The Capitol Years 1953-62

~ Release by Frank Sinatra (see all versions of this release, 1 available)

Annotation

Basically a compressed version of The Capitol Years squashed onto 12 discs. It is missing disc 21 "the rare stuff" but instead has an added Xmas disc A Jolly Christmas from Sinatra not found in the other set.

Annotation last modified on 2024-03-06 12:04 UTC.

Tracklist

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1CD: Songs for Young Lovers
#TitleRatingLength
1The Girl Next Door
producer:
Voyle Gilmore
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-06)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-06)
conductor:
Nelson Riddle (on 1953-11-06)
arranger:
George Siravo
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-06)
cover recording of:
The Boy Next Door (from “Meet Me in St. Louis”) (on 1953-11-06)
writer:
Ralph Blane and Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
2:38
2They Can’t Take That Away From Me
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-05)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-05)
conductor:
Nelson Riddle (on 1953-11-05)
arranger:
George Siravo
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-05)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1953-11-05)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3.651:58
3Violets for Your Furs
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-05)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-05)
conductor:
Nelson Riddle (on 1953-11-05)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (in 1953-11)
recording of:
Violets for Your Furs (on 1953-11-05)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:05
4Someone to Watch Over Me
producer:
Voyle Gilmore
bass trombone:
George Roberts (american bass trombone)
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
French horn:
John Cave (french horn) and Vincent DeRosa
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, John Hacker, Jules Kinsler, Harry Klee and Champ Webb
trombone:
Milt Bernhart
viola:
Cy Bernard, Stanley Harris (US big band viola player), Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, Mischa Russell (violinist), Eudice Shapiro (Violinist), Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
June Hutton, The Pied Pipers (American vocal group, active 1930s-50s) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-09-23)
orchestra:
The Nelson Riddle Orchestra (on 1954-09-23)
conductor:
Nelson Riddle (on 1954-09-23)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-09-23)
recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1954-09-23)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
12:56
5My One and Only Love
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-05-02)
orchestra:
The Nelson Riddle Orchestra (on 1953-05-02)
conductor:
Nelson Riddle (on 1953-05-02)
arranger:
Nelson Riddle
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (ended)
recording of:
My One and Only Love (on 1953-05-02)
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京 (Musical Lights Tokyo)
version of:
Music from Beyond the Moon (My One and Only Love)
3:11
6Little Girl Blue
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-05)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-06)
conductor:
Nelson Riddle (on 1953-11-06)
arranger:
Nelson Riddle
recording of:
Little Girl Blue (on 1953-11-06)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
2:54
7Like Someone in Love
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-06)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-06)
conductor:
Nelson Riddle (on 1953-11-06)
arranger:
Nelson Riddle
cover recording of:
Like Someone in Love (on 1953-11-06)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:10
8A Foggy Day
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-05)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-05)
conductor:
Nelson Riddle (on 1953-11-05)
arranger:
George Siravo
cover recording of:
A Foggy Day (in London Town) (on 1953-11-05)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
2:39
9It Worries Me
producer:
Voyle Gilmore
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Arthur Kafton and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Bobby Gibbons
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, Chuck Gentry, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other) and Champ Webb
trombone:
Dick Noel (trombone) and Pullman “Tommy” Pederson
trumpet:
Harry “Sweets” Edison, Conrad Gozzo and Rubin "Zeke" Zarchy
viola:
Maxine Johnson and Paul Robyn
violin:
Victor Bay, Harry Bluestone, Walter Edelstein, George Kast, Nicholas Pisani, Mischa Russell (violinist), Eudice Shapiro (Violinist), Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-05-13)
orchestra:
The Nelson Riddle Orchestra (on 1954-05-13)
conductor:
Nelson Riddle (on 1954-05-13)
arranger:
Nelson Riddle
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (ended) and KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-05-13)
recording of:
It Worries Me (on 1954-05-13)
lyricist:
Ernst Verch
composer:
Fritz Schulz-Reichel
translator:
Carl Sigman
translated version of:
Denk’ an mich
2:52
10I Can Read Between the Lines
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-05-02)
orchestra:
The Nelson Riddle Orchestra (on 1953-05-02)
conductor:
Nelson Riddle (on 1953-05-02)
arranger:
Nelson Riddle
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (ended)
recording of:
I Can Read Between the Lines (on 1953-05-02)
writer:
Sid Frank and Ramon Getzov
2:47
11I Get a Kick Out of You
producer:
Voyle Gilmore
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-06)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-06)
conductor:
Nelson Riddle (on 1953-11-06)
arranger:
George Siravo
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-06)
cover recording of:
I Get a Kick Out of You (on 1953-11-06)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
32:55
12My Funny Valentine
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-05)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-05)
conductor:
Nelson Riddle (on 1953-11-05)
arranger:
George Siravo
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-05)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1953-11-05)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
22:31
13Jeepers Creepers
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Abe Most
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Eddie Miller (US jazz saxophonist)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Bob Bain (guitarist)
tenor saxophone:
Irving “Babe” Russin
trombone:
Pullman “Tommy” Pederson and Ray Sims
trumpet:
Harry “Sweets” Edison (on 1954-04-19)
vibraphone:
Frank Flynn
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-04-19)
orchestra:
The Nelson Riddle Orchestra (on 1954-04-19)
conductor:
Nelson Riddle (on 1954-04-19)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-04-19)
cover recording of:
Jeepers Creepers (on 1954-04-19)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting (composer)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
2:22
14Taking a Chance on Love2:13
15Wrap Your Troubles in Dreams2:14
16Lean Baby
recorded in:
Los Angeles, California, United States (on 1953-04-02)
producer:
Voyle Gilmore
cello:
Cy Bernard (on 1953-04-02)
double bass:
Phil Stephens (bass and tuba player) (on 1953-04-02)
drums (drum set):
Ray Hagan (on 1953-04-02)
French horn:
Vincent DeRosa (on 1953-04-02)
guitar:
George van Eps (on 1953-04-02)
harp:
Ann Mason Stockton (American harpist) (on 1953-04-02)
piano:
Bill Miller (pianist) (on 1953-04-02)
reeds:
Leonard Hartman (on 1953-04-02), Heine Beau (on 1953-04-02), Skeets Herfurt (on 1953-04-02) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-04-02)
trumpet:
Rubin "Zeke" Zarchy (on 1953-04-02)
viola:
Paul Robyn (on 1953-04-02) and Dave Sterkin (on 1953-04-02)
violin:
Harry Bluestone (on 1953-04-02), Murray Kellner (on 1953-04-02), Alex Murray (violinist) (on 1953-04-02), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1953-04-02), Irving Prager (on 1953-04-02) and Mischa Russell (violinist) (on 1953-04-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-04-02)
orchestra:
Axel Stordahl and His Orchestra (on 1953-04-02) and The Nelson Riddle Orchestra (on 1953-04-02)
conductor:
Axel Stordahl (on 1953-04-02)
arranger:
Heine Beau (on 1953-04-02)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1953-04)
recording of:
Lean Baby (on 1953-04-02)
lyricist:
Roy Alfred (Tin Pan Alley lyricist and composer)
composer:
Billy May
2:33
17I Love You
producer:
Voyle Gilmore
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Jack Dumont, Skeets Herfurt, Joe Koch, Ted Nash (40s-80s US swing reedman, uncle of the other) and Ted Romersa
trombone:
Milt Bernhart, Joe Howard (american trombone player), Jimmy Priddy and Si Zentner
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Rubin "Zeke" Zarchy
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-04-30)
orchestra:
The Nelson Riddle Orchestra (on 1953-04-30)
conductor:
Nelson Riddle (on 1953-04-30)
arranger:
Nelson Riddle
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (on 1953-04-30) and KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-04-30)
recording of:
I Love You (on 1953-04-30)
lyricist:
Harlan Thompson
writer and composer:
Harry Archer and Harlan Thompson
publisher:
Chappell & Co., Inc. (USA) and SBK Feist Catalog, Inc.
2.52:28
18I’m Gonna Sit Right Down (And Write Myself a Letter)
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-04-07)
orchestra:
The Nelson Riddle Orchestra (on 1954-04-07)
conductor:
Nelson Riddle (on 1954-04-07)
arranger:
Nelson Riddle
cover recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (on 1954-04-07)
lyricist:
Joe Young (US lyricist)
composer:
Fred Ahlert and Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) and Rytvoc, Inc. (ASCAP)
2:27
19Get Happy
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Abe Most
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Eddie Miller (US jazz saxophonist)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Bob Bain (guitarist)
tenor saxophone:
Irving “Babe” Russin
trombone:
Pullman “Tommy” Pederson and Ray Sims
trumpet:
Harry “Sweets” Edison (on 1954-04-19)
vibraphone:
Frank Flynn
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-04-19)
orchestra:
The Nelson Riddle Orchestra (on 1954-04-19)
conductor:
Nelson Riddle (on 1954-04-19)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-04-19)
cover recording of:
Get Happy (on 1954-04-19)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
2:25
20All of Me
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Abe Most
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Eddie Miller (US jazz saxophonist)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Bob Bain (guitarist)
tenor saxophone:
Irving “Babe” Russin
trombone:
Pullman “Tommy” Pederson and Ray Sims
trumpet:
Harry “Sweets” Edison (on 1954-04-19)
vibraphone:
Frank Flynn
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-04-19)
orchestra:
The Nelson Riddle Orchestra (on 1954-04-19)
conductor:
Nelson Riddle (on 1954-04-19)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-04-19)
recording of:
All of Me (on 1954-04-19)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
2:07
21How Could You Do a Thing Like That to Me
producer:
Voyle Gilmore
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer)
marimba:
Max Albright
piano:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) and Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Skeets Herfurt, Plas Johnson, Irving “Babe” Russin and Wilbur Schwartz
trombone:
Walter Benson, Ed Kusby, Dick Noel (trombone) and Pullman “Tommy” Pederson
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Manny Klein and Vito N. Mangano
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-07)
orchestra:
The Nelson Riddle Orchestra (on 1955-03-07)
conductor:
Nelson Riddle (on 1955-03-07)
arranger:
Nelson Riddle and Billy May (on 1955-03-07)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1953-04)
recording of:
How Could You Do a Thing Like That to Me (a.k.a. Sultry Serenade) (on 1955-03-07)
writer:
Allan Roberts (songwriter) and Tyree Glenn
12:45
22Why Should I Cry Over You?
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-12-08)
orchestra:
The Nelson Riddle Orchestra (on 1953-12-08)
conductor:
Nelson Riddle (on 1953-12-08)
arranger:
Nelson Riddle
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (on 1953-12-08)
recording of:
Why Should I Cry Over You (on 1953-12-08)
writer:
Chester Conn and Ned Miller (Nathan "Ned" Miller)
2:42
23Sunday
producer:
Voyle Gilmore
alto saxophone:
Mahlon Clark and Skeets Herfurt
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Eddie Miller (US jazz saxophonist)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Allan Reuss
tenor saxophone:
Irving “Babe” Russin
trombone:
Pullman “Tommy” Pederson and Ray Sims
trumpet:
Harry “Sweets” Edison (on 1954-04-07)
vibraphone:
Frank Flynn
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-04-07)
orchestra:
The Nelson Riddle Orchestra (on 1954-04-07)
conductor:
Nelson Riddle (on 1954-04-07)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-04-07)
cover recording of:
Sunday (famously sung by Frank Sinatra & others) (on 1954-04-07)
writer:
Chester Conn (until 1926), Benny Krueger (jazz saxophonist) (until 1926), Ned Miller (Nathan "Ned" Miller) (until 1926) and Jule Styne (until 1926)
publisher:
EMI United Partnership Ltd. and Leo Feist, Inc.
2:30
24Just One of Those Things
producer:
Voyle Gilmore
alto saxophone:
Mahlon Clark and Skeets Herfurt
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Eddie Miller (US jazz saxophonist)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Allan Reuss
tenor saxophone:
Irving “Babe” Russin
trombone:
Pullman “Tommy” Pederson and Ray Sims
trumpet:
Harry “Sweets” Edison (on 1954-04-07)
vibraphone:
Frank Flynn
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-04-07)
orchestra:
The Nelson Riddle Orchestra (on 1954-04-07)
conductor:
Nelson Riddle (on 1954-04-07)
arranger:
Nelson Riddle (on 1954-04-07)
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-04-07)
cover recording of:
Just One of Those Things (on 1954-04-07)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:17
2CD: In the Wee Small Hours
#TitleRatingLength
1In the Wee Small Hours of the Morning
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Morty Corb (bass, USA) and Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Louis Singer (percussionist)
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-17)
orchestra:
The Nelson Riddle Orchestra (on 1955-02-17)
conductor:
Nelson Riddle (on 1955-02-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (on 1955-02-17)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, volume I)
13:00
2Mood Indigo
recording engineer:
John Palladino
producer:
Voyle Gilmore
celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other), Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin and Champ Webb
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin and Eleanor Slatkin (US cellist, b. Aller)
violin:
Harry Bluestone, Mischa Russell (violinist), Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-16)
cover recording of:
Mood Indigo (1930 jazz composition and song) (on 1955-02-16)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
33:30
3Glad to Be Unhappy
recording engineer:
John Palladino
producer:
Voyle Gilmore
celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
George van Eps
piano:
Bill Miller (pianist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-08)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-08)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-08)
cover recording of:
Glad to Be Unhappy (on 1955-02-08)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
On Your Toes
32:35
4I Get Along Without You Very Well
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Morty Corb (bass, USA) and Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Louis Singer (percussionist)
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure (, on 1955-02-17), Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-17)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (from 1955-02-17 until 1955-03)
cover recording of:
I Get Along Without You Very Well (on 1955-02-17)
lyricist:
Jane Brown Thompson
composer:
Hoagy Carmichael (in 1939)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Songs of Peer, Ltd. (ASCAP) and Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:42
5Deep in a Dream
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
James Arkatov (American cellist and photographer) (on 1955-03-04), Cy Bernard (on 1955-03-04), Eleanor Aller (US cellist, b. Aller) (on 1955-03-04), Armand Kaproff (on 1955-03-04), Ray Kramer (on 1955-03-04), Edgar Lustgarten (on 1955-03-04), Kurt Reher (cellist) (on 1955-03-04) and Joseph Saxon (on 1955-03-04)
double bass:
Phil Stephens (bass and tuba player) (on 1955-03-04)
flute:
Arthur Gleghorn (on 1955-03-04), Luella Howard (on 1955-03-04), Jules Kinsler (on 1955-03-04) and George Poole (on 1955-03-04)
French horn:
John Cave (french horn) (on 1955-03-04), Vincent DeRosa (on 1955-03-04), Joseph Eger (horn player) (on 1955-03-04) and Richard Perissi (on 1955-03-04)
guitar:
George van Eps (on 1955-03-04)
harp:
Kathryn Julye (on 1955-03-04)
membranophone:
Louis Singer (percussionist) (on 1955-03-04)
piano:
Bill Miller (pianist) (on 1955-03-04)
violin:
Paul Shure, Victor Bay (on 1955-03-04), Alex Beller (on 1955-03-04), Harry Bluestone (on 1955-03-04), Nathan Ross (on 1955-03-04), Mischa Russell (violinist) (on 1955-03-04), Felix Slatkin (on 1955-03-04) and Marshall Sosson (on 1955-03-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-04)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-03-04)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-03-04)
cover recording of:
Deep in a Dream (on 1955-03-04)
lyricist:
Eddie DeLange
composer:
Jimmy Van Heusen
publisher:
Chappell Music Ltd., Scarsdale Music Corp. (ASCAP) and Warner Bros. Music (publisher; do NOT use as release label)
2:49
6I See Your Face Before Me
recording engineer:
John Palladino
producer:
Voyle Gilmore
celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other), Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin and Champ Webb
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin and Eleanor Slatkin (US cellist, b. Aller)
violin:
Harry Bluestone, Mischa Russell (violinist), Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-16)
cover recording of:
I See Your Face Before Me (on 1955-02-16)
lyricist and composer:
Howard Dietz (librettist) and Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd. and Chappell & Co.
3:24
7Can’t We Be Friends?
recording engineer:
John Palladino
producer:
Voyle Gilmore
celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
George van Eps
piano:
Bill Miller (pianist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-08)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-08)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-08)
cover recording of:
Can’t We Be Friends? (on 1955-02-08)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros. Music Corp.
2:48
8When Your Lover Has Gone
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Morty Corb (bass, USA) and Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Louis Singer (percussionist)
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-17)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-17)
cover recording of:
When Your Lover Has Gone (on 1955-02-17)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
3:10
9What Is This Thing Called Love?
recording engineer:
John Palladino
producer:
Voyle Gilmore
celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other), Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin and Champ Webb
trumpet:
Harry “Sweets” Edison (on 1955-02-16)
viola:
Alvin Dinkin and Eleanor Slatkin (US cellist, b. Aller)
violin:
Harry Bluestone, Mischa Russell (violinist), Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-16)
orchestra:
The Nelson Riddle Orchestra (on 1955-02-16)
conductor:
Nelson Riddle (on 1955-02-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-16)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1955-02-16)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
2:35
10Last Night When We Were Young
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
Cy Bernard, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort and Ed Gilbert
drums (drum set):
Frankie Carlson
guitar:
Bobby Gibbons
harp:
Kathryn Julye and Ann Mason Stockton (American harpist)
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bart Caldarelli (saxophone), Mahlon Clark, Mort Friedman, Harry Klee, Champ Webb and James Williamson (Saxophone player)
trumpet:
Harry “Sweets” Edison
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, Mischa Russell (violinist), Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-03-01)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1954-03-01)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-03-01)
cover recording of:
Last Night When We Were Young (on 1954-03-01)
lyricist:
Yip Harburg
composer:
Harold Arlen
publisher:
Bourne Co. (not for release label use, this is a music publisher) and S.A. Music Co.
3:17
11I’ll Be Around
recording engineer:
John Palladino
producer:
Voyle Gilmore
celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
George van Eps
harp:
Kathryn Julye (on 1955-02-08)
piano:
Bill Miller (pianist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-08)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-08)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-08)
cover recording of:
I’ll Be Around (on 1955-02-08)
lyricist and composer:
Alec Wilder (American composer)
publisher:
Ludlow Music, Inc., Primary Wave 3 Songs (BMI) and TRO-Ludlow Music, Inc.
2:59
12Ill Wind
recording engineer:
John Palladino
producer:
Voyle Gilmore
celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other), Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin and Champ Webb
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin and Eleanor Slatkin (US cellist, b. Aller)
violin:
Harry Bluestone, Mischa Russell (violinist), Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-16)
cover recording of:
Ill Wind (on 1955-02-16)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
3:46
13It Never Entered My Mind
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
James Arkatov (American cellist and photographer) (on 1955-03-04), Cy Bernard (on 1955-03-04), Eleanor Aller (US cellist, b. Aller) (on 1955-03-04), Armand Kaproff (on 1955-03-04), Ray Kramer (on 1955-03-04), Edgar Lustgarten (on 1955-03-04), Kurt Reher (cellist) (on 1955-03-04) and Joseph Saxon (on 1955-03-04)
double bass:
Phil Stephens (bass and tuba player) (on 1955-03-04)
flute:
Arthur Gleghorn (on 1955-03-04), Luella Howard (on 1955-03-04), Jules Kinsler (on 1955-03-04) and George Poole (on 1955-03-04)
French horn:
John Cave (french horn) (on 1955-03-04), Vincent DeRosa (on 1955-03-04), Joseph Eger (horn player) (on 1955-03-04) and Richard Perissi (on 1955-03-04)
guitar:
George van Eps (on 1955-03-04)
harp:
Kathryn Julye (on 1955-03-04)
membranophone:
Louis Singer (percussionist) (on 1955-03-04)
piano:
Bill Miller (pianist) (on 1955-03-04)
trumpet:
Harry “Sweets” Edison
violin:
Victor Bay (on 1955-03-04), Alex Beller (on 1955-03-04), Harry Bluestone (on 1955-03-04), Nathan Ross (on 1955-03-04), Mischa Russell (violinist) (on 1955-03-04), Paul Shure (on 1955-03-04), Felix Slatkin (on 1955-03-04) and Marshall Sosson (on 1955-03-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-04)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-03-04)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-03-04)
cover recording of:
It Never Entered My Mind (on 1955-03-04)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:42
14Dancing on the Ceiling
recording engineer:
John Palladino
producer:
Voyle Gilmore
celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
George van Eps
piano:
Bill Miller (pianist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-08)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-08)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-08)
cover recording of:
Dancing on the Ceiling (1930 Rodgers & Hart song) (on 1955-02-08)
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer) (in 1930)
2:57
15I’ll Never Be the Same
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
James Arkatov (American cellist and photographer) (on 1955-03-04), Cy Bernard (on 1955-03-04), Eleanor Aller (US cellist, b. Aller) (on 1955-03-04), Armand Kaproff (on 1955-03-04), Ray Kramer (on 1955-03-04), Edgar Lustgarten (on 1955-03-04), Kurt Reher (cellist) (on 1955-03-04) and Joseph Saxon (on 1955-03-04)
double bass:
Phil Stephens (bass and tuba player) (on 1955-03-04)
flute:
Arthur Gleghorn (on 1955-03-04), Luella Howard (on 1955-03-04), Jules Kinsler (on 1955-03-04) and George Poole (on 1955-03-04)
French horn:
John Cave (french horn) (on 1955-03-04), Vincent DeRosa (on 1955-03-04), Joseph Eger (horn player) (on 1955-03-04) and Richard Perissi (on 1955-03-04)
guitar:
George van Eps (on 1955-03-04)
membranophone:
Louis Singer (percussionist) (on 1955-03-04)
piano:
Bill Miller (pianist) (on 1955-03-04)
trumpet:
Harry “Sweets” Edison
violin:
Victor Bay (on 1955-03-04), Alex Beller (on 1955-03-04), Harry Bluestone (on 1955-03-04), Nathan Ross (on 1955-03-04), Mischa Russell (violinist) (on 1955-03-04), Paul Shure (on 1955-03-04), Felix Slatkin (on 1955-03-04) and Marshall Sosson (on 1955-03-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-04)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-03-04)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-03-04)
cover recording of:
I’ll Never Be the Same (on 1955-03-04)
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) and France Mélodie
3:05
16This Love of Mine
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Morty Corb (bass, USA) and Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Louis Singer (percussionist)
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-17)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-02-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-17)
cover recording of:
This Love of Mine (on 1955-02-17)
lyricist:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
composer:
Sol Parker (songwriter) and Henry Sanicola
publisher:
Embassy Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:33
17I’ve Got the World on a String
recorded in:
Los Angeles, California, United States (on 1953-04-30)
bass:
Philip Stephens (bass and tuba player) (on 1953-04-30)
drums (drum set):
Alvin Stoller (on 1953-04-30)
guitar:
Al Hendrickson (on 1953-04-30)
piano:
Bill Miller (pianist) (on 1953-04-30)
reeds:
Jack Dumont (on 1953-04-30), Skeets Herfurt (on 1953-04-30), Plas Johnson (on 1953-04-30), Joe Koch (on 1953-04-30), Ernest Romersa (on 1953-04-30) and Theodore Nash (40s-80s US swing reedman, uncle of the other) (on 1953-04-30)
trombone:
Milt Bernhart (on 1953-04-30), Francis Howard (trombone) (on 1953-04-30), Jimmy Priddy (on 1953-04-30) and Si Zentner (on 1953-04-30)
trumpet:
Harry “Sweets” Edison (on 1953-04-30), Conrad Gozzo (on 1953-04-30), Vito "Mickey" Mangano (on 1953-04-30) and Rubin "Zeke" Zarchy (on 1953-04-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-04-30)
orchestra:
The Nelson Riddle Orchestra (on 1953-04-30)
conductor:
Nelson Riddle (on 1953-04-30)
arranger:
Nelson Riddle
recording of:
I’ve Got the World on a String (on 1953-04-30)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3.252:14
18From Here to Eternity
recorded in:
Hollywood, Los Angeles, California, United States (on 1953-05-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-05-02)
conductor:
Nelson Riddle (on 1953-05-02)
arranger:
Nelson Riddle
recording of:
From Here to Eternity (on 1953-05-02)
lyricist:
Robert Wells (songwriter)
composer:
Freddie Karger (Frederick Maxwell Karger, Jr)
publisher:
Barton Music Corp.
3:01
19South of the Border
recorded in:
Hollywood, Los Angeles, California, United States (on 1953-04-30)
producer:
Voyle Gilmore
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Jack Dumont, Skeets Herfurt, Joe Koch, Ted Nash (40s-80s US swing reedman, uncle of the other) and Ted Romersa
trombone:
Milt Bernhart, Joe Howard (american trombone player), Jimmy Priddy and Si Zentner
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Rubin "Zeke" Zarchy
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-04-30)
conductor:
Nelson Riddle (on 1953-04-30)
arranger:
Nelson Riddle
recording of:
South of the Border (Down Mexico Way) (on 1953-04-30)
writer:
Michael Carr (songwriter) and Jimmy Kennedy (Irish songwriter)
publisher:
Shapiro, Bernstein & Co., Inc. and Peter Maurice Music Co. Ltd. (on 1939-03-30)
12:52
20Don’t Worry ’Bout Me
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-04-30)
conductor:
Nelson Riddle (on 1953-04-30)
arranger:
Nelson Riddle
recording of:
Don’t Worry ’Bout Me (on 1953-04-30)
lyricist:
Ted Koehler (in 1939)
writer:
Rube Bloom (American songwriter, pianist and vocalist) and Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. and Redwood Music Ltd. (Carlin)
3:07
21Anytime, Anywhere
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-05-02)
orchestra:
The Nelson Riddle Orchestra (on 1953-05-02)
conductor:
Nelson Riddle (on 1953-05-02)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-05-02)
recording of:
Anytime, Anywhere (on 1953-05-02)
writer:
Lenny Adelson and Imogen Carpenter
2:45
22Three Coins in the Fountain
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-03-01)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-03-01)
conductor:
Nelson Riddle (on 1954-03-01)
arranger:
Nelson Riddle
recording of:
Three Coins in the Fountain (on 1954-03-01)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. and WB Music Corp. (1929–2019)
part of:
The 27th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1954 winner)
3:07
23Rain (Falling From the Skies)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-12-09)
conductor:
Nelson Riddle (on 1953-12-09)
arranger:
Nelson Riddle
recording of:
Rain (Falling From the Skies) (on 1953-12-09)
writer:
G. Finlay and Robert Mellin
3:27
24The Gal That Got Away
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-05-13)
conductor:
Nelson Riddle (on 1954-05-13)
arranger:
Nelson Riddle
recording of:
The Man That Got Away (A Star Is Born) (on 1954-05-13)
lyricist:
Ira Gershwin (in 1953)
composer:
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and WB Music Corp. (1929–2019)
part of:
The 27th Academy Award for Best Original Song (number: 2)
3:12
25Young at Heart
recorded in:
Hollywood, Los Angeles, California, United States (on 1953-12-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-12-09)
conductor:
Nelson Riddle (on 1953-12-09)
arranger:
Nelson Riddle
recording of:
Young at Heart (Frank Sinatra song) (on 1953-12-09)
lyricist:
Carolyn Leigh
composer:
Johnny Richards
publisher:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
42:53
3CD: Songs for Swingin’ Lovers!
#TitleRatingLength
1You Make Me Feel So Young
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-09) and Wilbur Schwartz (on 1956-01-09)
baritone saxophone:
Mort Friedman (on 1956-01-09)
bass:
Joe Comfort (on 1956-01-09)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-09)
cello:
Cy Bernard (on 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-09) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-09)
drums (drum set):
Frank Flynn (on 1956-01-09) and Alvin Stoller (on 1956-01-09)
guitar:
George van Eps (on 1956-01-09)
harp:
Kathryn Julye (on 1956-01-09)
piano:
Bill Miller (pianist) (on 1956-01-09)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-01-09) and Irving “Babe” Russin (on 1956-01-09)
trombone:
Milt Bernhart (on 1956-01-09), Francis Howard (trombone) (on 1956-01-09) and Juan Tizol (on 1956-01-09)
trumpet:
Harry “Sweets” Edison (on 1956-01-09), Conrad Gozzo (on 1956-01-09), Manny Klein (on 1956-01-09) and Mickey Mangano (on 1956-01-09)
viola:
Alvin Dinkin (on 1956-01-09), Maxine Johnson (on 1956-01-09) and Milton Thomas (violist) (on 1956-01-09)
violin:
Victor Bay (on 1956-01-09), Alex Beller (on 1956-01-09), Harry Bluestone (on 1956-01-09), Harold Dicterow (on 1956-01-09), David Frisina (on 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-09), Mischa Russell (violinist) (on 1956-01-09), Paul Shure (on 1956-01-09), Felix Slatkin (on 1956-01-09) and Marshall Sosson (on 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-09)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-09)
conductor:
Nelson Riddle (on 1956-01-09)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-09)
recording of:
You Make Me Feel So Young (on 1956-01-09)
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
version of:
E bi eit barn med deg
3.52:57
2It Happened in Monterey
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
baritone saxophone:
Morton Friedman (on 1956-01-12)
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-12)
drums (drum set):
Irving Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
piano:
Bill Miller (pianist) (on 1956-01-12)
tenor saxophone:
Justin Gordon (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jim Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-12)
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
It Happened in Monterey (on 1956-01-12)
lyricist:
Billy Rose (lyricist and Broadway producer)
composer:
Mabel Wayne
publisher:
CBS Feist Catalog, Inc. and EMI United Partnership Ltd.
42:36
3You’re Getting to Be a Habit With Me
producer:
Voyle Gilmore
bass:
Joe Comfort (on 1956-01-10)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-10)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-10), Edgar Lustgarten (on 1956-01-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-10)
drums (drum set):
Alvin Stoller (on 1956-01-10)
guitar:
George van Eps (on 1956-01-10)
harp:
Kathryn Julye (on 1956-01-10)
piano:
William (Bill) Miller (pianist) (on 1956-01-10)
reeds:
Justin Gordon (on 1956-01-10), Harry Klee (on 1956-01-10), Morton Friedman (on 1956-01-10), Wilbur Schwartz (on 1956-01-10) and James Williamson (Saxophone player) (on 1956-01-10)
trombone:
Milt Bernhart (on 1956-01-10), Jim Priddy (on 1956-01-10) and Juan Tizol (on 1956-01-10)
trumpet:
Harry “Sweets” Edison (on 1956-01-10), Conrad Gozzo (on 1956-01-10), Mickey Mangano (on 1956-01-10) and Zeke Zarchy (on 1956-01-10)
viola:
Alvin Dinkin (on 1956-01-10), Dave Sterkin (on 1956-01-10) and Milton Thomas (violist) (on 1956-01-10)
violin:
Victor Bay (on 1956-01-10), Alex Beller (on 1956-01-10), Harold Dicterow (on 1956-01-10), David Frisina (on 1956-01-10), Alex Murray (violinist) (on 1956-01-10), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-10), Nathan Ross (on 1956-01-10), Mischa Russell (violinist) (on 1956-01-10), Paul Shure (on 1956-01-10) and Felix Slatkin (on 1956-01-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-10)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-10)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-10)
cover recording of:
You’re Getting to Be a Habit With Me (on 1956-01-10)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
2:19
4You Brought a New Kind of Love to Me
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-09) and Wilbur Schwartz (on 1956-01-09)
baritone saxophone:
Mort Friedman (on 1956-01-09)
bass:
Joe Comfort (on 1956-01-09)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-09)
cello:
Cy Bernard (on 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-09) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-09)
drums (drum set):
Frank Flynn (on 1956-01-09) and Alvin Stoller (on 1956-01-09)
guitar:
George van Eps (on 1956-01-09)
harp:
Kathryn Julye (on 1956-01-09)
piano:
Bill Miller (pianist) (on 1956-01-09)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-01-09) and Irving “Babe” Russin (on 1956-01-09)
trombone:
Milt Bernhart (on 1956-01-09), Francis Howard (trombone) (on 1956-01-09) and Juan Tizol (on 1956-01-09)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo (on 1956-01-09), Manny Klein (on 1956-01-09) and Mickey Mangano (on 1956-01-09)
viola:
Alvin Dinkin (on 1956-01-09), Maxine Johnson (on 1956-01-09) and Milton Thomas (violist) (on 1956-01-09)
violin:
Victor Bay (on 1956-01-09), Alex Beller (on 1956-01-09), Harry Bluestone (on 1956-01-09), Harold Dicterow (on 1956-01-09), David Frisina (on 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-09), Mischa Russell (violinist) (on 1956-01-09), Paul Shure (on 1956-01-09), Felix Slatkin (on 1956-01-09) and Marshall Sosson (on 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-09)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-09)
arranger:
Nelson Riddle (ended)
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-09)
cover recording of:
You Brought a New Kind of Love to Me (on 1956-01-09)
lyricist:
Irving Kahal (in 1930)
composer:
Pierre Norman Connor (in 1930) and Sammy Fain (in 1930)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Sony/ATV Harmony (in 1930)
part of:
New York, New York (1977 musical film soundtrack)
part of:
The Real Book (compilation of jazz standards, volume I)
2:48
5Too Marvelous for Words
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-16) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
recording of:
Too Marvelous for Words (on 1956-01-16)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
cover recording of:
Too Marvelous for Words (on 1956-01-16)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:29
6Old Devil Moon
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-16) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
cover recording of:
Old Devil Moon (from “Finian’s Rainbow”) (on 1956-01-16)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
13:56
7Pennies From Heaven
producer:
Voyle Gilmore
bass:
Joe Comfort (on 1956-01-10)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-10)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-10), Edgar Lustgarten (on 1956-01-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-10)
drums (drum set):
Alvin Stoller (on 1956-01-10)
guitar:
George van Eps (on 1956-01-10)
harp:
Kathryn Julye (on 1956-01-10)
piano:
William (Bill) Miller (pianist) (on 1956-01-10)
reeds:
Justin Gordon (on 1956-01-10), Harry Klee (on 1956-01-10), Morton Friedman (on 1956-01-10), Wilbur Schwartz (on 1956-01-10) and James Williamson (Saxophone player) (on 1956-01-10)
trombone:
Milt Bernhart (on 1956-01-10), Jim Priddy (on 1956-01-10) and Juan Tizol (on 1956-01-10)
trumpet:
Harry “Sweets” Edison (on 1956-01-10), Conrad Gozzo (on 1956-01-10), Mickey Mangano (on 1956-01-10) and Zeke Zarchy (on 1956-01-10)
viola:
Alvin Dinkin (on 1956-01-10), Dave Sterkin (on 1956-01-10) and Milton Thomas (violist) (on 1956-01-10)
violin:
Victor Bay (on 1956-01-10), Alex Beller (on 1956-01-10), Harold Dicterow (on 1956-01-10), David Frisina (on 1956-01-10), Alex Murray (violinist) (on 1956-01-10), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-10), Nathan Ross (on 1956-01-10), Mischa Russell (violinist) (on 1956-01-10), Paul Shure (on 1956-01-10) and Felix Slatkin (on 1956-01-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-10)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-10)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-10)
cover recording of:
Pennies From Heaven (on 1956-01-10)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
2:44
8Love Is Here to Stay
producer:
Voyle Gilmore
bass:
Joe Comfort (on 1955-10-17)
bass trombone:
George Roberts (american bass trombone) (on 1955-10-17)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1955-10-17), Ray Kramer (on 1955-10-17) and Eleanor Slatkin (US cellist, b. Aller) (on 1955-10-17)
drums (drum set):
Irv Cottler (on 1955-10-17)
guitar:
George van Eps (on 1955-10-17)
harp:
Kathryn Julye (on 1955-10-17)
percussion:
Frank Flynn (on 1955-10-17)
piano:
William (Bill) Miller (pianist) (on 1955-10-17)
reeds:
Mahlon Clark (on 1955-10-17), Justin Gordon (on 1955-10-17), Robert Lawson (on 1955-10-17), Wilbur Schwartz (on 1955-10-17) and Warren Webbe (on 1955-10-17)
trombone:
Jim Priddy (on 1955-10-17), Dick Noel (trombone) (on 1955-10-17) and Paul Tanner (on 1955-10-17)
trumpet:
Harry “Sweets” Edison (on 1955-10-17), John Best (jazz trumpeter) (on 1955-10-17), Shorty Sherock (on 1955-10-17) and Zeke Zarchy (on 1955-10-17)
viola:
Maxine Johnson (on 1955-10-17), Paul Robyn (on 1955-10-17) and Dave Sterkin (on 1955-10-17)
violin:
Victor Bay (on 1955-10-17), Alex Beller (on 1955-10-17), Sam Cytron (on 1955-10-17), Robert E. Gross (on 1955-10-17), Henry Hill (Violin player) (on 1955-10-17), Dan Lube (on 1955-10-17), Alex Murray (violinist) (on 1955-10-17), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1955-10-17), Erno Neufeld (on 1955-10-17) and Mischa Russell (violinist) (on 1955-10-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-10-17)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1955-10-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-10-17)
cover recording of:
Love Is Here to Stay (on 1955-10-17)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
2:42
9I’ve Got You Under My Skin
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
baritone saxophone:
Morton Friedman (on 1956-01-12)
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-12)
drums (drum set):
Irving Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
piano:
Bill Miller (pianist) (on 1956-01-12)
tenor saxophone:
Justin Gordon (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jimmy Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-12)
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (on 1956-01-12)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
33:43
10I Thought About You
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-09) and Wilbur Schwartz (on 1956-01-09)
baritone saxophone:
Mort Friedman (on 1956-01-09)
bass:
Joe Comfort (on 1956-01-09)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-09)
cello:
Cy Bernard (on 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-09) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-09)
drums (drum set):
Frank Flynn (on 1956-01-09) and Alvin Stoller (on 1956-01-09)
guitar:
George van Eps (on 1956-01-09)
harp:
Kathryn Julye (on 1956-01-09)
piano:
Bill Miller (pianist) (on 1956-01-09)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-01-09) and Irving “Babe” Russin (on 1956-01-09)
trombone:
Milt Bernhart (on 1956-01-09), Francis Howard (trombone) (on 1956-01-09) and Juan Tizol (on 1956-01-09)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo (on 1956-01-09), Manny Klein (on 1956-01-09) and Mickey Mangano (on 1956-01-09)
viola:
Alvin Dinkin (on 1956-01-09), Maxine Johnson (on 1956-01-09) and Milton Thomas (violist) (on 1956-01-09)
violin:
Victor Bay (on 1956-01-09), Alex Beller (on 1956-01-09), Harry Bluestone (on 1956-01-09), Harold Dicterow (on 1956-01-09), David Frisina (on 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-09), Mischa Russell (violinist) (on 1956-01-09), Paul Shure (on 1956-01-09), Felix Slatkin (on 1956-01-09) and Marshall Sosson (on 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-09)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-09)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-01-09)
cover recording of:
I Thought About You (on 1956-01-09)
lyricist:
Johnny Mercer
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
2:30
11We’ll Be Together Again
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-16) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
cover recording of:
We’ll Be Together Again (on 1956-01-16)
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:26
12Makin’ Whoopee
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-16) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
recording of:
Makin’ Whoopee! (on 1956-01-16)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
43:06
13Swingin’ Down the Lane
producer:
Voyle Gilmore
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-12)
drums (drum set):
Irv Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
instruments:
William (Bill) Miller (pianist) (on 1956-01-12)
reeds:
Mort Friedman (on 1956-01-12), Justin Gordon (on 1956-01-12), Harry Klee (on 1956-01-12), Wilbur Schwartz (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jim Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Mickey Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
Swingin’ Down the Lane (on 1956-01-12)
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
CBS Feist Catalog, Inc., Warner Bros., Inc. (not for release label use!) and Leo Feist, Inc. (on 1923-02-26)
recording of:
Swingin’ Down the Lane
lyricist:
Gus Kahn
composer:
Isham Jones
publisher:
CBS Feist Catalog, Inc., Warner Bros., Inc. (not for release label use!) and Leo Feist, Inc. (on 1923-02-26)
2:54
14Anything Goes
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-16) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
cover recording of:
Anything Goes (on 1956-01-16)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
42:43
15How About You?
producer:
Voyle Gilmore
bass:
Joe Comfort (on 1956-01-10)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-10)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-10), Edgar Lustgarten (on 1956-01-10) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-10)
drums (drum set):
Alvin Stoller (on 1956-01-10)
guitar:
George van Eps (on 1956-01-10)
harp:
Kathryn Julye (on 1956-01-10)
piano:
William (Bill) Miller (pianist) (on 1956-01-10)
reeds:
Justin Gordon (on 1956-01-10), Harry Klee (on 1956-01-10), Morton Friedman (on 1956-01-10), Wilbur Schwartz (on 1956-01-10) and James Williamson (Saxophone player) (on 1956-01-10)
trombone:
Milt Bernhart (on 1956-01-10), Jim Priddy (on 1956-01-10) and Juan Tizol (on 1956-01-10)
trumpet:
Harry “Sweets” Edison (on 1956-01-10), Conrad Gozzo (on 1956-01-10), Mickey Mangano (on 1956-01-10) and Zeke Zarchy (on 1956-01-10)
viola:
Alvin Dinkin (on 1956-01-10), Dave Sterkin (on 1956-01-10) and Milton Thomas (violist) (on 1956-01-10)
violin:
Victor Bay (on 1956-01-10), Alex Beller (on 1956-01-10), Harold Dicterow (on 1956-01-10), David Frisina (on 1956-01-10), Alex Murray (violinist) (on 1956-01-10), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-10), Nathan Ross (on 1956-01-10), Mischa Russell (violinist) (on 1956-01-10), Paul Shure (on 1956-01-10) and Felix Slatkin (on 1956-01-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-10)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-10)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-01-10)
cover recording of:
How About You? (on 1956-01-10)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
2:45
16Half as Lovely (Twice as True)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-05-13)
orchestra:
The Nelson Riddle Orchestra (on 1954-05-13)
conductor:
Nelson Riddle (on 1954-05-13)
recording of:
Half as Lovely (Twice as True) (on 1954-05-13)
lyricist:
Sammy Gallop
composer:
Lew Spence
3:09
17You, My Love
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-09-23)
orchestra:
The Nelson Riddle Orchestra (on 1954-09-23)
conductor:
Nelson Riddle (on 1954-09-23)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-09-23)
recording of:
You, My Love (on 1954-09-23)
lyricist:
Mack Gordon
composer:
Jimmy Van Heusen
2:56
18I Could Have Told You
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-12-09)
orchestra:
The Nelson Riddle Orchestra (on 1953-12-09)
conductor:
Nelson Riddle (on 1953-12-09)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-12-09)
recording of:
I Could Have Told You (on 1953-12-09)
lyricist:
Carl Sigman
composer:
Jimmy Van Heusen
publisher:
Boca Music, Inc., Major Songs and Music Sales Corporation (American copyright holder in both popular and classical music)
3:18
19When I Stop Loving You
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-08-23)
orchestra:
The Nelson Riddle Orchestra (on 1954-08-23)
conductor:
Nelson Riddle (on 1954-08-23)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-08-23)
recording of:
When I Stop Loving You (on 1954-08-23)
writer:
George Cates, Alan Copeland and Mort Greene
2:56
20Love and Marriage
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-08-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-08-15)
conductor:
Nelson Riddle (on 1955-08-15)
arranger:
Nelson Riddle
recording of:
Love and Marriage (on 1955-08-15)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and WB Music Corp. (1929–2019)
3.652:41
21Learning the Blues
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-03-23)
reeds:
Plas Johnson (on 1955-03-23)
trumpet:
Harry “Sweets” Edison (on 1955-03-23)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-23)
orchestra:
The Nelson Riddle Orchestra (on 1955-03-23)
conductor:
Nelson Riddle (on 1955-03-23)
arranger:
Nelson Riddle
recording of:
Learnin’ the Blues (on 1955-03-23)
lyricist and composer:
Dolores Vicki Silvers
publisher:
Barton Music Corp.
23:04
22(Love Is) The Tender Trap
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-09-13)
reeds:
Plas Johnson (on 1955-09-13)
trumpet:
Harry “Sweets” Edison (on 1955-09-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-09-13)
orchestra:
The Nelson Riddle Orchestra (on 1955-09-13)
conductor:
Nelson Riddle (on 1955-09-13)
arranger:
Nelson Riddle
recording of:
(Love Is) The Tender Trap (on 1955-09-13)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and Maraville Music Corp.
part of:
The 28th Academy Award for Best Original Song (number: 2)
23:00
23You Forgot All the Words (While I Still Remember the Tune)
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
Ennio Bolognini (Argentine-American cellist and composer), Ray Kramer and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Irv Cottler
guitar:
George van Eps
harp:
Kathryn Julye
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Robert Lawson, Wilbur Schwartz and Champ Webb
trombone:
Dick Noel (trombone), Jimmy Priddy and Paul Tanner
trumpet:
Johnny Best (jazz trumpeter), Harry “Sweets” Edison, Shorty Sherock and Rubin "Zeke" Zarchy
viola:
Maxine Johnson, Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Sam Cytron, Robert E. Gross, Henry Hill (Violin player), Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Erno Neufeld and Mischa Russell (violinist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-10-17)
orchestra:
The Nelson Riddle Orchestra (on 1955-10-17)
conductor:
Gordon Jenkins (on 1955-10-17) and Nelson Riddle (on 1955-10-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-10-17)
recording of:
You Forgot All the Words (While I Still Remember the Tune) (on 1955-07-29)
writer:
E.H. Jay and Bernie Wayne
publisher:
Midwood Music Corp.
3:24
24Look to Your Heart
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-08-15)
orchestra:
The Nelson Riddle Orchestra (on 1955-08-15)
conductor:
Nelson Riddle (on 1955-08-15)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-08-15)
recording of:
Look to Your Heart (on 1955-08-15)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
3:10
25Not as a Stranger
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-04)
orchestra:
The Nelson Riddle Orchestra (on 1955-03-04)
conductor:
Nelson Riddle (on 1955-03-04)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-03-04)
recording of:
Not as a Stranger (on 1955-03-04)
lyricist:
Buddy Kaye
composer:
Jimmy Van Heusen
12:47
4CD: Close to You
#TitleRatingLength
1Close to You
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-11-01)
clarinet:
Mahlon Clark
double bass:
Ed Gilbert
drums (drum set):
Frank Flynn
flute:
James Williamson (Saxophone player)
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-11-01)
viola:
Alvin Dinkin (on 1956-11-01)
violin:
Marvin Limonick, Paul Shure (on 1956-11-01) and Felix Slatkin (on 1956-11-01)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-01)
conductor:
Nelson Riddle (on 1956-11-01)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-01)
recording of:
Close to You (on 1956-11-01)
writer:
Al Hoffman, Carl Lampl and Jerry Livingston (songwriter)
publisher:
Barton Music Corp., Casa David and Feadbach Music (on 1970-10-29)
13:37
2P.S. I Love You
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-03-08)
clarinet:
Mahlon Clark
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
flute:
Harry Klee
French horn:
Vincent DeRosa
guitar:
George van Eps
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-03-08)
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin (on 1956-03-08)
violin:
Israel Baker (American violinist), Paul Shure (on 1956-03-08) and Felix Slatkin (on 1956-03-08)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-03-08)
conductor:
Nelson Riddle (on 1956-03-08)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-03-08)
cover recording of:
P.S. I Love You (on 1956-03-08)
lyricist:
Johnny Mercer
composer:
Gordon Jenkins
publisher:
La Salle Music Publishers, Inc., Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), The Jenkins Family Partnership, The Johnny Mercer Foundation and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
part of:
The Real Book (compilation of jazz standards, volume I)
14:21
3Love Locked Out
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-03-08)
clarinet:
Mahlon Clark
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
flute:
Harry Klee
French horn:
Vincent DeRosa
guitar:
George van Eps
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-03-08)
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin (on 1956-03-08)
violin:
Israel Baker (American violinist), Paul Shure (on 1956-03-08) and Felix Slatkin (on 1956-03-08)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-03-08)
conductor:
Nelson Riddle (on 1956-03-08)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-03-08)
cover recording of:
Love Locked Out (on 1956-03-08)
lyricist:
Max Kester
composer:
Ray Noble
2:41
4Everything Happens to Me
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-04-04)
clarinet:
Mitchell Lurie (clarinetist)
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
flute:
Harry Klee
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-04)
oboe:
Champ Webb
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin (on 1956-04-04)
violin:
Paul Shure (on 1956-04-04) and Felix Slatkin (on 1956-04-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-04)
conductor:
Nelson Riddle (on 1956-04-04)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-04)
cover recording of:
Everything Happens to Me (on 1956-04-04)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
13:20
5It’s Easy to Remember (And So Hard to Forget)
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-11-01)
clarinet:
Mahlon Clark
double bass:
Ed Gilbert
drums (drum set):
Frank Flynn
flute:
James Williamson (Saxophone player)
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-11-01)
viola:
Alvin Dinkin (on 1956-11-01)
violin:
Marvin Limonick, Paul Shure (on 1956-11-01) and Felix Slatkin (on 1956-11-01)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-01)
conductor:
Nelson Riddle (on 1956-11-01)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-01)
cover recording of:
It’s Easy to Remember (and So Hard to Forget) (on 1956-11-01)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:34
6Don’t Like Goodbyes
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-03-08)
clarinet:
Mahlon Clark
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
flute:
Harry Klee
French horn:
Vincent DeRosa
guitar:
George van Eps
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-03-08)
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin (on 1956-03-08)
violin:
Israel Baker (American violinist), Paul Shure (on 1956-03-08) and Felix Slatkin (on 1956-03-08)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-03-08)
conductor:
Nelson Riddle (on 1956-03-08)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-03-08)
cover recording of:
Don’t Like Goodbyes (House of Flowers) (on 1956-03-08)
lyricist:
Truman Capote
composer:
Harold Arlen
publisher:
Harwin Music Corporation
part of:
House of Flowers
4:51
7With Every Breath I Take
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Gerald Vinci (American violinist and strings conductor) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-04-05)
double bass:
Sam Cheifetz (jazz bassist)
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-05)
oboe:
Champ Webb
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin (on 1956-04-05)
violin:
Paul Shure (on 1956-04-05) and Felix Slatkin (on 1956-04-05)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-05)
conductor:
Nelson Riddle (on 1956-04-05)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-05)
cover recording of:
With Every Breath I Take (writers Robin/Rainger) (on 1956-04-05)
writer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
recording of:
With Every Breath I Take (writers Robin/Rainger)
writer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
13:38
8Blame It on My Youth
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-04-04)
clarinet:
Mitchell Lurie (clarinetist)
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
flute:
Harry Klee
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-04)
oboe:
Champ Webb
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin (on 1956-04-04)
violin:
Paul Shure (on 1956-04-04) and Felix Slatkin (on 1956-04-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-04)
conductor:
Nelson Riddle (on 1956-04-04)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-04)
cover recording of:
Blame It on My Youth (on 1956-04-04)
lyricist:
Edward Heyman
composer:
Oscar Levant
publisher:
Oscar Levant Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:58
9It Could Happen to You
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Gerald Vinci (American violinist and strings conductor) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-04-05)
double bass:
Sam Cheifetz (jazz bassist)
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-05)
oboe:
Champ Webb
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin (on 1956-04-05)
violin:
Paul Shure (on 1956-04-05) and Felix Slatkin (on 1956-04-05)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-05)
conductor:
Nelson Riddle (on 1956-04-05)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-05)
cover recording of:
It Could Happen to You (on 1956-04-05)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:13
10I’ve Had My Moments
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-04-04)
clarinet:
Mitchell Lurie (clarinetist)
double bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Irv Cottler
flute:
Harry Klee
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-04)
oboe:
Champ Webb
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin (on 1956-04-04)
violin:
Paul Shure (on 1956-04-04) and Felix Slatkin (on 1956-04-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-04)
conductor:
Nelson Riddle (on 1956-04-04)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-04)
cover recording of:
I’ve Had My Moments (on 1956-04-04)
lyricist:
Gus Kahn
composer:
Walter Donaldson
3:47
11I Couldn’t Sleep a Wink Last Night
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller) (on 1956-11-01)
clarinet:
Mahlon Clark
double bass:
Ed Gilbert
drums (drum set):
Frank Flynn
flute:
James Williamson (Saxophone player)
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-11-01)
viola:
Alvin Dinkin (on 1956-11-01)
violin:
Marvin Limonick, Paul Shure (on 1956-11-01) and Felix Slatkin (on 1956-11-01)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-11-01)
conductor:
Nelson Riddle (on 1956-11-01)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-11-01)
recording of:
I Couldn’t Sleep a Wink Last Night (on 1956-11-01)
lyricist:
Harold Adamson
composer:
Jimmy McHugh (songwriter)
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Higher and Higher (1944 film)
33:25
12The End of a Love Affair
producer:
Voyle Gilmore
celesta and piano:
Bill Miller (pianist)
cello:
Gerald Vinci (American violinist and strings conductor) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-04-05)
double bass:
Sam Cheifetz (jazz bassist)
drums (drum set):
Alvin Stoller
French horn:
Vincent DeRosa
guitar:
Bob Bain (guitarist)
harp:
Kathryn Julye
instruments:
The Hollywood String Quartet (on 1956-04-05)
oboe:
Champ Webb
trumpet:
Harry “Sweets” Edison
viola:
Alvin Dinkin (on 1956-04-05)
violin:
Paul Shure (on 1956-04-05) and Felix Slatkin (on 1956-04-05)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-05)
conductor:
Nelson Riddle (on 1956-04-05)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1956-04-05)
cover recording of:
The End of a Love Affair (on 1956-04-05)
lyricist and composer:
Edward Redding
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
4:11
13Our Town
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-08-15)
orchestra:
The Nelson Riddle Orchestra (on 1955-08-15)
conductor:
Nelson Riddle (on 1955-08-15)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-08-15)
recording of:
Our Town (on 1955-08-15)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp.
3:16
14Same Old Saturday Night
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-07-29)
orchestra:
The Nelson Riddle Orchestra (on 1955-07-29)
conductor:
Nelson Riddle (on 1955-07-29)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-07-29)
recording of:
Same Old Saturday Night (on 1955-07-29)
lyricist:
Sammy Cahn
composer:
Frank Reardon
2:31
15Fairy Tale
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-07-29)
orchestra:
The Nelson Riddle Orchestra (on 1955-07-29)
conductor:
Nelson Riddle (on 1955-07-29)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-07-29)
recording of:
Fairy Tale (on 1955-07-29)
lyricist and composer:
Jay Livingston and Dok Stanford
2:59
16The Impatient Years
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-08-15)
orchestra:
The Nelson Riddle Orchestra (on 1955-08-15)
conductor:
Nelson Riddle (on 1955-08-15)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (from 1953-05 until 1955-08)
recording of:
The Impatient Years (on 1955-08-15)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
3:14
17If I Had Three Wishes
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-07)
orchestra:
The Nelson Riddle Orchestra (on 1955-03-07)
conductor:
Nelson Riddle (on 1955-03-07)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-03-07)
recording of:
If I Had Three Wishes (on 1955-03-07)
lyricist:
Claude Baum
composer:
Lew Spence
2:56
18I’m Gonna Live ’til I Die
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-12-13)
orchestra:
Ray Anthony and His Orchestra (on 1954-12-13)
conductor:
Ray Anthony (on 1954-12-13)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-12-13)
recording of:
I’m Gonna Live Till I Die (on 1954-12-13)
writer:
Mann Curtis, Al Hoffman and Walter Kent
51:54
19(How Little It Matters) How Little We Know
reeds:
Plas Johnson (on 1956-04-05)
trumpet:
Harry “Sweets” Edison (on 1956-04-05)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-05)
orchestra:
The Nelson Riddle Orchestra (on 1956-04-05)
conductor:
Nelson Riddle (on 1956-04-05)
arranger:
Nelson Riddle
recording of:
(How Little It Matters) How Little We Know (on 1956-04-05)
lyricist:
Carolyn Leigh
composer:
Philip Springer
publisher:
Carwin Music, Inc. and Tamir Music
2:39
20Wait for Me
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-05)
orchestra:
The Nelson Riddle Orchestra (on 1956-04-05)
conductor:
Nelson Riddle (on 1956-04-05)
arranger:
Nelson Riddle
recording of:
Johnny Concho’s Theme (Wait for Me) (on 1956-04-05)
lyricist:
Dok Stanford
composer:
Nelson Riddle
2:54
21Hey! Jealous Lover
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-04-09)
orchestra:
The Nelson Riddle Orchestra (on 1956-04-09)
conductor:
Nelson Riddle (on 1956-04-09)
arranger:
Nelson Riddle
recording of:
Hey! Jealous Lover (on 1956-04-09)
lyricist:
Sammy Cahn
writer:
Kay Twomey
composer:
Bee Walker
publisher:
Barton Music Corp. and Cahn Music Company
2:24
22You’re Cheatin’ Yourself (If You’re Cheatin’ on Me)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-05-20)
orchestra:
The Nelson Riddle Orchestra (on 1957-05-20)
conductor:
Nelson Riddle (on 1957-05-20)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1953-04)
recording of:
You're Cheatin' Yourself (If You're Cheatin' on Me) (on 1957-05-20)
lyricist:
Dick Manning (American songwriter)
composer:
Al Hoffman
2:38
5CD: A Swingin’ Affair!
6CD: Where Are You?
7CD: A Jolly Christmas From Frank Sinatra
8CD: Come Fly With Me
9CD: Frank Sinatra Sings for Only the Lonely
10CD: Come Dance With Me!
11CD: Nice ’n’ Easy
12CD: Come Swing With Me