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~ Release by Guido Cantelli (see all versions of this release, 1 available)

Annotation

© «2012 EMI Records Ltd.»
℗ «This compilation 2012 EMI Records Ltd.»

Annotation last modified on 2024-11-19 15:21 UTC.

Tracklist

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#TitleArtistRatingLength
1Prélude à l’après‐midi d’un faune, CD 87, L. 86
recording engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-08 until 1954-06-09)
conductor:
Guido Cantelli (conductor) (from 1954-06-08 until 1954-06-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-08 until 1954-06-09)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1954-06-08 until 1954-06-09)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy9:23
2Nocturnes, CD 98, L. 91: no. 1, Nuages
recording engineer:
Douglas Larter
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1955-08-03 until 1955-08-06)
conductor:
Guido Cantelli (conductor) (from 1955-08-03 until 1955-08-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1955-08-03 until 1955-08-06)
recording of:
Nocturnes, L. 91, CD 98 : I. Nuages (from 1955-08-03 until 1955-08-06)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:30
3Nocturnes, CD 98, L. 91: no. 2, Fêtes
recording engineer:
Douglas Larter
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1955-08-03 until 1955-08-06)
conductor:
Guido Cantelli (conductor) (from 1955-08-03 until 1955-08-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1955-08-03 until 1955-08-06)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (from 1955-08-03 until 1955-08-06)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:25
4La Mer, CD 111, L. 109: I. De l’aube à midi sur la mer
recording engineer:
Douglas Larter
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-13 until 1954-09-14)
conductor:
Guido Cantelli (conductor) (from 1954-09-13 until 1954-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-09-13 until 1954-09-14)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” (from 1954-09-13 until 1954-09-14)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:22
5La Mer, CD 111, L. 109: II. Jeux de vagues
recording engineer:
Douglas Larter
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-13 until 1954-09-14)
conductor:
Guido Cantelli (conductor) (from 1954-09-13 until 1954-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-09-13 until 1954-09-14)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (from 1954-09-13 until 1954-09-14)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy6:37
6La Mer, CD 111, L. 109: III. Dialogue du vent et de la mer
recording engineer:
Douglas Larter
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-13 until 1954-09-14)
conductor:
Guido Cantelli (conductor) (from 1954-09-13 until 1954-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-09-13 until 1954-09-14)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” (from 1954-09-13 until 1954-09-14)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:00
7Le Martyre de Saint Sébastien, CD 130, L. 124: I. La cour des lys (Instrumental Version)
recording engineer:
Robert Beckett (classical recording engineer, EMI mainly)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-04 until 1954-06-08)
conductor:
Guido Cantelli (conductor) (from 1954-06-04 until 1954-06-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-04 until 1954-06-08)
recording of:
Le Martyre de Saint-Sébastien, fragments symphoniques: I. La Cour des lys (from 1954-06-04 until 1954-06-08)
composer:
Claude Debussy (French composer) (in 1911)
part of:
Le Martyre de Saint-Sébastien, fragments symphoniques
Claude Debussy3:46
8Le Martyre de Saint Sébastien, CD 130, L. 124: II. Danse extatique (Instrumental Version)
recording engineer:
Robert Beckett (classical recording engineer, EMI mainly)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-04 until 1954-06-08)
conductor:
Guido Cantelli (conductor) (from 1954-06-04 until 1954-06-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-04 until 1954-06-08)
recording of:
Le Martyre de Saint-Sébastien, fragments symphoniques: I. La Cour des lys: Danse extatique (from 1954-06-04 until 1954-06-08)
composer:
Claude Debussy (French composer) (in 1911)
arranger:
André Caplet (French composer)
part of:
Le Martyre de Saint-Sébastien, fragments symphoniques
Claude Debussy6:07
9Le Martyre de Saint Sébastien, CD 130, L. 124: III. La passion (Instrumental Version)
recording engineer:
Robert Beckett (classical recording engineer, EMI mainly)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-04 until 1954-06-08)
conductor:
Guido Cantelli (conductor) (from 1954-06-04 until 1954-06-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-04 until 1954-06-08)
recording of:
Le Martyre de Saint-Sébastien, fragments symphoniques: III. Le Concile des faux dieux: La Passion (from 1954-06-04 until 1954-06-08)
composer:
Claude Debussy (French composer) (in 1911)
part of:
Le Martyre de Saint-Sébastien, fragments symphoniques
Claude Debussy5:55
10Le Martyre de Saint Sébastien, CD 130, L. 124: IV. Le bon pasteur (Instrumental Version)
recording engineer:
Robert Beckett (classical recording engineer, EMI mainly)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-06-04 until 1954-06-08)
conductor:
Guido Cantelli (conductor) (from 1954-06-04 until 1954-06-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1954-06-04 until 1954-06-08)
recording of:
Le Martyre de Saint-Sébastien, fragments symphoniques: IV. Le Laurier blessé: Le Bon Pasteur (from 1954-06-04 until 1954-06-08)
composer:
Claude Debussy (French composer) (in 1911)
part of:
Le Martyre de Saint-Sébastien, fragments symphoniques
Claude Debussy5:51
11Pavane pour une infante défunte, M. 19
recording engineer:
Douglas Larter
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1955-10-24 until 1955-10-25)
conductor:
Guido Cantelli (conductor) (from 1955-10-24 until 1955-10-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1955-10-24 until 1955-10-25)
recording of:
Pavane pour une infante défunte (orchestrated version) (from 1955-10-24 until 1955-10-25)
orchestrator:
Maurice Ravel (French composer) (in 1910)
composer:
Maurice Ravel (French composer) (in 1899)
publisher:
Editions Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Claude Debussy6:04
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