Eight Classic Albums Vol.2

~ Release by Ramsey Lewis (see all versions of this release, 1 available)

Annotation

4 CD set in 4 CD Jewel case.

Annotation last modified on 2022-07-29 21:47 UTC.

Tracklist

1▶CD: Disc One
2▶CD: Disc Two
3▼CD: Disc Three
#TitleArtistRatingLength
1Softly, as in a Morning Sunrise
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
instrumental recording of:
Softly, as in a Morning Sunrise (The New Moon) (on 1959-04-22)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
The Ramsey Lewis Trio7:30
2C. C. Rider
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
instrumental recording of:
See See Rider Blues (on 1959-04-22)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 10056)
The Ramsey Lewis Trio2:28
3Love for Sale
The Ramsey Lewis Trio4:08
4I Had the Craziest Dream / I Know Why
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
medley including a instrumental recording of:
I Had the Craziest Dream (on 1959-04-22)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Springtime in the Rockies (1942)
medley including a instrumental recording of:
I Know Why (on 1959-04-22)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
The Ramsey Lewis Trio6:28
5It Ain't Necessarily So
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
instrumental recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (on 1959-04-22)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
The Ramsey Lewis Trio4:34
6I Love Paris
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
instrumental recording of:
I Love Paris (Can-Can [Pistache, Company]) (on 1959-04-22)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
The Ramsey Lewis Trio2:02
7The Way You Look Tonight
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1959-04-22)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
The Ramsey Lewis Trio8:04
8Song of India
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
recording of:
Song of India (on 1959-04-22)
writer:
Red Bone (trombonist)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
piano arranger:
Edgar Fairchild
is based on:
Sadko: Scene IV. Song of the Indian Guest
The Ramsey Lewis Trio2:44
9Consider the Source
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
recording of:
Consider the Source (on 1959-04-22)
composer:
Isaac "Redd" Holt, Ramsey Lewis and Eldee Young
publisher:
Campbell Connelly & Co. Ltd.
The Ramsey Lewis Trio3:53
10The Ruby and the Pearl
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
instrumental recording of:
The Ruby and the Pearl (on 1959-04-22)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
The Ramsey Lewis Trio5:44
11Walls of Jericho
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
The Ramsey Lewis Trio3:18
12Angel Eyes
recording engineer:
Malcolm Chisholm (on 1959-04-22)
producer:
Dave Usher
double bass [bass]:
El Dee Young (on 1959-04-22)
drums (drum set):
Red Holt (on 1959-04-22)
piano:
Ramsey Lewis (on 1959-04-22)
instrumental recording of:
Angel Eyes (1946 jazz standard) (on 1959-04-22)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) and Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Ramsey Lewis Trio4:53
13Early in the Morning
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Kirk Stuart
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
Early in the Morning (in 1960-03)
writer:
Dallas Bartley, Leo Hickman and Louis Jordan (US jazz, blues and r&b musician and songwriter)
publisher:
Cherio Corp.
Lorez Alexandria2:57
14Don't Explain
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Kirk Stuart
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
Don’t Explain (in 1960-03)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Lorez Alexandria3:12
15So Long
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Kirk Stuart
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
So Long (in 1960-03)
writer:
Remus Harris, Irving Melsher and Russ Morgan (Big Band orchestra leader)
Lorez Alexandria3:27
16Good Morning, Heartache
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Kirk Stuart
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
Good Morning Heartache (in 1960-03)
lyricist:
Ervin Drake (songwriter)
composer:
Dan Fisher (U.S. songwriter ("Good Morning Heartache"), author, producer) and Irene Higginbotham
publisher:
Fisher Music Corp., Lindabet Music, Inc. and Universal/MCA Music (music publisher; do not use as release label!)
Lorez Alexandria3:18
17Trouble Is a Man
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Kirk Stuart
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
Trouble Is a Man (in 1960-03)
lyricist and composer:
Alec Wilder (American composer)
Lorez Alexandria2:44
18I Ain't Got Nothing but the Blues
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
guitar [rhythm guitar]:
Freddie Green (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
tenor saxophone:
Frank Foster (saxophonist) (from 1960-03-15 until 1960-03-17)
trombone:
Al Grey (trombone) (from 1960-03-15 until 1960-03-17)
trumpet:
Joe Newman (US jazz trumpeter) (from 1960-03-15 until 1960-03-17)
woodwind:
Frank Wess (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Frank Foster (saxophonist)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
I Ain’t Got Nothin’ but the Blues (in 1960-03)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937)
publisher:
Ricki Music and Tempo Music Co.
Lorez Alexandria2:21
19Baby Don't You Cry
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
guitar [rhythm guitar]:
Freddie Green (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
tenor saxophone:
Frank Foster (saxophonist) (from 1960-03-15 until 1960-03-17)
trombone:
Al Grey (trombone) (from 1960-03-15 until 1960-03-17)
trumpet:
Joe Newman (US jazz trumpeter) (from 1960-03-15 until 1960-03-17)
woodwind:
Frank Wess (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Frank Foster (saxophonist)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
Baby Don’t You Cry (in 1960-03)
lyricist:
Ned Washington
composer:
Buddy Johnson
Lorez Alexandria2:14
20Rocks in My Bed
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
guitar [rhythm guitar]:
Freddie Green (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
tenor saxophone:
Frank Foster (saxophonist) (from 1960-03-15 until 1960-03-17)
trombone:
Al Grey (trombone) (from 1960-03-15 until 1960-03-17)
trumpet:
Joe Newman (US jazz trumpeter) (from 1960-03-15 until 1960-03-17)
woodwind:
Frank Wess (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Frank Foster (saxophonist)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
Rocks in My Bed (in 1960-03)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
Lorez Alexandria2:40
4▶CD: Disc Four