Je n’aime pas le classique, mais avec les stars, j’aime bien !

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Tracklist credits on
https://www.qobuz.com/lu-fr/album/je-naime-pas-le-classique-mais-avec-les-stars-jaime-bien-various-artists/0886444722599

Annotation last modified on 2026-06-24 05:10 UTC.

Tracklist

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#TitleArtistRatingLength
1St Johns Night on the Bare Mountain
Modeste Moussorgsky?:??
2Les Contes d'Hoffman: Barcarolle « Belle nuit »
Jacques Offenbach?:??
3Sonata in A minor for Piano and Arpeggione: Allegro moderato
cello:
Yo‐Yo Ma (cellist) (on 1995-08-31)
piano:
Emanuel Ax (pianist) (on 1995-08-31)
recorded at:
Richardson Auditorium in Alexander Hall in Princeton, New Jersey, United States (on 1995-08-31)
recording of:
Sonata in A minor for Arpeggione and Piano, D. 821: I. Allegro moderato (on 1995-08-31)
composer:
Franz Schubert (composer) (in 1824-11)
part of:
Sonata in A minor for Arpeggione and Piano, D. 821
Franz Schubert?:??
4Sonata in F-sharp minor K25
producer:
Thomas Frost (classical music producer) and Thomas Z. Shepard
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer) (from 1964-04-23 until 1964-06-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1964-04-23 until 1964-06-04)
recording of:
Sonata in F-sharp minor, K 25, L 481: Allegro (from 1964-04-23 until 1964-06-04)
composer:
Domenico Scarlatti (composer)
part of:
Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 25) and Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 481)
part of:
Essercizi per gravicembalo
Domenico Scarlatti?:??
5Stabat Matera Cujus Animam
tenor vocals:
Luciano Pavarotti (tenor) (on 1967-12-22)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (on 1967-12-22)
conductor:
Carlo Maria Giulini (conductor) (on 1967-12-22)
live recording of:
Stabat Mater: II. Aria - Cuius animam gementem (tenore) (on 1967-12-22)
composer:
Gioachino Rossini (composer) (from 1832 until 1839)
part of:
Stabat Mater
recording of:
Stabat Mater: II. Aria - Cuius animam gementem (tenore)
composer:
Gioachino Rossini (composer) (from 1832 until 1839)
part of:
Stabat Mater
Gioachino Rossini?:??
6Radetzky Marsch
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1992-01-01)
conductor:
Carlos Kleiber (conductor) (on 1992-01-01)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1992-01-01)
live recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228) (on 1992-01-01)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss?:??
7Sonate pour violon et piano en La majeur: Allegretto poco mosso
piano:
Jean‐Marc Luisada (pianist)
violin:
Laurent Korcia (violinist)
recording of:
Sonata for Violin and Piano in A major, M. 8, CFF 123: IV. Allegretto poco mosso
composer:
César Franck (Belgian‐born French composer) (in 1886)
part of:
Sonata for Violin and Piano in A major, M. 8, CFF 123
César Franck?:??
8Carmina Burana: Cours d'amours. In Trutina
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Paul Goodman (engineer)
solo soprano vocals:
Barbara Hendricks (soprano) (from 1980-12-15 until 1980-12-17)
orchestra:
London Symphony Orchestra (from 1980-12-15 until 1980-12-17)
conductor:
Eduardo Mata (conductor) (from 1980-12-15 until 1980-12-17)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-12-15 until 1980-12-17)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (from 1980-12-15 until 1980-12-17)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff?:??
9Son vergin vezzosa
bass vocals [Giorgio]:
Nicola Rossi‐Lemeni (operatic bass) (in 1953)
soprano vocals [Elvira]:
Maria Callas (soprano) (in 1953)
tenor vocals [Arturo]:
Giuseppe Di Stefano (tenor) (in 1953)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1953)
conductor:
Tullio Serafin (conductor) (in 1953)
recording of:
I Puritani: Atto I. N°9a. Finale I. Polacca “Son vergin vezzosa” (Elvira, Arturo, Enrichetta, Giorgio) (in 1953)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto I
Vincenzo Bellini?:??
10Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Kurt Weill?:??
11Piano Concerto N°1 in B-flat minor Opus 23: Allegro non troppo e molto maestoso
recording engineer:
John Crawford (sound engineer, mainly for RCA classical recordings) (on 1958-05-30)
producer:
John Pfeiffer (producer and engineer)
piano:
Van Cliburn (pianist) (on 1958-05-30)
orchestra:
RCA Victor Symphony Orchestra (on 1958-05-30)
conductor:
Kiril Kondrashin (Kirill Kondrashin, conductor) (on 1958-05-30)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1958-05-30)
live recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed) (on 1958-05-30)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovsky?:??
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