Serse

~ Release by Handel; Anna Stéphany, Rosemary Joshua, David Daniels, Hilary Summers, Joélle Harvey, Brindley Sherratt, Andreas Wolf, Early Opera Company, Christian Curnyn (see all versions of this release, 1 available)

Tracklist

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1Serse, HWV 40: Ouverture. [ ] – Allegro – Adagio – Gigue
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Overtura (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40
George Frideric Handel5:33
2Serse, HWV 40: Act I: Accompagnato. Serse: ‘Frondi tenere, e belle’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 1. Recitativo “Frondi tenere” (Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:41
3Serse, HWV 40: Act I: Aria. Serse: ‘Ombra mai fu’. Larghetto
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:21
4Serse, HWV 40: Act I: Recitativo. Arsamene: ‘Siam giunti, Elviro...’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Siam giunti, Elviro” (Arsamene, Elviro) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:22
5Serse, HWV 40: Act I: Sinfonia e Recitativo. Arsamene: ‘Sento un soave concento’. Larghetto
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 3. Sinfonia e Recitativo “Sento un soave concento” (Arsamene, Elviro, Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:49
6Serse, HWV 40: Act I: Aria. Romilda: ‘O voi, che penate!’. Larghetto
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 4. Arioso e Recitativo “O voi, che penate!” (Romilda, Elviro, Arsamene, Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:05
7Serse, HWV 40: Act I: Recitativo. Serse: ‘Arsamene’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Arsamene!” - “Mio Sire!” (Serse, Arsamene) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:20
8Serse, HWV 40: Act I: Aria. Romilda: ‘Và godendo vezzoso e bello’.
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 5. Aria “Va godendo vezzoso e bello” (Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:11
9Serse, HWV 40: Act I: Recitativo. Serse: ‘Quel canto a un bell’amor l’anima sforza’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Quel canto a un bel amor” (Serse, Arsemene) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:13
10Serse, HWV 40: Act I: Aria. Serse: ‘Io le dirò che l’amo’. Andante
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 6. Aria “lo le diro che l'amo” (Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:06
11Serse, HWV 40: Act I: Recitativo. Romilda: ‘Arsamene’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Arsamene!” - “Romilda” (Romilda, Arsamene, Atalanta) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:01
12Serse, HWV 40: Act I: Aria. Atalanta: ‘Sì, sì, mio ben, sì, sì’. Larghetto
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 7. Aria “Si, si, mio ben, si, si” (Atalanta) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:21
13Serse, HWV 40: Act I: Recitativo. Elviro: ‘Presto, Signor, vien Serse’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Presto, signor” (Elviro, Arsamene, Serse, Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:11
14Serse, HWV 40: Act I: Aria. Arsamene: ‘Meglio in voi col mio partire’. Andante
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 8. Aria “Meglio in voi col mio partire” (Arsamene) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:04
15Serse, HWV 40: Act I: Recitativo. Serse: ‘Bellissima Romilda, eh, non celate’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Bellissima Romilda” (Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:26
16Serse, HWV 40: Act I: Aria. Serse: ‘Di tacere e di schernirmi’. Andante
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 9. Aria “Di tacere e di schernirmi” (Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:55
17Serse, HWV 40: Act I: Recitativo. Romilda: ‘Aspide sono a’ detti tuoi d’amore’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Aspide sono, a' detti tuoi d'amore” (Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:16
18Serse, HWV 40: Act I: Aria. Romilda: ‘Nemmen coll’ombre d’infedeltà’. Larghetto, e pianissimo
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 10. Aria “Né men con l'ombre d'infidelta” (Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:31
19Serse, HWV 40: Act I: Aria. Amastre: ‘Se cangio spoglia’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 11. Aria “Se cangio spolgia, non cangio core” (Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:41
20Serse, HWV 40: Act I: Recitativo. Ariodate: ‘Pugnammo, amici, e stette’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Pugnammo, amici” (Ariodate, Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:19
21Serse, HWV 40: Act I: Coro. Soldati: ‘Già la tromba’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 12. Coro “Gia la tromba che chiamo” (also reprise after no. 13) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:38
22Serse, HWV 40: Act I: Recitativo. Amastre: ‘(Ecco Serse, oh che volto, oh che splendore!)’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Ecco Serse, o che volto, o che splendore!” (Amastre, Serse, Ariodate) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:52
23Serse, HWV 40: Act I: Aria. Ariodate: ‘Soggetti al mio volere’. Andante
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 13. Aria “Soggetto al mio volere“ (Ariodate) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:48
24Serse, HWV 40: Act I: Coro. Soldati: ‘Già la tromba’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 12. Coro “Gia la tromba che chiamo” (also reprise after no. 13) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:39
25Serse, HWV 40: Act I: Recitativo. Serse: ‘Queste vittorie, io credo’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Queste vittorie, io credo” (Serse, Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:27
26Serse, HWV 40: Act I: Aria. Serse: ‘Più che penso alle fiamme del core’. Andante
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 14. Aria “Piu che penso alle fiamme del core” (Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel8:35
27Serse, HWV 40: Act I: Recitativo. Arsamene: ‘Eccoti il foglio, Elviro’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Eccoti Il foglio, Elviro” (Arsamene, Elviro) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:31
28Serse, HWV 40: Act I: Arioso. Elviro: ‘Signor, Signor, lasciate fare a me’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 15. Arietta “Signor, signor, lasciate far a me” (Elviro) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:32
29Serse, HWV 40: Act I: Aria. Arsamene: ‘Non so se sia la speme’. Larghetto
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 16. Aria “Non so, se sia la speme” (Arsamene) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel4:11
30Serse, HWV 40: Act I: Recitativo. Amastre: ‘Tradir di regia sposa’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Tradir si reggia sposa la fe promessa?” (Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:17
31Serse, HWV 40: Act I: Aria. Amastre: ‘Saprà delle mie offese’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 17. Aria “Sapra delle mie offese ben vendicarsi il cor” (Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel4:27
32Serse, HWV 40: Act I: Recitativo. Atalanta: ‘Al fin sarete sposa al vostro Serse’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Al fin sarete sposa al vostro Serse” (Atalanta, Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:01
33Serse, HWV 40: Act I: Aria. Romilda: ‘Se l’idol mio’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 18. Aria “Se l'idol mio rapir mi vuoi, cangia desio” (Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel4:05
34Serse, HWV 40: Act I: Recitativo. Atalanta: ‘Per rapir quel tesoro’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Per rapir quel tesoro” (Atalanta) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:15
35Serse, HWV 40: Act I: Aria. Atalanta: ‘Un cenno leggiadretto’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 19. Aria “Un cenno leggiadretto” (Atalanta) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:41
2▼CD
#TitleArtistRatingLength
1Serse, HWV 40: Act II: Arioso. Amastre: ‘Speranze mie fermate’. Larghetto
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 20. Arioso “Speranze mie fermate” (Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel0:42
2Serse, HWV 40: Act II: Arioso. Elviro: ‘Ah, chi voler fiora di bella giardina’. Andante larghetto
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 21. Arietta “Ah! Chi voler fiora di bella giardina” (Elviro) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel0:40
3Serse, HWV 40: Act II: Recitativo. Elviro: ‘E chi direbbe mai ch’io sono Elviro?’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II. Recitativo “E chi direbbe mai, ch'io sono Elviro?” (Elviro, Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel2:24
4Serse, HWV 40: Act II: Aria. Amastre: ‘Or che siete, speranze, tradite’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 22. Aria “Or che siete speranze tradite” (Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel2:28
5Serse, HWV 40: Act II: Recitativo. Elviro: ‘Quel curioso è partito, oh! che indiscreto!’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II. Recitativo “Quel curioso è partito” (Elviro) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel0:22
6Serse, HWV 40: Act II: Arioso e Recitativo. Atalanta: ‘A piangere ogn’ora’. Largo – Atalanta: ‘Olà! Vien qua. Degli aspri miei dolori’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 23. Ariosa “A piangere ogn'ora” (Atalanta) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
recording of:
Serse, HWV 40: Atto II. Recitativo “Olà! vien qua. Degli aspri miei dolori” (Atalanta, Elviro)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel1:17
7Serse, HWV 40: Act II: Arioso. Elviro: ‘Ah, tigre infedele!’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 24. Arietta “Ah tigre infedele!” (Elviro) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel0:13
8Serse, HWV 40: Act II: Recitativo. Atalanta: ‘Parti, il re s’avvicina’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II. Recitativo “Parti; il re s'avvicina” (Atalanta, Elviro) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel0:17
9Serse, HWV 40: Act II: Arioso. Serse: ‘È tormento troppo fiero’. Largo
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 25. Arioso “È tormento troppo fiero” (Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel1:04
10Serse, HWV 40: Act II: Recitativo. Serse: ‘Di quel foglio, Atalanta’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II. Recitativo “Di quel foglio, Atlanta” (Serse, Atalanta) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel1:06
11Serse, HWV 40: Act II: Aria. Atalanta: ‘Dirà che amor per me’. Andante allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 26a. Aria “Dirà che amor per me” (Atalanta) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel1:32
12Serse, HWV 40: Act II: Recitativo. Serse: ‘Voi quel foglio lasciate a me per prova’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II. Recitativo “Voi quel foglio lasciate a me per prova” (Serse, Atalanta) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel0:10
13Serse, HWV 40: Act II: Aria. Atalanta: ‘Dirà che non m’amò’. Andante allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 26b. Aria “Dirà che non m'amò” (Atalanta) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel1:44
14Serse, HWV 40: Act II: Recitativo. Serse: ‘Ingannata Romilda!’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II. Recitativo “Ingannata Romilda!” (Serse, Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel0:32
15Serse, HWV 40: Act II: Duettino. Serse e Romilda: ‘L’amerete?’ / ‘L’amerò’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 27. Duetto “L'amerete? L'amerò” (Serse, Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel0:54
16Serse, HWV 40: Act II: Aria. Serse: ‘Se bramate d’amar chi vi sdegna’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 28. Aria “Se bramate d’amar chi vi sdegna” (Serse) (from 2012-08-13 until 2012-08-17)
part of:
Serse, HWV 40: Atto II
George Frideric Handel5:52
17Serse, HWV 40: Act II: Accompagnato. Romilda: ‘L’amerò? Non fia vero’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 29. Recitativo accompagnato “L'amerò? non fia vero” (Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel0:55
18Serse, HWV 40: Act II: Aria. Romilda: ‘È gelosia’. Andante
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 40. Duetto “Gran pena è gelosia” (Serse, Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel2:40
19Serse, HWV 40: Act II: Recitativo. Amastre: ‘Giacché il duol non m’uccide’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II. Recitativo “Giàcché il duol non m'uccide” (Amastre, Elviro) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel0:25
20Serse, HWV 40: Act II: Aria. Amastre: ‘Anima infida’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 31. Aria “Anima infida, tradita io sono” (Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel1:40
21Serse, HWV 40: Act II: Recitativo. Elviro: ‘È pazzo affé’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II. Recitativo “E pazzo affe!” (Elviro, Arsamene) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel0:45
22Serse, HWV 40: Act II: Aria. Arsamene: ‘Quella che tutta fé’. Largo
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 32. Aria “Quella che tutta fé” (Arsamene) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel3:34
23Serse, HWV 40: Act II: Coro. Marinari: ‘La virtute sol potea
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 33. Coro.“La virtute sol potea” (also reprise after recitativo) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel0:23
24Serse, HWV 40: Act II: Recitativo. Serse: ‘Ariodate’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II. Recitativo “Ariodate! Signore” (Serse, Ariodate) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel0:32
25Serse, HWV 40: Act II: Coro. Marinari: ‘La virtute sol potea’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 33. Coro.“La virtute sol potea” (also reprise after recitativo) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel0:26
26Serse, HWV 40: Act II: Arioso. Arsamene: ‘Per dar fine alla mia pena’. Larghetto
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 34. Arioso “Per dar fine alla mia pena” (Arsamene) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel1:01
27Serse, HWV 40: Act II: Recitativo. Serse: ‘Arsamene, ove andate?’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II. Recitativo “Arsamene, ove andate?” (Serse, Arsamene) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel1:15
28Serse, HWV 40: Act II: Aria. Arsamene: ‘Sì, la voglio e l’otterrò!’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 35. Aria “Sì la voglio, e la otterrò” (Arsamene) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel2:33
29Serse, HWV 40: Act II: Recitativo. Atalanta: ‘V’inchino, eccelso Re’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II. Recitativo “V'inchino, eccelso Rè” (Atalanta, Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel0:22
30Serse, HWV 40: Act II: Aria. Atalanta: ‘Voi mi dite che non l’ami’. Andante larghetto
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 36. Aria “Voi mi dite che non l'ami” (Atalanta) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel2:57
31Serse, HWV 40: Act II: Recitativo. Serse: ‘Saria lieve ogni doglia’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II. Recitativo “Saria lieve ogni doglia” (Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel0:17
32Serse, HWV 40: Act II: Aria. Serse: ‘Il core spera e teme’. Andante larghetto
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 37. Aria “Il core spera e teme” (Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel5:54
33Serse, HWV 40: Act II: Accompagnato. Elviro: ‘Me infelice, ho smarrito il mio padrone!’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 38. Recitativo accompagnato “Me infelice!” (Elviro) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel0:58
34Serse, HWV 40: Act II: Aria. Elviro: ‘Del mio caro Bacco amabile’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 39. Aria “Del mio caro baco amabile” (Elviro) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel1:17
35Serse, HWV 40: Act II: Duettino. Serse ed Amastre: ‘Gran pena è gelosia!’ / ‘Lo sa il mio cor piagato’. Largo
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 40. Duetto “Gran pena è gelosia” (Serse, Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel1:34
36Serse, HWV 40: Act II: Recitativo. Serse: ‘Aspra sorte!’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II. Recitativo “Aspra sorte!” (Serse, Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel0:58
37Serse, HWV 40: Act II: Aria. Romilda: ‘Val più contento core’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 41. Arietta “Val più contento core” (Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel1:56
38Serse, HWV 40: Act II: Recitativo. Serse: ‘Vuò ch’abbian fine i miei dolori immensi’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II. Recitativo “Vuò, ch'abbian fine” (Serse, Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel1:11
39Serse, HWV 40: Act II: Aria. Romilda: ‘Chi cede al furore’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto II, no. 42. Aria “Chi cede al furore” (Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto II
George Frideric Handel5:09
3▼CD
#TitleArtistRatingLength
1Serse, HWV 40: Act III: Sinfonia. Andante
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III, no. 43. Sinfonia (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel2:48
2Serse, HWV 40: Act III: Recitativo. Arsamene: ‘Sono vani i pretesti...’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III. Recitativo “Sono vani e pretesti” (Arsamene, Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:32
3Serse, HWV 40: Act III: Aria. Atalanta: ‘No, no, se tu mi sprezzi’. Andante allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III, no. 44. Arietta “No, no, se tu mi sprezzi” (Atalanta) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:01
4Serse, HWV 40: Act III: Recitativo. Romilda: ‘Ecco in segno di fé la destra amica’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III. Recitativo “Ecco in segno di fé” (Romilda, Elviro, Arsamene, Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:18
5Serse, HWV 40: Act III: Aria. Serse: ‘Per rendermi beato’. Andante
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III, no. 45. Aria “Per rendermi beato” (Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel3:27
6Serse, HWV 40: Act III: Recitativo. Arsamene: ‘“Ubbidirò il mio re”?’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III. Recitativo “Ubbidiro al mio rè?” (Arsamene, Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel0:56
7Serse, HWV 40: Act III: Aria. Arsamene: ‘Amor, tiranno Amor’. Larghetto
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III, no. 46. Aria “Amor, tiranno Amor” (Arsamene) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel3:44
8Serse, HWV 40: Act III: Recitativo. Serse: ‘Come già vi accennammo’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III. Recitativo “Come già vi accennammo” (Serse, Ariodate) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel0:41
9Serse, HWV 40: Act III: Aria. Ariodate: ‘Del Ciel d’amore’. Andante allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III, no. 47. Aria “Del ciel d'amore sorte sì bella” (Ariodate) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel2:20
10Serse, HWV 40: Act III: Recitativo. Romilda: ‘Il suo serto rifiuto’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III. Recitativo “Il suo serto rifuto” (Romilda) / Recitativo “Fermatevi mia sposa e mia regina” (Serse, Romilda) / Recitativo “Prode guerrier” (Romilda, Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel2:56
11Serse, HWV 40: Act III: Aria. Amastre: ‘Cagion son io’. Andante
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III, no. 48. Aria “Cagion son io del mio dolore” (Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel2:31
12Serse, HWV 40: Act III: Recitativo. Arsamene: ‘Romilda infida, e di me pensa ancora?’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III. Recitativo “Romilda infida” (Arsamene, Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel0:18
13Serse, HWV 40: Act III: Duetto. Romilda ed Arsamene: ‘Troppo oltraggi la mia fede’ / ‘Troppo inganni la mia fede’. Andante allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III, no. 49. Duetto “Troppo oltraggi la mia fede” / “Troppo inganni la mia fede” (Romilda, Arsamene) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel2:37
14Serse, HWV 40: Act III: Coro. Ministri: ‘Ciò che Giove destinò’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III, no. 50a. Coro “Ciò che Giove destinò” (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel0:36
15Serse, HWV 40: Act III: Recitativo. Ariodate: ‘Ecco lo sposo! Io ben ne fui presago’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III. Recitativo “Ecco lo sposo” (Ariodate, Arsamene, Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:05
16Serse, HWV 40: Act III: Coro. Ministri: ‘Chi infelice si trovò’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III, no. 50b. Coro “Chi infelice si trovò” (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel0:23
17Serse, HWV 40: Act III: Recitativo. Serse: ‘Se ne viene Ariodate. È tempo omai’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III. Recitativo “Se ne viene Ariodate” (Serse, Ariodate) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:56
18Serse, HWV 40: Act III: Aria. Serse: ‘Crude furie degl’orridi abissi’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III, no. 51. Aria “Crude furie degli orridi abissi” (Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel3:29
19Serse, HWV 40: Act III: Recitativo. Serse: ‘Perfidi! E ancor osate’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III. Recitativo “Perfidi, e ancora osate” (Serse, Ariodate, Arsamene, Romilda, Amastre, Elviro, Atalanta) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel1:54
20Serse, HWV 40: Act III: Aria e Coro. Romilda: ‘Caro voi siete all’alma’. Andante – Coro: ‘Ritorna a noi la calma’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto III. Coro “Ritorno a noi la calma” (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
recording of:
Serse, HWV 40: Atto III, no. 52. Aria “Caro voi siete all'alma” (Romilda)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto III
George Frideric Handel3:44

Credits

Release

design:Cassidy Rayne Creative Ltd (ended)
booklet editor:Finn S. Gundersen
copyrighted (©) by and phonographic copyright (℗) by:Chandos Records Ltd. (not for release label use) (in 2013)
Discogs:https://www.discogs.com/release/9009622 [info]
ASIN:UK: B00E5NXR1M [info]
stream for free:https://open.spotify.com/album/6woN0OyLvnk1SrGc3Y0Jwa [info]
discography entry:https://www.chandos.net/products/catalogue/CHAN 0797 [info]
Allmusic:https://www.allmusic.com/album/release/mr0003996536 [info]