| # | Title | Artist | Rating | Length |
|---|
| 1 | What's Love Got to Do with It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London , England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- recording of:
- What’s Love Got to Do With It
- writer:
- Terry Britten, Kyrre Gørvell-Dahll and Graham Lyle
- publisher:
- Kobalt Music (from 2020 to present) and WC Music Corp. (from 2020 to present)
- is based on:
- What’s Love Got to Do With It
| Tina Turner | 4.05 | 3:50 |
| 2 | Take On Me | a‐ha | 4.4 | 3:49 |
| 3 | Sharp Dressed Man | ZZ Top | 4.6 | 4:13 |
| 4 | Ain't Nobody | Chaka Khan | | 4:05 |
| 5 | Here I Go Again 87- producer:
- Kevin Elson, Keith Olsen and Mike Stone
- mixer:
- Keith Olsen
- drums (drum set) and percussion:
- Aynsley Dunbar
- electric bass guitar:
- Neil Murray
- electric guitar and background vocals:
- John Sykes
- guest keyboard and keyboard:
- Don Airey and Bill Cuomo
- solo electric guitar:
- Adrian Vandenberg
- lead vocals:
- David Coverdale
- phonographic copyright (℗) by:
- Geffen Records (in 1987) and Whitesnake Productions (Overseas) Ltd. (in 1987)
- mixed at:
- Goodnight LA Studios in Van Nuys, California, United States
- music videos:
- Here I Go Again ’87 by Whitesnake
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 17)
- recording of:
- Here I Go Again
- writer:
- David Coverdale and Bernie Marsden
- publisher:
- Warner Chappell Music Ltd. (ended), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- 渡辺音楽出版 , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Whitesnake | 4.05 | 4:35 |
| 6 | Hungry Like the Wolf | Duran Duran | 4.15 | 3:41 |
| 7 | Holding Back the Years | Simply Red | 4 | 4:30 |
| 8 | We Built This City- assistant engineer:
- Paul Ericksen
- engineer:
- Jeremy Smith
- producer:
- Jeremy Smith and Peter Wolf
- mixer:
- Bill Bottrell
- other vocals [DJ voice]:
- Les Garland (in 1985)
- arranger:
- Peter Wolf
- phonographic copyright (℗) by:
- BMG Music (in 1985) and RCA Records (in 1985)
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- remixed at:
- The Soundcastle in Silver Lake, Los Angeles, California, United States
- recording of:
- We Built This City (in 1985)
- writer:
- Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf
- publisher:
- BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control , Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. , Universal Music–MGB Songs, Warner/Chappell Music Ltd. , Zomba Enterprises and Zomba Enterprises, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Starship | 3.9 | 4:56 |
| 9 | Give Me the Night (single version) | George Benson | | 4:58 |
| 10 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London , England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. , Universal Music Publishing, Inc., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 4 | 3:55 |
| 11 | St. Elmo's Fire (Man In Motion) | John Parr | 3.8 | 4:12 |
| 12 | True | Spandau Ballet | 3.65 | 5:28 |
| 13 | Owner of a Lonely Heart- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Chris Squire (in 1983)
- drums (drum set):
- Alan White (in 1983)
- guitar:
- Trevor Rabin (in 1983)
- keyboard:
- Tony Kaye (in 1983)
- lead vocals:
- Jon Anderson (in 1983)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1983, in 2003) and WEA International Inc. (in 1983, in 2003)
- recorded at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1983)
- recording of:
- Owner of a Lonely Heart (in 1983)
- writer:
- Jon Anderson , Trevor Horn, Trevor Rabin and Chris Squire
- publisher:
- Affirmative Music , BMG Chrysalis Scandinavia AB , BMG Rights Management (UK) Ltd. , Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC , Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. , Tremander Songs, Unforgettable Songs , Unforgettable Songs Ltd., Warner Bros. Music , Warner Bros. Music Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. , Warner/Chappell and Warner/Chappell North America Limited
- sub-publisher:
- エイベックス・ミュージック・パブリッシング 第7出版事業部 , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Yes | 3.85 | 4:29 |
| 14 | I Keep Forgettin (Every Time You're Near) | Michael McDonald | 4 | 3:42 |
| 15 | Self Control | Laura Branigan | | 4:07 |
| 16 | I Want to Know What Love Is- additional engineer:
- Josh Abbey, Larry Alexander , Jason Corsaro , Joe Ferla and Howie Lindeman
- assistant engineer:
- Bobby Cohen , Tim Crich and Scott “Abada” Mabuchi
- engineer:
- Frank Filipetti
- producer:
- Mick Jones and Alex Sadkin
- additional keyboard:
- Tom Bailey
- bass guitar:
- Rick Wills
- drums (drum set):
- Dennis Elliott
- electric guitar:
- Mick Jones
- additional vocals:
- Jennifer Holliday
- background vocals:
- Donnie Harper, Mick Jones and Rick Wills
- choir vocals:
- The New Jersey Mass Choir
- lead vocals:
- Lou Gramm
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1984), Warner Music International (in 1984), WEA International Inc. (in 1984, in 2018) and Rhino Entertainment Company (in 2009)
- additionally recorded at:
- Right Track Recording in Manhattan, New York, New York, United States
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States
- mixed at:
- Right Track Recording in Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 65), Billboard: The 500 Best Pop Songs (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (number: 476)
- recording of:
- I Want to Know What Love Is
- lyricist and composer:
- Mick Jones
- publisher:
- Evansongs Ltd. , Somerset Songs Publishing Inc., Warner Brothers Music Ltd. , Warner Chappell Music , Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Foreigner | 3.95 | 5:05 |
| 17 | Love Shack (Edit) | The B‐52s | 3.65 | 4:18 |
| 18 | Don't Get Me Wrong | Pretenders | 4.2 | 3:48 |
| 19 | It's My Life | Talk Talk | 3.75 | 3:52 |
| 20 | La Bamba | Los Lobos | 4.15 | 2:54 |
| 21 | This Must Be the Place (Naive Melody) | Talking Heads | 3.9 | 4:56 |
| 22 | Arthur's Theme (Best That You Can Do)- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- producer:
- Michael Omartian
- mixer:
- Chet Himes
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1981, in 1983)
- recorded at and mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
- recording of:
- Arthur’s Theme (Best That You Can Do)
- writer:
- Peter Allen , Burt Bacharach, Carole Bayer Sager and Christopher Cross
- publisher:
- Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing , Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America and Woolnough Music
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ユニバーサル・ミュージック・パブリッシング Synch事業部
- part of:
- The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
| Christopher Cross | 5 | 3:54 |
| 23 | We're Not Gonna Take It (single version)- recording engineer and mixer:
- Geoff Workman
- assistant engineer:
- Gary McGachan
- engineer:
- John Agnello , Greg Laney and Geoff Workman
- producer:
- Tom Werman
- bass guitar:
- Mark Mendoza
- drums (drum set):
- A.J. Pero
- electric guitar:
- Jay Jay French and Eddie Ojeda
- background vocals:
- Jay Jay French, Mark Mendoza , Eddie Ojeda, A.J. Pero and Dee Snider
- lead vocals:
- Dee Snider
- arranger:
- Twisted Sister and Tom Werman
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio in Los Angeles, California, United States (from 1984-02 until 1984-03)
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 21), VH1: 100 Greatest Songs of the 80’s (number: 47) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
- recording of:
- We’re Not Gonna Take It
- lyricist and composer:
- Dee Snider
- publisher:
- Copyright Control and Universal Tunes
- part of:
- “The Filthy Fifteen” (number: 7)
| Twisted Sister | 4.35 | 3:37 |
| 24 | Glory of Love- engineer and mixer:
- Terry Christian and John Guess
- producer:
- Michael Omartian
- guest background vocals:
- Kenny Cetera
- lead vocals:
- Peter Cetera
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1986) and Warner Music International (in 1986)
- recorded at and mixed at:
- Lion Share Studios in Los Angeles, California, United States
- recording of:
- Glory of Love
- writer:
- Peter Cetera, David Foster and Diane Nini
- publisher:
- EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. , シンコーミュージック・エンタテイメント , ピアーミュージック , ユニバーサル・ミュージック・パブリッシング Synch事業部 , コンソーシアム音楽出版 C・F事業部 (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (in 1986), ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (from 2021-07-01 to present)
- part of:
- The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
| Peter Cetera | 4.2 | 4:18 |
| 25 | Don't Wanna Fall In Love | Jane Child | | 4:08 |
| 26 | Blue Monday '88 | New Order | 4 | 4:12 |
| 27 | Too Shy | Kajagoogoo | 3.55 | 3:42 |
| 28 | Unchain My Heart | Joe Cocker | 4.3 | 5:08 |
| 29 | Make It Last Forever (single version) | Keith Sweat feat. Jacci McGhee | | 5:42 |
| 30 | Love Changes (Everything) | Climie Fisher | 3.9 | 4:29 |
| 31 | I'm Gonna Be (500 Miles) | The Proclaimers | 4 | 3:39 |
| 32 | We're In This Love Together- additional engineer:
- Jay Graydon
- assistant engineer:
- Debbie Thompson
- engineer:
- Joe Bogan
- associate producer:
- Tom Canning
- producer and mixer:
- Jay Graydon
- alto saxophone:
- Lon Price
- bass guitar:
- Abe LaBoriel
- drums (drum set):
- Steve Gadd
- electric guitar:
- Jay Graydon and Steve Lukather
- Rhodes piano:
- Michael Omartian
- synthesizer:
- Michael Boddicker and Michael Omartian
- background vocals and lead vocals:
- Al Jarreau
- percussion [rhythm] arranger:
- Tom Canning, Jay Graydon and Al Jarreau
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1981)
- additionally recorded at:
- Garden Rake Studios in Studio City, Los Angeles, California, United States
- recorded at:
- Dawnbreaker Studios in San Fernando, California, United States
- mixed at:
- Garden Rake Studios in Studio City, Los Angeles, California, United States
- recording of:
- We’re in This Love Together
- writer:
- Roger Murrah and Keith Stegall
- publisher:
- Blackwood Music, Inc. (ended), EMI Blackwood Music Inc., Magic Castle Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Al Jarreau | 5 | 3:46 |
| 33 | The Killing Moon | Echo & the Bunnymen | 4.25 | 5:46 |
| 34 | Everybody Needs Somebody to Love | Blues Brothers | 4.3 | 3:25 |
| 35 | Never Ending Story | Limahl | 3.35 | 3:30 |
| 36 | 18 and Life | Skid Row | 3.85 | 3:51 |
| 37 | Lost In Your Eyes | Debbie Gibson | 5 | 3:33 |
| 38 | Baby, I Love You | Ramones | | 3:45 |
| 39 | Some People | Cliff Richard | | 3:52 |
| 40 | Young Turks | Rod Stewart | 4.15 | 5:02 |
| 41 | If Ever You're In My Arms Again | Peabo Bryson | 4 | 4:16 |
| 42 | Simply Irresistible | Robert Palmer | 3.6 | 4:14 |
| 43 | Wind Beneath My Wings | Bette Midler | 5 | 4:54 |
| 44 | Geno | Dexys Midnight Runners | 3 | 3:27 |
| 45 | Epic | Faith No More | 4.3 | 4:54 |
| 46 | Gimme Gimme Gimme | Narada Michael Walden & Patti Austin | | 4:41 |
| 47 | Twist In My Sobriety | Tanita Tikaram | 4.7 | 4:51 |
| 48 | Josephine (single version) | Chris Rea | | 3:37 |
| 49 | Love Will Tear Us Apart | Joy Division | | 3:25 |
| 50 | There's No Easy Way | James Ingram | | 3:51 |
| 51 | In Private | Dusty Springfield | 4 | 4:22 |
| 52 | Jungle Love (single version) | The Time | | 3:28 |
| 53 | Golden Brown | The Stranglers | 4.4 | 3:27 |
| 54 | I.G.Y. | Donald Fagen | | 6:03 |
| 55 | I Want to Be Your Man | Roger | | 4:03 |
| 56 | Veronica | Elvis Costello | 4.65 | 3:09 |
| 57 | Life In a Northern Town | The Dream Academy | 4.3 | 4:16 |
| 58 | Two of Hearts | Stacey Q | 4 | 3:58 |
| 59 | Casanova | LeVert | | 4:22 |
| 60 | This Charming Man | The Smiths | 3.75 | 2:43 |
| 61 | Each Time You Break My Heart | Nick Kamen | 3.5 | 4:34 |
| 62 | Kayleigh | Marillion | | 4:04 |
| 63 | Soup for One | Chic | 3 | 5:35 |
| 64 | Something's Gotten Hold of My Heart | Gene Pitney, Marc Almond | | 4:40 |
| 65 | I Can't Wait | Nu Shooz | 4 | 3:39 |
| 66 | It Started with a Kiss | Hot Chocolate | 3 | 4:03 |
| 67 | Rooms On Fire | Stevie Nicks | 4.35 | 4:37 |
| 68 | Mirror Mirror | Dollar | | 3:31 |
| 69 | Nite and Day | Al B. Sure! | 4 | 3:58 |
| 70 | Special Brew | Bad Manners | | 3:20 |
| 71 | Watching You (single version) | Slave | | 3:33 |
| 72 | The Harder I Try | Brother Beyond | | 3:29 |
| 73 | More Bounce to the Ounce | Zapp | 3 | 5:11 |
| 74 | Just Like Honey | The Jesus and Mary Chain | 5 | 3:02 |
| 75 | Set Me Free | Jaki Graham | 3 | 3:36 |
| 76 | Jane Says | Jane’s Addiction | 4.1 | 4:47 |
| 77 | Always | Atlantic Starr | | 4:48 |
| 78 | Suedehead | Morrissey | 4.1 | 3:56 |
| 79 | Imagination | Belouis Some | 3 | 3:35 |
| 80 | Back Together Again | Donny Hathaway & Roberta Flack | | 4:51 |
| 81 | What's the Colour of Money | Hollywood Beyond | 4 | 3:28 |
| 82 | Alone Again | Dokken | 3.65 | 4:20 |
| 83 | Superwoman (edit version) | Karyn White | | 4:32 |
| 84 | Believe It or Not | Joey Scarbury | 4 | 3:15 |
| 85 | Major Tom (Coming Home) | Peter Schilling | 4.35 | 5:01 |
| 86 | More Than I Can Bear | Matt Bianco | 4 | 4:18 |
| 87 | Dirty Blvd. | Lou Reed | 3.8 | 3:29 |
| 88 | The Glamorous Life, Pt. 1 | Sheila E. | 5 | 3:44 |
| 89 | Seventeen- assistant engineer:
- Noah Baron and Jimmy Hoyson
- engineer and producer:
- Beau Hill
- audio engineer:
- Bob Caputo and Bob Schwall
- editor:
- Stephen Benben
- bass guitar and lead vocals:
- Kip Winger
- cello:
- Maria Kitsopoulos
- drums (drum set) and percussion:
- Rod Morgenstein
- guitar:
- Reb Beach and Paul Taylor
- keyboard:
- Paul Taylor and Kip Winger
- viola:
- Rebecca Young
- violin:
- Hae-Young Ham and Sandra Park
- additional vocals:
- Beau Hill and Ira McLaughlin
- background vocals:
- Reb Beach, Rod Morgenstein and Paul Taylor
- strings arranger:
- Kip Winger
- arranger:
- Beau Hill, Winger and Kip Winger
- recorded at and mixed at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 87)
- recording of:
- Seventeen
- writer:
- Reb Beach, Beau Hill and Kip Winger
- publisher:
- Blue 32 Music Inc., BMG Gold Songs, BMG Platinum Songs US, EMI Virgin Music, Inc., EMI Virgin Songs, Inc., Julian Kelly Music, Small Hope Music, Varseau Music and フジパシフィックミュージック BMG事業部
| Winger | 2.5 | 4:04 |
| 90 | Perfect Combination | Johnny Gill, Stacy Lattisaw | | 4:10 |
Play on ListenBrainz