Eight Classic Albums Vol.2

~ Release by Ramsey Lewis (see all versions of this release, 1 available)

Annotation

4 CD set in 4 CD Jewel case.

Annotation last modified on 2022-07-29 21:47 UTC.

Tracklist

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1▼CD: Disc One
#TitleArtistRatingLength
1Carmen
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Eldee Young (in 1956)
drums (drum set):
Isaac "Redd" Holt (in 1956)
piano:
Ramsey Lewis (in 1956)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (from 1956-12-12 until 1958-12-12)
The Ramsey Lewis Trio4:30
2I'll Remember April
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Eldee Young (in 1956)
drums (drum set):
Isaac "Redd" Holt (in 1956)
piano:
Ramsey Lewis (in 1956)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (from 1956-12-12 until 1958-12-12)
instrumental recording of:
I’ll Remember April (in 1956)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
The Ramsey Lewis Trio4:13
3The Wind
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Eldee Young (in 1956)
drums (drum set):
Isaac "Redd" Holt (in 1956)
piano:
Ramsey Lewis (in 1956)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (from 1956-12-12 until 1958-12-12)
recording of:
The Wind (in 1956)
composer:
Russ Freeman (pianist)
The Ramsey Lewis Trio4:05
4Bie Mir Bist Du Schoen
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Eldee Young (in 1956)
drums (drum set):
Isaac "Redd" Holt (in 1956)
piano:
Ramsey Lewis (in 1956)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (from 1956-12-12 until 1958-12-12)
instrumental recording of:
Bei mir bist du schön (English version) (in 1956)
lyricist:
Sammy Cahn
additional composer:
Saul Chaplin
composer:
Sholom Secunda
translated version of:
בײַ מיר ביסטו שיין (Bay mir bistu sheyn)
The Ramsey Lewis Trio3:15
5My Funny Valentine
The Ramsey Lewis Trio3:29
6Fantasia for Drums
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Eldee Young (in 1956)
drums (drum set):
Isaac "Redd" Holt (in 1956)
piano:
Ramsey Lewis (in 1956)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (from 1956-12-12 until 1958-12-12)
The Ramsey Lewis Trio5:46
7Dee's New Blues
The Ramsey Lewis Trio2:59
8Tres
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Eldee Young (in 1956)
drums (drum set):
Isaac "Redd" Holt (in 1956)
piano:
Ramsey Lewis (in 1956)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (from 1956-12-12 until 1958-12-12)
The Ramsey Lewis Trio4:44
9Limelight
producer:
Leonard & Phil Chess (legendary US production duo)
double bass:
Eldee Young (in 1956)
drums (drum set):
Isaac "Redd" Holt (in 1956)
piano:
Ramsey Lewis (in 1956)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (from 1956-12-12 until 1958-12-12)
recording of:
Limelight (in 1956)
writer and composer:
Gerry Mulligan
The Ramsey Lewis Trio2:25
10Delilah
double bass [bass]:
Eldee Young (on 1958-02-09)
drums (drum set):
Red Holt (on 1958-02-09)
piano:
Ramsey Lewis (on 1958-02-09)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-02-09)
instrumental recording of:
Delilah (on 1958-02-09)
composer:
Victor Young (American composer, arranger, violinist & conductor)
part of:
Samson and Delilah
The Ramsey Lewis Trio5:23
11I Get a Kick Out of You
double bass [bass]:
Eldee Young (on 1958-02-09)
drums (drum set):
Red Holt (on 1958-02-09)
piano:
Ramsey Lewis (on 1958-02-09)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-02-09)
instrumental recording of:
I Get a Kick Out of You (on 1958-02-09)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
The Ramsey Lewis Trio3:02
12Please Send Me Someone to Love
double bass [bass]:
Eldee Young (on 1958-02-09)
drums (drum set):
Red Holt (on 1958-02-09)
piano:
Ramsey Lewis (on 1958-02-09)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-02-09)
instrumental cover recording of:
Please Send Me Someone to Love (on 1958-02-09)
lyricist and composer:
Percy Mayfield (until 1950)
publisher:
ATV Music
The Ramsey Lewis Trio4:04
13Brother John
The Ramsey Lewis Trio3:52
14Black Is the Color
double bass [bass]:
Eldee Young (on 1958-02-09)
drums (drum set):
Red Holt (on 1958-02-09)
piano:
Ramsey Lewis (on 1958-02-09)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-02-09)
instrumental recording of:
Black Is the Colour (of My True Love’s Hair) (on 1958-02-09)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 3103)
The Ramsey Lewis Trio4:50
15It Ain't Necessarily So
double bass [bass]:
Eldee Young (on 1958-02-09)
drums (drum set):
Red Holt (on 1958-02-09)
piano:
Ramsey Lewis (on 1958-02-09)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-02-09)
instrumental recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (on 1958-02-09)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
The Ramsey Lewis Trio2:48
16Seven Valleys
double bass [bass]:
Eldee Young (on 1958-02-09)
drums (drum set):
Red Holt (on 1958-02-09)
piano:
Ramsey Lewis (on 1958-02-09)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-02-09)
recording of:
Seven Valleys (on 1958-02-09)
composer:
Fred Katz
The Ramsey Lewis Trio5:26
17On the Street Where You Live
double bass [bass]:
Eldee Young (on 1958-02-09)
drums (drum set):
Red Holt (on 1958-02-09)
piano:
Ramsey Lewis (on 1958-02-09)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (on 1958-02-09)
instrumental recording of:
On the Street Where You Live (My Fair Lady) (on 1958-02-09)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
The Ramsey Lewis Trio3:39
2▼CD: Disc Two
#TitleArtistRatingLength
1Falmouth Recollections
alto saxophone:
Porter Kilbert (on 1957-09-02)
double bass:
Jimmy Woode (on 1957-09-02)
drums (drum set):
Sam Woodyard (on 1957-09-02)
flute:
Mike Simpson (saxophone, flute) (on 1957-09-02)
piano:
Ramsey Lewis (on 1957-09-02)
tenor saxophone:
Paul Gonsalves (on 1957-09-02)
trumpet:
Clark Terry (American swing trumpeter) (on 1957-09-02)
Paul Gonsalves, Clark Terry & Jimmy Woode3:03
2The Way You Look Tonight
alto saxophone:
Porter Kilbert (on 1957-09-02)
double bass:
Jimmy Woode (on 1957-09-02)
drums (drum set):
Sam Woodyard (on 1957-09-02)
flute:
Mike Simpson (saxophone, flute) (on 1957-09-02)
piano:
Ramsey Lewis (on 1957-09-02)
tenor saxophone:
Paul Gonsalves (on 1957-09-02)
trumpet:
Clark Terry (American swing trumpeter) (on 1957-09-02)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1957-09-02)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
Paul Gonsalves, Clark Terry & Jimmy Woode4:39
3Foofy for President
alto saxophone:
Porter Kilbert (on 1957-09-02)
double bass:
Jimmy Woode (on 1957-09-02)
drums (drum set):
Sam Woodyard (on 1957-09-02)
flute:
Mike Simpson (saxophone, flute) (on 1957-09-02)
piano:
Ramsey Lewis (on 1957-09-02)
tenor saxophone:
Paul Gonsalves (on 1957-09-02)
trumpet:
Clark Terry (American swing trumpeter) (on 1957-09-02)
Paul Gonsalves, Clark Terry & Jimmy Woode6:37
4The Man From Potter's Crossing
alto saxophone:
Porter Kilbert (on 1957-09-02)
double bass:
Jimmy Woode (on 1957-09-02)
drums (drum set):
Sam Woodyard (on 1957-09-02)
flute:
Mike Simpson (saxophone, flute) (on 1957-09-02)
piano:
Ramsey Lewis (on 1957-09-02)
tenor saxophone:
Paul Gonsalves (on 1957-09-02)
trumpet:
Clark Terry (American swing trumpeter) (on 1957-09-02)
Paul Gonsalves, Clark Terry & Jimmy Woode4:19
5Dance of the Reluctant Drag
alto saxophone:
Porter Kilbert (on 1957-09-02)
double bass:
Jimmy Woode (on 1957-09-02)
drums (drum set):
Sam Woodyard (on 1957-09-02)
flute:
Mike Simpson (saxophone, flute) (on 1957-09-02)
piano:
Ramsey Lewis (on 1957-09-02)
tenor saxophone:
Paul Gonsalves (on 1957-09-02)
trumpet:
Clark Terry (American swing trumpeter) (on 1957-09-02)
Paul Gonsalves, Clark Terry & Jimmy Woode4:20
6Empathy, for Ruth
alto saxophone:
Porter Kilbert (on 1957-09-02)
double bass:
Jimmy Woode (on 1957-09-02)
drums (drum set):
Sam Woodyard (on 1957-09-02)
flute:
Mike Simpson (saxophone, flute) (on 1957-09-02)
piano:
Ramsey Lewis (on 1957-09-02)
tenor saxophone:
Paul Gonsalves (on 1957-09-02)
trumpet:
Clark Terry (American swing trumpeter) (on 1957-09-02)
Paul Gonsalves, Clark Terry & Jimmy Woode3:22
7Crackle Hut
double bass:
George Morrow (on 1958-01-14)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1958-01-14)
piano:
Ramsey Lewis (on 1958-01-14)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1958-01-14)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-01-14)
Max Roach Quintet5:48
8Speculate
double bass:
George Morrow (on 1958-01-14)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1958-01-14)
piano:
Ramsey Lewis (on 1958-01-14)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1958-01-14)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-01-14)
Max Roach Quintet4:59
9That Old Devil Called Love
double bass:
George Morrow (on 1958-01-14)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1958-01-14)
piano:
Ramsey Lewis (on 1958-01-14)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1958-01-14)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-01-14)
instrumental recording of:
That Ole Devil Called Love (on 1958-01-14)
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Max Roach Quintet6:28
10Audio Blues
double bass:
George Morrow (on 1958-01-14)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1958-01-14)
piano:
Ramsey Lewis (on 1958-01-14)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1958-01-14)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-01-14)
Max Roach Quintet6:30
11C.M.
double bass:
George Morrow (on 1958-01-14)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1958-01-14)
piano:
Ramsey Lewis (on 1958-01-14)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1958-01-14)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-01-14)
Max Roach Quintet5:02
12Four-X
double bass:
George Morrow (on 1958-01-14)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1958-01-14)
piano:
Ramsey Lewis (on 1958-01-14)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1958-01-14)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1958-01-14)
Max Roach Quintet3:56
3▼CD: Disc Three
#TitleArtistRatingLength
1Softly, as in a Morning Sunrise
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
instrumental recording of:
Softly, as in a Morning Sunrise (The New Moon) (on 1959-04-22)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
The Ramsey Lewis Trio7:30
2C. C. Rider
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
instrumental recording of:
See See Rider Blues (on 1959-04-22)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 10056)
The Ramsey Lewis Trio2:28
3Love for Sale
The Ramsey Lewis Trio4:08
4I Had the Craziest Dream / I Know Why
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
medley including a instrumental recording of:
I Had the Craziest Dream (on 1959-04-22)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Springtime in the Rockies (1942)
medley including a instrumental recording of:
I Know Why (on 1959-04-22)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
The Ramsey Lewis Trio6:28
5It Ain't Necessarily So
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
instrumental recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (on 1959-04-22)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
The Ramsey Lewis Trio4:34
6I Love Paris
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
instrumental recording of:
I Love Paris (Can-Can [Pistache, Company]) (on 1959-04-22)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
The Ramsey Lewis Trio2:02
7The Way You Look Tonight
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1959-04-22)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
The Ramsey Lewis Trio8:04
8Song of India
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
recording of:
Song of India (on 1959-04-22)
writer:
Red Bone (trombonist)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
piano arranger:
Edgar Fairchild
is based on:
Sadko: Scene IV. Song of the Indian Guest
The Ramsey Lewis Trio2:44
9Consider the Source
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
recording of:
Consider the Source (on 1959-04-22)
composer:
Isaac "Redd" Holt, Ramsey Lewis and Eldee Young
publisher:
Campbell Connelly & Co. Ltd.
The Ramsey Lewis Trio3:53
10The Ruby and the Pearl
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
instrumental recording of:
The Ruby and the Pearl (on 1959-04-22)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
The Ramsey Lewis Trio5:44
11Walls of Jericho
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
The Ramsey Lewis Trio3:18
12Angel Eyes
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
instrumental recording of:
Angel Eyes (1946 jazz standard) (on 1959-04-22)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) and Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Ramsey Lewis Trio4:53
13Early in the Morning
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Kirk Stuart
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
Early in the Morning (in 1960-03)
writer:
Dallas Bartley, Leo Hickman and Louis Jordan (US jazz, blues and r&b musician and songwriter)
publisher:
Cherio Corp.
Lorez Alexandria2:57
14Don't Explain
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Kirk Stuart
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
Don’t Explain (in 1960-03)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Lorez Alexandria3:12
15So Long
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Kirk Stuart
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
So Long (in 1960-03)
writer:
Remus Harris, Irving Melsher and Russ Morgan (Big Band orchestra leader)
Lorez Alexandria3:27
16Good Morning, Heartache
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Kirk Stuart
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
Good Morning Heartache (in 1960-03)
lyricist:
Ervin Drake (songwriter)
composer:
Dan Fisher (U.S. songwriter ("Good Morning Heartache"), author, producer) and Irene Higginbotham
publisher:
Fisher Music Corp., Lindabet Music, Inc. and Universal/MCA Music (music publisher; do not use as release label!)
Lorez Alexandria3:18
17Trouble Is a Man
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Kirk Stuart
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
Trouble Is a Man (in 1960-03)
lyricist and composer:
Alec Wilder (American composer)
Lorez Alexandria2:44
18I Ain't Got Nothing but the Blues
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
guitar [rhythm guitar]:
Freddie Green (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
tenor saxophone:
Frank Foster (saxophonist) (from 1960-03-15 until 1960-03-17)
trombone:
Al Grey (trombone) (from 1960-03-15 until 1960-03-17)
trumpet:
Joe Newman (US jazz trumpeter) (from 1960-03-15 until 1960-03-17)
woodwind:
Frank Wess (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Frank Foster (saxophonist)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
I Ain’t Got Nothin’ but the Blues (in 1960-03)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937)
publisher:
Ricki Music and Tempo Music Co.
Lorez Alexandria2:21
19Baby Don't You Cry
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
guitar [rhythm guitar]:
Freddie Green (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
tenor saxophone:
Frank Foster (saxophonist) (from 1960-03-15 until 1960-03-17)
trombone:
Al Grey (trombone) (from 1960-03-15 until 1960-03-17)
trumpet:
Joe Newman (US jazz trumpeter) (from 1960-03-15 until 1960-03-17)
woodwind:
Frank Wess (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Frank Foster (saxophonist)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
Baby Don’t You Cry (in 1960-03)
lyricist:
Ned Washington
composer:
Buddy Johnson
Lorez Alexandria2:14
20Rocks in My Bed
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
guitar [rhythm guitar]:
Freddie Green (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
tenor saxophone:
Frank Foster (saxophonist) (from 1960-03-15 until 1960-03-17)
trombone:
Al Grey (trombone) (from 1960-03-15 until 1960-03-17)
trumpet:
Joe Newman (US jazz trumpeter) (from 1960-03-15 until 1960-03-17)
woodwind:
Frank Wess (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Frank Foster (saxophonist)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
Rocks in My Bed (in 1960-03)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
Lorez Alexandria2:40
4▼CD: Disc Four
#TitleArtistRatingLength
1I'm Just a Lucky So & So
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
guitar [rhythm guitar]:
Freddie Green (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
tenor saxophone:
Frank Foster (saxophonist) (from 1960-03-15 until 1960-03-17)
trombone:
Al Grey (trombone) (from 1960-03-15 until 1960-03-17)
trumpet:
Joe Newman (US jazz trumpeter) (from 1960-03-15 until 1960-03-17)
woodwind:
Frank Wess (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Frank Foster (saxophonist)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
I’m Just a Lucky So and So (in 1960-03)
lyricist:
Mack David (American lyricist and songwriter) (in 1945)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation and PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Lorez Alexandria3:01
2I Almost Lost My Mind
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
guitar [rhythm guitar]:
Freddie Green (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
tenor saxophone:
Frank Foster (saxophonist) (from 1960-03-15 until 1960-03-17)
trombone:
Al Grey (trombone) (from 1960-03-15 until 1960-03-17)
trumpet:
Joe Newman (US jazz trumpeter) (from 1960-03-15 until 1960-03-17)
woodwind:
Frank Wess (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Frank Foster (saxophonist)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
I Almost Lost My Mind (in 1960-03)
lyricist and composer:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
publisher:
Hill and Range (publisher) and St. Louis Music Corp.
Lorez Alexandria3:02
3Merry Christmas Baby
engineer:
Ron Malo
double bass:
Eldee Young (in 1961-10)
drums (drum set):
Isaac "Redd" Holt (in 1961-10)
piano:
Ramsey Lewis (in 1961-10)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1961-10)
instrumental cover recording of:
Merry Christmas Baby (in 1961-10)
writer:
Lou Baxter and Johnny Moore (US blues guitarist, Three Blazers)
publisher:
Anne-Rachel Music Corp., St. Louis Music Corp., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music, Inc.
The Ramsey Lewis Trio4:02
4Winter Wonderland
engineer:
Ron Malo
double bass:
Eldee Young (in 1961-10)
drums (drum set):
Isaac "Redd" Holt (in 1961-10)
piano:
Ramsey Lewis (in 1961-10)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1961-10)
instrumental cover recording of:
Winter Wonderland (in 1961-10)
lyricist:
Richard B. Smith (wrote lyrics to “Winter Wonderland”)
composer:
Felix Bernard
publisher:
Bregman, Vocco & Conn, Inc., EMI Music (do not use as release label! this is a music publisher), Francis, Day & Hunter, Redwood Music Ltd. (Carlin), Warner Chappell Music Inc., Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
The Ramsey Lewis Trio2:09
5Santa Claus Is Coming to Town
engineer:
Ron Malo
double bass:
Eldee Young (in 1961-10)
drums (drum set):
Isaac "Redd" Holt (in 1961-10)
piano:
Ramsey Lewis (in 1961-10)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1961-10)
instrumental recording of:
Santa Claus Is Coming to Town (in 1961-10)
lyricist:
Haven Gillespie (in 1932)
composer:
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership and The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
The Ramsey Lewis Trio2:20
6Christmas Blues
engineer:
Ron Malo
double bass:
Eldee Young (in 1961-10)
drums (drum set):
Isaac "Redd" Holt (in 1961-10)
piano:
Ramsey Lewis (in 1961-10)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1961-10)
recording of:
Christmas Blues
composer:
Ramsey Lewis
The Ramsey Lewis Trio2:47
7Here Comes Santa Claus
engineer:
Ron Malo
double bass:
Eldee Young (in 1961-10)
drums (drum set):
Isaac "Redd" Holt (in 1961-10)
piano:
Ramsey Lewis (in 1961-10)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1961-10)
instrumental recording of:
Here Comes Santa Claus (Right Down Santa Claus Lane) (in 1961-10)
lyricist and composer:
Gene Autry (“The Singing Cowboy”), Oakley Haldeman (songwriter) and Harriett Melka
writer:
Oakley Haldeman (songwriter) and Harriett Melka
publisher:
Campbell Connelly & Co., EMI Davis Music Australia Pty Limited, Remick Music Corp., Warner Bros. Music Corp. and Gene Autry Music Publishing, Inc. (on 1947-11-20)
The Ramsey Lewis Trio2:39
8The Sound of Christmas
engineer:
Ron Malo
double bass:
Eldee Young (in 1961-10)
drums (drum set):
Isaac "Redd" Holt (in 1961-10)
piano:
Ramsey Lewis (in 1961-10)
strings:
Sol Bobrov (in 1961-10), David Chausow (in 1961-10), Leonard Chausow (in 1961-10), Oscar Chausow (American violinist and session musician) (in 1961-10), Karl Fruh (cellist) (in 1961-10), Irving Kaplan (in 1961-10), Harold Kupper (in 1961-10), Abe Meltzer (in 1961-10), Emil Podsada (in 1961-10) and Theodore Silavin (in 1961-10)
conductor:
Riley Hampton (in 1961-10)
arranger:
Riley Hampton
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1961-10)
recording of:
The Sound of Christmas (in 1961-10)
composer:
Riley Hampton and Ramsey Lewis
The Ramsey Lewis Trio2:20
9The Christmas Song
engineer:
Ron Malo
double bass:
Eldee Young (in 1961-10)
drums (drum set):
Isaac "Redd" Holt (in 1961-10)
piano:
Ramsey Lewis (in 1961-10)
strings:
Sol Bobrov (in 1961-10), David Chausow (in 1961-10), Leonard Chausow (in 1961-10), Oscar Chausow (American violinist and session musician) (in 1961-10), Karl Fruh (cellist) (in 1961-10), Irving Kaplan (in 1961-10), Harold Kupper (in 1961-10), Abe Meltzer (in 1961-10), Emil Podsada (in 1961-10) and Theodore Silavin (in 1961-10)
conductor:
Riley Hampton (in 1961-10)
arranger:
Riley Hampton
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1961-10)
instrumental recording of:
The Christmas Song (Chestnuts Roasting on an Open Fire) (in 1961-10)
lyricist:
Robert Wells (songwriter) (in 1945-07) and Mel Tormé (“The Velvet Fog”) (in 1945-07)
composer:
Mel Tormé (“The Velvet Fog”) (in 1945-07)
publisher:
Chappell/Morris Ltd., MPL Music Publishing Inc., Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Tunes LLC (ASCAP), Warner Chappell, Warner Chappell Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (from 1946 to present)
The Ramsey Lewis Trio3:16
10God Rest Ye Merry Gentlemen
engineer:
Ron Malo
double bass:
Eldee Young (in 1961-10)
drums (drum set):
Isaac "Redd" Holt (in 1961-10)
piano:
Ramsey Lewis (in 1961-10)
strings:
Sol Bobrov (in 1961-10), David Chausow (in 1961-10), Leonard Chausow (in 1961-10), Oscar Chausow (American violinist and session musician) (in 1961-10), Karl Fruh (cellist) (in 1961-10), Irving Kaplan (in 1961-10), Harold Kupper (in 1961-10), Abe Meltzer (in 1961-10), Emil Podsada (in 1961-10) and Theodore Silavin (in 1961-10)
conductor:
Riley Hampton (in 1961-10)
arranger:
Riley Hampton
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1961-10)
instrumental recording of:
God Rest Ye Merry, Gentlemen (traditional, no arrangement credits here) (in 1961-10)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 394)
The Ramsey Lewis Trio3:17
11Sleigh Ride
engineer:
Ron Malo
double bass:
Eldee Young (in 1961-10)
drums (drum set):
Isaac "Redd" Holt (in 1961-10)
piano:
Ramsey Lewis (in 1961-10)
strings:
Sol Bobrov (in 1961-10), David Chausow (in 1961-10), Leonard Chausow (in 1961-10), Oscar Chausow (American violinist and session musician) (in 1961-10), Karl Fruh (cellist) (in 1961-10), Irving Kaplan (in 1961-10), Harold Kupper (in 1961-10), Abe Meltzer (in 1961-10), Emil Podsada (in 1961-10) and Theodore Silavin (in 1961-10)
conductor:
Riley Hampton (in 1961-10)
arranger:
Riley Hampton
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1961-10)
recording of:
Sleigh Ride (original instrumental version) (in 1961-10)
composer:
Leroy Anderson (until 1948-02-10)
publisher:
Mills Music
The Ramsey Lewis Trio2:56
12What Are You Doing New Year's Eve
engineer:
Ron Malo
double bass:
Eldee Young (in 1961-10)
drums (drum set):
Isaac "Redd" Holt (in 1961-10)
piano:
Ramsey Lewis (in 1961-10)
strings:
Sol Bobrov (in 1961-10), David Chausow (in 1961-10), Leonard Chausow (in 1961-10), Oscar Chausow (American violinist and session musician) (in 1961-10), Karl Fruh (cellist) (in 1961-10), Irving Kaplan (in 1961-10), Harold Kupper (in 1961-10), Abe Meltzer (in 1961-10), Emil Podsada (in 1961-10) and Theodore Silavin (in 1961-10)
conductor:
Riley Hampton (in 1961-10)
arranger:
Riley Hampton
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (in 1961-10)
instrumental recording of:
What Are You Doing New Year’s Eve (in 1961-10)
lyricist and composer:
Frank Loesser
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Frank Music Corp. (in 1947) and MPL Music Publishing Inc. (in 1947)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Ramsey Lewis Trio3:28
13Samba de Orpheus
engineer:
Reice Hamel
producer:
Ralph Bass
bass:
Eldee Young (from 1962-09-22 until 1962-09-25)
drums (drum set):
Isaac (Red) Holt (from 1962-09-22 until 1962-09-25)
piano:
Ramsey Lewis (from 1962-09-22 until 1962-09-25)
recorded at:
Yamaha Studio in San Francisco, California, United States (from 1962-09-22 until 1962-09-25)
instrumental recording of:
Samba de Orfeu (in 1962-09)
lyricist:
Antônio Maria
composer:
Luiz Bonfá
publisher:
Éditions Meridian
The Ramsey Lewis Trio3:31
14Maha de Carnaval (The Morning of the Carnaval)
engineer:
Reice Hamel
producer:
Ralph Bass
bass:
Eldee Young (from 1962-09-22 until 1962-09-25)
drums (drum set):
Isaac (Red) Holt (from 1962-09-22 until 1962-09-25)
piano:
Ramsey Lewis (from 1962-09-22 until 1962-09-25)
recorded at:
Yamaha Studio in San Francisco, California, United States (from 1962-09-22 until 1962-09-25)
instrumental recording of:
Manhã de Carnaval (in 1962-09)
lyricist:
Antônio Maria
composer:
Luiz Bonfá
publisher:
Belinda (Jhb.) (Pty.) Ltd
The Ramsey Lewis Trio4:42
15A Criancinhas (The Children)
engineer:
Reice Hamel
producer:
Ralph Bass
bass:
Eldee Young (from 1962-09-22 until 1962-09-25)
drums (drum set):
Isaac (Red) Holt (from 1962-09-22 until 1962-09-25)
piano:
Ramsey Lewis (from 1962-09-22 until 1962-09-25)
recorded at:
Yamaha Studio in San Francisco, California, United States (from 1962-09-22 until 1962-09-25)
The Ramsey Lewis Trio2:38
16A Noite Do Meu Bem (The Night of My Love)
engineer:
Reice Hamel
producer:
Ralph Bass
bass:
Eldee Young (from 1962-09-22 until 1962-09-25)
drums (drum set):
Isaac (Red) Holt (from 1962-09-22 until 1962-09-25)
piano:
Ramsey Lewis (from 1962-09-22 until 1962-09-25)
recorded at:
Yamaha Studio in San Francisco, California, United States (from 1962-09-22 until 1962-09-25)
instrumental recording of:
A noite do meu bem (in 1962-09)
lyricist and composer:
Dolores Duran
The Ramsey Lewis Trio4:17
17O Pato (The Duck)
engineer:
Reice Hamel
producer:
Ralph Bass
bass:
Eldee Young (from 1962-09-22 until 1962-09-25)
drums (drum set):
Isaac (Red) Holt (from 1962-09-22 until 1962-09-25)
piano:
Ramsey Lewis (from 1962-09-22 until 1962-09-25)
recorded at:
Yamaha Studio in San Francisco, California, United States (from 1962-09-22 until 1962-09-25)
instrumental recording of:
O pato (The Duck) (in 1962-09)
lyricist, writer and composer:
Jayme Silva and Neuza Teixeira
The Ramsey Lewis Trio2:36
18Generique (Happiness)
engineer:
Reice Hamel
producer:
Ralph Bass
bass:
Eldee Young (from 1962-09-22 until 1962-09-25)
drums (drum set):
Isaac (Red) Holt (from 1962-09-22 until 1962-09-25)
piano:
Ramsey Lewis (from 1962-09-22 until 1962-09-25)
recorded at:
Yamaha Studio in San Francisco, California, United States (from 1962-09-22 until 1962-09-25)
The Ramsey Lewis Trio4:51
19Roda Moinho (Whirlpool)
engineer:
Reice Hamel
producer:
Ralph Bass
bass:
Eldee Young (from 1962-09-22 until 1962-09-25)
drums (drum set):
Isaac (Red) Holt (from 1962-09-22 until 1962-09-25)
piano:
Ramsey Lewis (from 1962-09-22 until 1962-09-25)
recorded at:
Yamaha Studio in San Francisco, California, United States (from 1962-09-22 until 1962-09-25)
The Ramsey Lewis Trio3:20
20Cara de Palhaco (The Face of the Clown)
engineer:
Reice Hamel
producer:
Ralph Bass
bass:
Eldee Young (from 1962-09-22 until 1962-09-25)
drums (drum set):
Isaac (Red) Holt (from 1962-09-22 until 1962-09-25)
piano:
Ramsey Lewis (from 1962-09-22 until 1962-09-25)
recorded at:
Yamaha Studio in San Francisco, California, United States (from 1962-09-22 until 1962-09-25)
The Ramsey Lewis Trio2:23
21Canacao Para Geralda (A Song for Geraldine)
engineer:
Reice Hamel
producer:
Ralph Bass
bass:
Eldee Young (from 1962-09-22 until 1962-09-25)
drums (drum set):
Isaac (Red) Holt (from 1962-09-22 until 1962-09-25)
piano:
Ramsey Lewis (from 1962-09-22 until 1962-09-25)
recorded at:
Yamaha Studio in San Francisco, California, United States (from 1962-09-22 until 1962-09-25)
The Ramsey Lewis Trio6:15