The Capitol Years 1953-62

~ Release by Frank Sinatra (see all versions of this release, 1 available)

Annotation

Basically a compressed version of The Capitol Years squashed onto 12 discs. It is missing disc 21 "the rare stuff" but instead has an added Xmas disc A Jolly Christmas from Sinatra not found in the other set.

Annotation last modified on 2024-03-06 12:04 UTC.

Tracklist

1CD: Songs for Young Lovers
#TitleRatingLength
1The Girl Next Door
producer:
Voyle Gilmore
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-06)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-06)
conductor:
Nelson Riddle (on 1953-11-06)
arranger:
George Siravo
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-06)
cover recording of:
The Boy Next Door (from “Meet Me in St. Louis”) (on 1953-11-06)
writer:
Ralph Blane and Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
2:38
2They Can’t Take That Away From Me
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-05)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-05)
conductor:
Nelson Riddle (on 1953-11-05)
arranger:
George Siravo
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-05)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1953-11-05)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3.651:58
3Violets for Your Furs
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-05)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-05)
conductor:
Nelson Riddle (on 1953-11-05)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (in 1953-11)
recording of:
Violets for Your Furs (on 1953-11-05)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:05
4Someone to Watch Over Me
producer:
Voyle Gilmore
bass trombone:
George Roberts (american bass trombone)
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
French horn:
John Cave (french horn) and Vincent DeRosa
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, John Hacker, Jules Kinsler, Harry Klee and Champ Webb
trombone:
Milt Bernhart
viola:
Cy Bernard, Stanley Harris (US big band viola player), Maxine Johnson and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, Mischa Russell (violinist), Eudice Shapiro (Violinist), Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
June Hutton, The Pied Pipers (American vocal group, active 1930s-50s) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-09-23)
orchestra:
The Nelson Riddle Orchestra (on 1954-09-23)
conductor:
Nelson Riddle (on 1954-09-23)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-09-23)
recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1954-09-23)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
12:56
5My One and Only Love
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-05-02)
orchestra:
The Nelson Riddle Orchestra (on 1953-05-02)
conductor:
Nelson Riddle (on 1953-05-02)
arranger:
Nelson Riddle
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (ended)
recording of:
My One and Only Love (on 1953-05-02)
lyricist:
Robert Mellin
composer:
Robert Mellin and Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. and ミュージカル・ライツ・東京 (Musical Lights Tokyo)
version of:
Music from Beyond the Moon (My One and Only Love)
3:11
6Little Girl Blue
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-05)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-06)
conductor:
Nelson Riddle (on 1953-11-06)
arranger:
Nelson Riddle
recording of:
Little Girl Blue (on 1953-11-06)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
2:54
7Like Someone in Love
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-06)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-06)
conductor:
Nelson Riddle (on 1953-11-06)
arranger:
Nelson Riddle
cover recording of:
Like Someone in Love (on 1953-11-06)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:10
8A Foggy Day
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-05)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-05)
conductor:
Nelson Riddle (on 1953-11-05)
arranger:
George Siravo
cover recording of:
A Foggy Day (in London Town) (on 1953-11-05)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
2:39
9It Worries Me
producer:
Voyle Gilmore
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Arthur Kafton and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Bobby Gibbons
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, Chuck Gentry, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other) and Champ Webb
trombone:
Dick Noel (trombone) and Pullman “Tommy” Pederson
trumpet:
Harry “Sweets” Edison, Conrad Gozzo and Rubin "Zeke" Zarchy
viola:
Maxine Johnson and Paul Robyn
violin:
Victor Bay, Harry Bluestone, Walter Edelstein, George Kast, Nicholas Pisani, Mischa Russell (violinist), Eudice Shapiro (Violinist), Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-05-13)
orchestra:
The Nelson Riddle Orchestra (on 1954-05-13)
conductor:
Nelson Riddle (on 1954-05-13)
arranger:
Nelson Riddle
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (ended) and KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-05-13)
recording of:
It Worries Me (on 1954-05-13)
lyricist:
Ernst Verch
composer:
Fritz Schulz-Reichel
translator:
Carl Sigman
translated version of:
Denk’ an mich
2:52
10I Can Read Between the Lines
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-05-02)
orchestra:
The Nelson Riddle Orchestra (on 1953-05-02)
conductor:
Nelson Riddle (on 1953-05-02)
arranger:
Nelson Riddle
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (ended)
recording of:
I Can Read Between the Lines (on 1953-05-02)
writer:
Sid Frank and Ramon Getzov
2:47
11I Get a Kick Out of You
producer:
Voyle Gilmore
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-06)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-06)
conductor:
Nelson Riddle (on 1953-11-06)
arranger:
George Siravo
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-06)
cover recording of:
I Get a Kick Out of You (on 1953-11-06)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
32:55
12My Funny Valentine
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-05)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-05)
conductor:
Nelson Riddle (on 1953-11-05)
arranger:
George Siravo
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-05)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1953-11-05)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
22:31
13Jeepers Creepers
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Abe Most
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Eddie Miller (US jazz saxophonist)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Bob Bain (guitarist)
tenor saxophone:
Irving “Babe” Russin
trombone:
Pullman “Tommy” Pederson and Ray Sims
trumpet:
Harry “Sweets” Edison (on 1954-04-19)
vibraphone:
Frank Flynn
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-04-19)
orchestra:
The Nelson Riddle Orchestra (on 1954-04-19)
conductor:
Nelson Riddle (on 1954-04-19)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-04-19)
cover recording of:
Jeepers Creepers (on 1954-04-19)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting (composer)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
2:22
14Taking a Chance on Love2:13
15Wrap Your Troubles in Dreams2:14
16Lean Baby
recorded in:
Los Angeles, California, United States (on 1953-04-02)
producer:
Voyle Gilmore
cello:
Cy Bernard (on 1953-04-02)
double bass:
Phil Stephens (bass and tuba player) (on 1953-04-02)
drums (drum set):
Ray Hagan (on 1953-04-02)
French horn:
Vincent DeRosa (on 1953-04-02)
guitar:
George van Eps (on 1953-04-02)
harp:
Ann Mason Stockton (American harpist) (on 1953-04-02)
piano:
Bill Miller (pianist) (on 1953-04-02)
reeds:
Leonard Hartman (on 1953-04-02), Heine Beau (on 1953-04-02), Skeets Herfurt (on 1953-04-02) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-04-02)
trumpet:
Rubin "Zeke" Zarchy (on 1953-04-02)
viola:
Paul Robyn (on 1953-04-02) and Dave Sterkin (on 1953-04-02)
violin:
Harry Bluestone (on 1953-04-02), Murray Kellner (on 1953-04-02), Alex Murray (violinist) (on 1953-04-02), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1953-04-02), Irving Prager (on 1953-04-02) and Mischa Russell (violinist) (on 1953-04-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-04-02)
orchestra:
Axel Stordahl and His Orchestra (on 1953-04-02) and The Nelson Riddle Orchestra (on 1953-04-02)
conductor:
Axel Stordahl (on 1953-04-02)
arranger:
Heine Beau (on 1953-04-02)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1953-04)
recording of:
Lean Baby (on 1953-04-02)
lyricist:
Roy Alfred (Tin Pan Alley lyricist and composer)
composer:
Billy May
2:33
17I Love You
producer:
Voyle Gilmore
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Jack Dumont, Skeets Herfurt, Joe Koch, Ted Nash (40s-80s US swing reedman, uncle of the other) and Ted Romersa
trombone:
Milt Bernhart, Joe Howard (american trombone player), Jimmy Priddy and Si Zentner
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Rubin "Zeke" Zarchy
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-04-30)
orchestra:
The Nelson Riddle Orchestra (on 1953-04-30)
conductor:
Nelson Riddle (on 1953-04-30)
arranger:
Nelson Riddle
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (on 1953-04-30) and KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-04-30)
recording of:
I Love You (on 1953-04-30)
lyricist:
Harlan Thompson
writer and composer:
Harry Archer and Harlan Thompson
publisher:
Chappell & Co., Inc. (USA) and SBK Feist Catalog, Inc.
2.52:28
18I’m Gonna Sit Right Down (And Write Myself a Letter)
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-04-07)
orchestra:
The Nelson Riddle Orchestra (on 1954-04-07)
conductor:
Nelson Riddle (on 1954-04-07)
arranger:
Nelson Riddle
cover recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (on 1954-04-07)
lyricist:
Joe Young (US lyricist)
composer:
Fred Ahlert and Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) and Rytvoc, Inc. (ASCAP)
2:27
19Get Happy
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Abe Most
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Eddie Miller (US jazz saxophonist)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Bob Bain (guitarist)
tenor saxophone:
Irving “Babe” Russin
trombone:
Pullman “Tommy” Pederson and Ray Sims
trumpet:
Harry “Sweets” Edison (on 1954-04-19)
vibraphone:
Frank Flynn
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-04-19)
orchestra:
The Nelson Riddle Orchestra (on 1954-04-19)
conductor:
Nelson Riddle (on 1954-04-19)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-04-19)
cover recording of:
Get Happy (on 1954-04-19)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
2:25
20All of Me
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Abe Most
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Eddie Miller (US jazz saxophonist)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Bob Bain (guitarist)
tenor saxophone:
Irving “Babe” Russin
trombone:
Pullman “Tommy” Pederson and Ray Sims
trumpet:
Harry “Sweets” Edison (on 1954-04-19)
vibraphone:
Frank Flynn
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-04-19)
orchestra:
The Nelson Riddle Orchestra (on 1954-04-19)
conductor:
Nelson Riddle (on 1954-04-19)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-04-19)
recording of:
All of Me (on 1954-04-19)
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
2:07
21How Could You Do a Thing Like That to Me
producer:
Voyle Gilmore
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer)
marimba:
Max Albright
piano:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) and Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Skeets Herfurt, Plas Johnson, Irving “Babe” Russin and Wilbur Schwartz
trombone:
Walter Benson, Ed Kusby, Dick Noel (trombone) and Pullman “Tommy” Pederson
trumpet:
Harry “Sweets” Edison, Conrad Gozzo, Manny Klein and Vito N. Mangano
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-03-07)
orchestra:
The Nelson Riddle Orchestra (on 1955-03-07)
conductor:
Nelson Riddle (on 1955-03-07)
arranger:
Nelson Riddle and Billy May (on 1955-03-07)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1953-04)
recording of:
How Could You Do a Thing Like That to Me (a.k.a. Sultry Serenade) (on 1955-03-07)
writer:
Allan Roberts (songwriter) and Tyree Glenn
12:45
22Why Should I Cry Over You?
producer:
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-12-08)
orchestra:
The Nelson Riddle Orchestra (on 1953-12-08)
conductor:
Nelson Riddle (on 1953-12-08)
arranger:
Nelson Riddle
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (on 1953-12-08)
recording of:
Why Should I Cry Over You (on 1953-12-08)
writer:
Chester Conn and Ned Miller (Nathan "Ned" Miller)
2:42
23Sunday
producer:
Voyle Gilmore
alto saxophone:
Mahlon Clark and Skeets Herfurt
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Eddie Miller (US jazz saxophonist)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Allan Reuss
tenor saxophone:
Irving “Babe” Russin
trombone:
Pullman “Tommy” Pederson and Ray Sims
trumpet:
Harry “Sweets” Edison (on 1954-04-07)
vibraphone:
Frank Flynn
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-04-07)
orchestra:
The Nelson Riddle Orchestra (on 1954-04-07)
conductor:
Nelson Riddle (on 1954-04-07)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-04-07)
cover recording of:
Sunday (famously sung by Frank Sinatra & others) (on 1954-04-07)
writer:
Chester Conn (until 1926), Benny Krueger (jazz saxophonist) (until 1926), Ned Miller (Nathan "Ned" Miller) (until 1926) and Jule Styne (until 1926)
publisher:
EMI United Partnership Ltd. and Leo Feist, Inc.
2:30
24Just One of Those Things
producer:
Voyle Gilmore
alto saxophone:
Mahlon Clark and Skeets Herfurt
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Eddie Miller (US jazz saxophonist)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Allan Reuss
tenor saxophone:
Irving “Babe” Russin
trombone:
Pullman “Tommy” Pederson and Ray Sims
trumpet:
Harry “Sweets” Edison (on 1954-04-07)
vibraphone:
Frank Flynn
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1954-04-07)
orchestra:
The Nelson Riddle Orchestra (on 1954-04-07)
conductor:
Nelson Riddle (on 1954-04-07)
arranger:
Nelson Riddle (on 1954-04-07)
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1954-04-07)
cover recording of:
Just One of Those Things (on 1954-04-07)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:17
2CD: In the Wee Small Hours
3CD: Songs for Swingin’ Lovers!
4CD: Close to You
5CD: A Swingin’ Affair!
6CD: Where Are You?
7CD: A Jolly Christmas From Frank Sinatra
8CD: Come Fly With Me
9CD: Frank Sinatra Sings for Only the Lonely
10CD: Come Dance With Me!
11CD: Nice ’n’ Easy
12CD: Come Swing With Me