Serse

~ Release by Handel; Anna Stéphany, Rosemary Joshua, David Daniels, Hilary Summers, Joélle Harvey, Brindley Sherratt, Andreas Wolf, Early Opera Company, Christian Curnyn (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Serse, HWV 40: Ouverture. [ ] – Allegro – Adagio – Gigue
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Overtura (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40
George Frideric Handel5:33
2Serse, HWV 40: Act I: Accompagnato. Serse: ‘Frondi tenere, e belle’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 1. Recitativo “Frondi tenere” (Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:41
3Serse, HWV 40: Act I: Aria. Serse: ‘Ombra mai fu’. Larghetto
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:21
4Serse, HWV 40: Act I: Recitativo. Arsamene: ‘Siam giunti, Elviro...’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Siam giunti, Elviro” (Arsamene, Elviro) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:22
5Serse, HWV 40: Act I: Sinfonia e Recitativo. Arsamene: ‘Sento un soave concento’. Larghetto
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 3. Sinfonia e Recitativo “Sento un soave concento” (Arsamene, Elviro, Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:49
6Serse, HWV 40: Act I: Aria. Romilda: ‘O voi, che penate!’. Larghetto
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 4. Arioso e Recitativo “O voi, che penate!” (Romilda, Elviro, Arsamene, Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:05
7Serse, HWV 40: Act I: Recitativo. Serse: ‘Arsamene’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Arsamene!” - “Mio Sire!” (Serse, Arsamene) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:20
8Serse, HWV 40: Act I: Aria. Romilda: ‘Và godendo vezzoso e bello’.
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 5. Aria “Va godendo vezzoso e bello” (Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:11
9Serse, HWV 40: Act I: Recitativo. Serse: ‘Quel canto a un bell’amor l’anima sforza’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Quel canto a un bel amor” (Serse, Arsemene) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:13
10Serse, HWV 40: Act I: Aria. Serse: ‘Io le dirò che l’amo’. Andante
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 6. Aria “lo le diro che l'amo” (Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:06
11Serse, HWV 40: Act I: Recitativo. Romilda: ‘Arsamene’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Arsamene!” - “Romilda” (Romilda, Arsamene, Atalanta) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:01
12Serse, HWV 40: Act I: Aria. Atalanta: ‘Sì, sì, mio ben, sì, sì’. Larghetto
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 7. Aria “Si, si, mio ben, si, si” (Atalanta) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:21
13Serse, HWV 40: Act I: Recitativo. Elviro: ‘Presto, Signor, vien Serse’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Presto, signor” (Elviro, Arsamene, Serse, Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:11
14Serse, HWV 40: Act I: Aria. Arsamene: ‘Meglio in voi col mio partire’. Andante
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 8. Aria “Meglio in voi col mio partire” (Arsamene) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:04
15Serse, HWV 40: Act I: Recitativo. Serse: ‘Bellissima Romilda, eh, non celate’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Bellissima Romilda” (Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:26
16Serse, HWV 40: Act I: Aria. Serse: ‘Di tacere e di schernirmi’. Andante
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 9. Aria “Di tacere e di schernirmi” (Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:55
17Serse, HWV 40: Act I: Recitativo. Romilda: ‘Aspide sono a’ detti tuoi d’amore’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Aspide sono, a' detti tuoi d'amore” (Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:16
18Serse, HWV 40: Act I: Aria. Romilda: ‘Nemmen coll’ombre d’infedeltà’. Larghetto, e pianissimo
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 10. Aria “Né men con l'ombre d'infidelta” (Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:31
19Serse, HWV 40: Act I: Aria. Amastre: ‘Se cangio spoglia’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 11. Aria “Se cangio spolgia, non cangio core” (Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:41
20Serse, HWV 40: Act I: Recitativo. Ariodate: ‘Pugnammo, amici, e stette’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Pugnammo, amici” (Ariodate, Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:19
21Serse, HWV 40: Act I: Coro. Soldati: ‘Già la tromba’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 12. Coro “Gia la tromba che chiamo” (also reprise after no. 13) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:38
22Serse, HWV 40: Act I: Recitativo. Amastre: ‘(Ecco Serse, oh che volto, oh che splendore!)’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Ecco Serse, o che volto, o che splendore!” (Amastre, Serse, Ariodate) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:52
23Serse, HWV 40: Act I: Aria. Ariodate: ‘Soggetti al mio volere’. Andante
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 13. Aria “Soggetto al mio volere“ (Ariodate) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:48
24Serse, HWV 40: Act I: Coro. Soldati: ‘Già la tromba’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 12. Coro “Gia la tromba che chiamo” (also reprise after no. 13) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:39
25Serse, HWV 40: Act I: Recitativo. Serse: ‘Queste vittorie, io credo’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Queste vittorie, io credo” (Serse, Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:27
26Serse, HWV 40: Act I: Aria. Serse: ‘Più che penso alle fiamme del core’. Andante
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 14. Aria “Piu che penso alle fiamme del core” (Serse) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel8:35
27Serse, HWV 40: Act I: Recitativo. Arsamene: ‘Eccoti il foglio, Elviro’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Eccoti Il foglio, Elviro” (Arsamene, Elviro) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:31
28Serse, HWV 40: Act I: Arioso. Elviro: ‘Signor, Signor, lasciate fare a me’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 15. Arietta “Signor, signor, lasciate far a me” (Elviro) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:32
29Serse, HWV 40: Act I: Aria. Arsamene: ‘Non so se sia la speme’. Larghetto
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 16. Aria “Non so, se sia la speme” (Arsamene) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel4:11
30Serse, HWV 40: Act I: Recitativo. Amastre: ‘Tradir di regia sposa’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Tradir si reggia sposa la fe promessa?” (Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:17
31Serse, HWV 40: Act I: Aria. Amastre: ‘Saprà delle mie offese’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 17. Aria “Sapra delle mie offese ben vendicarsi il cor” (Amastre) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel4:27
32Serse, HWV 40: Act I: Recitativo. Atalanta: ‘Al fin sarete sposa al vostro Serse’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Al fin sarete sposa al vostro Serse” (Atalanta, Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel1:01
33Serse, HWV 40: Act I: Aria. Romilda: ‘Se l’idol mio’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 18. Aria “Se l'idol mio rapir mi vuoi, cangia desio” (Romilda) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel4:05
34Serse, HWV 40: Act I: Recitativo. Atalanta: ‘Per rapir quel tesoro’
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I. Recitativo “Per rapir quel tesoro” (Atalanta) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel0:15
35Serse, HWV 40: Act I: Aria. Atalanta: ‘Un cenno leggiadretto’. Allegro
sound engineer:
Ben Connellan
executive producer:
Ralph Couzens (engineer/editor/producer)
producer:
Rachel Smith (engineer/editor/producer) (task: Recording producer)
editor:
Rachel Smith (engineer/editor/producer)
orchestra:
Early Opera Company (Dir: Christian Curnyn) (from 2012-08-13 until 2012-08-17)
conductor:
Christian Curnyn (conductor) (from 2012-08-13 until 2012-08-17)
phonographic copyright (℗) by:
Chandos Records Ltd. (not for release label use) (in 2013)
recorded at:
St. Silas the Martyr (Kentish Town) in London (Greater London), England, United Kingdom (from 2012-08-13 until 2012-08-17)
recording of:
Serse, HWV 40: Atto I, no. 19. Aria “Un cenno leggiadretto” (Atalanta) (from 2012-08-13 until 2012-08-17)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:41
2▶CD
3▶CD

Credits

Release

design:Cassidy Rayne Creative Ltd (ended)
booklet editor:Finn S. Gundersen
copyrighted (©) by and phonographic copyright (℗) by:Chandos Records Ltd. (not for release label use) (in 2013)
Discogs:https://www.discogs.com/release/9009622 [info]
ASIN:UK: B00E5NXR1M [info]
stream for free:https://open.spotify.com/album/6woN0OyLvnk1SrGc3Y0Jwa [info]
discography entry:https://www.chandos.net/products/catalogue/CHAN 0797 [info]
Allmusic:https://www.allmusic.com/album/release/mr0003996536 [info]