Just for Kicks

~ Release by Bob Thompson, His Orchestra and Chorus (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1On the Street Where You Live
producer:
Simon Rady
bass:
Joe Mondragon (on 1958-11-03)
bass trombone:
George Roberts (american bass trombone) (on 1958-11-03)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-11-03)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1958-11-03)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-03)
harp:
Kathryn Julye (on 1958-11-03)
percussion:
Frank Flynn (on 1958-11-03), Ralph Hansell (on 1958-11-03), Milt Holland (on 1958-11-03) and Louis Singer (percussionist) (on 1958-11-03)
trombone:
Milt Bernhart (on 1958-11-03), Joe Howard (american trombone player) (on 1958-11-03), Ed Kusby (on 1958-11-03) and Tommy Pederson (on 1958-11-03)
trumpet:
Don Fagerquist (on 1958-11-03)
tuba:
Red Callender (on 1958-11-03)
vibraphone:
Larry Bunker (on 1958-11-03)
woodwind:
Jules Jacob (US jazz woodwind player) (on 1958-11-03)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-03)
recording of:
On the Street Where You Live (My Fair Lady) (on 1958-11-03)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
2:48
A2A Foggy Day
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-28)
bass trombone:
George Roberts (american bass trombone) (on 1958-11-28)
drums (drum set):
Frank Capp (on 1958-11-28)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-28)
percussion:
Ralph Hansell (on 1958-11-28), Milt Holland (on 1958-11-28), Bernie Mattinson (on 1958-11-28) and Louis Singer (percussionist) (on 1958-11-28)
trombone:
Milt Bernhart (on 1958-11-28), Joe Howard (american trombone player) (on 1958-11-28), Dick Nash (on 1958-11-28) and Lloyd Ulyate (on 1958-11-28)
trumpet:
Frank Beach (trombone, trumpet) (on 1958-11-28), Don Fagerquist (on 1958-11-28), Al Porcino (on 1958-11-28) and Uan Rasey (on 1958-11-28)
tuba:
Phil Stevens (tuba) (on 1958-11-28)
vibraphone:
Larry Bunker (on 1958-11-28)
woodwind:
Ronnie Lang (on 1958-11-28)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-28)
recording of:
A Foggy Day (in London Town) (on 1958-11-28)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
2:17
A3Makin’ Whoopee
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-10)
bass trombone:
Kenny Shroyer (trombonist) (on 1958-11-10)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-11-10)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1958-11-10)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-10)
harp:
Kathryn Julye (on 1958-11-10)
percussion:
Frank Flynn (on 1958-11-10), Ralph Hansell (on 1958-11-10), Milt Holland (on 1958-11-10) and Louis Singer (percussionist) (on 1958-11-10)
trombone:
Ed Kusby (on 1958-11-10), Dick Nash (on 1958-11-10), Tommy Pederson (on 1958-11-10) and Lloyd Ulyate (on 1958-11-10)
trumpet:
Pete Candoli (on 1958-11-10)
tuba:
Red Callender (on 1958-11-10)
vibraphone:
Larry Bunker (on 1958-11-10)
woodwind:
Gene Cipriano (on 1958-11-10)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-10)
recording of:
Makin’ Whoopee! (on 1958-11-10)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
2:40
A4Look for the Silver Lining
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-10)
bass trombone:
Kenny Shroyer (trombonist) (on 1958-11-10)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-11-10)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1958-11-10)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-10)
harp:
Kathryn Julye (on 1958-11-10)
percussion:
Frank Flynn (on 1958-11-10), Ralph Hansell (on 1958-11-10), Milt Holland (on 1958-11-10) and Louis Singer (percussionist) (on 1958-11-10)
trombone:
Ed Kusby (on 1958-11-10), Dick Nash (on 1958-11-10), Tommy Pederson (on 1958-11-10) and Lloyd Ulyate (on 1958-11-10)
trumpet:
Pete Candoli (on 1958-11-10)
tuba:
Red Callender (on 1958-11-10)
vibraphone:
Larry Bunker (on 1958-11-10)
woodwind:
Gene Cipriano (on 1958-11-10)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-10)
recording of:
Look for the Silver Lining (on 1958-11-10)
lyricist:
Buddy DeSylva
composer:
Jerome Kern
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Sally (1920 musical)
2:31
A5Mad About the Boy
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-28)
bass trombone:
George Roberts (american bass trombone) (on 1958-11-28)
drums (drum set):
Frank Capp (on 1958-11-28)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-28)
percussion:
Ralph Hansell (on 1958-11-28), Milt Holland (on 1958-11-28), Bernie Mattinson (on 1958-11-28) and Louis Singer (percussionist) (on 1958-11-28)
trombone:
Milt Bernhart (on 1958-11-28), Joe Howard (american trombone player) (on 1958-11-28), Dick Nash (on 1958-11-28) and Lloyd Ulyate (on 1958-11-28)
trumpet:
Frank Beach (trombone, trumpet) (on 1958-11-28), Don Fagerquist (on 1958-11-28), Al Porcino (on 1958-11-28) and Uan Rasey (on 1958-11-28)
tuba:
Phil Stevens (tuba) (on 1958-11-28)
vibraphone:
Larry Bunker (on 1958-11-28)
woodwind:
Ronnie Lang (on 1958-11-28)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-28)
recording of:
Mad About the Boy (on 1958-11-28)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
2:20
A6Angel Eyes
producer:
Simon Rady
bass:
Joe Mondragon (on 1958-11-03)
bass trombone:
George Roberts (american bass trombone) (on 1958-11-03)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-11-03)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1958-11-03)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-03)
harp:
Kathryn Julye (on 1958-11-03)
percussion:
Frank Flynn (on 1958-11-03), Ralph Hansell (on 1958-11-03), Milt Holland (on 1958-11-03) and Louis Singer (percussionist) (on 1958-11-03)
trombone:
Milt Bernhart (on 1958-11-03), Joe Howard (american trombone player) (on 1958-11-03), Ed Kusby (on 1958-11-03) and Tommy Pederson (on 1958-11-03)
trumpet:
Don Fagerquist (on 1958-11-03)
tuba:
Red Callender (on 1958-11-03)
vibraphone:
Larry Bunker (on 1958-11-03)
woodwind:
Jules Jacob (US jazz woodwind player) (on 1958-11-03)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-03)
recording of:
Angel Eyes (1946 jazz standard) (on 1958-11-03)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) and Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:58
A7Peek‐A‐Boo
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-28)
bass trombone:
George Roberts (american bass trombone) (on 1958-11-28)
drums (drum set):
Frank Capp (on 1958-11-28)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-28)
percussion:
Ralph Hansell (on 1958-11-28), Milt Holland (on 1958-11-28), Bernie Mattinson (on 1958-11-28) and Louis Singer (percussionist) (on 1958-11-28)
trombone:
Milt Bernhart (on 1958-11-28), Joe Howard (american trombone player) (on 1958-11-28), Dick Nash (on 1958-11-28) and Lloyd Ulyate (on 1958-11-28)
trumpet:
Frank Beach (trombone, trumpet) (on 1958-11-28), Don Fagerquist (on 1958-11-28), Al Porcino (on 1958-11-28) and Uan Rasey (on 1958-11-28)
tuba:
Phil Stevens (tuba) (on 1958-11-28)
vibraphone:
Larry Bunker (on 1958-11-28)
woodwind:
Ronnie Lang (on 1958-11-28)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-28)
recording of:
Peek‐A‐Boo (on 1958-11-28)
composer:
Bob Thompson ("space age pop" composer, arranger, and orchestra leader)
2:37
B1It Might as Well Be Spring
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-10)
bass trombone:
Kenny Shroyer (trombonist) (on 1958-11-10)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-11-10)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1958-11-10)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-10)
harp:
Kathryn Julye (on 1958-11-10)
percussion:
Frank Flynn (on 1958-11-10), Ralph Hansell (on 1958-11-10), Milt Holland (on 1958-11-10) and Louis Singer (percussionist) (on 1958-11-10)
trombone:
Ed Kusby (on 1958-11-10), Dick Nash (on 1958-11-10), Tommy Pederson (on 1958-11-10) and Lloyd Ulyate (on 1958-11-10)
trumpet:
Pete Candoli (on 1958-11-10)
tuba:
Red Callender (on 1958-11-10)
vibraphone:
Larry Bunker (on 1958-11-10)
woodwind:
Gene Cipriano (on 1958-11-10)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-10)
recording of:
It Might as Well Be Spring (State Fair) (on 1958-11-10)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
2:23
B2All of You
producer:
Simon Rady
bass:
Joe Mondragon (on 1958-11-03)
bass trombone:
George Roberts (american bass trombone) (on 1958-11-03)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-11-03)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1958-11-03)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-03)
harp:
Kathryn Julye (on 1958-11-03)
percussion:
Frank Flynn (on 1958-11-03), Ralph Hansell (on 1958-11-03), Milt Holland (on 1958-11-03) and Louis Singer (percussionist) (on 1958-11-03)
trombone:
Milt Bernhart (on 1958-11-03), Joe Howard (american trombone player) (on 1958-11-03), Ed Kusby (on 1958-11-03) and Tommy Pederson (on 1958-11-03)
trumpet:
Don Fagerquist (on 1958-11-03)
tuba:
Red Callender (on 1958-11-03)
vibraphone:
Larry Bunker (on 1958-11-03)
woodwind:
Jules Jacob (US jazz woodwind player) (on 1958-11-03)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-03)
recording of:
All of You (Silk Stockings musical) (on 1958-11-03)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
2:22
B3It’s All Right With Me
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-28)
bass trombone:
George Roberts (american bass trombone) (on 1958-11-28)
drums (drum set):
Frank Capp (on 1958-11-28)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-28)
percussion:
Ralph Hansell (on 1958-11-28), Milt Holland (on 1958-11-28), Bernie Mattinson (on 1958-11-28) and Louis Singer (percussionist) (on 1958-11-28)
trombone:
Milt Bernhart (on 1958-11-28), Joe Howard (american trombone player) (on 1958-11-28), Dick Nash (on 1958-11-28) and Lloyd Ulyate (on 1958-11-28)
trumpet:
Frank Beach (trombone, trumpet) (on 1958-11-28), Don Fagerquist (on 1958-11-28), Al Porcino (on 1958-11-28) and Uan Rasey (on 1958-11-28)
tuba:
Phil Stevens (tuba) (on 1958-11-28)
vibraphone:
Larry Bunker (on 1958-11-28)
woodwind:
Ronnie Lang (on 1958-11-28)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-28)
recording of:
It’s All Right with Me (Can‐Can musical) (on 1958-11-28)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
2:23
B4Diga Diga Doo
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-10)
bass trombone:
Kenny Shroyer (trombonist) (on 1958-11-10)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-11-10)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1958-11-10)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-10)
harp:
Kathryn Julye (on 1958-11-10)
percussion:
Frank Flynn (on 1958-11-10), Ralph Hansell (on 1958-11-10), Milt Holland (on 1958-11-10) and Louis Singer (percussionist) (on 1958-11-10)
trombone:
Ed Kusby (on 1958-11-10), Dick Nash (on 1958-11-10), Tommy Pederson (on 1958-11-10) and Lloyd Ulyate (on 1958-11-10)
trumpet:
Pete Candoli (on 1958-11-10)
tuba:
Red Callender (on 1958-11-10)
vibraphone:
Larry Bunker (on 1958-11-10)
woodwind:
Gene Cipriano (on 1958-11-10)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-10)
recording of:
Diga Diga Doo (on 1958-11-10)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
2:44
B5Bye Bye Blackbird
producer:
Simon Rady
bass:
Joe Mondragon (on 1958-11-03)
bass trombone:
George Roberts (american bass trombone) (on 1958-11-03)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-11-03)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1958-11-03)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-03)
harp:
Kathryn Julye (on 1958-11-03)
percussion:
Frank Flynn (on 1958-11-03), Ralph Hansell (on 1958-11-03), Milt Holland (on 1958-11-03) and Louis Singer (percussionist) (on 1958-11-03)
trombone:
Milt Bernhart (on 1958-11-03), Joe Howard (american trombone player) (on 1958-11-03), Ed Kusby (on 1958-11-03) and Tommy Pederson (on 1958-11-03)
trumpet:
Don Fagerquist (on 1958-11-03)
tuba:
Red Callender (on 1958-11-03)
vibraphone:
Larry Bunker (on 1958-11-03)
woodwind:
Jules Jacob (US jazz woodwind player) (on 1958-11-03)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-03)
recording of:
Bye Bye Blackbird (on 1958-11-03)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
2:27
B6Why Do I Love You
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-17)
bass trombone:
Kenny Shroyer (trombonist) (on 1958-11-17)
drums (drum set):
Frank Capp (on 1958-11-17)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-17)
percussion:
Frank Flynn (on 1958-11-17), Ralph Hansell (on 1958-11-17), Milt Holland (on 1958-11-17) and Louis Singer (percussionist) (on 1958-11-17)
trombone:
Milt Bernhart (on 1958-11-17), Nick DiMaio (on 1958-11-17), Ed Kusby (on 1958-11-17) and Dick Noel (trombone) (on 1958-11-17)
trumpet:
Don Fagerquist (on 1958-11-17), Uan Rasey (on 1958-11-17), Manny Stevens (on 1958-11-17) and Ray Triscari (on 1958-11-17)
tuba:
Red Callender (on 1958-11-17)
vibraphone:
Larry Bunker (on 1958-11-17)
woodwind:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1958-11-17)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-17)
recording of:
Why Do I Love You? (Show Boat) (on 1958-11-17)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
2:30
B7Just for Kicks
producer:
Simon Rady
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1958-11-17)
drums (drum set):
Frank Capp (on 1958-11-17)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-11-17)
percussion:
Ralph Hansell (on 1958-11-17), Milt Holland (on 1958-11-17) and Louis Singer (percussionist) (on 1958-11-17)
trombone:
Milt Bernhart (on 1958-11-17)
trumpet:
Don Fagerquist (on 1958-11-17) and Uan Rasey (on 1958-11-17)
vibraphone:
Larry Bunker (on 1958-11-17)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-11-17)
recording of:
Just for Kicks (on 1958-11-17)
composer:
Bob Thompson ("space age pop" composer, arranger, and orchestra leader)
2:27