Tracklist

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1CD
#TitleArtistRatingLength
1Cantata, BWV 152 "Tritt auf die Glaubensbahn," I. Concerto. Tritt auf die Glaubensbahn
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach3:33
2Cantata, BWV 152 "Tritt auf die Glaubensbahn," II. Aria (bass). Tritt auf die Glaubensbahn
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach3:25
3Cantata, BWV 152 "Tritt auf die Glaubensbahn," III. Recitativo (bass). Der Heiland ist gesetzt
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach2:03
4Cantata, BWV 152 "Tritt auf die Glaubensbahn," IV. Aria (soprano). Stein, der über alle Schätze
treble vocals:
Christoph Wegmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach4:14
5Cantata, BWV 152 "Tritt auf die Glaubensbahn," V. Recitativo (bass). Es ärgre sich die kluge Welt
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Bass) "Es ärgre sich die kluge Welt"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach1:28
6Cantata, BWV 152 "Tritt auf die Glaubensbahn," VI. Duetto (soprano, bass). Wie soll ich dich, Liebster der Seelen, umfassen?
bass vocals:
Thomas Hampson (baritone)
treble vocals:
Christoph Wegmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach4:31
7Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," I. Choral (coro). Schau, lieber Gott, wie meine Feind
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": I. Choral "Schau lieber Gott, wie meine Feind"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
David Denicke
part of:
Breitkopf 389 Choralgesänge (number: 5)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
Johann Sebastian Bach1:02
8Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," II. Recitativo (alto). Mein liebster Gott
alto vocals:
Stefan Rampf
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": II. Recitativo (Alt) "Mein liebster Gott, ach laß dichs doch erbarmen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
Johann Sebastian Bach0:33
9Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," III. Aria (bass). Fürchte dich nicht, ich bin mit dir
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": III. Arioso (Bass) "Fürchte dich nicht, ich bin mit dir"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Jesaja 41, 10 (Biblical personage)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
Johann Sebastian Bach1:40
10Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," IV. Recitativo (tenor). Du sprichst zwar, lieber Gott
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IV. Recitativo (Tenor) "Du sprichst zwar, lieber Gott"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
Johann Sebastian Bach1:33
11Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," V. Choral (coro). Und ob gleich alle Teufel
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": V. Choral "Und ob gleich alle Teufel"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Paul Gerhardt (17th century hymn writer)
part of:
Breitkopf 389 Choralgesänge (number: 160)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
Johann Sebastian Bach1:05
12Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," VI. Aria (tenor). Stürmt nur, stürmt, ihr Trübsalswetter
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VI. Aria (Tenor) "Stürmt nur, stürmt, ihr Trübsalswetter"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
Johann Sebastian Bach2:56
13Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," VII. Recitativo (bass). Getrost! mein Herz, erdulde deinen Schmerz
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VII. Recitativo (Bass) "Getrost! mein Herz"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
Johann Sebastian Bach1:38
14Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," VIII. Aria (alto). Soll ich meinen Lebenslauf
alto vocals:
Stefan Rampf
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VIII. Aria (Alt) "Soll ich meinen Lebenslauf"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
Johann Sebastian Bach2:55
15Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," IX. Choral (coro). Drum will ich, weil ich lebe noch
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IX. Choral "Drum will ich, weil ich lebe noch"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Moller (german poet)
part of:
Breitkopf 389 Choralgesänge (number: 9)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
Johann Sebastian Bach1:44
2CD
#TitleArtistRatingLength
1Cantata, BWV 154 "Mein liebster Jesus ist verloren," I. Aria (tenor). Mein liebster Jesus ist verloren
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": I. Aria (Tenor) "Mein liebster Jesus ist verloren"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach2:58
2Cantata, BWV 154 "Mein liebster Jesus ist verloren," II. Recitativo (tenor). Wo treff ich meinen Jesum an
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": II. Recitativo (Tenor) "Wo treff ich meinen Jesum an"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach0:32
3Cantata, BWV 154 "Mein liebster Jesus ist verloren," III. Choral (coro). Jesu, mein Hort und Erretter
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": III. Choral "Jesu, mein Hort und Erretter"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Jahn (German poet of the 17th century)
part of:
Breitkopf 389 Choralgesänge (number: 365)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach1:04
4Cantata, BWV 154 "Mein liebster Jesus ist verloren," IV. Aria (alto). Jesu, laß dich finden
alto vocals:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": IV. Aria (Alt) "Jesu, laß dich finden"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach3:42
5Cantata, BWV 154 "Mein liebster Jesus ist verloren," V. Arioso (bass). Wisset ihr nicht
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": V. Arioso (Bass) "Wisset ihr nicht, daß ich sein muß"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach1:13
6Cantata, BWV 154 "Mein liebster Jesus ist verloren," VI. Recitativo (tenor). Dies ist die Stimme meines Freundes
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VI. Recitativo (Tenor) "Dies ist die Stimme meines Freundes"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach1:51
7Cantata, BWV 154 "Mein liebster Jesus ist verloren," VII. Aria (Duetto) (alto, tenor). Wohl mir, Jesus ist gefunden
alto vocals:
Paul Esswood (countertenor)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VII. Aria (Duetto Alt, Tenor) "Wohl mir, Jesus ist gefunden"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach3:45
8Cantata, BWV 154 "Mein liebster Jesus ist verloren," VIII. Choral (coro). Meinen Jesum laß ich nicht
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VIII. Choral "Meinen Jesum Laß ich nicht"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Christian Keymann (17th century hymnwriter)
part of:
Breitkopf 389 Choralgesänge (number: 244)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
Johann Sebastian Bach1:02
9Cantata, BWV 155 "Mein Gott, wie lang, ach lange," I. Recitativo (soprano). Mein Gott, wie lang, ach lange?
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": I. Recitativo "Mein Gott, wie lang, ach lange"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach1:59
10Cantata, BWV 155 "Mein Gott, wie lang, ach lange," II. Aria (Duetto) (alto, tenor). Du mußt glauben, du mußt hoffen
alto vocals:
Paul Esswood (countertenor)
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": II. Aria (Duetto Alt, Tenor) "Du mußt glauben, du mußt hoffen"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach5:54
11Cantata, BWV 155 "Mein Gott, wie lang, ach lange," III. Recitativo (bass). So sei, o Seele, sei zufrieden!
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": III. Recitativo (Bass) "So sei, o Seele! sei zufrieden!"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach2:08
12Cantata, BWV 155 "Mein Gott, wie lang, ach lange," IV. Aria (soprano). Wirf, mein Herze, wirf dich noch
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": IV. Aria (Sopran) "Wirf, mein Herze, wirf dich noch"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach2:56
13Cantata, BWV 155 "Mein Gott, wie lang, ach lange," V. Choral (coro). Ob sichs anließ, als wollt er nicht
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": V. Choral "Ob sichs anließ, als wollt er nicht"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Paul Speratus (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 88)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
Johann Sebastian Bach1:17
14Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," I. SinfoniaJohann Sebastian Bach2:47
15Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," II. Aria-Choral (soprano, tenor). Ich steh mit einem Fuß im Grabe
tenor vocals:
Kurt Equiluz (tenor)
treble vocals:
Christoph Wegmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": II. Aria (Tenor) con Choral (Sopran) "Ich steh mit einem Fuß im Grabe"
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Johann Hermann Schein (composer) (in 1628)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach5:25
16Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," III. Recitativo (bass). Mein Angst und Not
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": III. Recitativo (Bass) "Mein Angst und Not"
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach1:25
17Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," IV. Aria (alto). Herr, was du willt, soll mir gefallen
alto vocals:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": IV. Aria (Alt) "Herr, was du willst, soll mir gefallen"
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach4:32
18Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," V. Recitativo (bass). Und willst du, daß ich nicht soll kranken
bass vocals:
Thomas Hampson (baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": V. Recitativo (Bass) "Und willst du, daß ich nicht soll kranken"
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1727)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach0:59
19Cantata, BWV 156 "Ich steh mit einem Fuß im Grabe," VI. Choral (coro). Herr, wie du willt, so schicks mit mir
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": VI. Choral "Herr, wie du willst, so schicks mir mit"
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Kaspar Bienemann (in 1582)
part of:
Breitkopf 389 Choralgesänge (number: 150)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach1:25

Credits

Release

orchestra:Concentus Musicus Wien
conductor:Nikolaus Harnoncourt (conductor)
chorus master:Gerhard Schmidt‐Gaden (conductor)
alto vocals:Paul Esswood (countertenor)
bass vocals:Thomas Hampson (baritone)
choir vocals:Tölzer Knabenchor (Tölz Boys’ Choir)
meane vocals:Stefan Rampf
tenor vocals:Kurt Equiluz (tenor)
treble vocals:Allan Bergius (boy soprano, classical cellist and conductor)
Christopher Wegmann
Discogs:https://www.discogs.com/release/13072598 [info]

Release group

part of:Das Kantatenwerk (number: 37) (order: 16)