Golden Jazz Box: The Six Best Albums From the Six Best Ladies of Jazz

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD: Gloomy Sunday
#TitoloArtistaValutazioneDurata
1You Go to My Head
registrazione di:
You Go to My Head
paroliere:
Haven Gillespie (nel 1938)
compositore:
J. Fred Coots (nel 1938)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) e Warner Bros. Music Corp.
Billie Holiday2:54
2St.Louis Blues
voce:
Billie Holiday (il 1940-10-15)
registrazione di:
St. Louis Blues (il 1940-10-15)
paroliere e compositore:
William Christopher Handy (nel 1913)
editore:
Handy Bros. Music Co., Inc.
sub-editore:
Reuter & Reuter Förlags AB
Billie Holiday2:54
3Sophisticated Lady
batteria :
Alvin Stoller (il 1956-08-18)
chitarra :
Barney Kessel (il 1956-08-18)
contrabbasso :
Joe Mondragon (il 1956-08-18)
pianoforte :
Jimmy Rowles (il 1956-08-18)
sassofono tenore :
Ben Webster (il 1956-08-18)
tromba :
Harry “Sweets” Edison (il 1956-08-18)
voce:
Billie Holiday (il 1956-08-18)
registrazione di:
Sophisticated Lady (il 1956-08-18)
paroliere:
Mitchell Parish e Irving Mills (nel 1932)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1932)
editore:
Duke Ellington Music (conclusa), Mills Music, Inc. (conclusa), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (fino al 2007-05) e Sony/ATV Harmony (dal 2007-05 a oggi)
parte di:
Sophisticated Ladies (1981 musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
Billie Holiday4:50
4Gloomy Sunday
registrazione di:
Gloomy Sunday
paroliere:
Jávor László (Hungarian poet)
compositore:
Rezső Seress
traduttore:
Sam M. Lewis (1930s lyricist)
versione tradotta di:
Szomorú vasárnap
Billie Holiday3:12
5Body and Soul
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Alvin Stoller (il 1957-01-07)
chitarra :
Barney Kessel (il 1957-01-07)
contrabbasso :
Red Mitchell (jazz double-bassist, composer and lyricist) (il 1957-01-07)
contrabbasso [bass] :
Joe Mondragon (nel 1957-01)
pianoforte :
Jimmy Rowles (il 1957-01-07)
sassofono tenore :
Ben Webster (il 1957-01-07)
tromba :
Harry “Sweets” Edison (il 1957-01-07)
voce:
Billie Holiday (il 1957-01-07)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (dal 1957-01-07 al 1957-01-09)
registrazione di:
Body and Soul (il 1957-01-07)
paroliere:
Frank Eyton (nel 1930), Edward Heyman (nel 1930) e Robert Sour (nel 1930)
compositore:
Edward Heyman, Robert Sour e John Green (composer and conductor, often credited as John Green) (nel 1930)
editore:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billie Holiday36:23
6I Cover the Waterfront
batteria :
J.C. Heard (il 1941-08-07)
chitarra :
Al Casey (US jazz/soul guitarist) (il 1941-08-07)
clarinetto :
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (il 1941-08-07)
contrabbasso :
Johnny Williams (jazz bassist) (il 1941-08-07)
pianoforte :
Teddy Wilson (il 1941-08-07)
sassofono contralto :
Hymie Shertzer (il 1941-08-07)
sassofono tenore :
Irving “Babe” Russin (il 1941-08-07)
tromba :
Emmett Berry (il 1941-08-07)
voce principale:
Billie Holiday (il 1941-08-07)
registrazione di:
I Cover the Waterfront (il 1941-08-07)
paroliere:
Edward Heyman
compositore:
Johnny Green (composer and conductor, often credited as John Green) e Edward Heyman
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell Music, Inc.
Billie Holiday2:57
7Night and Day
registrazione di:
Night and Day (Cole Porter; from “The Gay Divorce”)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
Billie Holiday2:59
8The Man I Love
registrata a:
New York, New York, Stati Uniti (il 1939-12-13)
batteria :
Jo Jones (US jazz drummer) (il 1939-12-13)
chitarra :
Freddie Green (il 1939-12-13)
contrabbasso :
Walter Page (il 1939-12-13)
pianoforte :
Joe Sullivan (piano, USA) (il 1939-12-13)
sassofono baritono :
Jack Washington (il 1939-12-13)
sassofono contralto :
Earle Warren (il 1939-12-13) e Jack Washington (il 1939-12-13)
sassofono tenore :
Lester Young (saxophonist) (il 1939-12-13)
tromba :
Buck Clayton (il 1939-12-13) e Harry Edison (il 1939-12-13)
voce:
Billie Holiday (il 1939-12-13)
orchestra:
Billie Holiday and Her Orchestra (il 1939-12-13)
registrazione di:
The Man I Love (il 1939-12-13)
paroliere:
Ira Gershwin (nel 1924)
compositore:
George Gershwin (composer) (nel 1924)
editore:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Lady, Be Good (full musical)
parte di:
New York, New York (1977 musical film soundtrack)
Billie Holiday43:06
9Lady Sings the Blues
registrazione di:
Lady Sings the Blues
paroliere:
Billie Holiday
compositore:
Herbie Nichols (jazz pianist and composer)
editore:
Northern Music Company
Billie Holiday3:45
10Strange Fruit
registrazione di:
Strange Fruit
paroliere e compositore:
Lewis Allan
editore:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) e Music Sales Corporation (American copyright holder in both popular and classical music)
versione di:
Bitter Fruit
Billie Holiday3:13
11April in Paris
registrazione di:
April in Paris
paroliere:
Yip Harburg (nel 1932)
compositore:
Vernon Duke (nel 1932)
editore:
Chappell Music Ltd.
parte di:
The Real Book (compilation of jazz standards, volume I)
Billie Holiday3:02
12Georgia on My Mind
registrazione cover di:
Georgia on My Mind
inno di:
Georgia, Stati Uniti (dal 1979 a oggi)
paroliere:
Stuart Gorrell (nel 1930)
compositore:
Hoagy Carmichael (nel 1930)
editore:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (dal 1930 a oggi) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (dal 1930 a oggi)
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangiamento di:
Georgia on My Mind (Solo piano arrangement)
Billie Holiday3:18
13Stormy Weather
voce:
Billie Holiday (nel 1952)
orchestra:
Billie Holiday and Her Orchestra (nel 1952)
registrazione di:
Stormy Weather (il 1952-07-27)
paroliere:
Ted Koehler (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. e The Songwriters Guild
Billie Holiday3:42
14God Bless the Child
registrazione di:
God Bless the Child
paroliere:
Billie Holiday
compositore:
Arthur Herzog, Jr.
editore:
Basart Editions (conclusa) e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday4:03
2▼CD: The Other Woman
#TitoloArtistaValutazioneDurata
1My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.553:38
2Love Me or Leave Me
registrata a:
New York, New York, Stati Uniti (nel 1957-12)
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
registrazione cover di:
Love Me or Leave Me (nel 1957-12)
paroliere:
Gus Kahn
compositore:
Walter Donaldson
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (nel 1928, nel 1955) e Gilbert Keyes Music Company (nel 1928, nel 1955)
Nina Simone4.253:23
3I Loves You, Porgy
registrata a:
New York, New York, Stati Uniti (nel 1957-12)
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2005)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
registrazione cover di:
I Loves You, Porgy (use this for non-operatic performances) (nel 1957-12)
paroliere:
Ira Gershwin e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America e Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone34:10
4He Needs Me
registrata a:
New York, New York, Stati Uniti (nel 1957-12)
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
registrazione cover di:
He Needs Me (nel 1957-12)
paroliere e compositore:
Arthur Hamilton
editore:
Warner Chappell North America
Nina Simone3.52:29
5Summertime
registrata presso:
The Town Hall in Theater District, New York, New York, Stati Uniti (il 1959-09-12)
raccolta di:
Summertime (instrumental) (live, 1959-09-12: The Town Hall, New York City, NY, USA) di Nina Simone e Summertime (vocal) (live, 1959-09-12: The Town Hall, New York City, NY, USA) di Nina Simone
registrazione dal vivo cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (il 1959-09-12)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Nina Simone5:30
6Blue Prelude
tecnico di registrazione:
Rudy van Gelder (nel 1959-04)
produttore:
Hecky Krasnow
pianoforte :
Nina Simone (nel 1959-04)
voce:
Nina Simone (nel 1959-04)
arrangiatore:
Robert Mersey
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2004)
registrata presso:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Stati Uniti (nel 1959-04)
registrazione cover di:
Blue Prelude (nel 1959-04)
paroliere:
Gordon Jenkins
compositore:
Joe Bishop
Nina Simone43:21
7Don’t Smoke in Bed
registrata a:
New York, New York, Stati Uniti (nel 1957-12)
basso :
Jimmy Bond (nel 1957-12)
batteria :
Albert “Tootie” Heath (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Philips (publisher; do NOT use as release label) (nel 1964)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
registrazione cover di:
Don’t Smoke in Bed (nel 1957-12)
paroliere e compositore:
Willard Robison
editore:
MCA Music Ltd. e Oriole Music Corp.
Nina Simone33:12
8Wild Is the Wind
edit di:
Wild Is the Wind (1959‐10 studio re‐recording for Live at Town Hall) di Nina Simone
registrazione cover di:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (nel 1959-10)
paroliere:
Ned Washington
compositore:
Dimitri Tiomkin
editore:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (nel 1957, nel 1985), Catharine Hinen Music (nel 1957, nel 1985), Chappell & Co., Inc. (USA) (nel 1957), Largo Music Inc. (nel 1957, nel 1985) e Patti Washington Music (nel 1957, nel 1985)
parte di:
The 30th Academy Award for Best Original Song (numero: 2)
Nina Simone3:20
9Plain Gold Ring
registrata a:
New York, New York, Stati Uniti (nel 1957-12)
basso :
Jimmy Bond (nel 1957-12)
batteria :
Albert “Tootie” Heath (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
PolyGram Records Inch (not for release label use! US division of PolyGram) (nel 1964)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
registrazione cover di:
Plain Gold Ring (nel 1957-12)
paroliere:
George Stone (composer)
compositore:
Blue Sky Black Death (US hip hop production duo), Earl Burroughs e George Stone (composer)
editore:
Thandewye Music (publisher; do NOT use as release label) e Hank Snow Music (il 1959-09-21)
Nina Simone2.653:55
10He’s Got the Whole World in His Hands
registrata a:
New York, New York, Stati Uniti (nel 1957-12)
basso :
Jimmy Bond (nel 1957-12)
batteria :
Albert “Tootie” Heath (nel 1957-12)
pianoforte :
Nina Simone (nel 1957-12)
voce:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1959)
registrazione cover di:
He’s Got the Whole World in His Hands (nel 1957-12)
paroliere e compositore:
[traditional] (special purpose artist)
editore:
Thandewye Music (publisher; do NOT use as release label)
Nina Simone13:09
11Cotton‐Eye Joe
registrata a:
New York, New York, Stati Uniti (nel 1959-10)
edit di:
Cotton Eyed Joe (1959‐10 studio re‐recording for Live at Town Hall) di Nina Simone
registrazione cover di:
Cotton‐Eyed Joe (traditional song) (nel 1959-10)
paroliere e compositore:
[traditional] (special purpose artist)
parte di:
Roud Folk Song Index (numero: 942)
Nina Simone2:38
12You’ll Never Walk Alone
registrata a:
New York, New York, Stati Uniti (nel 1957-12)
basso :
Jimmy Bond (nel 1957-12)
batteria :
Albert “Tootie” Heath (nel 1957-12)
pianoforte :
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
registrazione strumentale cover di:
You’ll Never Walk Alone (Carousel) (nel 1957-12)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company e Williamson Music, Inc.
parte di:
Carousel (Rodgers & Hammerstein musical)
Nina Simone33:47
13The Other Woman
basso :
Al Shackman
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra :
Arthur Adams (US blues singer, guitarist & songwriter)
pianoforte :
Nina Simone
diritti fonografici (℗) detenuti da:
VPI Records USA (nel 1987)
registrazione dal vivo cover di:
The Other Woman (nel 1985)
paroliere e compositore:
Jessie Mae Robinson
editore:
Thandewye Music (publisher; do NOT use as release label)
Nina Simone4:06
14Stompin’ at the Savoy
tecnico di registrazione:
Rudy van Gelder (nel 1959-04)
produttore:
Hecky Krasnow
pianoforte :
Nina Simone (nel 1959-04)
voce:
Nina Simone (nel 1959-04)
arrangiatore:
Robert Mersey
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2004)
registrata presso:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Stati Uniti (nel 1959-04)
registrazione cover di:
Stompin’ at the Savoy (nel 1959-04)
paroliere:
Andy Razaf
compositore:
Benny Goodman (clarinetist and bandleader), Edgar Sampson e Chick Webb
editore:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Nina Simone42:11
3▼CD: Sophisticated Lady
#TitoloArtistaValutazioneDurata
1Someone to Watch Over Me
registrata a:
New York, New York, Stati Uniti (il 1950-09-12)
produttore:
Milt Gabler
pianoforte :
Ellis Larkins
voce:
Ella Fitzgerald (American jazz singer) (il 1950-09-12)
registrazione cover di:
Someone to Watch Over Me (Oh, Kay!) (il 1950-09-12)
paroliere:
Ira Gershwin (nel 1926)
compositore:
George Gershwin (composer) (nel 1926)
editore:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28), Harms, Inc. (nel 1926) e WC Music Corp. (dal 2019-05-28 al 2022-01-01)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Crazy for You (1992 musical)
parte di:
Oh, Kay! (1926 musical)
Ella Fitzgerald3:16
2I’ve Got a Crush on You
registrata a:
New York, New York, Stati Uniti (il 1950-09-11)
produttore:
Milt Gabler
pianoforte :
Ellis Larkins
voce:
Ella Fitzgerald (American jazz singer) (il 1950-09-11)
registrazione cover di:
I’ve Got a Crush on You (il 1950-09-11)
paroliere:
Ira Gershwin (nel 1928)
compositore:
George Gershwin (composer) (nel 1928)
editore:
New World Music Corp. (conclusa), Warner Bros. Music Corp. (conclusa), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 al 2024-01-01)
parte di:
Treasure Girl (1928 musical)
Ella Fitzgerald3:13
3Makin’ Whoopee
registrazione cover di:
Makin’ Whoopee!
paroliere:
Gus Kahn
compositore:
Walter Donaldson
traduttore:
Harrie Geelen
editore:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. e WB Music Corp. (1929–2019)
Ella Fitzgerald3:05
4Love for Sale
registrazione cover di:
Love for Sale
paroliere e compositore:
Cole Porter (composer) (nel 1930)
editore:
Chappell & Co., Chappell Music Ltd., Harms, Inc. e Warner Bros., Inc. (not for release label use!)
Ella Fitzgerald5:54
5I’ve Got You Under My Skin
tecnico:
Val Valentin (il 1956-02-09)
produttore:
Norman Granz
batteria :
Alvin Stoller (il 1956-02-09)
chitarra :
Barney Kessel (il 1956-02-09)
contrabbasso :
Joe Mondragon (il 1956-02-09)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-02-09)
trombone :
Milt Bernhart (il 1956-02-09), Joe Howard (american trombone player) (il 1956-02-09) e Lloyd Ulyate (American trombonist (1927-2004)) (il 1956-02-09)
trombone basso :
George Roberts (american bass trombone) (il 1956-02-09)
voce principale:
Ella Fitzgerald (American jazz singer) (il 1956-02-09)
direttore d'orchestra:
Buddy Bregman (il 1956-02-09)
arrangiatore:
Buddy Bregman
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-02-09)
registrazione cover di:
I’ve Got You Under My Skin (il 1956-02-09)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Ella Fitzgerald2.252:43
6Cheek to Cheek
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
Cheek to Cheek (from “Top Hat”) (il 1956-08-16)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 nominee)
parte di:
Top Hat (1935 film)
Ella Fitzgerald feat. Louis Armstrong4.155:53
7My Funny Valentine
Ella Fitzgerald3:54
8These Foolish Things
registrazione cover di:
These Foolish Things (Remind Me of You)
paroliere:
Holt Marvell (nel 1935)
compositore:
Jack Strachey (nel 1935)
compositore aggiunto:
Harry Link (US vaudeville actor & songwriter)
editore:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. e Lafleur Music Ltd.
Ella Fitzgerald7:37
9In a Sentimental Mood
registrazione cover di:
In a Sentimental Mood
paroliere:
Manny Kurtz e Irving Mills
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1935)
editore:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music e Sony/ATV Harmony
Ella Fitzgerald2:46
10Mood Indigo
registrazione cover di:
Mood Indigo (1930 jazz composition and song)
paroliere:
Irving Mills (nel 1930)
compositore:
Barney Bigard (nel 1930) e Duke Ellington (US composer, pianist & jazz bandleader) (nel 1930)
editore:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (nel 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1930) e Lawrence Wright Music Co., Ltd. (nel 1930)
sub-editore:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The Real Book (compilation of jazz standards, volume I)
Ella Fitzgerald3:26
11Sophisticated Lady
registrazione cover di:
Sophisticated Lady
paroliere:
Mitchell Parish e Irving Mills (nel 1932)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1932)
editore:
Duke Ellington Music (conclusa), Mills Music, Inc. (conclusa), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (fino al 2007-05) e Sony/ATV Harmony (dal 2007-05 a oggi)
parte di:
Sophisticated Ladies (1981 musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
Ella Fitzgerald5:19
12Summertime
registrata a:
Los Angeles, California, Stati Uniti (il 1957-08-18)
batteria :
Alvin Stoller (il 1957-08-18)
chitarra :
Tony Rizzi (il 1957-08-18)
contrabbasso :
Joe Mondragon (il 1957-08-18)
corno francese :
Vincent DeRosa (il 1957-08-18)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1957-08-18)
tromba :
Louis Armstrong (il 1957-08-18) e Frank Beach (trombone, trumpet) (il 1957-08-18)
trombone :
Buddy Childers (American jazz trumpeter & composer) (il 1957-08-18)
violino :
Victor Arno (il 1957-08-18)
voce:
Louis Armstrong (il 1957-08-18) e Ella Fitzgerald (American jazz singer) (il 1957-08-18)
orchestra:
Russ Garcia and His Orchestra (nel 1957)
direttore d'orchestra:
Russell Garcia (il 1957-08-18)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 20)
registrazione cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (il 1957-08-18)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald feat. Louis Armstrong2.854:56
13That Certain Feeling
registrazione cover di:
That Certain Feeling
paroliere:
Ira Gershwin (nel 1925)
compositore:
George Gershwin (composer) (nel 1925)
parte di:
Tip-Toes
Ella Fitzgerald3:03
14The Man I Love
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1959-01-05)
tecnico:
Val Valentin
produttore:
Norman Granz
basso :
Joe Mondragon (il 1959-01-05)
batteria :
Alvin Stoller (il 1959-01-05)
chitarra :
Herb Ellis (jazz guitarist) (il 1959-01-05)
corno francese :
Vincent DeRosa (il 1959-01-05)
legni :
Buddy Collette (il 1959-01-05), Harry Klee (il 1959-01-05), Joe Koch (il 1959-01-05) e Champ Webb (il 1959-01-05)
percussione :
Frank Flynn (il 1959-01-05)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1959-01-05)
sassofono contralto :
Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1959-01-05)
tromba :
Cappy Lewis (il 1959-01-05), Dale McMickle (il 1959-01-05), Shorty Sherock (il 1959-01-05) e Vito Mangano (il 1959-01-05)
trombone :
Milt Bernhart (il 1959-01-05), Richard Noel (trombonist) (il 1959-01-05) e Tommy Pederson (il 1959-01-05)
trombone basso :
George Roberts (american bass trombone) (il 1959-01-05)
viola :
Alvin Dinkin (il 1959-01-05), Stanley Harris (US big band viola player) (il 1959-01-05) e Barbara Simons (il 1959-01-05)
violino :
Victor Bay (il 1959-01-05), Alex Beller (il 1959-01-05), James Getzoff (American concertmaster and violinist) (il 1959-01-05), Ben Gill (il 1959-01-05), Jacques Gasselin (il 1959-01-05), Murray Kellner (il 1959-01-05), Nat Ross (il 1959-01-05), Eudice Shapiro (Violinist) (il 1959-01-05), Felix Slatkin (il 1959-01-05) e Marshall Sosson (il 1959-01-05)
violoncello :
Armand Kaproff (il 1959-01-05), Kurt Reher (cellist) (il 1959-01-05) e Eleanor Slatkin (US cellist, b. Aller) (il 1959-01-05)
voce:
Ella Fitzgerald (American jazz singer) (il 1959-01-05)
orchestra:
Nelson Riddle and His Orchestra (il 1959-01-05)
direttore d'orchestra:
Nelson Riddle (il 1959-01-05)
arrangiatore:
Nelson Riddle
registrazione cover di:
The Man I Love (il 1959-01-05)
paroliere:
Ira Gershwin (nel 1924)
compositore:
George Gershwin (composer) (nel 1924)
editore:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Lady, Be Good (full musical)
parte di:
New York, New York (1977 musical film soundtrack)
Ella Fitzgerald3:54
4▼CD: Vanity
#TitoloArtistaValutazioneDurata
1Easy to Love
basso :
George Duvivier (il 1961-07-18)
chitarra :
Mundell Lowe (il 1961-07-18)
voce:
Sarah Vaughan (il 1961-07-18)
registrata presso:
RKO-Pathé Studios in New York, New York, Stati Uniti (il 1961-07-18)
registrazione di:
Easy to Love (il 1961-07-18)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Anything Goes
parte di:
Born to Dance
Sarah Vaughan2:11
2Ain’t Misbehavin’
produttore:
George Treadwell
batteria :
J.C. Heard (il 1950-05-18)
chitarra :
Freddie Green (il 1950-05-18)
clarinetto :
Tony Scott (bop/jazz clarinetist, arranger & conductor) (il 1950-05-18)
contrabbasso :
Billy Taylor Jr. (jazz bassist) (il 1950-05-18)
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1950-05-18)
sassofono tenore :
Budd Johnson (il 1950-05-18)
tromba :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1950-05-18)
trombone :
Bennie Green (jazz trombonist) (il 1950-05-18)
voce:
Sarah Vaughan (il 1950-05-18)
orchestra:
George Treadwell and his All Stars (il 1950-05-18)
lavorazione tecnica effettuata presso:
Apollo Theater in Harlem, New York, New York, Stati Uniti (il 1950-05-18)
registrazione cover di:
Ain’t Misbehavin’ (il 1950-05-18)
paroliere:
Andy Razaf (nel 1929)
compositore:
Harry Brooks (jazz pianist & songwriter) (nel 1929) e Fats Waller (nel 1929)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music e Redwood Music Ltd. (Carlin)
Sarah Vaughan3:01
3Can’t Get Out of This Mood
batteria :
J.C. Heard (il 1950-05-18)
clarinetto solista :
Tony Scott (bop/jazz clarinetist, arranger & conductor) (il 1950-05-18)
contrabbasso :
Billy Taylor Jr. (jazz bassist) (il 1950-05-18)
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1950-05-18)
sassofono tenore solista :
Budd Johnson (il 1950-05-18)
tromba :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1950-05-18)
trombone solista :
Bennie Green (jazz trombonist) (il 1950-05-18)
voce:
Sarah Vaughan (il 1950-05-18)
orchestra:
with George Treadwell and his All Stars (il 1950-05-18)
registrazione cover di:
Can’t Get Out of This Mood (il 1950-05-18)
paroliere:
Frank Loesser
compositore:
Jimmy McHugh (songwriter)
editore:
Peermusic Ltd (UK) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
sub-editore:
SEMI Société (SEMI Société)
Sarah Vaughan2:50
4It’s Crazy
registrata a:
New York, New York, Stati Uniti (il 1954-12-18)
batteria :
Roy Haynes (American jazz drummer and bandleader) (il 1954-12-18)
contrabbasso :
Joe Benjamin (US jazz bassist) (il 1954-12-18)
flauto :
Herbie Mann (il 1954-12-18)
sassofono tenore :
Paul Quinichette (il 1954-12-18)
tromba :
Clifford Brown (trumpet) (il 1954-12-18)
voce:
Sarah Vaughan (il 1954-12-18)
direttore d'orchestra:
Ernie Wilkins (il 1954-12-18)
arrangiatore:
Ernie Wilkins
registrazione cover di:
It’s Crazy (il 1954-12-18)
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Richard Rodgers (composer)
editore:
Chappell S.A. e Crestview Music Corp.
Sarah Vaughan4:56
5Ev’ry Time We Say Goodbye
basso :
George Duvivier (il 1961-07-18)
chitarra :
Mundell Lowe (il 1961-07-18)
voce:
Sarah Vaughan (il 1961-07-18)
registrata presso:
RKO-Pathé Studios in New York, New York, Stati Uniti (il 1961-07-18)
registrazione cover di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (il 1961-07-18)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sarah Vaughan2:25
6Sophisticated Lady
registrazione cover di:
Sophisticated Lady
paroliere:
Mitchell Parish e Irving Mills (nel 1932)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1932)
editore:
Duke Ellington Music (conclusa), Mills Music, Inc. (conclusa), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (fino al 2007-05) e Sony/ATV Harmony (dal 2007-05 a oggi)
parte di:
Sophisticated Ladies (1981 musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
Sarah Vaughan3:51
7In a Sentimental Mood
basso :
George Duvivier (il 1961-07-18)
chitarra :
Mundell Lowe (il 1961-07-18)
voce:
Sarah Vaughan (il 1961-07-18)
registrata presso:
RKO-Pathé Studios in New York, New York, Stati Uniti (il 1961-07-18)
registrazione cover di:
In a Sentimental Mood (il 1961-07-18)
paroliere:
Manny Kurtz e Irving Mills
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1935)
editore:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music e Sony/ATV Harmony
Sarah Vaughan4:05
8If Love Is Good to Me
registrazione di:
If Love Is Good to Me
paroliere:
Redd Evans
compositore:
Fred Spielman (songwriter)
Sarah Vaughan2:11
9Embraceable You
registrata a:
New York, New York, Stati Uniti (il 1954-12-18)
batteria :
Roy Haynes (American jazz drummer and bandleader) (il 1954-12-18)
contrabbasso :
Joe Benjamin (US jazz bassist) (il 1954-12-18)
voce:
Sarah Vaughan (il 1954-12-18)
direttore d'orchestra:
Ernie Wilkins (il 1954-12-18)
arrangiatore:
Ernie Wilkins
registrazione cover di:
Embraceable You (il 1954-12-18)
paroliere:
Ira Gershwin (nel 1928)
compositore:
George Gershwin (composer) (nel 1928)
editore:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 al 2024-01-01)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
Sarah Vaughan4:50
10Wonder Why
voce:
Sarah Vaughan (il 1961-07-18)
registrazione di:
Wonder Why (Rich, Young and Pretty) (il 1961-07-18)
paroliere:
Sammy Cahn
compositore:
Nicholas Brodzsky
editore:
Primary Wave Songs e Robbins Music Corp.
parte di:
The 24th Academy Award for Best Original Song (numero: 2)
Sarah Vaughan4:19
11September Song
batteria :
Roy Haynes (American jazz drummer and bandleader) (il 1954-12-16)
contrabbasso :
Joe Benjamin (US jazz bassist) (il 1954-12-16)
flauto :
Herbie Mann (il 1954-12-16)
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975) (il 1954-12-16)
sassofono tenore :
Paul Quinichette (il 1954-12-16)
tromba :
Clifford Brown (trumpet) (il 1954-12-16)
voce:
Sarah Vaughan (il 1954-12-16)
direttore d'orchestra:
Ernie Wilkins (il 1954-12-16)
arrangiatore:
Ernie Wilkins
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1954-12-16)
registrazione di:
Knickerbocker Holiday: September Song (il 1954-12-16)
paroliere:
Maxwell Anderson
compositore:
Kurt Weill (composer)
editore:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (nel 1938), TRO-Hampshire House Publishing Corp. (nel 1938) e Crawford Music Corp. (il 1938-09-24)
parte di:
Knickerbocker Holiday (Kurt Weill musical)
Sarah Vaughan5:45
12Ill Wind
basso :
George Duvivier (il 1961-07-18)
chitarra :
Mundell Lowe (il 1961-07-18)
voce:
Sarah Vaughan (il 1961-07-18)
registrata presso:
RKO-Pathé Studios in New York, New York, Stati Uniti (il 1961-07-18)
registrazione cover di:
Ill Wind (il 1961-07-18)
paroliere:
Ted Koehler (nel 1934)
compositore:
Harold Arlen (nel 1934)
Sarah Vaughan3:13
13Vanity
basso :
George Duvivier
chitarra :
Mundell Lowe
voce:
Sarah Vaughan
registrata presso:
RKO-Pathé Studios in New York, New York, Stati Uniti (il 1961-07-18)
registrazione cover di:
Vanity
paroliere:
Bernard Bierman e Jack Manus (lyricist)
compositore:
Guy Wood
Sarah Vaughan4:18
14My Favourite Things
registrazione cover di:
My Favorite Things (The Sound of Music)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Williamson Music Company
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
American Splendor
parte di:
The Sound of Music (Rodgers & Hammerstein musical)
Sarah Vaughan2:48
5▼CD: Smoke Gets in Your Eyes
#TitoloArtistaValutazioneDurata
1Call Me Irresponsible
registrazione cover di:
Call Me Irresponsible
paroliere:
Sammy Cahn
compositore:
Jimmy Van Heusen
editore:
Paramount Music Corporation
parte di:
The 36th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1963 winner)
Dinah Washington2:18
2What a Diff’rence a Day Made
registrazione di:
What a Diff’rence a Day Made
paroliere:
Stanley Adams (US lyricist & songwriter)
compositore:
María Grever
editore:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC e Zomba Golden Sands Enterprises, Inc.
si basa su:
Cuando vuelva a tu lado
Dinah Washington2:31
3You’ve Been a Good Old Wagon
registrazione cover di:
You’ve Been a Good Old Wagon
paroliere e compositore:
John Henry ‘Perry’ Bradford
Dinah Washington3:51
4He’s My Guy
registrazione cover di:
He’s My Guy
paroliere:
Don Raye
compositore:
Gene de Paul
Dinah Washington3:13
5Is You or Is You Ain’t My Baby?
registrazione cover di:
Is You Is or Is You Ain’t My Baby?
autore:
Bill Austin (nel 1944) e Louis Jordan (US jazz, blues and r&b musician and songwriter) (nel 1944)
editore:
Universal‐MCA Music Publishing (US)
parte di:
The Real Book (compilation of jazz standards, volume I)
Dinah Washington2:58
6It’s a Mean Old Man’s World
Dinah Washington3:12
7Red Sails in the Sunset
voce:
Dinah Washington
registrazione cover di:
Red Sails in the Sunset
paroliere:
James B. Kennedy (Irish songwriter)
compositore:
Hugh Williams (aka Hugh Williams)
editore:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) e Shapiro, Bernstein & Co., Inc.
Dinah Washington2:32
8I’ll Drown in My Tears
registrazione cover di:
Drown in My Own Tears
paroliere e compositore:
Henry Glover
editore:
Fort Knox Music Inc., Jay & Cee, Jay and Cee Music Corp., Jaycee Music e Trio Music Co., Inc.
Dinah Washington3:09
9Drinking Again
registrazione cover di:
Drinking Again
paroliere:
Johnny Mercer (nel 1962)
compositore:
Doris Tauber (nel 1962)
editore:
M. Witmark & Sons, The Johnny Mercer Foundation, Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dinah Washington43:30
10Cry Me a River
registrazione cover di:
Cry Me a River
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Dinah Washington2:27
11You’re a Sweetheart
registrazione cover di:
You’re a Sweetheart
paroliere:
Harold Adamson
compositore:
Jimmy McHugh (songwriter)
Dinah Washington2:27
12Baby Won’t You Please Come Home
registrazione cover di:
Baby Won’t You Please Come Home
autore:
Charles Warfield e Clarence Williams (US jazz pianist, composer, singer and bandleader)
editore:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) e Universal/MCA Music Ltd. (not for release label use!)
Dinah Washington2:06
13You’re Crying
voce:
Dinah Washington (nel 1956)
registrazione di:
You’re Crying
autore:
Leonard Feather e Quincy Jones
Dinah Washington3:30
14Smoke Gets in Your Eyes
registrazione cover di:
Smoke Gets in Your Eyes
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
Dinah Washington3:26
6▼CD: Too Good to Be True
#TitoloArtistaValutazioneDurata
1Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 15)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:58
2I’m in the Mood for Love
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel (nel 1955-08)
contrabbasso [bass] :
Ray Leatherwood (nel 1955-08)
voce:
Julie London (nel 1955-08)
registrazione di:
I’m in the Mood for Love (nel 1955-08)
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (nel 1935, nel 1963) e EMI Music Publishing Ltd. (PRS‐affiliated) (nel 2016)
Julie London42:29
3Blues in the Night
Julie London3:51
4Blue Moon
tecnico:
Ted Keep (nel 1958-07)
produttore:
Bobby Troup
voce:
Julie London (nel 1958-07)
registrazione di:
Blue Moon (nel 1958-07)
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
Julie London52:31
5Gone With the Wind
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
registrazione cover di:
Gone With the Wind (nel 1955-08)
paroliere:
Herb Magidson
compositore:
Herb Magidson e Allie Wrubel (US composer and songwriter)
editore:
Bourne Co. (not for release label use, this is a music publisher)
Julie London42:07
6I’m Glad There Is You
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
voce:
Julie London (nel 1955-08)
registrazione cover di:
I’m Glad There Is You (nel 1955-08)
autore:
Jimmy Dorsey e Paul Madeira (Paul Madeira Mertz)
editore:
Chappell/Morris Ltd. e Mayfair Music Corp.
Julie London42:27
7Bouquet of Blues
Julie London3:01
8Too Good to Be True
tecnico:
Ted Keep (nel 1958-07)
produttore:
Bobby Troup
voce:
Julie London (nel 1958-07)
registrazione di:
Too Good to Be True (nel 1958-07)
paroliere:
Clay Boland
compositore:
Clay Boland (nel 1936)
Julie London32:42
9Memphis in June
produttore:
Bobby Troup
voce:
Julie London (nel 1956-05)
direttore d'orchestra:
Pete King (composer/arranger) (nel 1956-05)
arrangiatore:
Pete King (composer/arranger)
registrazione cover di:
Memphis in June (nel 1956-05)
paroliere:
Paul Francis Webster (nel 1945)
compositore:
Hoagy Carmichael (nel 1945)
editore:
Almo Music Corp. (USA, affiliated with ASCAP) (nel 1945), Universal Music Publishing International Ltd. (nel 1945) e Webster Music Co. (nel 1945)
Julie London41:59
10I Should Care
Julie London3:16
11The Blues Is All I Ever Had
Julie London2:51
12Time for August
Julie London2:00
13Spring Is Here
Julie London2:08
14Just the Way I Am
Julie London2:46

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