The Complete Pablo Solo Masterpieces

~ Release by Art Tatum (see all versions of this release, 2 available)

Annotation

According to Discogs, two releases with different packaging are known (Discogs links added below):

- 7 CDs in a normal CD box, with 2 wide multi CD jewel cases.

- 7 CDs in a 12" card board CD box, probably in a number jewel cases (I cannot say, because I have not seen the box).

Concerning the specification given for this MusicBrainz release, it is not possible to decide, to which one of the two CD boxes it refers. However, I assume that the production of the CDs themselves was the same, hence front this point of view, there should be no difference. I think that would justify a single MusicBrainz database entry.

Annotation last modified on 2020-10-25 07:00 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Can't We Be Friends
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
Can’t We Be Friends? (on 1953-12-28)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros. Music Corp.
3:47
2This Can't Be Love
recorded in:
Los Angeles, California, United States (on 1953-12-28)
producer:
Norman Granz
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
This Can’t Be Love (on 1953-12-28)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
2:38
3Elegy
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
recording of:
Élégie (catch-all for arrangements) (on 1953-12-28)
composer:
Jules Massenet (French Romantic composer) (in 1873)
arrangement of:
Élégie (« Ô doux printemps d'autrefois … ») (for voice and piano)
3:37
4Memories of You
recorded in:
Los Angeles, California, United States (on 1953-12-28)
producer:
Norman Granz
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
Memories of You (on 1953-12-28)
lyricist:
Andy Razaf (in 1930)
composer:
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
5:02
5Over the Rainbow
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
Over the Rainbow (The Wizard of Oz) (on 1953-12-28)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
3:44
6If You Hadn't Gone Away
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
I Wouldn't Be Where I Am If You Hadn't Gone Away (on 1953-12-28)
lyricist:
Lew Brown and Billy Rose (lyricist and Broadway producer)
composer:
Fletcher Henderson
3:58
7Body and Soul
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
Body and Soul (on 1953-12-28)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:50
8The Man I Love
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
The Man I Love (on 1953-12-28)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
4:29
9Makin' Whoopee
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
Makin’ Whoopee! (on 1953-12-28)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
2:47
10September Song
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
September Song (catch-all for versions outside the theatrical context) (on 1953-12-28)
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Chappell & Co., DeSylva, Brown and Henderson, Inc., Hampshire House Publishing Corp., Kurt Weill Foundation for Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
arrangement of:
Knickerbocker Holiday: September Song
4:10
11Begin the Beguine
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
Begin the Beguine (on 1953-12-28)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
2:59
12Humoresque
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
recording of:
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements) (on 1953-12-28)
composer:
Antonín Dvořák (composer) (in 1894)
arrangement of:
Humoresque no. 7 for Piano in G-flat major, B. 187/7, op. 101 no. 7: Poco lento e grazioso (for piano)
3:58
13Louise
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
Louise (from "Innocents of Paris") (on 1953-12-28)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Richard A. Whiting (composer)
5:00
14Love for Sale
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
Love for Sale (on 1953-12-28)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
4:41
15Judy
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
Judy (credited to "Carmichael, Lerner")
lyricist:
Sammy Lerner
composer:
Hoagy Carmichael
publisher:
Samuel M. Lerner Publications, Songs of Peer, Ltd. (ASCAP) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3:47
16I'm Comin' Virginia
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
I’m Coming Virginia (on 1953-12-28)
lyricist:
Will Marion Cook
composer:
Donald Heywood
3:36
17Wrap Your Troubles in Dreams
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
Wrap Your Troubles in Dreams (on 1953-12-28)
lyricist:
Ted Koehler (in 1931) and Billy Moll (songwriter) (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Ted Koehler Music Co.
3:43
18Dixieland Band
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
Dixieland Band (on 1953-12-28)
lyricist:
Johnny Mercer
composer:
Bernie Hanighen
3:07
2▼CD
#TitleRatingLength
1Embraceable You
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
4:30
2Come Rain or Come Shine
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
Come Rain or Come Shine
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
5:07
3Just A-Sittin' and A-Rockin'
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
Just A‐Sittin’ and A‐Rockin’
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) and Billy Strayhorn (in 1941)
3:59
4There Will Never Be Another You
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
There Will Never Be Another You
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, volume I)
5:30
5Tenderly
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
5:06
6What Does It Take
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
What Does It Take
lyricist:
Jimmy Van Heusen
writer:
Johnny Burke (American lyricist, 1908–1964)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
2:54
7You Took Advantage of Me
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
You Took Advantage of Me
lyricist:
Lorenz Hart (in 1928)
composer:
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
3:18
8I've Got the World on a String
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
I’ve Got the World on a String
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:56
9Yesterdays
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
3:29
10I Hadn't Anyone Till You
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
I Hadn’t Anyone Till You
lyricist and composer:
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
3:34
11Night and Day
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:17
12Jitterbug Waltz
recorded in:
Los Angeles, California, United States (on 1953-12-28)
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
recording of:
Jitterbug Waltz (on 1953-12-28)
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp.
3:48
13Someone to Watch Over Me
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1953-12-28)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
3:48
14The Very Thought of You
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
The Very Thought of You
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
4:30
15You're Driving Me Crazy
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
You’re Driving Me Crazy
lyricist:
Walter Donaldson
composer:
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC and Tobago Music Co.
2:41
16I Don't Stand a Ghost of a Chance With You
piano:
Art Tatum (US jazz pianist) (on 1953-12-28)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-28)
instrumental recording of:
(I Don’t Stand) A Ghost of a Chance
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
4:13
17Stardust
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Stardust (the jazz standard) (on 1953-12-29)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
5:03
3▼CD
#TitleRatingLength
1I Cover the Waterfront
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
I Cover the Waterfront
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music, Inc.
3:45
2Where or When
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Where or When (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company and Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
5:17
3Stay as Sweet as You Are
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental cover recording of:
Stay as Sweet as You Are
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
publisher:
Chappell & Co.
5:09
4Fine and Dandy
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Fine and Dandy
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
3:04
5All the Things You Are
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
All the Things You Are (from “Very Warm for May”)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
6:03
6Have You Met Miss Jones
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
4:50
7In a Sentimental Mood
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
In a Sentimental Mood
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
6:03
8I'll See You Again
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
I’ll See You Again (adapted from Bitter Sweet)
lyricist and composer:
Noël Coward
arranger:
Saint-Granier
publisher:
Chappell & Co.
arrangement of:
Bitter Sweet, Act I: I’ll See You Again
part of:
Bitter Sweet (Noel Coward operetta)
4:55
9I'll See You in My Dreams
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
I’ll See You in My Dreams
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
Bantam Music Publishing Co., Gilbert Keyes Music Company and Leo Feist, Inc. (on 1924-12-19)
3:18
10Ill Wind
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Ill Wind
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
5:20
11Isn't This a Lovely Day
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Isn’t This a Lovely Day? (from “Top Hat”)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
3:34
12Blue Skies
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Blue Skies
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:00
13Without a Song
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Without a Song
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild and WB Music Corp. (1929–2019)
part of:
Great Day!
5:49
14Stompin' at the Savoy
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Stompin’ at the Savoy
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:00
15My Last Affair
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
My Last Affair
lyricist and composer:
Haven A. Johnson
2:53
16I'm in the Mood for Love
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
cover recording of:
I’m in the Mood for Love
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
4:26
4▼CD
#TitleRatingLength
1Taboo
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Taboo (1961 English lyrics version of Tabú)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Margarita Lecuona (Cuban composer)
publisher:
Peer International Corporation (BMI), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
translated version of:
Tabú (original 1934 spanish lyrics)
2:51
2Would You Like to Take a Walk
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Would You Like to Take a Walk? (on 1953-12-29)
lyricist:
Mort Dixon and Billy Rose (lyricist and Broadway producer)
composer:
Harry Warren (US composer and lyricist)
4:15
3I've Got a Crush on You
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
I’ve Got a Crush on You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
3:37
4Japanese Sandman
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
The Japanese Sandman
lyricist:
Raymond B. Egan (in 1920)
writer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
composer:
Richard A. Whiting (composer) (in 1920)
3:06
5Too Marvelous for Words
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Too Marvelous for Words (on 1953-12-29)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:59
6Aunt Hagar's Blues
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Aunt Hagar’s Blues
lyricist:
James “Tim” Brymn
composer:
William Christopher Handy
4:53
7Just Like a Butterfly That's Caught in the Rain
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Just Like a Butterfly That's Caught in the Rain
writer:
Mort Dixon and Harry M. Woods (American 1920/30s songwriter)
publisher:
Callicoon Music and Olde Clover Leaf Music
3:53
8Gone With the Wind
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Gone With the Wind
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
3:02
9Danny Boy
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Danny Boy
publisher:
Alfred Music (publisher of sheet music for music education)
lyricist:
Frederick Edward Weatherly (from 1910 until 1913)
composer:
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) and Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
is based on:
Londonderry Air
4:11
10They Can't Take That Away From Me
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
4:46
11Tea for Two
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Tea for Two (No, No, Nanette) (on 1953-12-29)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
3:32
12It's the Talk of the Town
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
It’s the Talk of the Town
lyricist:
Al J. Neiburg (lyricist) and Marty Symes (lyricist)
composer:
Jerry Livingston (songwriter)
arranger:
Ib Glindemann
3:42
13Blue Lou
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Blue Lou
composer:
Irving Mills and Edgar Sampson
2:45
14When a Woman Loves a Man
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
When a Woman Loves a Man
lyricist:
Johnny Mercer (in 1938)
composer:
Bernie Hanighen (in 1938) and Gordon Jenkins (in 1938)
publisher:
Anne-Rachel Music Corp.
5:33
15Willow Weep for Me
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Willow Weep for Me
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
4:32
16Ain't Misbehavin'
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Ain’t Misbehavin’ (on 1953-12-29)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
2:36
17Smoke Gets in Your Eyes
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Smoke Gets in Your Eyes
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
3:56
18Mighty Like a Rose
piano:
Art Tatum (US jazz pianist) (on 1953-12-29)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-29)
instrumental recording of:
Mighty Lak’ a Rose (1901 song)
lyricist:
Frank Lebby Stanton
composer:
Ethelbert Nevin
arrangement of:
Mighty Like a Rose (Cliff Adams arrangement)
6:07
5▼CD
#TitleRatingLength
1Stars Fell on Alabama
piano:
Art Tatum (US jazz pianist) (on 1954-04-22)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1954-04-22)
instrumental recording of:
Stars Fell on Alabama
lyricist:
Mitchell Parish
composer:
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
5:57
2Blue Moon
piano:
Art Tatum (US jazz pianist) (on 1954-04-22)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1954-04-22)
instrumental recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
5:01
3There's a Small Hotel
piano:
Art Tatum (US jazz pianist) (on 1954-04-22)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1954-04-22)
instrumental recording of:
There’s a Small Hotel (from “On Your Toes”)
lyricist:
Lorenz Hart (in 1936)
composer:
Richard Rodgers (composer) (in 1936)
part of:
On Your Toes
part of:
Pal Joey
5:09
4Caravan
piano:
Art Tatum (US jazz pianist) (on 1954-04-22)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1954-04-22)
instrumental cover recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
2:39
5The Way You Look Tonight
piano:
Art Tatum (US jazz pianist) (on 1954-04-22)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1954-04-22)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
6:39
6You Go to My Head
piano:
Art Tatum (US jazz pianist) (on 1954-04-22)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1954-04-22)
instrumental recording of:
You Go to My Head (on 1954-04-22)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
4:55
7Lover, Come Back to Me
piano:
Art Tatum (US jazz pianist) (on 1954-04-22)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1954-04-22)
instrumental recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
6:47
8Sophisticated Lady
piano:
Art Tatum (US jazz pianist) (on 1954-04-22)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1954-04-22)
instrumental recording of:
Sophisticated Lady
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, volume I)
3:37
9Dancing in the Dark
piano:
Art Tatum (US jazz pianist) (on 1954-04-22)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1954-04-22)
instrumental recording of:
Dancing in the Dark
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
4:31
10Love Me or Leave Me
piano:
Art Tatum (US jazz pianist) (on 1954-04-22)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1954-04-22)
instrumental recording of:
Love Me or Leave Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
3:24
11Cherokee
piano:
Art Tatum (US jazz pianist) (on 1954-04-22)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1954-04-22)
instrumental recording of:
Cherokee (on 1954-04-22)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
3:40
12These Foolish Things (Remind Me of You)
piano:
Art Tatum (US jazz pianist) (on 1954-04-22)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1954-04-22)
instrumental recording of:
These Foolish Things (Remind Me of You)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
4:45
13Deep Purple
piano:
Art Tatum (US jazz pianist) (on 1954-04-22)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1954-04-22)
instrumental recording of:
Deep Purple
lyricist:
Mitchell Parish (in 1938)
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
5:03
14After You've Gone
piano:
Art Tatum (US jazz pianist) (on 1954-04-22)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1954-04-22)
instrumental recording of:
After You’ve Gone
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
4:01
15I Didn't Know What Time It Was
piano:
Art Tatum (US jazz pianist) (on 1954-04-22)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1954-04-22)
cover recording of:
I Didn’t Know What Time It Was (Pal Joey)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
4:14
6▶CD
7▶CD