1980s Throwback

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1What's Love Got to Do with It
tecnico e tecnico di missaggio:
John Hudson (producer, recording and mixing engineer)
produttore:
Terry Britten
batteria :
Graham Jarvis (UK session drummer)
chitarra :
Terry Britten
percussione :
Simon Morton
tastiera :
Nick Glennie‐Smith e Billy Livsey
voce di accompagnamento:
Terry Britten e Tessa Niles
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1984, nel 1997) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 160) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 309)
registrazione di:
What’s Love Got to Do With It
autore:
Graham Lyle e Terence Ernest Britten
editore:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (nel 1984), Irving Music, Inc. (nel 1984), Rondor Music (London) Ltd. (nel 1984), WB Music Corp. (1929–2019) (dal 1984 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
registrazione di:
What’s Love Got to Do With It (Kygo version)
autore:
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) e Graham Lyle
editore:
Kobalt Music (publisher) (dal 2020 a oggi) e WC Music Corp. (dal 2020 a oggi)
si basa su:
What’s Love Got to Do With It
Tina Turner4.053:50
2Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.43:49
3Sharp Dressed Man
tecnico:
Terry Manning (US recording engineer)
produttore:
Bill Ham (manager of ZZ Top)
basso elettrico :
Dusty Hill
batteria e percussione :
Frank Beard (ZZ Top drummer)
chitarra elettrica e voce principale:
Billy Gibbons
voce:
Dusty Hill
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
registrata presso:
Ardent Studios in Memphis, Tennessee, Stati Uniti
registrazione di:
Sharp Dressed Man
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
compositore:
Chrome Division (Norwegian heavy metal band)
editore:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic e Stage Three Songs
sub-editore:
BMG Gold Songs e Zazta Muzic Ltd.
ZZ Top4.64:13
4Ain't Nobody
registrazione di:
Ain’t Nobody
paroliere e compositore:
David Wolinski
editore:
Overdue Music
Chaka Khan4:05
5Here I Go Again 87
produttore:
Kevin Elson, Keith Olsen (US producer and engineer) e Mike Stone (producer and engineer, 1960s–80s)
tecnico di missaggio:
Keith Olsen (US producer and engineer)
basso elettrico :
Neil Murray (British bass guitar player)
batteria e percussione :
Aynsley Dunbar
chitarra elettrica e voce di accompagnamento:
John Sykes
chitarra elettrica solista :
Adrian Vandenberg
tastiera e tastiera ospite :
Don Airey e Bill Cuomo
voce principale:
David Coverdale
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1987) e Whitesnake Productions (Overseas) Ltd. (nel 1987)
mixata presso:
Goodnight LA Studios in Van Nuys, California, Stati Uniti
video musicali:
Here I Go Again ’87 di Whitesnake
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 17)
registrazione di:
Here I Go Again
autore:
David Coverdale e Bernie Marsden
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (conclusa), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Whitesnake4.054:35
6Hungry Like the Wolf
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (dal 1982 a oggi) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2009)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 3) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 196)
registrazione di:
Hungry Like the Wolf
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd. e Tritec Music Ltd. (publisher and copyrights holder)
adattamenti:
Hungry Like a Pig
Duran Duran4.153:41
7Holding Back the Years
assistente tecnico:
Chris Dickie
tecnico e tecnico di missaggio:
Femi Jiya
produttore:
Stewart Levine (record producer and saxophonist)
basso :
Tony Bowers (nel 1985)
batteria e percussione :
Chris Joyce (drummer for Simply Red) (nel 1985)
chitarra :
Sylvan (nel 1985)
tastiera e voce di accompagnamento:
Fritz McIntyre (nel 1985)
tromba :
Tim Kellett (nel 1985)
voce principale:
Mick Hucknall (lead singer of Simply Red) (nel 1985)
esecutore:
Simply Red (English soul and pop band) (nel 1985)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1985)
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito (nel 1985) e Soundpush Studio in Blaricum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands (nel 1985)
mixata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (nel 1985)
video musicali:
Holding Back the Years di Simply Red (English soul and pop band)
registrazione di:
Holding Back the Years (nel 1985)
paroliere:
Mick Hucknall (lead singer of Simply Red)
compositore:
Mick Hucknall (lead singer of Simply Red) e Neil Moss
editore:
EMI April Music Inc., EMI Songs Ltd. e So What Ltd
Simply Red44:30
8We Built This City
assistente tecnico:
Paul Ericksen (recording engineer)
tecnico:
Jeremy Smith (producer/engineer)
produttore:
Jeremy Smith (producer/engineer) e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
tecnico di missaggio:
Bill Bottrell
altra voce [DJ voice]:
Les Garland (American entertainment executive) (nel 1985)
arrangiatore:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985)
mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
remixata presso:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, Stati Uniti
registrazione di:
We Built This City (nel 1985)
autore:
Dennis Lambert, Martin Page, Bernie Taupin e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
editore:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) e Zomba Enterprises, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:56
9Give Me the Night (single version)
registrazione di:
Give Me the Night
paroliere e compositore:
Rod Temperton
editore:
Rodsongs (publisher), Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson4:58
10Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:55
11St. Elmo's Fire (Man In Motion)
produttore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore ottoni [horns] :
David Foster (Canadian music producer, arranger and composer) e Jerry Hey
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1985) e John Parr Music Ltd. (nel 2016)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 28) e TV Cream: Real 100 Best Singles Ever (numero: 85)
registrazione di:
St. Elmo’s Fire
autore:
David Foster (Canadian music producer, arranger and composer) e John Parr
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:12
12True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:28
13Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
batteria :
Alan White (Yes drummer) (nel 1983)
chitarra :
Trevor Rabin (South African musician and score composer) (nel 1983)
chitarra basso :
Chris Squire (Yes bassist) (nel 1983)
tastiera :
Tony Kaye (nel 1983)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (nel 1983)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983, nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 2003)
registrata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1983)
registrazione di:
Owner of a Lonely Heart (nel 1983)
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes3.854:29
14I Keep Forgettin (Every Time You're Near)
produttore:
Ted Templeman e Lenny Waronker
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Louis Johnson (bass, member of Brothers Johnson)
clavinet :
Greg Phillinganes
piano Rhodes , sintetizzatore e voce principale:
Michael McDonald (R&B & soul singer)
voce di accompagnamento:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1982)
registrazione di:
I Keep Forgettin’ (Every Time You’re Near)
autore:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford e Mike Stoller
editore:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) e Yellow Dog Music Inc
versione di:
I Keep Forgettin’
Michael McDonald43:42
15Self Control
registrazione cover di:
Self Control
paroliere:
Steve Piccolo
autore aggiunto:
Harro Steffen
compositore:
Giancarlo Bigazzi e Raffaele Riefoli (Italian pop singer)
editore:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) e Sugarmusic Spa (publisher, do NOT use as label)
Laura Branigan4:07
16I Want to Know What Love Is
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott “Abada” Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984, nel 2018) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner3.955:05
17Love Shack (Edit)
produttore:
Don Was
edit di:
Love Shack di The B‐52s
registrazione di:
Love Shack
autore:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland e Cindy Wilson
editore:
Man-Woman Together, Now!
The B‐52s3.654:18
18Don't Get Me Wrong
tecnico:
Bruce Lampcov
produttore:
Bob Clearmountain e Jimmy Iovine
tecnico di missaggio:
Bob Clearmountain
basso :
Chucho Merchán
batteria e percussione :
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
chitarra :
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) e Robbie McIntosh (English guitarist for The Pretenders)
pianoforte e sintetizzatore :
Wix (UK / Paul Wickens)
voce:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) e Warner Music UK Ltd. (not for release label use!) (nel 2007)
registrazione di:
Don’t Get Me Wrong
paroliere e compositore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hynde House of Hits Music
Pretenders4.23:48
19It's My Life
programmazione e produttore:
Tim Friese‐Greene
basso senza tasti :
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
batteria :
Tim Friese‐Greene e Lee Harris (singer-songwriter & musician)
chitarra :
Robbie McIntosh (English guitarist for The Pretenders)
chitarra acustica :
Mark Hollis
drum machine e sintetizzatore :
Tim Friese‐Greene
percussione :
Morris Pert
pianoforte :
Tim Friese‐Greene e Phil Ramocon (soul/R&B/reggae songwriter)
tastiera :
Ian Curnow
voce:
Mark Hollis
voce di accompagnamento:
Mark Hollis e Paul Webb (Video game music composer)
diritti fonografici (℗) detenuti da:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (nel 1984) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1984)
registrazione di:
It’s My Life
autore:
Tim Friese‐Greene e Mark Hollis
editore:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.753:52
20La Bamba
produttore:
Mitchell Froom
esecutore:
Los Lobos (Chicano rock band)
arrangiatore:
Ritchie Valens
diritti fonografici (℗) detenuti da:
FFRR Records Ltd. (company name, NOT a label!) (nel 1987) e Slash Records (company, do not use as release label!) (nel 1987)
registrazione cover di:
La bamba (additional lyrics by Ritchie Valens)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Los Lobos4.152:54
21This Must Be the Place (Naive Melody)
assistente tecnico:
Franklin Gibson (recording engineer)
tecnico:
Butch Jones e Alex Sadkin (incarico: final overdubs)
produttore:
Talking Heads
tecnico di missaggio:
Alex Sadkin
batteria :
Chris Frantz
chitarra e voce di accompagnamento:
Tina Weymouth
chitarra basso, chitarra e tastiera :
David Byrne (Talking Heads)
percussione ospite :
David Van Tieghem
sintetizzatore ospite :
Wally Badarou
tastiera :
Jerry Harrison (Talking Heads & producer)
voce:
David Byrne (Talking Heads)
diritti fonografici (℗) detenuti da:
Sire Records Company (not for release label use!) (nel 1983)
registrata in aggiunta presso:
Compass Point Studios in Nassau, Bahamas
registrata presso:
Blank Tapes in New York, New York, Stati Uniti
mixata presso:
Compass Point Studios in Nassau, Bahamas
video musicali:
This Must Be the Place (Naive Melody) di Talking Heads
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 123) e Indie 88: Top 500 Indie Rock Songs (numero: 327)
registrazione di:
This Must Be the Place (Naive Melody)
autore:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) e Tina Weymouth
editore:
Bleu Disque Music Co., Inc. (publisher) e Index Music, Inc.
Talking Heads3.94:56
22Arthur's Theme (Best That You Can Do)
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
produttore:
Michael Omartian
tecnico di missaggio:
Chet Himes
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981, nel 1983)
registrata presso e mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 19)
registrazione di:
Arthur’s Theme (Best That You Can Do)
autore:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager e Christopher Cross (US singer‐songwriter)
editore:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America e Woolnough Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 54th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1981 winner)
Christopher Cross53:54
23We're Not Gonna Take It (single version)
tecnico di registrazione e tecnico di missaggio:
Geoff Workman
assistente tecnico:
Gary McGachan
tecnico:
John Agnello (engineer & producer), Greg Laney e Geoff Workman
produttore:
Tom Werman
batteria :
A.J. Pero
chitarra basso :
Mark Mendoza (Twisted Sister bassist)
chitarra elettrica :
Jay Jay French e Eddie Ojeda
voce di accompagnamento:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero e Dee Snider
voce principale:
Dee Snider
arrangiatore:
Twisted Sister e Tom Werman
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1984-02 al 1984-03) e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03)
mixata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 47) e Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 81)
registrazione di:
We’re Not Gonna Take It
paroliere e compositore:
Dee Snider
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Tunes
parte di:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (numero: 7)
Twisted Sister4.353:37
24Glory of Love
tecnico e tecnico di missaggio:
Terry Christian (US recording and mixing engineer) e John Guess
produttore:
Michael Omartian
voce di accompagnamento ospite:
Kenny Cetera
voce principale:
Peter Cetera
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986) e Warner Music International (trademark of Warner Music International the company) (nel 1986)
registrata presso e mixata presso:
Lion Share Studios in Los Angeles, California, Stati Uniti
registrazione di:
Glory of Love
autore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Diane Nini
editore:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30), Air Bear Music (nel 1986), Fall Line Orange Music (nel 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 59th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1986 nominee)
Peter Cetera4.24:18
25Don't Wanna Fall In Love
registrazione di:
Don't Wanna Fall in Love
compositore:
Jane Child
Jane Child4:08
26Blue Monday '88
produttore:
Quincy Jones e New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order44:12
27Too Shy
programmazione degli strumenti:
Jez Strode
tecnico:
Colin Thurston
produttore:
Nick Rhodes e Colin Thurston
chitarra e ebow [e bow] :
Steve Askew
chitarra basso :
Nick Beggs
sintetizzatore :
Stuart Croxford Neale
voce aggiuntiva:
Nick Beggs e Stuart Croxford Neale
voce principale:
Limahl
arrangiatore:
Kajagoogoo
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982, nel 1983)
video musicali:
Too Shy di Kajagoogoo
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 9) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 27)
registrazione di:
Too Shy
paroliere:
Nick Beggs e Christopher Hamill
compositore:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale e Jez Strode
editore:
EMI Songs e Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:42
28Unchain My Heart
produttore:
Charlie Midnight
batteria :
David Beal
chitarra :
Phil Grande
chitarra basso :
T.M. Stevens (US bass player Thomas Michael Stevens)
corno :
Crispin Cioe, Arno Hecht (American saxophonist), Hollywood Paul Litteral e Robert Funk (trombonist, trumpet player)
sassofono tenore solista :
Clarence Clemons
tastiera :
Jeff Levine
voce di accompagnamento:
Tawatha Agee, Benny Diggs e Vaneese Thomas
arrangiatore corno :
Uptown Horns (US horn section, formed in 1980)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1987)
registrazione cover di:
Unchain My Heart
paroliere e compositore:
Bobby Sharp
autore:
Teddy Powell
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (nel 1987)
parte di:
The Real Book (compilation of jazz standards, volume I)
Joe Cocker4.35:08
29Make It Last Forever (single version)
Keith Sweat feat. Jacci McGhee5:42
30Love Changes (Everything)
tecnico:
Mike Ging e Bob Kraushaar
produttore:
Stephen Hague
chitarra :
Neil Taylor (guitarist)
percussione aggiunto:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
tastiera :
Rob Fisher (UK keyboardist, in Naked Eyes)
voce:
Simon Climie
voce di accompagnamento:
Coral Gordon e Soultanas
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987)
registrazione di:
Love Changes (Everything)
autore:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) e Dennis Morgan (US songwriter)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:29
31I'm Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
32We're In This Love Together
assistente tecnico:
Debbie Thompson (engineer)
tecnico:
Joe Bogan (Recording- and mixing engineer)
tecnico aggiunto:
Jay Graydon
produttore e tecnico di missaggio:
Jay Graydon
produttore associato:
Tom Canning
batteria :
Steve Gadd (drummer)
chitarra basso :
Abe LaBoriel
chitarra elettrica :
Jay Graydon e Steve Lukather (guitarist, vocalist, composer, producer and arranger)
piano Rhodes :
Michael Omartian
sassofono contralto :
Lon Price
sintetizzatore :
Michael Boddicker e Michael Omartian
voce di accompagnamento e voce principale:
Al Jarreau
arrangiatore percussione [rhythm] :
Tom Canning, Jay Graydon e Al Jarreau
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981)
registrata in aggiunta presso:
Garden Rake Studios in Studio City, Los Angeles, California, Stati Uniti
registrata presso:
Dawnbreaker Studios in San Fernando, California, Stati Uniti
mixata presso:
Garden Rake Studios in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
We’re in This Love Together
autore:
Roger Murrah (songwriter) e Keith Stegall (American country singer / songwriter and record producer)
editore:
Blackwood Music, Inc. (1953-02-07–1987-12-30) (conclusa), EMI Blackwood Music Inc., Magic Castle Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Al Jarreau53:46
33The Killing Moon
tecnico di registrazione e produttore:
David Lord (British composer, engineer and producer)
tecnico di missaggio:
Echo & the Bunnymen e Gil Norton (British record producer)
arrangiatore:
Adam Peters
registrazione di:
The Killing Moon
autore:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson e Will Sergeant
Echo & the Bunnymen4.255:46
34Everybody Needs Somebody to Love
produttore:
Bob Tischler
batteria :
Willie "Too Big" Hall
chitarra :
Steve Cropper e Matt Murphy (US blues guitarist)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
sassofono :
Tom “Bones” Malone (US trombonist) e Lou Marini
tastiera :
Murphy Dunne
tromba :
Al Rubin
voce:
Elwood J. Blues (Saturday Night Live character portrayed by Dan Aykroyd) e Jake E. “Joliet” Blues (Saturday Night Live character portrayed by John Belushi)
arrangiatore voce di accompagnamento:
Paul Schaffer (pianist, bandleader, Dave Letterman's sidekick)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrazione cover di:
Everybody Needs Somebody to Love
autore:
Bert Russell Berns, Solomon Burke e Jerry Wexler
editore:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC e Musical Lights Tokyo
Blues Brothers4.33:25
35Never Ending Story
produttore:
Giorgio Moroder
voce:
Beth Anderson (US pop vocalist) e Limahl
voce di accompagnamento:
Beth Andersen (US pop vocalist)
voce principale:
Limahl
esecutore:
Limahl
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) e Neue Constantin Film Productions GmbH
parte di:
Cachitos Nochevieja 2022 (numero: 51)
registrazione di:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
paroliere:
Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Limahl3.353:30
3618 and Life
tecnico di registrazione, produttore e tecnico di missaggio:
Michael Wagener
tecnico aggiunto:
Dave Kent (engineer)
batteria :
Rob Affuso
chitarra :
Scotti Hill e Dave “The Snake” Sabo
chitarra basso :
Rachel Bolan
voce di accompagnamento:
Rachel Bolan, Scotti Hill e Dave “The Snake” Sabo
voce principale:
Sebastian Bach (Canadian metal singer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1989)
registrata presso:
Royal Recorders in Lake Geneva, Wisconsin, Stati Uniti (nel 1988)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 60)
registrazione di:
18 and Life
autore:
Rachel Bolan e Dave “The Snake” Sabo
Skid Row3.853:51
37Lost In Your Eyes
tecnico di registrazione:
Phil Castellano (brother of John, uncle of Richie) e Don Feinberg
programmazione degli strumenti:
Fred Zarr
tecnico:
Bill Esses, Jim Goatley e Matt Malles
produttore:
Debbie Gibson
tecnico di missaggio:
Debbie Gibson, Bob Rosa e Tom Vercillo
chitarra elettrica :
Tommy Williams (former Debbie Gibson musical director)
percussione :
Bashiri Johnson
pianoforte e voce di accompagnamento:
Debbie Gibson
tastiera :
Fred Zarr
arrangiatore:
Debbie Gibson e Fred Zarr
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
registrazione di:
Lost in Your Eyes
paroliere e compositore:
Debbie Gibson
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson53:33
38Baby, I Love You
registrazione di:
Baby, I Love You
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company e Universal–Songs of PolyGram International, Inc.
Ramones3:45
39Some People
Cliff Richard3:52
40Young Turks
assistente tecnico:
Ricky Charles Delena
tecnico:
George Tutko (engineer, producer)
co-produttore:
Jim Cregan (producer & member of Family)
produttore:
Rod Stewart
tecnico di missaggio:
Jim Cregan (producer & member of Family) e George Tutko (engineer, producer)
batteria [drums] :
Carmine Appice
chitarra :
Jim Cregan (producer & member of Family)
chitarra basso :
Jay Davis (guitarist)
percussione aggiunto:
Tony Brock
tastiera [keyboards] :
Kevin Savigar
tastiera [keyboards] aggiunto:
Duane Hitchings
voce di accompagnamento:
Carmine Appice, Tony Brock e Jim Cregan (producer & member of Family)
registrata presso e mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Young Turks
paroliere:
Kevin Savigar e Rod Stewart
compositore:
Carmine Appice e Duane Hitchings
Rod Stewart4.155:02
41If Ever You're In My Arms Again
registrazione di:
If Ever You're in My Arms Again
autore:
Michael Masser, Tom Snow (US keyboardist/songwriter) e Cynthia Weil
Peabo Bryson44:16
42Simply Irresistible
tecnico:
Tim Kramer (engineer)
produttore:
Robert Palmer (English singer‐songwriter)
tecnico di missaggio:
Eric "E.T." Thorngren
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1988)
registrazione di:
Simply Irresistible
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Heavy Nova Music
Robert Palmer3.64:14
43Wind Beneath My Wings
produttore:
Arif Mardin
voce principale:
Bette Midler
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 1) e Alan Cross: Hurricane Songs (numero: 10)
registrazione cover di:
Wind Beneath My Wings
autore:
Larry Henley (singer songwriter) e Jeff Silbar
editore:
Silbar’Songs e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bette Midler54:54
44Geno
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
registrazione di:
Geno
autore:
Al Archer e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:27
45Epic
tecnico:
Jim “Watts” Vereecke e Matt Wallace (US producer & engineer)
produttore:
Faith No More e Matt Wallace (US producer & engineer)
tecnico di missaggio:
Matt Wallace (US producer & engineer)
batteria :
Mike Bordin (American drummer)
chitarra :
Jim Martin (ex-Faith No More guitarist)
chitarra basso :
Billy Gould
tastiera :
Roddy Bottum
voce principale:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
diritti fonografici (℗) detenuti da:
Slash Records (company, do not use as release label!) (nel 1986)
video musicali:
Epic di Faith No More
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 54) e Indie 88: Top 500 Indie Rock Songs (numero: 483)
registrazione di:
Epic
paroliere:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.)
compositore:
Mike Bordin (American drummer), Roddy Bottum, Billy Gould e Jim Martin (ex-Faith No More guitarist)
editore:
Big Thrilling Music (music publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Vomit God Music (Mike Patton’s music publishing company)
Faith No More4.34:54
46Gimme Gimme Gimme
tecnico:
David Frazer (engineer)
produttore:
Narada Michael Walden
basso :
Randy Jackson (former bassist with Journey and American Idol judge)
chitarra :
Corrado Rustici
membranofono e sintetizzatore :
Narada Michael Walden
sassofono solista :
Marc Russo
sintetizzatore :
Preston Glass
tastiera :
Frank Martin (keyboards)
tastiera e sintetizzatore :
Walter Afanasieff
voce di accompagnamento:
Jim Gilstrap, John Lehman, Vicki Randle e Jeanie Tracy
arrangiatore:
Narada Michael Walden
Narada Michael Walden & Patti Austin4:41
47Twist In My Sobriety
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) e WEA Records Ltd. (holding company based in the UK) (nel 1988)
registrazione di:
Twist in My Sobriety (nel 1988)
paroliere e compositore:
Tanita Tikaram
editore:
Brogue Music, Warner Basart (publisher) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tanita Tikaram4.74:51
48Josephine (single version)
registrazione di:
Josephine
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea3:37
49Love Will Tear Us Apart
registrazione di:
Love Will Tear Us Apart
paroliere:
Ian Curtis
compositore:
Ian Curtis, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division3:25
50There's No Easy Way
programmazione degli strumenti:
Steve Porcaro
basso :
Abraham Laboriel
batteria [drums] :
John “JR” Robinson (session drummer)
sintetizzatore :
David Paich
voce principale:
James Ingram (R&B singer)
arrangiatore:
Quincy Jones e David Paich
registrazione di:
There’s No Easy Way
compositore:
Barry Mann
editore:
ATV Music Corp., Dyad Music Ltd., Mann & Weil Songs, Inc. e Sony/ATV Songs LLC
James Ingram3:51
51In Private
produttore:
Julian Mendelsohn (Australian record producer and engineer) e Pet Shop Boys
registrazione di:
In Private
autore:
Chris Lowe (1/2 of Pet Shop Boys) e Neil Tennant
Dusty Springfield44:22
52Jungle Love (single version)
assistente tecnico:
Peggy Mac (il 1983-03-26, il 1984-01-15)
tecnico:
Prince (“The Artist Formerly Known as…”) (il 1984-01-15)
produttore:
Prince (“The Artist Formerly Known as…”) (dal 1983-03-26 al 1984-01-15)
chitarra :
Jesse Johnson (original guitarist for The Time) (dal 1983-03-26 al 1984-01-15)
chitarra basso e tastiera :
Prince (“The Artist Formerly Known as…”) (dal 1983-03-26 al 1984-01-15)
voce di accompagnamento:
Jill Jones (American singer, songwriter, and actress) (dal 1983-03-26 al 1984-01-15)
voce principale:
Morris Day (dal 1983-03-26 al 1984-01-15)
registrazione di:
Jungle Love (dal 1983-03-26 al 1984-01-15)
autore:
Morris Day, Jesse Johnson (original guitarist for The Time) e Prince (“The Artist Formerly Known as…”)
The Time3:28
53Golden Brown
co-produttore:
Steve Churchyard
produttore:
Steve Churchyard e The Stranglers
tecnico di missaggio:
Tony Visconti
esecutore:
The Stranglers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrazione di:
Golden Brown
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers4.43:27
54I.G.Y.
batteria :
James Gadson (American drummer)
batteria aggiunto:
Jeff Porcaro
chitarra :
Hugh McCracken
chitarra basso :
Anthony Jackson (US bassist)
percussione :
Roger Nichols (US mastering, recording engineer and producer) e Starz Vanderlocket
pianoforte elettrico :
Greg Phillinganes
sassofono baritono :
Ronnie Cuber
sassofono contralto :
David Tofani
sassofono tenore :
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
sintetizzatore :
Donald Fagen e Rob Mounsey
tromba :
Randy Brecker
trombone :
Dave Bargeron (US trombonist & tubist)
voce di accompagnamento:
Frank Floyd (US soul disco funk singer), Gordon Grody, Zachary Sanders e Valerie Simpson
voce principale:
Donald Fagen
arrangiatore:
Donald Fagen
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982)
registrazione di:
I.G.Y. (What a Beautiful World)
paroliere e compositore:
Donald Fagen
editore:
Freejunket Music
Donald Fagen6:03
55I Want to Be Your Man
registrazione di:
I Want to Be Your Man (song by Roger Troutman)
autore:
Larry Troutman e Roger Troutman (funk musician in Zapp)
Roger4:03
56Veronica
tecnico e tecnico di missaggio:
Kevin Killen
batteria :
Jerry Marotta (drummer and composer)
chamberlin e pianoforte elettrico :
Mitchell Froom
chitarra acustica :
T‐Bone Burnett (musician, songwriter and producer)
chitarra basso :
Paul McCartney (The Beatles)
chitarra elettrica e voce principale:
Elvis Costello
glockenspiel e timpani :
Michael Blair (American drummer/producer/songwriter based in Sweden)
pianoforte e spinetta pianoforte [Baldwin spinet] :
Benmont Tench
registrazione di:
Veronica
autore:
Declan Patrick MacManus e Paul McCartney (The Beatles)
Elvis Costello4.653:09
57Life In a Northern Town
produttore:
David Gilmour (Pink Floyd), Nick Laird-Clowes e George Nicholson (engineer, producer)
produttore aggiunto:
David Gilmour (Pink Floyd)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 54)
registrazione di:
Life in a Northern Town
autore:
Gilbert Gabriel e Nick Laird-Clowes
dedicata a:
Nick Drake (English singer‐songwriter)
The Dream Academy4.34:16
58Two of Hearts
produttore:
Jon St. James (American guitarist, songwriter, and producer) e William J. Walker (US executive producer William J. Walker)
produttore associato:
Jeff C. Fishman (producer)
batteria [drum system] :
Karl Moet (drummer and songwriter)
tastiera [keyboard system] :
Skip Hahn
tastiera [keyboard systems] :
Jon St. James (American guitarist, songwriter, and producer) e Rich West
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1986) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1986)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 4)
registrazione di:
Two of Hearts
autore:
Sue Gatlin, Tim Greene e John Dixon Mitchell
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), On The Note Publishing (nel 1986) e Tim Green Music (publisher) (nel 1986)
Stacey Q43:58
59Casanova
registrazione di:
Casanova
paroliere e compositore:
Reggie Calloway
editore:
Calloco Music e Hip Trip Music (publisher)
LeVert4:22
60This Charming Man
tecnico:
Phil Bush (engineer, composer and musician) e Neil King (sound engineer)
produttore:
John Porter (producer and musician US and UK)
armonica (a bocca) , chitarra e chitarra e armonica (a bocca) :
Johnny Marr
batteria :
Mike Joyce (UK drummer)
chitarra basso :
Andy Rourke
voce:
Morrissey (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
Sire Records Company (not for release label use!) (nel 1983) e Warner Music UK Ltd. (not for release label use!) (nel 1983)
video musicali:
This Charming Man di The Smiths (1980s English rock band)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 11) e Indie 88: Top 500 Indie Rock Songs (numero: 36)
registrazione di:
This Charming Man
paroliere:
Morrissey (English singer‐songwriter)
compositore:
Johnny Marr
editore:
Morrissey Marr Songs Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths3.752:43
61Each Time You Break My Heart
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1986)
registrazione di:
Each Time You Break My Heart
autore:
Stephen Bray e Madonna Louise Veronica Ciccone (“Queen of Pop”)
editore:
Warner Bros. (holding: file NO releases)
Nick Kamen3.54:34
62Kayleigh
tecnico:
Privet (sound engineer)
basso elettrico :
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (il 1995-09-29)
batteria :
Ian Mosley (il 1995-09-29)
chitarra elettrica :
Steve Rothery (il 1995-09-29)
tastiera :
Mark Kelly (Marillion keyboardist) (il 1995-09-29)
voce principale:
Steve Hogarth (il 1995-09-29)
registrata presso:
Ahoy Arena in Rotterdam, Zuid-Holland (South Holland), Paesi Bassi, Kingdom of the Netherlands (il 1995-09-29)
registrazione dal vivo di:
Kayleigh (il 1995-09-29)
paroliere:
Derek William Dick
compositore:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery e Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
editore:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. e Marillion Music
Marillion4:04
63Soup for One
direttore d'orchestra:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
arrangiatore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
registrazione di:
Soup for One
paroliere e compositore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony/ATV Songs (SOCAN) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic35:35
64Something's Gotten Hold of My Heart
registrazione cover di:
Something’s Gotten Hold of My Heart
paroliere e compositore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
editore:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing
Gene Pitney, Marc Almond4:40
65I Can't Wait
produttore:
John Smith (Nu Shooz) e Rick Waritz (producer)
diritti fonografici (℗) detenuti da:
Injection (Netherlands) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 60)
registrazione di:
I Can’t Wait
paroliere e compositore:
John Smith (Nu Shooz)
editore:
Poolside Music
Nu Shooz43:39
66It Started with a Kiss
produttore:
Mickie Most (English record producer)
voce principale:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (nel 1982)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2011)
video musicali:
It Started With a Kiss di Hot Chocolate (70s and 80s British soul band)
registrazione di:
It Started With a Kiss (nel 1982)
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. e Universal Music Publishing MGB Australia
Hot Chocolate34:03
67Rooms On Fire
tecnico di registrazione e tecnico di missaggio:
Stephen W. Tayler (UK engineer)
produttore:
Rupert Hine
assistente tecnico di missaggio:
Derek Murphy
batteria [drums] :
Geoff Dugmore
chitarra :
Rick Nowels e Jamie West‐Oram
chitarra acustica :
Rick Nowels
chitarra basso [bass] :
Vail Johnson
percussione :
Rupert Hine e Stevie Nicks
tastiera [keyboards] :
Rupert Hine
voce di accompagnamento [backing vocals]:
Sharon Celani e Lori Perry-Nicks
diritti fonografici (℗) detenuti da:
Modern Records, Inc. (nel 1989)
mixata presso:
Farmyard Studios in Amersham, Buckinghamshire, England, Regno Unito
registrazione di:
Rooms on Fire
autore:
Stevie Nicks e Rick Nowels
editore:
EMI Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Screen Gems–EMI Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Welsh Witch Music (BMI affiliated)
Stevie Nicks4.354:37
68Mirror Mirror
registrazione di:
Mirror Mirror (Mon amour)
autore:
Trevor Horn e Bruce Woolley
Dollar3:31
69Nite and Day
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1988)
registrazione di:
Nite and Day
autore:
Al B. Sure! e Kyle West (Soul and R&B songwriter, musician, producer)
Al B. Sure!43:58
70Special Brew
registrazione di:
Special Brew
paroliere e compositore:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) e Brian Tuitt
editore:
Magnet Music Ltd. (publisher)
Bad Manners3:20
71Watching You (single version)
registrazione di:
Watching You
autore:
Mark Adams (Slave bassist), Raymond Turner (keyboard player), Stephen Washington, Steven Arrington e Daniel Webster
Slave3:33
72The Harder I Try
registrazione di:
The Harder I Try
compositore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music International AG, All Boys Music Ltd. (, nel 1988), Mike Stock Publishing Limited, Sid’s Songs Limited, Universal Music Careers, Universal–Songs of PolyGram International, Inc. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Brother Beyond3:29
73More Bounce to the Ounce
produttore:
Bootsy Collins (US funk musician & songwriter) e Roger Troutman (funk musician in Zapp)
registrazione di:
More Bounce to the Ounce
paroliere e compositore:
Roger Troutman (funk musician in Zapp)
editore:
Rubberband Music, Inc.
Zapp35:11
74Just Like Honey
tecnico:
John Loder (sound engineer and producer)
produttore:
The Jesus and Mary Chain
basso :
Douglas Hart (musician & video director)
batteria :
Bobby Gillespie
chitarra :
Jim Reid (Jesus and Mary Chain) e William Reid (guitarist, The Jesus and Mary Chain)
voce:
Jim Reid (Jesus and Mary Chain) e William Reid (guitarist, The Jesus and Mary Chain)
diritti fonografici (℗) detenuti da:
WEA Records Ltd (Hong Kong holding company from 1978 to 1990), Warner Music UK Ltd. (not for release label use!) (nel 1985) e WEA Records Ltd. (holding company based in the UK) (nel 1985)
registrata presso:
Southern Studios in Wood Green, Haringey, London (Greater London), England, Regno Unito
video musicali:
Just Like Honey di The Jesus and Mary Chain
parte di:
Mixtape – Game Soundtrack (numero: 2) e Indie 88: Top 500 Indie Rock Songs (numero: 186)
registrazione di:
Just Like Honey
autore:
Jim Reid (Jesus and Mary Chain) e William Reid (guitarist, The Jesus and Mary Chain)
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
si basa su:
Intro (Just Like Honey)
The Jesus and Mary Chain53:02
75Set Me Free
video musicali:
Set Me Free di Jaki Graham
registrazione di:
Set Me Free
paroliere e compositore:
Derek Bramble
Jaki Graham33:36
76Jane Says
batteria :
Stephen Perkins (American drummer)
chitarra :
Dave Navarro (American guitarist)
chitarra basso :
Eric Avery
voce:
Perry Farrell
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 129)
registrazione di:
Jane Says
paroliere:
Perry Farrell
compositore:
Eric Avery, Perry Farrell, Dave Navarro (American guitarist) e Stephen Perkins (American drummer)
Jane’s Addiction4.14:47
77Always
tecnico:
Rory Young
produttore:
David Lewis (member of Atlantic Starr) e Wayne Lewis (member of Atlantic Starr)
direttore d'orchestra:
Gene Page (conductor, composer, arranger and record producer)
arrangiatore:
Gene Page (conductor, composer, arranger and record producer)
registrazione di:
Always
autore:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) e Wayne Lewis (member of Atlantic Starr)
Atlantic Starr4:48
78Suedehead
produttore:
Stephen Street (famous producer, songwriter)
registrazione di:
Suedehead
paroliere:
Morrissey (English singer‐songwriter)
compositore:
Stephen Street (famous producer, songwriter)
Morrissey4.13:56
79Imagination
registrazione di:
Imagination
paroliere e compositore:
Neville Keighley
Belouis Some33:35
80Back Together Again
produttore:
Roberta Flack (singer and pianist) e Eric Mercury
voce e esecutore:
Donny Hathaway
registrazione di:
Back Together Again (Roberta Flack and Donny Hathaway)
autore:
Reggie Lucas e James Mtume (jazz/funk musician)
editore:
Famous-Chappell Ltd. (UK-based music publishing company.), Sony/ATV Melody e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Donny Hathaway & Roberta Flack4:51
81What's the Colour of Money
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1986)
registrazione di:
What's the Colour of Money?
autore:
Mark Rogers (Hollywood Beyond) e Jamie B. Rose
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Hollywood Beyond43:28
82Alone Again
tecnico aggiunto:
Gary McGachan
produttore:
Tom Werman
produttore associato:
Roy Thomas Baker (producer)
tecnico di missaggio:
Michael Wagener
batteria :
Mick Brown (US drummer, formerly of Dokken)
chitarra :
Don Dokken e George Lynch
chitarra basso e tastiera :
Jeff Pilson
voce di accompagnamento:
Mick Brown (US drummer, formerly of Dokken) e Jeff Pilson
voce principale:
Don Dokken
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1984) e Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1984)
registrazione di:
Alone Again
autore:
Mick Brown (US drummer, formerly of Dokken), Don Dokken, George Lynch e Jeff Pilson
editore:
E/A Music Inc., Megadude Music, WB Music Corp. (1929–2019) e エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
Dokken3.654:20
83Superwoman (edit version)
registrazione di:
Superwoman
autore:
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) e Daryl Simmons
editore:
Green Skirt Music (publisher), Hip Trip (publisher) e Kear Music (publisher)
Karyn White4:32
84Believe It or Not
voce:
Joey Scarbury
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1981)
registrazione di:
Believe It or Not (theme from “The Greatest American Hero”)
paroliere:
Stephen Geyer
compositore:
Mike Post
editore:
Darjen Music, EMI April Music Inc., EMI Blackwood Music Inc., Lokey Publishing e Stephen Cannell Music
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Joey Scarbury43:15
85Major Tom (Coming Home)
tecnico di registrazione:
Lars Hidde (dal 1982 al 1983), Manfred Lohse (dal 1982 al 1983), Geoff Peacey (dal 1982 al 1983), Frank Reinke (Germany based engineer) (dal 1982 al 1983), Peter Schilling (German synthpop musician) (dal 1982 al 1983) e Peter Schmidt (recording engineer) (dal 1982 al 1983)
assistente produttore:
Frank Hieber (nel 1982)
produttore:
Armin Sabol (dal 1982 al 1983) e Peter Schilling (German synthpop musician) (dal 1982 al 1983)
tecnico di missaggio:
Holger J. Magnussen (nel 1982)
basso elettrico :
Günther Gebauer (nel 1982)
batteria :
Curt Cress (nel 1982)
chitarra elettrica :
Armin Sabol (nel 1982)
tastiera [keyboard solo] :
Gonzo Bishop (nel 1982)
voce principale:
Peter Schilling (German synthpop musician) (nel 1983)
arrangiatore:
Peter Schilling (German synthpop musician) (nel 1982)
registrata presso:
Peer Studio in Hamburg, Germania (dal 1982 al 1983)
versioni a cappella:
Space Oddity / Major Tom (Coming Home) di Tufts Beelzebubs (Tufts University all-male a cappella group)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 68)
registrazione di:
Major Tom (Coming Home) (dal 1982 al 1983)
paroliere e compositore:
Peter Schilling (German synthpop musician)
traduttore:
David Lodge
dedicata a:
Peer Musikverlag
versione tradotta di:
Major Tom (Völlig losgelöst)
Peter Schilling4.355:01
86More Than I Can Bear
tecnico e tecnico di missaggio:
Phil Harding (engineer, producer and remixer)
produttore:
Mark Reilly (guitarist, vocalist, producer, songwriter) e Danny White (keyboardist)
flicorno soprano :
Guy Barker
percussione :
Robin Jones (latin jazz percussionist)
tastiera :
Danny White (keyboardist)
voce:
Mark Reilly (guitarist, vocalist, producer, songwriter)
arrangiatore voci:
Basia
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1984)
registrazione di:
More Than I Can Bear
autore:
Mark Reilly (guitarist, vocalist, producer, songwriter) e Danny White (keyboardist)
editore:
Matt Music Ltd. (PRS) e WC Music Corp.
Matt Bianco44:18
87Dirty Blvd.
tecnico di registrazione:
Jeffrey Lesser
assistente tecnico:
Victor Deyglio
batteria :
Fred Maher
chitarra elettrica :
Mike Rathke e Lou Reed
contrabbasso :
Rob Wasserman
voce di accompagnamento:
Dion Di Mucci (US singer-songerwriter, blends doo-wop, pop rock & R&B)
voce principale:
Lou Reed
registrata presso e mixata presso:
Mediasound Studios in New York, New York, Stati Uniti
registrazione di:
Dirty Blvd.
paroliere e compositore:
Lou Reed
Lou Reed3.83:29
88The Glamorous Life, Pt. 1
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrazione di:
The Glamorous Life
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Girlsongs (publisher)
Sheila E.53:44
89Seventeen
assistente tecnico:
Noah Baron e Jimmy Hoyson
tecnico e produttore:
Beau Hill
tecnico audio:
Bob Caputo (engineer) e Bob Schwall (technician)
editor:
Stephen Benben
batteria e percussione :
Rod Morgenstein
chitarra :
Reb Beach e Paul Taylor (Winger rhythm guitarist and keyboardist)
chitarra basso e voce principale:
Kip Winger
tastiera :
Paul Taylor (Winger rhythm guitarist and keyboardist) e Kip Winger
viola :
Rebecca Young (violist)
violino :
Hae-Young Ham (violinist) e Sandra Park (violinist)
violoncello :
Maria Kitsopoulos
voce aggiuntiva:
Beau Hill e Ira McLaughlin (engineer)
voce di accompagnamento:
Reb Beach, Rod Morgenstein e Paul Taylor (Winger rhythm guitarist and keyboardist)
arrangiatore archi :
Kip Winger
arrangiatore:
Beau Hill, Winger e Kip Winger
registrata presso e mixata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 87)
registrazione di:
Seventeen
autore:
Reb Beach, Beau Hill e Kip Winger
editore:
Blue 32 Music Inc., BMG Gold Songs, BMG Platinum Songs US, EMI Virgin Music, Inc., EMI Virgin Songs, Inc., Julian Kelly Music, Small Hope Music, Varseau Music e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Winger2.54:04
90Perfect Combination
produttore:
Preston Glass e Narada Michael Walden
batteria :
Narada Michael Walden
chitarra :
Corrado Rustici
chitarra basso :
Randy Jackson (former bassist with Journey and American Idol judge)
glockenspiel :
Preston Glass
tastiera :
Frank Martin (keyboards) e David Sancious
voce:
Johnny Gill e Stacy Lattisaw
registrazione di:
Perfect Combination
autore:
Preston Glass e Narada Michael Walden
Johnny Gill, Stacy Lattisaw4:10

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