Das Kantatenwerk, Volume 37

~ Release by Johann Sebastian Bach; Concentus Musicus Wien, Nikolaus Harnoncourt (see all versions of this release, 1 available)

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	Cantata, BWV 152 "Tritt auf die Glaubensbahn," I. Concerto. Tritt auf die Glaubensbahn orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) recording of: Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia premiered in: Weimar, Thüringen (Thuringia), Germany (on 1714-12-30) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1714) librettist: Salomon Franck part of: Kantate, BWV 152 "Tritt auf die Glaubensbahn"	Johann Sebastian Bach		3:33
2	Cantata, BWV 152 "Tritt auf die Glaubensbahn," II. Aria (bass). Tritt auf die Glaubensbahn bass vocals: Thomas Hampson (baritone) orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) recording of: Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn" premiered in: Weimar, Thüringen (Thuringia), Germany (on 1714-12-30) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1714) librettist: Salomon Franck part of: Kantate, BWV 152 "Tritt auf die Glaubensbahn"	Johann Sebastian Bach		3:25
3	Cantata, BWV 152 "Tritt auf die Glaubensbahn," III. Recitativo (bass). Der Heiland ist gesetzt bass vocals: Thomas Hampson (baritone) orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) recording of: Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt" premiered in: Weimar, Thüringen (Thuringia), Germany (on 1714-12-30) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1714) librettist: Salomon Franck part of: Kantate, BWV 152 "Tritt auf die Glaubensbahn"	Johann Sebastian Bach		2:03
4	Cantata, BWV 152 "Tritt auf die Glaubensbahn," IV. Aria (soprano). Stein, der über alle Schätze treble vocals: Christoph Wegmann orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) recording of: Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze" premiered in: Weimar, Thüringen (Thuringia), Germany (on 1714-12-30) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1714) librettist: Salomon Franck part of: Kantate, BWV 152 "Tritt auf die Glaubensbahn"	Johann Sebastian Bach		4:14
5	Cantata, BWV 152 "Tritt auf die Glaubensbahn," V. Recitativo (bass). Es ärgre sich die kluge Welt bass vocals: Thomas Hampson (baritone) orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) recording of: Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Bass) "Es ärgre sich die kluge Welt" premiered in: Weimar, Thüringen (Thuringia), Germany (on 1714-12-30) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1714) librettist: Salomon Franck part of: Kantate, BWV 152 "Tritt auf die Glaubensbahn"	Johann Sebastian Bach		1:28
6	Cantata, BWV 152 "Tritt auf die Glaubensbahn," VI. Duetto (soprano, bass). Wie soll ich dich, Liebster der Seelen, umfassen? bass vocals: Thomas Hampson (baritone) treble vocals: Christoph Wegmann orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) recording of: Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?" premiered in: Weimar, Thüringen (Thuringia), Germany (on 1714-12-30) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1714) librettist: Salomon Franck part of: Kantate, BWV 152 "Tritt auf die Glaubensbahn"	Johann Sebastian Bach		4:31
7	Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," I. Choral (coro). Schau, lieber Gott, wie meine Feind choir vocals: Tölzer Knabenchor (Tölz Boys’ Choir) orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) chorus master: Gerhard Schmidt‐Gaden (conductor) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": I. Choral "Schau lieber Gott, wie meine Feind" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1724-01-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) librettist: David Denicke part of: Breitkopf 389 Choralgesänge (number: 5) part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach		1:02
8	Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," II. Recitativo (alto). Mein liebster Gott alto vocals: Stefan Rampf orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": II. Recitativo (Alt) "Mein liebster Gott, ach laß dichs doch erbarmen" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1724-01-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach		0:33
9	Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," III. Aria (bass). Fürchte dich nicht, ich bin mit dir bass vocals: Thomas Hampson (baritone) orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": III. Arioso (Bass) "Fürchte dich nicht, ich bin mit dir" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1724-01-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) librettist: Jesaja 41, 10 (Biblical personage) part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach		1:40
10	Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," IV. Recitativo (tenor). Du sprichst zwar, lieber Gott tenor vocals: Kurt Equiluz (tenor) orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IV. Recitativo (Tenor) "Du sprichst zwar, lieber Gott" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1724-01-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach		1:33
11	Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," V. Choral (coro). Und ob gleich alle Teufel choir vocals: Tölzer Knabenchor (Tölz Boys’ Choir) orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) chorus master: Gerhard Schmidt‐Gaden (conductor) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": V. Choral "Und ob gleich alle Teufel" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1724-01-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) librettist: Paul Gerhardt (17th century hymn writer) part of: Breitkopf 389 Choralgesänge (number: 160) part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach		1:05
12	Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," VI. Aria (tenor). Stürmt nur, stürmt, ihr Trübsalswetter tenor vocals: Kurt Equiluz (tenor) orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VI. Aria (Tenor) "Stürmt nur, stürmt, ihr Trübsalswetter" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1724-01-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach		2:56
13	Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," VII. Recitativo (bass). Getrost! mein Herz, erdulde deinen Schmerz bass vocals: Thomas Hampson (baritone) orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VII. Recitativo (Bass) "Getrost! mein Herz" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1724-01-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach		1:38
14	Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," VIII. Aria (alto). Soll ich meinen Lebenslauf alto vocals: Stefan Rampf orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VIII. Aria (Alt) "Soll ich meinen Lebenslauf" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1724-01-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) librettist: [anonymous] (special purpose artist) part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach		2:55
15	Cantata, BWV 153 "Schau, lieber Gott, wie meine Feind," IX. Choral (coro). Drum will ich, weil ich lebe noch choir vocals: Tölzer Knabenchor (Tölz Boys’ Choir) orchestra: Concentus Musicus Wien conductor: Nikolaus Harnoncourt (conductor) chorus master: Gerhard Schmidt‐Gaden (conductor) recording of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IX. Choral "Drum will ich, weil ich lebe noch" premiered in: Leipzig, Sachsen (Saxony), Germany (on 1724-01-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1724) librettist: Martin Moller (german poet) part of: Breitkopf 389 Choralgesänge (number: 9) part of: Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"	Johann Sebastian Bach		1:44

2▶CD

Credits

Release

orchestra:	Concentus Musicus Wien
conductor:	Nikolaus Harnoncourt (conductor)
chorus master:	Gerhard Schmidt‐Gaden (conductor)
alto vocals:	Paul Esswood (countertenor)
bass vocals:	Thomas Hampson (baritone)
choir vocals:	Tölzer Knabenchor (Tölz Boys’ Choir)
meane vocals:	Stefan Rampf
tenor vocals:	Kurt Equiluz (tenor)
treble vocals:	Allan Bergius (boy soprano, classical cellist and conductor) Christopher Wegmann

Discogs:	https://www.discogs.com/release/13072598 [info]

Release group

part of:	Das Kantatenwerk (number: 37) (order: 16)