04-17 until 1967-04-18)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 2, op. 1b
Sir Edward Elgar2:23
10The Wand of Youth — Music to a Child’s Play: Second Suite, op. 1b: III. Moths and Butterflies (Dance): Allegretto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
The Wand of Youth Suite no. 2, op. 1b: III. Moths and Butterflies (Dance) (from 1967-04-17 until 1967-04-18)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 2, op. 1b
Sir Edward Elgar2:05
11The Wand of Youth — Music to a Child’s Play: Second Suite, op. 1b: IV. Fountain Dance: Allegretto comodo
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
The Wand of Youth Suite no. 2, op. 1b: IV. Fountain Dance (from 1967-04-17 until 1967-04-18)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 2, op. 1b
Sir Edward Elgar2:52
12The Wand of Youth — Music to a Child’s Play: Second Suite, op. 1b: V. The Tame Bear: Allegro moderato
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
The Wand of Youth Suite no. 2, op. 1b: V. The Tame Bear (from 1967-04-17 until 1967-04-18)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 2, op. 1b
Sir Edward Elgar2:30
13The Wand of Youth — Music to a Child’s Play: Second Suite, op. 1b: VI. Wild Bears: Presto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
The Wand of Youth Suite no. 2, op. 1b: VI. The Wild Bears (from 1967-04-17 until 1967-04-18)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 2, op. 1b
Sir Edward Elgar2:25
14Carillon, op. 75
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1974-02-04 until 1974-02-11)
conductor:
Sir Adrian Boult (conductor) (from 1974-02-04 until 1974-02-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1975, in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-02-04, on 1974-02-06, on 1974-02-11)
recording of:
Carillon, op. 75 (from 1974-02-04 until 1974-02-11)
composer:
Edward Elgar (composer)
librettist:
Émile Cammaerts (Belgian 20th century author & playwriter)
part of:
Works of Edward Elgar by opus number (number: op. 75)
Sir Edward Elgar4:17
15Polonia, op. 76
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1974-02-04 until 1974-02-11)
conductor:
Sir Adrian Boult (conductor) (from 1974-02-04 until 1974-02-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1975, in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-02-04, on 1974-02-06, on 1974-02-11)
recording of:
Polonia, op. 76 (from 1974-02-04 until 1974-02-11)
composer:
Edward Elgar (composer) (in 1915)
part of:
Works of Edward Elgar by opus number (number: op. 76)
Sir Edward Elgar12:39
16Fantasia and Fugue in C minor, op. 86 (J.S. Bach BWV537): I. Fantasia
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-06-04)
conductor:
Sir Adrian Boult (conductor) (on 1973-06-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-06-04)
recording of:
Fantasia and Fugue in C minor, op. 86, BWV 537: Fantasia (Elgar orchestration) (on 1973-06-04)
orchestrator:
Edward Elgar (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Fantasie und Fuge C-moll, BWV 537: I. Fantasie
part of:
Fantasia and Fugue in C minor, op. 86, BWV 537 (Elgar orchestration)
J.S. Bach, Sir Edward Elgar5:08
17Fantasia and Fugue in C minor, op. 86 (J.S. Bach BWV537): II. Fugue
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-06-04)
conductor:
Sir Adrian Boult (conductor) (on 1973-06-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-06-04)
recording of:
Fantasia and Fugue in C minor, op. 86, BWV 537: Fugue (Elgar orchestration) (on 1973-06-04)
orchestrator:
Edward Elgar (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Fantasie und Fuge C-moll, BWV 537: II. Fuge
part of:
Fantasia and Fugue in C minor, op. 86, BWV 537 (Elgar orchestration)
J.S. Bach, Sir Edward Elgar3:30
18Overture in D minor
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1970-09-29 until 1971-02-19)
conductor:
Sir Adrian Boult (conductor) (from 1970-09-29 until 1971-02-19)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1972, in 2004)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (on 1970-09-29, on 1971-02-19)
recording of:
Overture in D minor (from Handel's Chandos Anthem no. 2) (from 1970-09-29 until 1971-02-19)
orchestrator:
Edward Elgar (composer) (in 1923)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Chandos Anthem no. 2, HWV 247 “In the Lord put I my trust”: Sonata
Handel, Sir Edward Elgar5:06
19Funeral March (from Chopin: Piano Sonata no. 2, op. 35)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1974-02-04 until 1974-02-11)
conductor:
Sir Adrian Boult (conductor) (from 1974-02-04 until 1974-02-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1975, in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-02-04, on 1974-02-06, on 1974-02-11)
recording of:
Funeral March (orchestrated by Elgar) (from 1974-02-04 until 1974-02-11)
orchestrator:
Edward Elgar (composer) (in 1933)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
orchestration of:
Sonata for Piano no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento
Chopin, Sir Edward Elgar7:09
4▼CD
#TitleArtistRatingLength
1Symphony no. 1 in A flat, op. 55: I. Andante, nobilmente e semplice — Allegro
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1976-09-20 until 1976-09-25)
conductor:
Sir Adrian Boult (conductor) (from 1976-09-20 until 1976-09-25)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1977, in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-09-20, on 1976-09-25)
recording of:
Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice (from 1976-09-20 until 1976-09-25)
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
Sir Edward Elgar18:40
2Symphony no. 1 in A flat, op. 55: II. Allegro molto —
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1976-09-20 until 1976-09-25)
conductor:
Sir Adrian Boult (conductor) (from 1976-09-20 until 1976-09-25)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1977, in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-09-20, on 1976-09-25)
recording of:
Symphony no. 1 in A-flat major, op. 55: II. Allegro molto (from 1976-09-20 until 1976-09-25)
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
Sir Edward Elgar7:14
3Symphony no. 1 in A flat, op. 55: III. Adagio
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1976-09-20 until 1976-09-25)
conductor:
Sir Adrian Boult (conductor) (from 1976-09-20 until 1976-09-25)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1977, in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-09-20, on 1976-09-25)
recording of:
Symphony no. 1 in A-flat major, op. 55: III. Adagio (from 1976-09-20 until 1976-09-25)
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
Sir Edward Elgar10:58
4Symphony no. 1 in A flat, op. 55: IV. Lento — Allegro
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1976-10-10)
conductor:
Sir Adrian Boult (conductor) (on 1976-10-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1977, in 1985)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1976-10-10)
recording of:
Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro (on 1976-10-10)
composer:
Edward Elgar (composer) (from 1907 until 1908)
part of:
Symphony no. 1 in A-flat major, op. 55
Sir Edward Elgar12:10
5In the South (Alassio) op. 50 — Concert Overture: Vivace —
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1970-09-29)
conductor:
Sir Adrian Boult (conductor) (on 1970-09-29)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1972, in 1988)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (on 1970-09-29)
partial recording of:
In the South (Alassio), op. 50 (on 1970-09-29)
composer:
Edward Elgar (composer) (from 1903 until 1904)
dedicated to:
Frank Schuster
premiered at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (on 1904-03-16)
part of:
Works of Edward Elgar by opus number (number: op. 50)
Sir Edward Elgar6:11
6In the South (Alassio) op. 50 — Concert Overture: Grandioso (fig. 20) —
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1970-09-29)
conductor:
Sir Adrian Boult (conductor) (on 1970-09-29)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1972, in 1988)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (on 1970-09-29)
partial recording of:
In the South (Alassio), op. 50 (on 1970-09-29)
composer:
Edward Elgar (composer) (from 1903 until 1904)
dedicated to:
Frank Schuster
premiered at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (on 1904-03-16)
part of:
Works of Edward Elgar by opus number (number: op. 50)
Sir Edward Elgar3:46
7In the South (Alassio) op. 50 — Concert Overture: Meno mosso, molto tranquillo (canto popolare) (fig. 34) —
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1970-09-29)
conductor:
Sir Adrian Boult (conductor) (on 1970-09-29)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1972, in 1988)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (on 1970-09-29)
partial recording of:
In the South (Alassio), op. 50 (on 1970-09-29)
composer:
Edward Elgar (composer) (from 1903 until 1904)
dedicated to:
Frank Schuster
premiered at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (on 1904-03-16)
part of:
Works of Edward Elgar by opus number (number: op. 50)
Sir Edward Elgar3:17
8In the South (Alassio) op. 50 — Concert Overture: Tempo I (fig. 40) — Poco meno mosso
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1970-09-29)
conductor:
Sir Adrian Boult (conductor) (on 1970-09-29)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1972, in 1988)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (on 1970-09-29)
partial recording of:
In the South (Alassio), op. 50 (on 1970-09-29)
composer:
Edward Elgar (composer) (from 1903 until 1904)
dedicated to:
Frank Schuster
premiered at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (on 1904-03-16)
part of:
Works of Edward Elgar by opus number (number: op. 50)
Sir Edward Elgar6:42
9Elegy op. 58
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1974-02-04 until 1974-02-11)
conductor:
Sir Adrian Boult (conductor) (from 1974-02-04 until 1974-02-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1975, in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-02-04, on 1974-02-06, on 1974-02-11)
recording of:
Elegy, op. 58 (from 1974-02-04 until 1974-02-11)
composer:
Edward Elgar (composer) (in 1909)
premiered at:
Mansion House in London (Greater London), England, United Kingdom (on 1909-07-13)
part of:
Works of Edward Elgar by opus number (number: op. 58)
Sir Edward Elgar3:27
5▼CD
#TitleArtistRatingLength
1Symphony no. 2 in E flat, op. 63: I. Allegro vivace e nobilmente
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1975-11-03 until 1976-01-07)
conductor:
Sir Adrian Boult (conductor) (from 1975-11-03 until 1976-01-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976) and Warner Classics (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1975-11-03, on 1976-01-02, on 1976-01-07)
recording of:
Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente (from 1975-11-03 until 1976-01-07)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
Sir Edward Elgar17:36
2Symphony no. 2 in E flat, op. 63: II. Larghetto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1975-11-03 until 1976-01-07)
conductor:
Sir Adrian Boult (conductor) (from 1975-11-03 until 1976-01-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976) and Warner Classics (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1975-11-03, on 1976-01-02, on 1976-01-07)
recording of:
Symphony no. 2 in E-flat major, op. 63: II. Larghetto (from 1975-11-03 until 1976-01-07)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
Sir Edward Elgar14:14
3Symphony no. 2 in E flat, op. 63: III. Rondo (Presto)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1975-11-03 until 1976-01-07)
conductor:
Sir Adrian Boult (conductor) (from 1975-11-03 until 1976-01-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976) and Warner Classics (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1975-11-03, on 1976-01-02, on 1976-01-07)
recording of:
Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto (from 1975-11-03 until 1976-01-07)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
Sir Edward Elgar8:08
4Symphony no. 2 in E flat, op. 63: IV. Moderato e maestoso
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1975-11-03 until 1976-01-07)
conductor:
Sir Adrian Boult (conductor) (from 1975-11-03 until 1976-01-07)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976) and Warner Classics (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1975-11-03, on 1976-01-02, on 1976-01-07)
recording of:
Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso (from 1975-11-03 until 1976-01-07)
composer:
Edward Elgar (composer) (from 1903 until 1911)
part of:
Symphony no. 2 in E-flat major, op. 63
Sir Edward Elgar13:24
5The Sanguine Fan, op. 81: I. (A Glade)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Sir Edward Elgar0:50
6The Sanguine Fan, op. 81: II. Pan enters piping
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Sir Edward Elgar1:28
7The Sanguine Fan, op. 81: III. A young man enters, awaiting someone
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Sir Edward Elgar0:21
8The Sanguine Fan, op. 81: IV. Two girls enter gaily; the young man returns
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-05-14 until 1973-05-15)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Sir Edward Elgar1:21
9The Sanguine Fan, op. 81: V. The young man declares his passion for the first girl
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Sir Edward Elgar1:17
10The Sanguine Fan, op. 81: VI. Echo awakes Pan, who falls in love with her
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Sir Edward Elgar5:35
11The Sanguine Fan, op. 81: VII. Three Shepherdesses bring gifts to Pan
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Sir Edward Elgar1:39
12The Sanguine Fan, op. 81: VIII. The first girl and the young man enter
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Sir Edward Elgar0:58
13The Sanguine Fan, op. 81: IX. Echo snatches Pan’s pipes and tempts the young man
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Sir Edward Elgar0:56
14The Sanguine Fan, op. 81: X. Echo, now disguised as a mortal, captivates the young man
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Sir Edward Elgar0:23
15The Sanguine Fan, op. 81: XI. Pan rouses and, full of jealous wrath, pursues the young man
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Sir Edward Elgar0:29
16The Sanguine Fan, op. 81: XII. Echo, sans disguise, runs back to Pan
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1973-08-11)
conductor:
Sir Adrian Boult (conductor) (on 1973-08-11)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1974, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-08-11)
partial recording of:
The Sanguine Fan, op. 81 (on 1973-08-11)
composer:
Edward Elgar (composer)
was commissioned by:
Lady Alice Stuart-Wortley
part of:
Works of Edward Elgar by opus number (number: op. 81)
Sir Edward Elgar2:05
17Sospiri, op. 70
producer:
Lawrance Collingwood
orchestra:
BBC Symphony Orchestra (on 1937-03-24)
conductor:
Sir Adrian Boult (conductor) (on 1937-03-24)
balance engineer:
Arthur Clarke (engineer)
phonographic copyright (℗) by:
Warner Classics (in 1986, in 1989)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1937-03-24)
recording of:
Sospiri, op. 70 (for strings, harp (or piano) and organ (or harmonium)) (on 1937-03-24)
composer:
Edward Elgar (composer) (in 1914)
dedicated to:
William Henry Reed
publisher:
Breitkopf & Härtel
part of:
Works of Edward Elgar by opus number (number: op. 70)
Sir Edward Elgar4:15
6▼CD
#TitleArtistRatingLength
1Introduction and Allegro, op. 47
producer:
Christopher Bishop (conductor/producer)
cello:
Alexander Cameron (cellist) (from 1972-10-29 until 1972-12-10)
instruments:
John Chambers (viola) (from 1972-10-29 until 1972-12-10)
violin:
Rodney Friend (violinist) (from 1972-10-29 until 1972-12-10) and John Willison (from 1972-10-29 until 1972-12-10)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-10-29 until 1972-12-10)
conductor:
Sir Adrian Boult (conductor) (from 1972-10-29 until 1972-12-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1973, in 1988)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-10-29 until 1972-10-30, on 1972-12-10)
recording of:
Introduction and Allegro for Strings, op. 47 (from 1972-10-29 until 1972-12-10)
composer:
Edward Elgar (composer) (in 1905)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1905-03-08)
part of:
Works of Edward Elgar by opus number (number: op. 47)
Elgar14:20
2Falstaff, op. 68 — Symphonic Study in C minor: I. Falstaff and Prince Henry
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-05-15 until 1973-06-04)
conductor:
Sir Adrian Boult (conductor) (from 1973-05-15 until 1973-06-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-05-15, on 1973-06-04)
recording of:
Falstaff, op. 68: I. Falstaff and Prince Henry (from 1973-05-15 until 1973-06-04)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Elgar3:11
3Falstaff, op. 68 — Symphonic Study in C minor: II. Eastcheap — Gadshill — The Boar’s Head, revelry and sleep
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-05-15 until 1973-06-04)
conductor:
Sir Adrian Boult (conductor) (from 1973-05-15 until 1973-06-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-05-15, on 1973-06-04)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) (from 1973-05-15 until 1973-06-04)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Elgar13:05
4Falstaff, op. 68 — Symphonic Study in C minor: II. Dream Interlude: “Jack Falstaff, now Sir John, a boy, and a page to Thomas Mowbray, Duke of Norfolk”: Poco allegretto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-05-15 until 1973-06-04)
conductor:
Sir Adrian Boult (conductor) (from 1973-05-15 until 1973-06-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-05-15, on 1973-06-04)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) (from 1973-05-15 until 1973-06-04)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Elgar2:25
5Falstaff, op. 68 — Symphonic Study in C minor: III. Falstaff’s march — The return through Gloucestershire —
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-05-15 until 1973-06-04)
conductor:
Sir Adrian Boult (conductor) (from 1973-05-15 until 1973-06-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-05-15, on 1973-06-04)
partial recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London (from 1973-05-15 until 1973-06-04)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Elgar4:16
6Falstaff, op. 68 — Symphonic Study in C minor: III. Interlude: Gloucestershire: Shallow’s orchard: Allegretto — The new king — The hurried trip to London
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-05-15 until 1973-06-04)
conductor:
Sir Adrian Boult (conductor) (from 1973-05-15 until 1973-06-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-05-15, on 1973-06-04)
partial recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London (from 1973-05-15 until 1973-06-04)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Elgar2:47
7Falstaff, op. 68 — Symphonic Study in C minor: IV. King Henry V’s progress — The repudiation of Falstaff, and his death
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-05-15 until 1973-06-04)
conductor:
Sir Adrian Boult (conductor) (from 1973-05-15 until 1973-06-04)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-05-15, on 1973-06-04)
recording of:
Falstaff, op. 68: IV. King Henry V's Progress – The Repudiation of Falstaff, and His Death (from 1973-05-15 until 1973-06-04)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Elgar8:50
8Nursery Suite: I. Aubade (Awake): Allegretto
miscellaneous support:
Elgar Foundation and Elgar Society
producer:
David Bicknell (producer and engineer) and Geraint Jones (conductor, organist / harpsichordist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1955-06-23)
conductor:
Sir Adrian Boult (conductor) (on 1955-06-23)
balance engineer:
Laurie Bamber and Douglas Larter
phonographic copyright (℗) by:
Testament (UK classical) (in 1997)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1955-06-23)
recording of:
Nursery Suite: I. Aubade (on 1955-06-23)
composer:
Edward Elgar (composer)
part of:
Nursery Suite
Elgar4:36
9Nursery Suite: II. The Serious Doll: Andantino
miscellaneous support:
Elgar Foundation and Elgar Society
producer:
David Bicknell (producer and engineer) and Geraint Jones (conductor, organist / harpsichordist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1955-09-20)
conductor:
Sir Adrian Boult (conductor) (on 1955-09-20)
balance engineer:
Laurie Bamber and Douglas Larter
phonographic copyright (℗) by:
Testament (UK classical) (in 1997)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1955-09-20)
recording of:
Nursery Suite: II. The Serious Doll (on 1955-09-20)
composer:
Edward Elgar (composer)
part of:
Nursery Suite
Elgar3:10
10Nursery Suite: III. Busy-ness: Allegro molto
miscellaneous support:
Elgar Foundation and Elgar Society
producer:
David Bicknell (producer and engineer) and Geraint Jones (conductor, organist / harpsichordist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1955-06-23)
conductor:
Sir Adrian Boult (conductor) (on 1955-06-23)
balance engineer:
Laurie Bamber and Douglas Larter
phonographic copyright (℗) by:
Testament (UK classical) (in 1997)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1955-06-23)
recording of:
Nursery Suite: III. Busy-Ness (on 1955-06-23)
composer:
Edward Elgar (composer)
part of:
Nursery Suite
Elgar2:21
11Nursery Suite: IV. The Sad Doll: Andantino
miscellaneous support:
Elgar Foundation and Elgar Society
producer:
David Bicknell (producer and engineer) and Geraint Jones (conductor, organist / harpsichordist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1955-06-23)
conductor:
Sir Adrian Boult (conductor) (on 1955-06-23)
balance engineer:
Laurie Bamber and Douglas Larter
phonographic copyright (℗) by:
Testament (UK classical) (in 1997)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1955-06-23)
recording of:
Nursery Suite: IV. The Sad Doll (on 1955-06-23)
composer:
Edward Elgar (composer)
part of:
Nursery Suite
Elgar1:31
12Nursery Suite: V. The Wagon (Passes): Allegretto
miscellaneous support:
Elgar Foundation and Elgar Society
producer:
David Bicknell (producer and engineer) and Geraint Jones (conductor, organist / harpsichordist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1955-09-20)
conductor:
Sir Adrian Boult (conductor) (on 1955-09-20)
balance engineer:
Laurie Bamber and Douglas Larter
phonographic copyright (℗) by:
Testament (UK classical) (in 1997)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1955-09-20)
recording of:
Nursery Suite: V. The Wagon (Passes) (on 1955-09-20)
composer:
Edward Elgar (composer)
part of:
Nursery Suite
Elgar1:30
13Nursery Suite: VI. The Merry Doll: Allegro molto
miscellaneous support:
Elgar Foundation and Elgar Society
producer:
David Bicknell (producer and engineer) and Geraint Jones (conductor, organist / harpsichordist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1955-09-20)
conductor:
Sir Adrian Boult (conductor) (on 1955-09-20)
balance engineer:
Laurie Bamber and Douglas Larter
phonographic copyright (℗) by:
Testament (UK classical) (in 1997)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1955-09-20)
recording of:
Nursery Suite: VI. The Merry Doll (on 1955-09-20)
composer:
Edward Elgar (composer)
part of:
Nursery Suite
Elgar1:28
14Nursery Suite: VII. Dreaming: Lento — Envoy: Coda
miscellaneous support:
Elgar Foundation and Elgar Society
producer:
David Bicknell (producer and engineer) and Geraint Jones (conductor, organist / harpsichordist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1955-09-20)
conductor:
Sir Adrian Boult (conductor) (on 1955-09-20)
balance engineer:
Laurie Bamber and Douglas Larter
phonographic copyright (℗) by:
Testament (UK classical) (in 1997)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1955-09-20)
recording of:
Nursery Suite: VII. Dreaming (on 1955-09-20)
composer:
Edward Elgar (composer)
part of:
Nursery Suite
Elgar6:39
15Fantasia and Fugue in C minor (J.S. Bach BWV 537 orch. Elgar), op. 86: I. Fantasia
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1949-10-03)
conductor:
Sir Adrian Boult (conductor) (on 1949-10-03)
balance engineer:
Arthur Clarke (engineer)
phonographic copyright (℗) by:
Testament (UK classical) (in 1997)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1949-10-03)
recording of:
Fantasia and Fugue in C minor, op. 86, BWV 537: Fantasia (Elgar orchestration) (on 1949-10-03)
orchestrator:
Edward Elgar (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Fantasie und Fuge C-moll, BWV 537: I. Fantasie
part of:
Fantasia and Fugue in C minor, op. 86, BWV 537 (Elgar orchestration)
Johann Sebastian Bach, Edward Elgar4:57
16Fantasia and Fugue in C minor (J.S. Bach BWV 537 orch. Elgar), op. 86: II. Fugue
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1949-10-03)
conductor:
Sir Adrian Boult (conductor) (on 1949-10-03)
balance engineer:
Arthur Clarke (engineer)
phonographic copyright (℗) by:
Testament (UK classical) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1949-10-03) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1949-10-03)
recording of:
Fantasia and Fugue in C minor, op. 86, BWV 537: Fugue (Elgar orchestration) (on 1949-10-03)
orchestrator:
Edward Elgar (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Fantasie und Fuge C-moll, BWV 537: II. Fuge
part of:
Fantasia and Fugue in C minor, op. 86, BWV 537 (Elgar orchestration)
Johann Sebastian Bach, Edward Elgar3:31
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Credits

Release

manufactured in:EU (Europe)
printed in:EU (Europe)
photography:Derek Allen (photographer)
liner notes:Martin Cotton (in 2013)
liner notes translator:Dennis Collins (liner notes translator) (in 2013)
Leandra Rhoese (liner notes translator) (in 2013)
compiler:Richard J. Bradburn (compiler)
copyrighted (©) by and phonographic copyright (℗) by:Warner Classics (in 2013)
ASIN:UK: B00C68FJ0K [info]

Release group

includes:Choral Works
Enigma Variations / Pomp & Circumstance Marches Nos. 1–5 by Elgar (Edward Elgar, composer); London Symphony Orchestra, London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
Symphony no. 1 in A-flat / Serenade for Strings / Chanson de nuit / Chanson de matin by Sir Edward Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
Symphony no. 2 in E-flat / Cockaigne Overture by Sir Edward Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)