The Best Rock ’n’ Roll Lovesongs in the World… Ever!

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Livin’ Doll
producer:
Norrie Paramor
vocals:
Cliff Richard
performer:
The Drifters (London group, pre-Shadows)
recording of:
Living Doll
lyricist and composer:
Lionel Bart
publisher:
J. Albert & Son Pty. Ltd.
Cliff Richard2:37
2Heartbeat
producer:
Norman Petty
bass:
George Atwood (from 1958-05-25 until 1958-05-26)
drums (drum set):
Jerry Allison (from 1958-05-25 until 1958-05-26)
guitar:
Tommy Allsup (from 1958-05-25 until 1958-05-26) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-05-25 until 1958-05-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-05-25 until 1958-05-26)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-05-25 until 1958-05-26)
recording of:
Heartbeat (from 1958-05-25 until 1958-05-26)
writer:
Bob Montgomery (USA) and Norman Petty
publisher:
Melody Lane Publications Inc. and Peermusic (UK) Limited
Buddy Holly4.652:09
3Bye Bye Love
recorded in:
Nashville, Tennessee, United States (on 1957-03-01)
bass:
Floyd D. 'Lightnin'' Chance (on 1957-03-01)
drums (drum set):
Murrey Harman (Session drummer and songwriter) (on 1957-03-01)
electric guitar:
Chet Atkins (on 1957-03-01)
guitar:
Don Everly (on 1957-03-01), Phil Everly (on 1957-03-01) and Hank Garland (on 1957-03-01)
piano:
Floyd Cramer (on 1957-03-01)
vocals:
Don Everly (on 1957-03-01) and Phil Everly (on 1957-03-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 25), Rolling Stone: The 200 Greatest Country Songs of All Time (number: 33) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 207)
recording of:
Bye Bye Love (on 1957-03-01)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers4.352:21
4Hello Mary Lou
producer:
Jimmie Haskell, Ozzie Nelson and Rick Nelson (rock n roll artist; "Ricky Nelson" until 1961)
phonographic copyright (℗) by:
Polydor GmbH (do not use as a release label, for company-type relationships only) and Liberty (a division of UMG Recordings, Inc.) (in 1961)
cover recording of:
Hello Mary Lou
writer:
Cayet Mangiaracina and Gene Pitney
publisher:
Champion Music, Champion Music Corp., Intersong Music Ltd., January Music, January Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Unichappell Music, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ricky Nelson2.52:19
5Take Good Care of My Baby
recording of:
Take Good Care of My Baby
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner/Chappell Music Ltd. (1996–2019)
Bobby Vee42:38
6Three Steps to Heaven
recording of:
Three Steps to Heaven (on 1960-01-08)
writer:
Bob Cochran and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
Belsize Music Ltd.
Eddie Cochran42:24
7Under the Moon of Love
engineer:
William McMeekin
producer:
Phil Spector
arranger:
Arnold Goland and Phil Spector
recorded at:
Mirasound Studios in New York, New York, United States (from 1961-08 until 1961-09)
recording of:
Under the Moon of Love (from 1961-08 until 1961-09)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Curtis Lee (US rock & roll singer, had single “Pretty Little Angel Eyes”)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
Curtis Lee32:52
8You’re Sixteen
Johnny Burnette1:56
9Oh! Carol
phonographic copyright (℗) by:
BMG Music
recording of:
Oh! Carol (in 1959)
lyricist:
Howard Greenfield
composer:
Neil Sedaka
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Universal Music Careers
Neil Sedaka32:18
10Halfway to Paradise
cover recording of:
Halfway to Paradise
lyricist:
Gerry Goffin
composer:
Carole King
Billy Fury2:27
11Will You Still Love Me Tomorrow
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (in 1960)
kettle drum:
Carole King (in 1960)
piano:
Paul Griffin (American pianist, session musician) (in 1960)
lead vocals:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (singer for The Shirelles) (in 1960)
phonographic copyright (℗) by:
HHO Licensing Ltd.
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Shirelles3.82:38
12The Great Pretender
recording of:
The Great Pretender
lyricist and composer:
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) and Southern Music Publishing Company Limited
The Platters3:36
13Sealed With a Kiss
vocals:
Brian Hyland
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1962)
cover recording of:
Sealed With a Kiss
writer:
Gary Geld and Peter Udell
premiered by:
The Four Voices (in 1960-05)
publisher:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) and Pogo Music Corp. (in 1962)
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Brian Hyland42:42
14Blue Velvet
producer:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
cover recording of:
Blue Velvet
writer:
Lee Morris (US songwriter) and Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:50
15Earth Angel
The Crew-Cuts3:01
16I Only Have Eyes for You
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 21), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 98), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 157) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 175)
cover recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. and Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
The Flamingos4.253:24
17Tears on My Pillow
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 30) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 478)
recording of:
Tears on My Pillow
lyricist:
Al Lewis (Tin Pan Alley era lyricist)
composer:
Sylvester Bradford
publisher:
Gladys Music (in 1958), Sovereign Music Co. (in 1958) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1989)
Little Anthony & the Imperials2.52:19
18Blue Moon
producer:
Danny and Stu (US TV/film composer, conductor & producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961, in 2004)
cover recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
The Marcels32:15
19A Teenager in Love
performer:
Dion & The Belmonts
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 7)
recording of:
A Teenager in Love (in 1959)
lyricist:
Doc Pomus
composer:
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts3.652:35
20Girl of My Best Friend
Ral Donner2:16
21More Than I Can Say
cover recording of:
More Than I Can Say
writer:
Jerry Allison and Sonny Curtis
publisher:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
recording of:
More Than I Can Say
writer:
Jerry Allison and Sonny Curtis
publisher:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
Bobby Vee2:33
22Don’t Ever ChangeThe Crickets2:15
23I Can Help
recording of:
I Can Help (in 1974)
lyricist and composer:
Billy Swan
publisher:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Billy Swan52:57
24A Walking Miracle
The Essex2:19
25Under the Boardwalk
recorded in:
New York, New York, United States (on 1964-05-21)
producer:
Bert Berns and Mike Leander
double bass [bass]:
Milt Hinton (on 1964-05-21)
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (on 1964-05-21)
guitar:
Everett Barksdale (on 1964-05-21), Bill Suyker (on 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (on 1964-05-21) and Bob Bushnell (on 1964-05-21)
piano:
Ernie Hayes (American pianist, organist and arranger) (on 1964-05-21)
strings [nine strings]:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1964-05-21)
vibraphone [vibes]:
George Devens (on 1964-05-21)
baritone vocals:
Gene Pearson (on 1964-05-21)
bass vocals:
Winifred Terry (on 1964-05-21)
lead vocals:
Johnny Moore (soul/rnb vocalist for The Drifters) (on 1964-05-21)
tenor vocals:
Charlie Thomas (The Drifters) (on 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (on 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) and Teacho Wiltshire
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 304) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 487)
recording of:
Under the Boardwalk (on 1964-05-21)
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. and Trio Music Company
The Drifters4.352:41
2CD
#TitleArtistRatingLength
1Brown Eyed Handsome Man
recording of:
Brown Eyed Handsome Man
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Paul McCartney1:53
2Reet PetiteJackie Wilson42:43
3Runaway
solo clavioline [musitron]:
Max Crook
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 100) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 466)
recording of:
Runaway (on 1961-01-24)
writer:
Max Crook and Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. and Vicki Music
Del Shannon4.42:19
4Runaround Sue
recording of:
Runaround Sue
lyricist:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
composer:
Ernie Maresca
publisher:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. and Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion2:45
5Poetry in Motion
cover recording of:
Poetry in Motion
writer:
Mike Anthony (US songwriter) and Paul Kaufman (songwriter)
Johnny Tillotson42:28
6Why Do Fools Fall in Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
additional writer:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) and Herman Santiago (singer for Frankie Lymon & The Teenagers)
writer:
Morris Levy and Frankie Lymon
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Frankie Lymon & The Teenagers4.52:20
7Pretty Little Angel Eyes
engineer:
Bill McGuire
producer:
Phil Spector
arranger:
Phil Spector
recorded at:
Mirasound Studios in New York, New York, United States (from 1961-05 until 1961-06)
recording of:
Pretty Little Angel Eyes (from 1961-05 until 1961-06)
writer:
Tommy Boyce (US songwriter of Boyce and Hart) and Curtis Lee (US rock & roll singer, had single “Pretty Little Angel Eyes”)
Curtis Lee52:47
8Little Bitty Pretty One – 1957
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 22)
recording of:
Little Bitty Pretty One
lyricist and composer:
Bobby Day
publisher:
Ivan Mogull Music Ltd., Painted Desert Music, シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Thurston Harris2:24
9Tower of Strength
recording of:
Tower of Strength
lyricist:
Bob Hilliard
composer:
Burt Bacharach
Gene McDaniels2:17
10I Don’t Know Why I Love You but I Do
Clarence “Frogman” Henry2:21
11You Got What It Takes
cover recording of:
You Got What It Takes
writer:
Roquel Davis, Berry Gordy and Gwen Gordy (US songwriter/composer, née Gwendolyn Gordy)
publisher:
Universal/MCA Music Publishing Pty Ltd and Fidelity Music (in 1959)
Marv Johnson2:41
12Ain’t That a Shame
producer:
Dave Bartholomew
phonographic copyright (℗) by:
F. D. & Hunter (publisher) (in 1955) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States
recording of:
Ain’t That a Shame (on 1955-03-15)
writer:
Antoine Domino (Fats Domino) and Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) and United Artists Music Ltd. (from 1977 to present)
Fats Domino4.52:21
13Mocking Bird
recording of:
Mockingbird
writer:
Charlie Foxx and Inez Foxx
publisher:
EMI Unart Catalog Inc.
is based on:
Hush, Little Baby (lullaby, popularized as "Mockingbird")
Inez & Charlie Foxx42:37
14Please Mr. Postman
recording of:
Please Mr. Postman
writer:
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) and Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division and United Partnership Ltd.
Margo & The Marvelettes2:28
15Remember (Walking in the Sand)
edit of:
Remember (Walkin’ in the Sand) by The Shangri‐Las
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 30) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 395)
recording of:
Remember (Walkin’ in the Sand) (in 1964-07)
lyricist and composer:
George “Shadow” Morton
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Shangri‐Las4.42:19
16Hey Paula
vocals:
Ray Hildebrand and Jill Jackson
recording of:
Hey Paula (in 1962)
lyricist and composer:
Ray Hildebrand
publisher:
Speckle Music
Paul & Paula2:36
17The Crying Game
performer:
Dave Berry
cover recording of:
The Crying Game
lyricist and composer:
Geoff Stephens
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
recording of:
The Crying Game
lyricist and composer:
Geoff Stephens
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Dave Berry32:43
18Only the Lonely
recorded in:
Nashville, Tennessee, United States (on 1960-03-26)
producer:
Fred Foster
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1960-03-26)
drums (drum set) [drums]:
Buddy Harman (Session drummer and songwriter) (on 1960-03-26)
guitar:
Hank Garland (on 1960-03-26) and Harold Bradley (on 1960-03-26)
piano:
Floyd Cramer (on 1960-03-26)
background vocals:
Joe Melson (on 1960-03-26) and The Anita Kerr Singers (mixed vocal group) (on 1960-03-26)
vocals:
Roy Orbison (on 1960-03-26)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 2) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Only the Lonely (Know the Way I Feel) (on 1960-03-26)
writer:
Joe Melson and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK) and Acuff-Rose Publications, Inc. (BMI) (on 1960-05-04)
was commissioned by:
Rondor Music (London) Ltd.
Roy Orbison4.72:27
19When Will I Be Loved
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1960)
recording of:
When Will I Be Loved? (on 1960-02-18)
lyricist and composer:
Phil Everly
publisher:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:01
20Hold Me
cover recording of:
Hold Me
writer:
Little Jack Little, David Oppenheim (songwriter, composer) and Ira Schuster
publisher:
Campbell Connelly & Co. Ltd.
P.J. Proby2:40
21Help Me Rhonda
engineer:
Chuck Britz
producer:
Brian Wilson (Beach Boys co‐founder)
bass guitar:
Carol Kaye (on 1965-02-24)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1965-02-24)
guitar:
Carl Wilson (Beach Boys) (on 1965-02-24)
Hammond organ [Hammond B3 organ] and piano [acoustic piano]:
Brian Wilson (Beach Boys co‐founder) (on 1965-02-24)
background vocals:
Mike Love (Beach Boys) (on 1965-02-24), Brian Wilson (Beach Boys co‐founder) (on 1965-02-24), Carl Wilson (Beach Boys) (on 1965-02-24) and Dennis Wilson (Beach Boys) (on 1965-02-24)
lead vocals:
Al Jardine (guitarist and singer) (on 1965-02-24)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1965-02-24) and Universal Recording Studios (unidentified, possibly a mix of different studios) (on 1965-02-24)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 16)
recording of:
Help Me, Rhonda (on 1965-02-24)
additional lyricist:
Mike Love (Beach Boys)
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys42:47
22Do You Love Me
producer:
Berry Gordy Jr.
guitar:
Huey Davis (guitarist) (on 1962-06-03)
instruments:
The Funk Brothers (on 1962-06-03)
additional lead vocals:
Billy Hoggs (on 1962-06-03)
background vocals:
Billy Hoggs (in 1962), Joe Billingslea (soul vocalist, songwriter) (on 1962-06-03), Hubert Johnson (singer) (on 1962-06-03) and Sylvester Potts (on 1962-06-03)
lead vocals:
Billy Gordon (The Contours) (on 1962-06-03)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1962-06-03)
music videos:
Do You Love Me (music video) by The Contours (60s soul)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 9)
recording of:
Do You Love Me (on 1962-06-03)
lyricist and composer:
Berry Gordy
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
The Contours4.352:54
23The Night Has a Thousand Eyes
recording of:
The Night Has a Thousand Eyes
writer:
Marilyn Garrett, Dottie Wayne and Ben Weisman
publisher:
Blen Music, Mabs Music Co. (ASCAP-affiliated), Music Publishing Company of America and Shelby Music
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bobby Vee2:33
24What Do You Want
producer:
John Barry (English score composer) and John Burgess (British record producer)
vocals:
Adam Faith (on 1959-09-25)
conductor and performer:
John Barry (English score composer) (on 1959-09-25)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1959-09-25)
recording of:
What Do You Want? (on 1959-09-25)
lyricist and composer:
Les Vandyke
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Mills Music Limited (PRS for Music-affiliated)
Adam Faith1:35
25Please Don’t Tease
producer:
Norrie Paramor
vocals:
Cliff Richard
performer:
The Shadows (British pop/rock band that once backed Cliff Richard)
recording of:
Please Don’t Tease
composer:
Pete Chester and Bruce Welch (English guitarist, singer, songwriter and producer)
Cliff Richard2:58
26I’ll Never Get Over You
cover recording of:
I’ll Never Get Over You
lyricist and composer:
Gordon Mills (60s/70s UK producer and songwriter)
publisher:
Valley Music Ltd (publisher)
Johnny Kidd and the Pirates2:07
27Be‐Bop‐A‐Lula
double bass [upright bass]:
Jack Neal (on 1956-05-04)
drums (drum set) [drums]:
Dickie Harrell (on 1956-05-04)
guitar [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (on 1956-05-04)
guitar [rhythm guitar]:
Willie Williams (50s rock guitarist) (on 1956-05-04)
vocals:
Gene Vincent (on 1956-05-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1956 to present)
recorded at:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-05-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 9) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 102)
recording of:
Be‐Bop‐a‐Lula (on 1956-05-04)
writer:
Bill “Tex” Davis and Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:34