The Complete Recordings

~ Release by Elgar; Sir Adrian Boult (see all versions of this release, 1 available)

Annotation

Packaging: box with booklet and 19CDs (each in cardboard sleeve)

Status: All 19 discs now have tracklists entered. All records I could find shared/merged. All ARs entered.

Still to do: Some editing for consistency. Linking (and creating if needed) works.

Annotation last modified on 2017-09-16 05:02 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Cockaigne (In London Town), op. 40 — Concert Overture
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1970-09-29)
conductor:
Sir Adrian Boult (conductor) (on 1970-09-29)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972) and Warner Classics (in 1987)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (on 1970-09-29)
recording of:
Cockaigne (In London Town), op. 40 (on 1970-09-29)
composer:
Edward Elgar (composer) (in 1897)
premiered at:
[concert] (1901-06-20)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes) (in 1901)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-06-20)
part of:
Works of Edward Elgar by opus number (number: op. 40)
Sir Edward Elgar14:56
2Froissart, op. 19 — Concert Overture
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1971-02-19)
conductor:
Sir Adrian Boult (conductor) (on 1971-02-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1988)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (on 1971-02-19)
recording of:
Froissart Overture, op. 19 (on 1971-02-19)
premiered in:
Worcester, Worcestershire, England, United Kingdom (on 1890-09-09)
composer:
Edward Elgar (composer) (in 1890)
part of:
Works of Edward Elgar by opus number (number: op. 19)
Sir Edward Elgar12:54
3Serenade in E minor, op. 20: I. Allegro piacevole
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-10-29 until 1972-12-10)
conductor:
Sir Adrian Boult (conductor) (from 1972-10-29 until 1972-12-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973, in 1985)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-10-29 until 1972-10-30)
recording of:
Serenade for Strings in E minor, op. 20: I. Allegro piacevole (from 1972-10-29 until 1972-12-10)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Sir Edward Elgar3:50
4Serenade in E minor, op. 20: II. Larghetto
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-10-29 until 1972-12-10)
conductor:
Sir Adrian Boult (conductor) (from 1972-10-29 until 1972-12-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973, in 1985)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-10-29 until 1972-10-30)
recording of:
Serenade for Strings in E minor, op. 20: II. Larghetto (from 1972-10-29 until 1972-12-10)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Sir Edward Elgar5:21
5Serenade in E minor, op. 20: III. Allegretto — Come prima
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-10-29 until 1972-12-10)
conductor:
Sir Adrian Boult (conductor) (from 1972-10-29 until 1972-12-10)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973, in 1985)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-10-29 until 1972-10-30)
recording of:
Serenade for Strings in E minor, op. 20: III. Allegretto (from 1972-10-29 until 1972-12-10)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Sir Edward Elgar3:16
6Chanson de nuit, op. 15 no. 1
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18, on 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18, on 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1985)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-18)
recording of:
Chanson de nuit, op. 15 no. 1 (for orchestra) (on 1967-04-18)
orchestrator and composer:
Edward Elgar (composer)
publisher:
Public Domain (refers to works that are in the public domain)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-09-14)
version of:
Chanson de nuit, op. 15 no. 1 (for violin and piano)
Sir Edward Elgar4:29
7Chanson de matin, op. 15 no. 2
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18, on 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18, on 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1985)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-04-18)
recording of:
Chanson de matin, op. 15 no. 2 (for orchestra) (on 1967-04-18)
orchestrator and composer:
Edward Elgar (composer)
publisher:
Public Domain (refers to works that are in the public domain)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-09-14)
arrangement of:
Chanson de matin, op. 15 no. 2 (for violin and piano)
Sir Edward Elgar3:11
8Three Bavarian Dances: I. The Dance (Sonnenbichl): Allegretto giocoso
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
Three Bavarian Dances: No. 1. The Dance (from 1967-04-17 until 1967-04-18)
composer and arranger:
Edward Elgar (composer)
arrangement of:
From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl)
part of:
Three Bavarian Dances, op. 27a
Sir Edward Elgar3:32
9Three Bavarian Dances: II. Lullaby (In Hammersbach): Moderato
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
Three Bavarian Dances: No. 2. Lullaby (from 1967-04-17 until 1967-04-18)
composer and arranger:
Edward Elgar (composer)
arrangement of:
From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach)
part of:
Three Bavarian Dances, op. 27a
Sir Edward Elgar3:15
10Three Bavarian Dances: III. The Marksman (Bei Murnau): Allegro vivace
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1967-04-17 until 1967-04-18)
conductor:
Sir Adrian Boult (conductor) (from 1967-04-17 until 1967-04-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
Warner Classics (in 1968, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-04-17 until 1967-04-18)
recording of:
Three Bavarian Dances: No. 3. The Marksmen (from 1967-04-17 until 1967-04-18)
composer and arranger:
Edward Elgar (composer)
arrangement of:
From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau)
part of:
Three Bavarian Dances, op. 27a
Sir Edward Elgar4:49
11Meditation (from the Light of Life, op. 29)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1974-02-06)
conductor:
Sir Adrian Boult (conductor) (on 1974-02-06)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and Warner Classics (in 1975, in 1986)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1974-02, on 1974-02-06)
recording of:
The Light of Life, op. 29 no. 1: Meditation (on 1974-02-06)
composer:
Edward Elgar (composer)
part of:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Edward Elgar5:56
12Imperial March, op. 32
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1976-12-16)
conductor:
Sir Adrian Boult (conductor) (on 1976-12-16)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1977, in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-12-16)
recording of:
Imperial March, op. 32 (on 1976-12-16)
composer:
Edward Elgar (composer) (from 1896 until 1897)
dedicated to:
H.M. Queen Victoria
premiered at:
The Crystal Palace in London (Greater London), England, United Kingdom (on 1897-04-19)
part of:
Works of Edward Elgar by opus number (number: op. 32)
Sir Edward Elgar4:29
13Triumphal March (from Caractacus, op. 35)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1974-02-04 until 1974-02-11)
conductor:
Sir Adrian Boult (conductor) (from 1974-02-04 until 1974-02-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1975, in 1995)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-02-04, on 1974-02-06, on 1974-02-11)
recording of:
Caractacus, op. 35: Scene VI, Rome: “The March Triumphal Thunders” (Orchestra and Chorus) (from 1974-02-04 until 1974-02-11)
composer:
Edward Elgar (composer)
part of:
Caractacus, op. 35
part of:
Caractacus, op. 35
Sir Edward Elgar7:03
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Credits

Release

manufactured in:EU (Europe)
printed in:EU (Europe)
photography:Derek Allen (photographer)
liner notes:Martin Cotton (in 2013)
liner notes translator:Dennis Collins (liner notes translator) (in 2013)
Leandra Rhoese (liner notes translator) (in 2013)
compiler:Richard J. Bradburn (compiler)
copyrighted (©) by and phonographic copyright (℗) by:Warner Classics (in 2013)
ASIN:UK: B00C68FJ0K [info]

Release group

includes:Choral Works
Enigma Variations / Pomp & Circumstance Marches Nos. 1–5 by Elgar (Edward Elgar, composer); London Symphony Orchestra, London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
Symphony no. 1 in A-flat / Serenade for Strings / Chanson de nuit / Chanson de matin by Sir Edward Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
Symphony no. 2 in E-flat / Cockaigne Overture by Sir Edward Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)