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~ Release by Guido Cantelli (see all versions of this release, 1 available)

Annotation

© «2012 EMI Records Ltd.»
℗ «This compilation 2012 EMI Records Ltd.»

Annotation last modified on 2024-11-19 15:21 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Ein musikalischer Spaß, K. 522: I. Allegro
engineer:
Neville Boyling (engineer)
producer:
Lawrance Collingwood
French horn [1st]:
Dennis Brain (horn player) (on 1955-08-18)
French horn [2nd]:
Neill Sanders (horn player) (on 1955-08-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1955-08-18)
conductor:
Guido Cantelli (conductor) (on 1955-08-18)
concertmaster:
Manoug Parikian (violinist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1955-08-18)
recording of:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": I. Allegro (on 1955-08-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1787)
part of:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß" (Divertimento for 2 horns & strings in F major, K. 522 "A musical joke")
Wolfgang Amadeus Mozart2:51
2Ein musikalischer Spaß, K. 522: II. Menuetto. Maestoso
engineer:
Neville Boyling (engineer)
producer:
Lawrance Collingwood
French horn [1st]:
Dennis Brain (horn player) (on 1955-08-18)
French horn [2nd]:
Neill Sanders (horn player) (on 1955-08-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1955-08-18)
conductor:
Guido Cantelli (conductor) (on 1955-08-18)
concertmaster:
Manoug Parikian (violinist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1955-08-18)
recording of:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": II. Minuetto. Maestoso & Trio (on 1955-08-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1787)
part of:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß" (Divertimento for 2 horns & strings in F major, K. 522 "A musical joke")
Wolfgang Amadeus Mozart6:07
3Ein musikalischer Spaß, K. 522: III. Adagio cantabile
engineer:
Neville Boyling (engineer)
producer:
Lawrance Collingwood
French horn [1st]:
Dennis Brain (horn player) (on 1955-08-18)
French horn [2nd]:
Neill Sanders (horn player) (on 1955-08-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1955-08-18)
conductor:
Guido Cantelli (conductor) (on 1955-08-18)
concertmaster:
Manoug Parikian (violinist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1955-08-18)
recording of:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": III. Adagio cantabile (on 1955-08-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1787)
part of:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß" (Divertimento for 2 horns & strings in F major, K. 522 "A musical joke")
Wolfgang Amadeus Mozart6:14
4Ein musikalischer Spaß, K. 522: IV. Presto
engineer:
Neville Boyling (engineer)
producer:
Lawrance Collingwood
French horn [1st]:
Dennis Brain (horn player) (on 1955-08-18)
French horn [2nd]:
Neill Sanders (horn player) (on 1955-08-18)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1955-08-18)
conductor:
Guido Cantelli (conductor) (on 1955-08-18)
concertmaster:
Manoug Parikian (violinist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1955-08-18)
recording of:
Divertimento for 2 Horns & Strings in F major, K. 522 “Ein musikalischer Spaß”: IV. Presto (on 1955-08-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1787)
part of:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß" (Divertimento for 2 horns & strings in F major, K. 522 "A musical joke")
Wolfgang Amadeus Mozart4:18
5Symphony no. 29 in A Major, K. 201: I. Allegro moderato
Wolfgang Amadeus Mozart7:03
6Symphony no. 29 in A Major, K. 201: II. Andante
Wolfgang Amadeus Mozart5:36
7Symphony no. 29 in A Major, K. 201: III. Menuetto
Wolfgang Amadeus Mozart3:20
8Symphony no. 29 in A Major, K. 201: IV. Allegro con spirito
Wolfgang Amadeus Mozart5:26
9Symphony no. 5 in C Minor, Op. 67: II. Andante con moto
Ludwig van Beethoven10:19
10Symphony no. 5 in C Minor, Op. 67: III. Allegro
Ludwig van Beethoven5:31
11Symphony no. 5 in C Minor, Op. 67: IV. Allegro - Presto
Ludwig van Beethoven8:59
2▼CD
#TitleArtistRatingLength
1Symphony no. 7 in A Major, op. 92: I. Poco sostenuto - Vivace
Ludwig van Beethoven11:22
2Symphony no. 7 in A Major, op. 92: II. Allegretto
Ludwig van Beethoven8:32
3Symphony no. 7 in A Major, op. 92: III. Presto - Assai meno presto
Ludwig van Beethoven7:59
4Symphony no. 7 in A Major, op. 92: IV. Allegro con brio
Ludwig van Beethoven7:10
5Symphony no. 8 in B Minor, D. 759 “Unfinished”: I. Allegro moderato
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Guido Cantelli (conductor)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert10:52
6Symphony no. 8 in B Minor, D. 759 “Unfinished”: II. Andante con moto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Guido Cantelli (conductor)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert12:02
7Overture : La gazza ladra - 1994 Remastered Version
Gioachino Rossini9:04
8L’assedio di Corinto: Sinfonia
Gioachino Rossini8:59
3▼CD
#TitleArtistRatingLength
1Symphony no. 4 in A Major, op. 90, MWV N16 “Italian”: I. Allegro vivace
Felix Mendelssohn8:11
2Symphony no. 4 in A Major, op. 90, MWV N16 “Italian”: II. Andante con moto
Felix Mendelssohn6:00
3Symphony no. 4 in A Major, op. 90, MWV N16 “Italian”: III. Con modo moderato
Felix Mendelssohn7:00
4Symphony no. 4 in A Major, op. 90, MWV N16 “Italian”: IV. Saltarello. Presto
Felix Mendelssohn6:13
5Symphony no. 4 in D Minor, op. 120: I. Ziemlich langsam - Lebhaft
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Guido Cantelli (conductor)
recording of:
Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft (1851 revision)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: I. Andante con moto - Allegro di molto (1841 version)
Robert Schumann9:02
6Symphony no. 4 in D Minor, op. 120: II. Romanze. Ziemlich langsam
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Guido Cantelli (conductor)
recording of:
Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam (1851 revision)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: II. Romanza: Andante (1841 original version)
Robert Schumann4:00
7Symphony no. 4 in D Minor, op. 120: III. Scherzo. Lebhaft
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Guido Cantelli (conductor)
recording of:
Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft (1851 revision)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: III. Scherzo: Presto (1841 original version)
Robert Schumann4:50
8Symphony no. 4 in D Minor, op. 120: IV. Langsam - Presto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Guido Cantelli (conductor)
recording of:
Symphony no. 4 in D minor, op. 120: IV. Langsam, Lebhaft (1851 revision)
composer:
Robert Schumann (German classical composer) (in 1841)
revised by:
Robert Schumann (German classical composer) (in 1851)
part of:
Symphony no. 4 in D minor, op. 120 (1851 revision)
revision of:
Symphony no. 4 in D minor, op. 120: IV. Largo - Finale: Allegro vivace (1841 original version)
Robert Schumann7:31
9Paganiniana, op. 65: I. Allegro agitato
Alfredo Casella4:01
10Paganiniana, op. 65: II. Polachetta
Alfredo Casella4:01
11Paganiniana, op. 65: III. Romanza
Alfredo Casella4:34
12Paganiniana, op. 65: IV. Tarantella
Alfredo Casella4:33
4▼CD
#TitleArtistRatingLength
1Symphony no. 1 in C Minor, op. 68: I. Un poco sostenuto - Allegro
Johannes Brahms13:08
2Symphony no. 1 in C Minor, op. 68: II. Andante sostenuto
Johannes Brahms8:50
3Symphony no. 1 in C Minor, op. 68: III. Un poco allegretto e grazioso
Johannes Brahms4:37
4Symphony no. 1 in C Minor, op. 68: IV. Finale. Adagio
Johannes Brahms16:49
5Symphony no. 3 in F Major, op. 90: I. Allegro con brio
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Guido Cantelli (conductor)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: I. Allegro con brio
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms10:04
6Symphony no. 3 in F Major, op. 90: II. Andante
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Guido Cantelli (conductor)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: II. Andante
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms8:47
7Symphony no. 3 in F Major, op. 90: III. Poco allegretto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Guido Cantelli (conductor)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms6:20
8Symphony no. 3 in F Major, op. 90: IV. Allegro
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Guido Cantelli (conductor)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: IV. Allegro
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms8:30
5▼CD
#TitleArtistRatingLength
1Romeo and Juliet, Fantasy Overture
orchestra:
Philharmonic Orchestra (probably another Alfred Scholz pseudonym)
conductor:
Guido Cantelli (conductor)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky18:44
2Symphony no. 5 in E Minor, op. 64: I. Andante - Allegro con anima
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Guido Cantelli (conductor)
recording of:
Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky13:08
3Symphony no. 5 in E Minor, op. 64: II. Andante cantabile, con alcuna licenza
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Guido Cantelli (conductor)
recording of:
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky12:44
4Symphony no. 5 in E Minor, op. 64: III. Valse. Allegro moderato
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Guido Cantelli (conductor)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky6:10
5Symphony no. 5 in E Minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan)
conductor:
Guido Cantelli (conductor)
recording of:
Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso (Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Pyotr Ilyich Tchaikovsky12:16
6▼CD
#TitleArtistRatingLength
1Siegfried Idyll
Richard Wagner17:24
2Symphony no. 6 in B Minor, op. 74 “Pathétique”: I. Adagio - Allegro non troppo
orchestra:
Philharmonic Orchestra (probably another Alfred Scholz pseudonym)
conductor:
Guido Cantelli (conductor)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky16:07
3Symphony no. 6 in B Minor, op. 74 “Pathétique”: II. Allegro con grazia
orchestra:
Philharmonic Orchestra (probably another Alfred Scholz pseudonym)
conductor:
Guido Cantelli (conductor)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky8:01
4Symphony no. 6 in B Minor, op. 74 “Pathétique”: III. Allegro molto vivace
orchestra:
Philharmonic Orchestra (probably another Alfred Scholz pseudonym)
conductor:
Guido Cantelli (conductor)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky9:08
5Symphony no. 6 in B Minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso
orchestra:
Philharmonic Orchestra (probably another Alfred Scholz pseudonym)
conductor:
Guido Cantelli (conductor)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky9:03
7▼CD
#TitleArtistRatingLength
1Prélude à l’après‐midi d’un faune, CD 87, L. 86
recording engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-08 until 1954-06-09)
conductor:
Guido Cantelli (conductor) (from 1954-06-08 until 1954-06-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-08 until 1954-06-09)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1954-06-08 until 1954-06-09)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy9:23
2Nocturnes, CD 98, L. 91: no. 1, Nuages
recording engineer:
Douglas Larter
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1955-08-03 until 1955-08-06)
conductor:
Guido Cantelli (conductor) (from 1955-08-03 until 1955-08-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1955-08-03 until 1955-08-06)
recording of:
Nocturnes, L. 91, CD 98 : I. Nuages (from 1955-08-03 until 1955-08-06)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:30
3Nocturnes, CD 98, L. 91: no. 2, Fêtes
recording engineer:
Douglas Larter
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1955-08-03 until 1955-08-06)
conductor:
Guido Cantelli (conductor) (from 1955-08-03 until 1955-08-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1955-08-03 until 1955-08-06)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (from 1955-08-03 until 1955-08-06)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:25
4La Mer, CD 111, L. 109: I. De l’aube à midi sur la mer
recording engineer:
Douglas Larter
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-13 until 1954-09-14)
conductor:
Guido Cantelli (conductor) (from 1954-09-13 until 1954-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-09-13 until 1954-09-14)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (from 1954-09-13 until 1954-09-14)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:22
5La Mer, CD 111, L. 109: II. Jeux de vagues
recording engineer:
Douglas Larter
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-13 until 1954-09-14)
conductor:
Guido Cantelli (conductor) (from 1954-09-13 until 1954-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-09-13 until 1954-09-14)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (from 1954-09-13 until 1954-09-14)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy6:37
6La Mer, CD 111, L. 109: III. Dialogue du vent et de la mer
recording engineer:
Douglas Larter
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-13 until 1954-09-14)
conductor:
Guido Cantelli (conductor) (from 1954-09-13 until 1954-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-09-13 until 1954-09-14)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (from 1954-09-13 until 1954-09-14)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:00
7Le Martyre de Saint Sébastien, CD 130, L. 124: I. La cour des lys (Instrumental Version)
recording engineer:
Robert Beckett (classical recording engineer, EMI mainly)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-04 until 1954-06-08)
conductor:
Guido Cantelli (conductor) (from 1954-06-04 until 1954-06-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-04 until 1954-06-08)
recording of:
Le Martyre de Saint-Sébastien, fragments symphoniques: I. La Cour des lys (from 1954-06-04 until 1954-06-08)
composer:
Claude Debussy (French composer) (in 1911)
part of:
Le Martyre de Saint-Sébastien, fragments symphoniques
Claude Debussy3:46
8Le Martyre de Saint Sébastien, CD 130, L. 124: II. Danse extatique (Instrumental Version)
recording engineer:
Robert Beckett (classical recording engineer, EMI mainly)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-04 until 1954-06-08)
conductor:
Guido Cantelli (conductor) (from 1954-06-04 until 1954-06-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-04 until 1954-06-08)
recording of:
Le Martyre de Saint-Sébastien, fragments symphoniques: I. La Cour des lys: Danse extatique (from 1954-06-04 until 1954-06-08)
composer:
Claude Debussy (French composer) (in 1911)
arranger:
André Caplet (French composer)
part of:
Le Martyre de Saint-Sébastien, fragments symphoniques
Claude Debussy6:07
9Le Martyre de Saint Sébastien, CD 130, L. 124: III. La passion (Instrumental Version)
recording engineer:
Robert Beckett (classical recording engineer, EMI mainly)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-04 until 1954-06-08)
conductor:
Guido Cantelli (conductor) (from 1954-06-04 until 1954-06-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-04 until 1954-06-08)
recording of:
Le Martyre de Saint-Sébastien, fragments symphoniques: III. Le Concile des faux dieux: La Passion (from 1954-06-04 until 1954-06-08)
composer:
Claude Debussy (French composer) (in 1911)
part of:
Le Martyre de Saint-Sébastien, fragments symphoniques
Claude Debussy5:55
10Le Martyre de Saint Sébastien, CD 130, L. 124: IV. Le bon pasteur (Instrumental Version)
recording engineer:
Robert Beckett (classical recording engineer, EMI mainly)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-04 until 1954-06-08)
conductor:
Guido Cantelli (conductor) (from 1954-06-04 until 1954-06-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-04 until 1954-06-08)
recording of:
Le Martyre de Saint-Sébastien, fragments symphoniques: IV. Le Laurier blessé: Le Bon Pasteur (from 1954-06-04 until 1954-06-08)
composer:
Claude Debussy (French composer) (in 1911)
part of:
Le Martyre de Saint-Sébastien, fragments symphoniques
Claude Debussy5:51
11Pavane pour une infante défunte, M. 19
recording engineer:
Douglas Larter
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1955-10-24 until 1955-10-25)
conductor:
Guido Cantelli (conductor) (from 1955-10-24 until 1955-10-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1955-10-24 until 1955-10-25)
recording of:
Pavane pour une infante défunte (orchestrated version) (from 1955-10-24 until 1955-10-25)
orchestrator:
Maurice Ravel (French composer) (in 1910)
composer:
Maurice Ravel (French composer) (in 1899)
publisher:
Editions Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Claude Debussy6:04
8▼CD
#TitleArtistRatingLength
1L’Apprenti sorcier - 1993 Remastered Version
Paul Dukas10:39
2Suite no. 2 from El sombrero de tres picos: I. Los vecinos
Manuel de Falla3:08
3Suite no. 2 from El sombrero de tres picos: II. Danza del molinero. Farruca
Manuel de Falla2:46
4Suite no. 2 from El sombrero de tres picos: III. Danza final. Jota
Manuel de Falla6:40
5Suite no. 2 from Daphnis et Chloé, M. 57: I. Lever du jour
Maurice Ravel4:41
6Suite no. 2 from Daphnis et Chloé, M. 57: II. Pantomime
Maurice Ravel5:54
7Suite no. 2 from Daphnis et Chloé, M. 57: III. Danse générale
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Guido Cantelli (conductor)
recording of:
Daphnis et Chloé: Tableau I. No. 2. Danse générale
orchestrator:
Maurice Ravel (French composer)
composer:
Maurice Ravel (French composer) (from 1909 until 1912)
part of:
Daphnis et Chloé: Tableau I
Maurice Ravel5:04
8Symphony in D Minor, FWV 48: I. Lento - Allegro non troppo
orchestra:
NBC Symphony Orchestra
conductor:
Guido Cantelli (conductor)
recording of:
Symphonie en ré mineur: I. Lento - Allegro non troppo (Symphony in D minor: I. Lento - Allegro non troppo)
composer:
César Franck (Belgian‐born French composer) (from 1886 until 1888)
part of:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck17:16
9Symphony in D Minor, FWV 48: II. Allegretto
orchestra:
NBC Symphony Orchestra
conductor:
Guido Cantelli (conductor)
recording of:
Symphonie en ré mineur: II. Allegretto (Symphony in D minor: II. Allegretto)
composer:
César Franck (Belgian‐born French composer) (from 1886 until 1888)
part of:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck9:37
10Symphony in D Minor, FWV 48: III. Allegro non troppo
orchestra:
NBC Symphony Orchestra
conductor:
Guido Cantelli (conductor)
recording of:
Symphonie en ré mineur: III. Allegro non troppo (Symphony in D minor: III. Allegro non troppo)
composer:
César Franck (Belgian‐born French composer) (from 1886 until 1888)
part of:
Symphonie en ré mineur op. 48 (Symphony in D minor, op. 48)
César Franck9:40
9▼CD
#TitleArtistRatingLength
1Remembering Guido Cantelli: Introduction: Beethoven Symphony no. 5: Finale
Jon Tolansky3:49
2Remembering Guido Cantelli: Introduction: first recordings
Jon Tolansky5:01
3Remembering Guido Cantelli: Cantelli’s impact on the Philharmonia - Tchaikovsky: Romeo and Juliet
Jon Tolansky, Hugh Maguire & Hugh Bean4:47
4Remembering Guido Cantelli: Cantelli’s uncompromising perfectionism
Jon Tolansky1:10
5Remembering Guido Cantelli: Mendelssohn - Symphony no. 4 ’Italian’: Finale
Jon Tolansky5:50
6Remembering Guido Cantelli: Recording sessions - Ravel: Daphnis et Chloé: Suite no. 2 in rehearsal
Jon Tolansky, John Morris, Hugh Bean, Gareth Morris11:07
7Remembering Guido Cantelli: The Philharmonia’s relationship with Cantelli - Debussy: La Mer: Jeux de Vagues
Jon Tolansky, Hugh Bean8:03
8Remembering Guido Cantelli: Cantelli’s method at recording sessions - Brahms Symphony no. 3: Finale
Jon Tolansky, Hugh Bean5:25
9Remembering Guido Cantelli: Cantelli’s impact on the audience - Beethoven Symphony no. 5: Scherzo in rehearsal
Jon Tolansky, Bernard Dennis-Browne3:42
10Remembering Guido Cantelli: Cantelli’s final recording and death - Beethoven Symphony no. 5: Finale
Jon Tolansky, Bernard Dennis-Browne5:17