Complete Quartet Recordings

~ Release by Booker Little (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Opening Statement
recorded in:
New York, New York, United States (on 1960-04-13)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-13)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-13)
piano:
Tommy Flanagan (on 1960-04-13)
trumpet:
Booker Little (on 1960-04-13)
6:43
2Minor Sweet
recorded in:
New York, New York, United States (on 1960-04-13)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-13)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-13)
piano:
Tommy Flanagan (on 1960-04-13)
trumpet:
Booker Little (on 1960-04-13)
5:41
3Bee Tee's Minor Plea
recorded in:
New York, New York, United States (on 1960-04-15)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-15)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-15)
piano:
Wynton Kelly (on 1960-04-15)
trumpet:
Booker Little (on 1960-04-15)
5:41
4Life's a Little Blue
recorded in:
New York, New York, United States (on 1960-04-15)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-15)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-15)
piano:
Wynton Kelly (on 1960-04-15)
trumpet:
Booker Little (on 1960-04-15)
6:53
5The Grand Valse
recorded in:
New York, New York, United States (on 1960-04-13)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-13)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-13)
piano:
Tommy Flanagan (on 1960-04-13)
trumpet:
Booker Little (on 1960-04-13)
4:58
6Who Can I Turn To
recorded in:
New York, New York, United States (on 1960-04-13)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-13)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-13)
piano:
Tommy Flanagan (on 1960-04-13)
trumpet:
Booker Little (on 1960-04-13)
recording of:
Who Can I Turn To (on 1960-04-13)
lyricist:
William Engvick
composer:
Alec Wilder (American composer)
5:26
7My Old Flame (take 1 stereo)
double bass:
Bob Cranshaw (in 1958-06)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-06)
piano:
Eddie Baker (in 1958-06)
trumpet:
Booker Little (in 1958-06)
instrumental recording of:
My Old Flame (in 1958-06)
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:34
8My Old Flame (take 2 mono)
double bass:
Bob Cranshaw (in 1958-06)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-06)
piano:
Eddie Baker (in 1958-06)
trumpet:
Booker Little (in 1958-06)
recording of:
My Old Flame (in 1958-06)
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:38
9Sweet and Lovely
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
double bass [bass]:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
instrumental recording of:
Sweet and Lovely (in 1958-10)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
cover recording of:
Sweet and Lovely
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
4:14
10Moonlight Becomes You
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
double bass [bass]:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
cover recording of:
Moonlight Becomes You (in 1958-10)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1942)
composer:
Jimmy Van Heusen (in 1942)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
5:41
11Blues de Tambour
editor:
Joe Scariza
double bass [bass]:
Addison Farmer (on 1960-08-25)
drums (drum set):
Ed Shaughnessy (on 1960-08-25)
piano:
Mal Waldron (American jazz pianist) (on 1960-08-25)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1960-08-25)
trumpet:
Booker Little (on 1960-08-25)
vibraphone:
Teddy Charles (on 1960-08-25)
remixer:
Joe Scariza
recorded at:
Museum of Modern Art (MoMA) in Midtown Manhattan, New York, New York, United States (on 1960-08-25)
3:39
12Tune Up
double bass [bass]:
Art Davis (US jazz double bassist) (on 1958-07-06)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1958-07-06)
tenor saxophone:
Booker Ervin (tenor saxophonist) (on 1958-07-06)
trumpet:
Booker Little (on 1958-07-06)
recorded at:
Newport Jazz Festival 1958, Day 4 (1958-07-06)
recording of:
Tune Up (on 1958-07-06)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
5:21