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#TitoloArtistaValutazioneDurata
1Brown Eyed Handsome Man
registrazione cover di:
Brown Eyed Handsome Man
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Paul McCartney1:53
2Reet PetiteJackie Wilson42:43
3Runaway
claviolino [musitron] solista :
Max Crook
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 100) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 466)
registrazione di:
Runaway (il 1961-01-24)
autore:
Max Crook e Del Shannon
editore:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. e Vicki Music
Del Shannon4.42:19
4Runaround Sue
registrazione di:
Runaround Sue
paroliere:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
compositore:
Ernie Maresca
editore:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. e Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion2:45
5Poetry in Motion
registrazione cover di:
Poetry in Motion
autore:
Mike Anthony (US songwriter) e Paul Kaufman (songwriter)
Johnny Tillotson42:28
6Why Do Fools Fall in Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 307)
registrazione di:
Why Do Fools Fall in Love (nel 1955-11)
autore:
Morris Levy e Frankie Lymon
autore aggiunto:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) e Herman Santiago (singer for Frankie Lymon & The Teenagers)
editore:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Lymon & The Teenagers4.52:20
7Pretty Little Angel Eyes
tecnico:
Bill McGuire
produttore:
Phil Spector
arrangiatore:
Phil Spector
registrata presso:
Mirasound Studios in New York, New York, Stati Uniti (dal 1961-05 al 1961-06)
registrazione di:
Pretty Little Angel Eyes (dal 1961-05 al 1961-06)
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Curtis Lee (US rock & roll singer, had single “Pretty Little Angel Eyes”)
Curtis Lee52:47
8Little Bitty Pretty One – 1957
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 22)
registrazione di:
Little Bitty Pretty One
paroliere e compositore:
Bobby Day
editore:
Ivan Mogull Music Ltd., Painted Desert Music, シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Thurston Harris2:24
9Tower of Strength
registrazione di:
Tower of Strength
paroliere:
Bob Hilliard
compositore:
Burt Bacharach
Gene McDaniels2:17
10I Don’t Know Why I Love You but I Do
Clarence “Frogman” Henry2:21
11You Got What It Takes
registrazione cover di:
You Got What It Takes
autore:
Roquel Davis, Berry Gordy e Gwen Gordy (US songwriter/composer, née Gwendolyn Gordy)
editore:
Universal/MCA Music Publishing Pty Ltd e Fidelity Music (nel 1959)
Marv Johnson2:41
12Ain’t That a Shame
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
F. D. & Hunter (publisher) (nel 1955) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Stati Uniti
registrazione di:
Ain’t That a Shame (il 1955-03-15)
autore:
Antoine Domino (Fats Domino) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
Fats Domino4.52:21
13Mocking Bird
registrazione di:
Mockingbird
autore:
Charlie Foxx e Inez Foxx
editore:
EMI Unart Catalog Inc.
si basa su:
Hush, Little Baby (lullaby, popularized as "Mockingbird")
Inez & Charlie Foxx42:37
14Please Mr. Postman
registrazione di:
Please Mr. Postman
autore:
Robert Bateman (R&B singer/songwriter/record producer) (nel 1961), Georgia Dobbins (nel 1961), William Garrett (nel 1961), Freddie Gorman (nel 1961) e Brian Holland (Motown producer & songwriter) (nel 1961)
editore:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division e United Partnership Ltd.
Margo & The Marvelettes2:28
15Remember (Walking in the Sand)
edit di:
Remember (Walkin’ in the Sand) di The Shangri‐Las
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 30) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 395)
registrazione di:
Remember (Walkin’ in the Sand) (nel 1964-07)
paroliere e compositore:
George “Shadow” Morton
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Shangri‐Las4.42:19
16Hey Paula
voce:
Ray Hildebrand e Jill Jackson
registrazione di:
Hey Paula (nel 1962)
paroliere e compositore:
Ray Hildebrand
editore:
Speckle Music
Paul & Paula2:36
17The Crying Game
esecutore:
Dave Berry
registrazione cover di:
The Crying Game
paroliere e compositore:
Geoff Stephens
editore:
Peermusic (UK) Limited e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
registrazione di:
The Crying Game
paroliere e compositore:
Geoff Stephens
editore:
Peermusic (UK) Limited e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Dave Berry32:43
18Only the Lonely
registrata a:
Nashville, Tennessee, Stati Uniti (il 1960-03-26)
produttore:
Fred Foster
batteria [drums] :
Buddy Harman (Session drummer and songwriter) (il 1960-03-26)
chitarra :
Hank Garland (il 1960-03-26) e Harold Bradley (il 1960-03-26)
contrabbasso [bass] :
Bob Moore (U.S. bassist and bandleader) (il 1960-03-26)
pianoforte :
Floyd Cramer (il 1960-03-26)
voce:
Roy Orbison (il 1960-03-26)
voce di accompagnamento:
Joe Melson (il 1960-03-26) e The Anita Kerr Singers (mixed vocal group) (il 1960-03-26)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 2) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Only the Lonely (Know the Way I Feel) (il 1960-03-26)
autore:
Joe Melson e Roy Orbison
editore:
Acuff-Rose Music Limited (UK) e Acuff-Rose Publications, Inc. (BMI) (il 1960-05-04)
è stata commissionata da:
Rondor Music (London) Ltd.
Roy Orbison4.72:27
19When Will I Be Loved
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1960)
registrazione di:
When Will I Be Loved? (il 1960-02-18)
paroliere e compositore:
Phil Everly
editore:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:01
20Hold Me
registrazione cover di:
Hold Me
autore:
Little Jack Little, David Oppenheim (songwriter, composer) e Ira Schuster
editore:
Campbell Connelly & Co. Ltd.
P.J. Proby2:40
21Help Me Rhonda
tecnico:
Chuck Britz
produttore:
Brian Wilson (Beach Boys co‐founder)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1965-02-24)
chitarra :
Carl Wilson (Beach Boys) (il 1965-02-24)
chitarra basso :
Carol Kaye (il 1965-02-24)
organo Hammond [Hammond B3 organ] e pianoforte [acoustic piano] :
Brian Wilson (Beach Boys co‐founder) (il 1965-02-24)
voce di accompagnamento:
Mike Love (Beach Boys) (il 1965-02-24), Brian Wilson (Beach Boys co‐founder) (il 1965-02-24), Carl Wilson (Beach Boys) (il 1965-02-24) e Dennis Wilson (Beach Boys) (il 1965-02-24)
voce principale:
Al Jardine (guitarist and singer) (il 1965-02-24)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1965-02-24) e Universal Recording Studios (unidentified, possibly a mix of different studios) (il 1965-02-24)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 16)
registrazione di:
Help Me, Rhonda (il 1965-02-24)
paroliere e compositore:
Brian Wilson (Beach Boys co‐founder)
paroliere aggiunto:
Mike Love (Beach Boys)
editore:
Irving Music, Inc. e Rondor Music (London) Ltd.
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys42:47
22Do You Love Me
produttore:
Berry Gordy Jr.
chitarra :
Huey Davis (guitarist) (il 1962-06-03)
strumenti:
The Funk Brothers (il 1962-06-03)
voce di accompagnamento:
Billy Hoggs (nel 1962), Joe Billingslea (soul vocalist, songwriter) (il 1962-06-03), Hubert Johnson (singer) (il 1962-06-03) e Sylvester Potts (il 1962-06-03)
voce principale:
Billy Gordon (The Contours) (il 1962-06-03)
voce principale aggiuntiva:
Billy Hoggs (il 1962-06-03)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1962-06-03)
video musicali:
Do You Love Me (music video) di The Contours (60s soul)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 9)
registrazione di:
Do You Love Me (il 1962-06-03)
paroliere e compositore:
Berry Gordy
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
The Contours4.352:54
23The Night Has a Thousand Eyes
registrazione di:
The Night Has a Thousand Eyes
autore:
Marilyn Garrett, Dottie Wayne e Ben Weisman
editore:
Blen Music, Mabs Music Co. (ASCAP-affiliated), Music Publishing Company of America e Shelby Music
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bobby Vee2:33
24What Do You Want
produttore:
John Barry (English score composer) e John Burgess (British record producer)
voce:
Adam Faith (il 1959-09-25)
direttore d'orchestra e esecutore:
John Barry (English score composer) (il 1959-09-25)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1959-09-25)
registrazione di:
What Do You Want? (il 1959-09-25)
paroliere e compositore:
Les Vandyke
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Mills Music Limited (PRS for Music-affiliated)
Adam Faith1:35
25Please Don’t Tease
produttore:
Norrie Paramor
voce:
Cliff Richard
esecutore:
The Shadows (British pop/rock band that once backed Cliff Richard)
registrazione di:
Please Don’t Tease
compositore:
Pete Chester e Bruce Welch (English guitarist, singer, songwriter and producer)
Cliff Richard2:58
26I’ll Never Get Over You
registrazione cover di:
I’ll Never Get Over You
paroliere e compositore:
Gordon Mills (60s/70s UK producer and songwriter)
editore:
Valley Music Ltd (publisher)
Johnny Kidd and the Pirates2:07
27Be‐Bop‐A‐Lula
batteria [drums] :
Dickie Harrell (il 1956-05-04)
chitarra [lead guitar] :
Cliff Gallup (lead guitarist for The Blue Caps) (il 1956-05-04)
chitarra [rhythm guitar] :
Willie Williams (50s rock guitarist) (il 1956-05-04)
contrabbasso [upright bass] :
Jack Neal (il 1956-05-04)
voce:
Gene Vincent (il 1956-05-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (dal 1956 a oggi)
registrata presso:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Stati Uniti (il 1956-05-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 9) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 102)
registrazione di:
Be‐Bop‐a‐Lula (il 1956-05-04)
autore:
Bill “Tex” Davis e Gene Vincent
editore:
Lowery Music Co. Inc.
Gene Vincent4.352:34