Je n’aime pas le classique, mais avec les stars, j’aime bien !

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Tracklist credits on
https://www.qobuz.com/lu-fr/album/je-naime-pas-le-classique-mais-avec-les-stars-jaime-bien-various-artists/0886444722599

Annotation last modified on 2026-06-24 05:10 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Symphony N°40 in G minor K550: Molto allegro
recording engineer:
Michael Brammann (sound engineer)
producer and editor:
Martin Sauer (engineer/producer)
orchestra:
Concentus Musicus Wien (from 2012-12-01 until 2012-12-02)
conductor:
Nikolaus Harnoncourt (conductor) (from 2012-12-01 until 2012-12-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 2012-12-01 until 2012-12-02)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (from 2012-12-01 until 2012-12-02)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart?:??
2Parla più piano
tenor vocals:
Plácido Domingo (tenor)
conductor:
Eugene Kohn (pianist, conductor)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2012)
recording of:
Love Theme from The Godfather
composer:
Nino Rota (Italian composer)
version of:
Buongiorno Fortunella
part of:
The Godfather (1972 film soundtrack)
recording of:
Speak Softly Love (The Godfather, Love Theme)
lyricist:
Larry Kusik (Lyricist)
composer:
Nino Rota (Italian composer)
publisher:
Famous Chappell Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
version of:
Love Theme from The Godfather
Nino Rota?:??
3Nocturne: Opus 9 N°2 in E-flat major
producer:
Fred Gaisberg
piano:
Arthur Rubinstein (pianist) (on 1936-10-30)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1936-10-30)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante (on 1936-10-30)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3), Classic 100: Piano (2004) (number: 18) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 109)
part of:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin?:??
4Kaiserwaltzer
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1955-07-07)
conductor:
Herbert von Karajan (conductor) (on 1955-07-07)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1955-07-07)
recording of:
Kaiser‐Walzer, op. 437 (Emperor Waltz, op. 437) (on 1955-07-07)
premiered in:
Berlin, Germany (on 1889-10-21)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1889)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 437)
Johann Strauss?:??
5La scala di seta: Scena 9 - Aria
mezzo-soprano vocals [Lucilla]:
Cecilia Bartoli (mezzo‐soprano) (in 1988-09)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1988-09)
conductor:
Gabriele Ferro (conductor) (in 1988-09)
recorded at:
Sala Pedrotti in Pesaro, Pesaro e Urbino, Marche, Italy (in 1988-09)
live recording of:
La scala di seta: Scena IX. No. 5. Aria “Sento talor nell'anima” (Lucilla) (in 1988-09)
composer:
Gioachino Rossini (composer)
librettist:
Giuseppe Maria Foppa
part of:
La scala di seta
Gioachino Rossini?:??
6Concerto in B minor for Four Violins and Orchestra RV 580: Allegro
Antonio Vivaldi?:??
7La traviata: "O mio rimorso o infamia"
tenor vocals [Alfredo]:
Roberto Alagna (tenor) (from 1992-03 until 1992-04)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1992-03 until 1992-04)
conductor:
Riccardo Muti (conductor) (from 1992-03 until 1992-04)
live recording of:
La traviata: Atto II, scena 1. “Oh, mio rimorso! Oh, infamia!” (Alfredo) (from 1992-03 until 1992-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi?:??
8Cello Concerto in B minor Opus 104: Adagio ma non troppo
cello:
János Starker (Hungarian-American cellist) (in 1990-09)
orchestra:
Saint Louis Symphony Orchestra (St. Louis Symphony Orchestra) (in 1990-09)
conductor:
Leonard Slatkin (conductor) (in 1990-09)
recorded at:
Powell Hall in St. Louis, Missouri, United States (in 1990-09)
recording of:
Cello Concerto in B minor, op. 104: II. Adagio ma non troppo (in 1990-09)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák?:??
9La Luna
Claude Debussy?:??
10Dichterliebe Opus 48: Im wunderschönen Monat Mai
recording of:
Dichterliebe, op. 48: I. Im wunderschönen Monat Mai (catch-all for arrangements)
composer:
Robert Schumann (German classical composer) (in 1840)
arrangement of:
Dichterliebe, op. 48: I. Im wunderschönen Monat Mai
Robert Schumann?:??
11Le Déluge - La Nuit
producer:
Phillippe Pelissier
choir vocals:
Chœur régional Vittoria d’Île‐de‐France (Regional Île‐de‐France Vittoria Choir)
solo soprano vocals:
Natalie Dessay (soprano)
orchestra:
Orchestre national d’Île‐de‐France
conductor:
Jacques Mercier (conductor)
recorded at:
Église Notre-Dame-du-Travail in Paris, Île-de-France, France
Camille Saint‐Saëns?:??
12Piano Concerto N°2 in B-flat Opus 83: Allegro appassionato
recording engineer:
Lewis Layton (engineer)
producer:
Richard Mohr (producer)
piano:
Sviatoslav Richter (pianist) (from 1960-10-17 until 1960-10-18)
orchestra:
Chicago Symphony Orchestra (from 1960-10-17 until 1960-10-18)
conductor:
Erich Leinsdorf (conductor) (from 1960-10-17 until 1960-10-18)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1960-10-17 until 1960-10-18)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato (from 1960-10-17 until 1960-10-18)
composer:
Johannes Brahms (German composer) (from 1878 until 1881)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83
Johannes Brahms?:??
2▼CD
#TitleArtistRatingLength
1St Johns Night on the Bare Mountain
Modeste Moussorgsky?:??
2Les Contes d'Hoffman: Barcarolle « Belle nuit »
Jacques Offenbach?:??
3Sonata in A minor for Piano and Arpeggione: Allegro moderato
cello:
Yo‐Yo Ma (cellist) (on 1995-08-31)
piano:
Emanuel Ax (pianist) (on 1995-08-31)
recorded at:
Richardson Auditorium in Alexander Hall in Princeton, New Jersey, United States (on 1995-08-31)
recording of:
Sonata in A minor for Arpeggione and Piano, D. 821: I. Allegro moderato (on 1995-08-31)
composer:
Franz Schubert (composer) (in 1824-11)
part of:
Sonata in A minor for Arpeggione and Piano, D. 821
Franz Schubert?:??
4Sonata in F-sharp minor K25
producer:
Thomas Frost (classical music producer) and Thomas Z. Shepard
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer) (from 1964-04-23 until 1964-06-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1964-04-23 until 1964-06-04)
recording of:
Sonata in F-sharp minor, K 25, L 481: Allegro (from 1964-04-23 until 1964-06-04)
composer:
Domenico Scarlatti (composer)
part of:
Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 25) and Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 481)
part of:
Essercizi per gravicembalo
Domenico Scarlatti?:??
5Stabat Matera Cujus Animam
tenor vocals:
Luciano Pavarotti (tenor) (on 1967-12-22)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (on 1967-12-22)
conductor:
Carlo Maria Giulini (conductor) (on 1967-12-22)
live recording of:
Stabat Mater: II. Aria - Cuius animam gementem (tenore) (on 1967-12-22)
composer:
Gioachino Rossini (composer) (from 1832 until 1839)
part of:
Stabat Mater
recording of:
Stabat Mater: II. Aria - Cuius animam gementem (tenore)
composer:
Gioachino Rossini (composer) (from 1832 until 1839)
part of:
Stabat Mater
Gioachino Rossini?:??
6Radetzky Marsch
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1992-01-01)
conductor:
Carlos Kleiber (conductor) (on 1992-01-01)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1992-01-01)
live recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228) (on 1992-01-01)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss?:??
7Sonate pour violon et piano en La majeur: Allegretto poco mosso
piano:
Jean‐Marc Luisada (pianist)
violin:
Laurent Korcia (violinist)
recording of:
Sonata for Violin and Piano in A major, M. 8, CFF 123: IV. Allegretto poco mosso
composer:
César Franck (Belgian‐born French composer) (in 1886)
part of:
Sonata for Violin and Piano in A major, M. 8, CFF 123
César Franck?:??
8Carmina Burana: Cours d'amours. In Trutina
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
solo soprano vocals:
Barbara Hendricks (soprano) (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff?:??
9Son vergin vezzosa
bass vocals [Giorgio]:
Nicola Rossi‐Lemeni (operatic bass) (in 1953)
soprano vocals [Elvira]:
Maria Callas (soprano) (in 1953)
tenor vocals [Arturo]:
Giuseppe Di Stefano (tenor) (in 1953)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Tullio Serafin (conductor) (in 1953)
recording of:
I Puritani: Atto I. N°9a. Finale I. Polacca “Son vergin vezzosa” (Elvira, Arturo, Enrichetta, Giorgio) (in 1953)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto I
Vincenzo Bellini?:??
10Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Kurt Weill?:??
11Piano Concerto N°1 in B-flat minor Opus 23: Allegro non troppo e molto maestoso
recording engineer:
John Crawford (sound engineer, mainly for RCA classical recordings) (on 1958-05-30)
producer:
John Pfeiffer (producer and engineer)
piano:
Van Cliburn (pianist) (on 1958-05-30)
orchestra:
RCA Victor Symphony Orchestra (on 1958-05-30)
conductor:
Kiril Kondrashin (Kirill Kondrashin, conductor) (on 1958-05-30)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1958-05-30)
live recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed) (on 1958-05-30)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovsky?:??
3▼CD
#TitleArtistRatingLength
1Keyboard Conecrto N°7 In G Minor BWV 1058 - Allegro Assai
piano:
Glenn Gould (pianist) (on 1967-05-04)
orchestra:
Columbia Symphony Orchestra (on 1967-05-04)
conductor:
Vladimir Golschmann (conductor) (on 1967-05-04)
recording of:
Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058: III. Allegro assai (on 1967-05-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058
Johann Sebastian Bach?:??
2Rigoletto - Ella Mi Fu Rapita Parmi Veder Le Lagrime
tenor vocals [Duca]:
Roberto Alagna (tenor) (in 1994-05)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1994-05)
conductor:
Riccardo Muti (conductor) (in 1994-05)
live recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (in 1994-05)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
live recording of:
Rigoletto: Atto II. “Parmi veder le lagrime” (Duca) (in 1994-05)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
Giuseppe Verdi?:??
3Rigoletto - Duca Duca
baritone vocals [Marullo]:
Silvestro Sammaritano (baritone) (in 1994-05)
bass vocals [Ceprano]:
Antonio de Gobbi (operatic bass) (in 1994-05)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1994-05)
tenor vocals [Borsa]:
Ernesto Gavazzi (tenor) (in 1994-05)
tenor vocals [Duca]:
Roberto Alagna (tenor) (in 1994-05)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1994-05)
conductor:
Riccardo Muti (conductor) (in 1994-05)
live recording of:
Rigoletto: Atto II. “Duca, duca! … Ebben? … Scorrendo uniti” (Borsa, Marullo, Ceprano, Duca, Coro) (in 1994-05)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi?:??
4Flute Concerto In D - Andante Alla Siciliana
flute:
James Galway (flautist) (in 1987-06)
orchestra:
I Solisti Veneti (in 1987-06)
conductor:
Claudio Scimone (conductor) (in 1987-06)
recording of:
Flute Concerto in D major: II. Andante alla siciliana (in 1987-06)
composer:
Saverio Mercadante (Italian composer)
part of:
Flute Concerto in D major
Saverio Mercadante?:??
5Concerto N°3 In C Minor For Piano And Orchestra Opus 37 - Rondo Allegro
Ludwig van Beethoven?:??
6Ave Maria Dolce Maria
recording of:
Ave Maria, dolce Maria (Benvenuti/Pavarotti work)
lyricist:
Luciano Pavarotti (tenor)
composer:
Vittoriano Benvenuti
Vittoriano Benvenuti?:??
7Sonata For Piano And Violin N°4 In C Minor BWV 1017 - Allegro
piano:
Glenn Gould (pianist) (from 1965-10-25 until 1965-10-26)
violin:
Yehudi Menuhin (violinist) (from 1965-10-25 until 1965-10-26)
recorded at:
CBC Studios (Toronto) in Toronto, Ontario, Canada (from 1965-10-25 until 1965-10-26)
recording of:
Sonate für Violine und Klavier c-Moll, BWV 1017: IV. Allegro (from 1965-10-25 until 1965-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Violine und Klavier c-Moll, BWV 1017
Johann Sebastian Bach?:??
8Sonate pour clarinette et piano - Romanza
clarinet:
Paul Meyer (clarinetist and conductor)
piano:
Éric Le Sage (French pianist)
recording of:
Sonate pour clarinette et piano en si bémol majeur, FP 184: II. Romanza (Très calme)
composer:
Francis Poulenc (French composer and pianist) (in 1962)
part of:
Sonate pour clarinette et piano en si bémol majeur, FP 184
Francis Poulenc?:??
9Les chemins de l'amour
Francis Poulenc?:??
10Romance In F Minor - Morecaux de salon Opus 10 N°6
recording engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (from 2000-01-26 until 2000-01-27)
piano:
Arcadi Volodos (pianist)
recorded at:
Teldec Studio (Berlin) in Berlin, Germany (from 2000-01-26 until 2000-01-27)
recording of:
Morceaux de salon, op. 10: no. 6 Romance in F minor (from 2000-01-26 until 2000-01-27)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1893 until 1894)
part of:
Morceaux de salon, op. 10
Sergei Rachmaninoff?:??
11Violin Concerto Opus 77 In D Major - Allegro Giocoso Ma Non Troppo Vivace
recording engineer:
Lewis Layton (engineer) (from 1955-02-21 until 1955-02-22)
producer:
Richard Mohr (producer) and John Pfeiffer (producer and engineer)
violin:
Jascha Heifetz (violinist) (from 1955-02-21 until 1955-02-22)
orchestra:
Chicago Symphony Orchestra (from 1955-02-21 until 1955-02-22)
conductor:
Fritz Reiner (conductor) (from 1955-02-21 until 1955-02-22)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (from 1955-02-21 until 1955-02-22)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace (Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace) (from 1955-02-21 until 1955-02-22)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms?:??
12Un Ballo In Maschera Atto Canzone - Di Tu Se Fedele
tenor vocals:
Jonas Kaufmann (tenor)
orchestra:
Orchestra dell'Opera di Parma
conductor:
Pier Giorgio Morandi (conductor)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi?:??
13Symphony N°3 In C Minor Opus 78 - Poco Adagio
producer:
John McClure (recording engineer and record producer)
organ:
Leonard Raver (organist) (on 1976-12-13)
orchestra:
New York Philharmonic (on 1976-12-13)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1976-12-13)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1976-12-13)
partial recording of:
Symphony no. 3 in C minor “avec orgue”, op. 78: I. Adagio — Allegro moderato — Poco adagio (on 1976-12-13)
composer:
Camille Saint‐Saëns (composer) (in 1886)
part of:
Symphony no. 3 in C minor “avec orgue”, op. 78
Camille Saint‐Saëns?:??
14Violin Concerto In D Minor Opus 47 - Allegro Ma Non Tanto
recorded in:
Salzburg, Salzburg, Austria (from 1977-08-12 until 1977-08-13)
violin:
Gidon Kremer (violinist) (from 1977-08-12 until 1977-08-13)
orchestra:
London Symphony Orchestra (from 1977-08-12 until 1977-08-13)
conductor:
Gennadi Roshdestvensky (Gennady Rozhdestvensky, conductor) (from 1977-08-12 until 1977-08-13)
recording of:
Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto (from 1977-08-12 until 1977-08-13)
composer:
Jean Sibelius (Finnish composer) (from 1903 until 1905)
part of:
Violin Concerto in D minor, op. 47
Jean Sibelius?:??
4▼CD
#TitleArtistRatingLength
1Le bourgeois gentilhomme - Ouverture
baritone vocals:
Siegmund Nimsgern (bass-baritone)
countertenor vocals:
René Jacobs (conductor)
soprano vocals:
Rachel Yakar (soprano)
orchestra:
La Petite Bande (Belgian chamber orchestra)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
concertmaster:
Sigiswald Kuijken
recording of:
Le Bourgeois gentilhomme : Ouverture
composer:
Jean‐Baptiste Lully (composer) (in 1670)
premiered at:
Château de Chambord in Chambord, Loir-et-Cher, Centre-Val de Loire (Centre-Loire Valley), France (on 1670-10-14)
part of:
Chronologisch-thematisches Verzeichnis sämtlicher Werke von Jean-Baptiste Lully (number: LWV 43/1)
part of:
Le Bourgeois gentilhomme, LWV 43
Jean‐Baptiste Lully?:??
2La Danza
Gioachino Rossini?:??
3Langsam Getragen Durchweg Leise Zu Halten - Etwas Bewegter
recorded in:
Milano, Lombardia, Italy (in 1976)
engineer:
Claudio Fabi
producer:
Jürg Grand
piano:
Martha Argerich (Argentine pianist) (in 1976)
recording of:
Fantasy in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter (in 1976)
composer:
Robert Schumann (German classical composer) (in 1836)
part of:
Fantasy in C major, op. 17
Robert Schumann?:??
4Don Giovanni - Madamina Il Catalogo E Questo
bass vocals:
Ruggero Raimondi (bass-baritone) and José van Dam (Belgian operatic bass-baritone)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano)
orchestra:
Paris Opera Orchestra and Chorus
conductor:
Lorin Maazel (conductor)
Wolfgang Amadeus Mozart?:??
5Romance - Opus 11
engineer:
Anthony Salvatore (engineer) (from 1967-12-18 until 1967-12-19)
producer:
Richard Mohr (producer)
violin:
Itzhak Perlman (violinist and conductor) (from 1967-12-18 until 1967-12-19)
orchestra:
Boston Symphony Orchestra (from 1967-12-18 until 1967-12-19)
conductor:
Erich Leinsdorf (conductor) (from 1967-12-18 until 1967-12-19)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1967-12-18 until 1967-12-19)
recording of:
Romance in F minor, op. 11, B. 39 (for violin and orchestra) (from 1967-12-18 until 1967-12-19)
premiered in:
Praha (Prague), Czechia (on 1877-12-09)
composer:
Antonín Dvořák (composer)
premiered at:
Romance in F minor, op. 11, B. 39 (1877-12-09)
publisher:
N. Simrock (in 1879)
part of:
Works of Antonín Dvořák by opus number (number: op. 11) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 39)
is based on:
String Quartet no. 5 in F minor, op. 9, B. 37: II. Andante con moto quasi allegretto
Antonín Dvořák?:??
6Don Giovanni - Fuggi Crudele Fuggi
Wolfgang Amadeus Mozart?:??
7Pictures At An Exhibition - Limoges marché
piano:
Evgeny Kissin (Russian classical pianist) (from 2001-08-04 until 2001-08-05)
recorded at:
SWR-Studio Freiburg in Freiburg im Breisgau (large city), Baden-Württemberg, Germany (from 2001-08-04 until 2001-08-05)
recording of:
Pictures at an Exhibition: No. 7 “Limoges”, le marché (La grande nouvelle) (original piano version)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
dedicated to:
Viktor Hartmann (Russian architect and painter)
part of:
Pictures at an Exhibition (original piano version)
Modeste Moussorgsky?:??
8Requiem Opus 5 - Lacrymosa
assistant engineer:
Henk Kooistra (dutch audio engineer)
engineer:
John Newton (editor, engineer mixer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
choir vocals:
Tanglewood Festival Chorus (in 1993-10)
orchestra:
Boston Symphony Orchestra (in 1993-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1993-10)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1993-10)
live recording of:
Requiem, op. 5: VI. Lacrymosa (in 1993-10)
composer:
Hector Berlioz (French composer)
part of:
Requiem, op. 5 « Grande Messe des Morts »
Hector Berlioz?:??
9La Juive - Rachel quand du Seigneur
tenor vocals:
Enrico Caruso (tenor)
orchestra:
Vienna RSO (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) (in 1999)
conductor:
Gottfried Rabl (conductor) (in 1999)
recording of:
La Juive : Acte IV. « Rachel, quand du Seigneur » (Éléazar) (in 1999)
composer:
Fromental Halévy (French composer)
librettist:
Eugène Scribe
part of:
La Juive: Acte IV
Fromental Halévy?:??
10Vier Letzte Lieder - For Last Songs - September
soprano vocals:
Renée Fleming (soprano) (from 1995-03-14 until 1995-03-20)
orchestra:
Houston Symphony (from 1995-03-14 until 1995-03-20)
conductor:
Christoph Eschenbach (pianist and conductor) (from 1995-03-14 until 1995-03-20)
recorded at:
Jones Hall for the Performing Arts in Houston, Texas, United States (from 1995-03-14 until 1995-03-20)
recording of:
Vier letzte Lieder, AV 150: II. „September“ (Four Last Songs, AV 150: 2. “September”) (from 1995-03-14 until 1995-03-20)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-09-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss?:??