The Complete Pablo Solo Masterpieces

~ Veröffentlichung von Art Tatum (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

According to Discogs, two releases with different packaging are known (Discogs links added below):

- 7 CDs in a normal CD box, with 2 wide multi CD jewel cases.

- 7 CDs in a 12" card board CD box, probably in a number jewel cases (I cannot say, because I have not seen the box).

Concerning the specification given for this MusicBrainz release, it is not possible to decide, to which one of the two CD boxes it refers. However, I assume that the production of the CDs themselves was the same, hence front this point of view, there should be no difference. I think that would justify a single MusicBrainz database entry.

Anmerkung zuletzt geändert am 2020-10-25 07:00 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1Embraceable You
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-28)
instrumental recording of:
Embraceable You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
4:30
2Come Rain or Come Shine
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-28)
instrumental recording of:
Come Rain or Come Shine
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
5:07
3Just A-Sittin' and A-Rockin'
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-28)
instrumental recording of:
Just A‐Sittin’ and A‐Rockin’
Texter:
Lee Gaines (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) und Billy Strayhorn (in 1941)
3:59
4There Will Never Be Another You
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-28)
instrumental recording of:
There Will Never Be Another You
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
Teil von:
The Real Book (compilation of jazz standards, volume I)
5:30
5Tenderly
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-28)
instrumental recording of:
Tenderly
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
5:06
6What Does It Take
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-28)
instrumental recording of:
What Does It Take
Texter:
Jimmy Van Heusen
Verfasser(in):
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
2:54
7You Took Advantage of Me
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-28)
instrumental recording of:
You Took Advantage of Me
Texter:
Lorenz Hart (in 1928)
Komponist(in):
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
3:18
8I've Got the World on a String
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-28)
instrumental recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:56
9Yesterdays
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-28)
instrumental recording of:
Yesterdays
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
3:29
10I Hadn't Anyone Till You
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-28)
instrumental recording of:
I Hadn’t Anyone Till You
Texter und Komponist(in):
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
3:34
11Night and Day
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-28)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
3:17
12Jitterbug Waltz
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-28)
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-28)
recording of:
Jitterbug Waltz (am 1953-12-28)
Komponist(in):
Fats Waller
publisher:
Anne-Rachel Music Corp.
3:48
13Someone to Watch Over Me
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-28)
instrumental recording of:
Someone to Watch Over Me (Oh, Kay!) (am 1953-12-28)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
3:48
14The Very Thought of You
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-28)
instrumental recording of:
The Very Thought of You
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
4:30
15You're Driving Me Crazy
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-28)
instrumental recording of:
You’re Driving Me Crazy
Texter:
Walter Donaldson
Komponist(in):
Walter Donaldson (in 1930)
publisher:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC und Tobago Music Co.
2:41
16I Don't Stand a Ghost of a Chance With You
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-28)
instrumental recording of:
(I Don’t Stand) A Ghost of a Chance
Texter:
Bing Crosby und Ned Washington
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited und Mills Music, Inc.
4:13
17Stardust
Klavier:
Art Tatum (US jazz pianist) (am 1953-12-29)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1953-12-29)
instrumental recording of:
Stardust (the jazz standard) (am 1953-12-29)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
5:03
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4▶CD
5▶CD
6▶CD
7▶CD