Just for Kicks

~ Veröffentlichung von Bob Thompson, His Orchestra and Chorus (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelBewertungLänge
A1On the Street Where You Live
Produzent(in):
Simon Rady
Bass:
Joe Mondragon (am 1958-11-03)
Bassposaune:
George Roberts (american bass trombone) (am 1958-11-03)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1958-11-03)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-11-03)
Harfe:
Kathryn Julye (am 1958-11-03)
Holzblasinstrumente:
Jules Jacob (US jazz woodwind player) (am 1958-11-03)
Perkussion:
Frank Flynn (am 1958-11-03), Ralph Hansell (am 1958-11-03), Milt Holland (am 1958-11-03) und Louis Singer (percussionist) (am 1958-11-03)
Posaune:
Milt Bernhart (am 1958-11-03), Joe Howard (american trombone player) (am 1958-11-03), Ed Kusby (am 1958-11-03) und Tommy Pederson (am 1958-11-03)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-11-03)
Trompete:
Don Fagerquist (am 1958-11-03)
Tuba:
Red Callender (am 1958-11-03)
Vibraphon:
Larry Bunker (am 1958-11-03)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-11-03)
recording of:
On the Street Where You Live (My Fair Lady) (am 1958-11-03)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
My Fair Lady (full musical)
2:48
A2A Foggy Day
Produzent(in):
Simon Rady
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1958-11-28)
Bassposaune:
George Roberts (american bass trombone) (am 1958-11-28)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-11-28)
Holzblasinstrumente:
Ronnie Lang (am 1958-11-28)
Perkussion:
Ralph Hansell (am 1958-11-28), Milt Holland (am 1958-11-28), Bernie Mattinson (am 1958-11-28) und Louis Singer (percussionist) (am 1958-11-28)
Posaune:
Milt Bernhart (am 1958-11-28), Joe Howard (american trombone player) (am 1958-11-28), Dick Nash (am 1958-11-28) und Lloyd Ulyate (am 1958-11-28)
Schlagzeug:
Frank Capp (am 1958-11-28)
Trompete:
Frank Beach (trombone, trumpet) (am 1958-11-28), Don Fagerquist (am 1958-11-28), Al Porcino (am 1958-11-28) und Uan Rasey (am 1958-11-28)
Tuba:
Phil Stevens (tuba) (am 1958-11-28)
Vibraphon:
Larry Bunker (am 1958-11-28)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-11-28)
recording of:
A Foggy Day (in London Town) (am 1958-11-28)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
2:17
A3Makin’ Whoopee
Produzent(in):
Simon Rady
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1958-11-10)
Bassposaune:
Kenny Shroyer (trombonist) (am 1958-11-10)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1958-11-10)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-11-10)
Harfe:
Kathryn Julye (am 1958-11-10)
Holzblasinstrumente:
Gene Cipriano (am 1958-11-10)
Perkussion:
Frank Flynn (am 1958-11-10), Ralph Hansell (am 1958-11-10), Milt Holland (am 1958-11-10) und Louis Singer (percussionist) (am 1958-11-10)
Posaune:
Ed Kusby (am 1958-11-10), Dick Nash (am 1958-11-10), Tommy Pederson (am 1958-11-10) und Lloyd Ulyate (am 1958-11-10)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-11-10)
Trompete:
Pete Candoli (am 1958-11-10)
Tuba:
Red Callender (am 1958-11-10)
Vibraphon:
Larry Bunker (am 1958-11-10)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-11-10)
recording of:
Makin’ Whoopee! (am 1958-11-10)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
2:40
A4Look for the Silver Lining
Produzent(in):
Simon Rady
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1958-11-10)
Bassposaune:
Kenny Shroyer (trombonist) (am 1958-11-10)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1958-11-10)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-11-10)
Harfe:
Kathryn Julye (am 1958-11-10)
Holzblasinstrumente:
Gene Cipriano (am 1958-11-10)
Perkussion:
Frank Flynn (am 1958-11-10), Ralph Hansell (am 1958-11-10), Milt Holland (am 1958-11-10) und Louis Singer (percussionist) (am 1958-11-10)
Posaune:
Ed Kusby (am 1958-11-10), Dick Nash (am 1958-11-10), Tommy Pederson (am 1958-11-10) und Lloyd Ulyate (am 1958-11-10)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-11-10)
Trompete:
Pete Candoli (am 1958-11-10)
Tuba:
Red Callender (am 1958-11-10)
Vibraphon:
Larry Bunker (am 1958-11-10)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-11-10)
recording of:
Look for the Silver Lining (am 1958-11-10)
Texter:
Buddy DeSylva
Komponist(in):
Jerome Kern
publisher:
Chappell & Co. und T.B. Harms Co.
Teil von:
Sally (1920 musical)
2:31
A5Mad About the Boy
Produzent(in):
Simon Rady
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1958-11-28)
Bassposaune:
George Roberts (american bass trombone) (am 1958-11-28)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-11-28)
Holzblasinstrumente:
Ronnie Lang (am 1958-11-28)
Perkussion:
Ralph Hansell (am 1958-11-28), Milt Holland (am 1958-11-28), Bernie Mattinson (am 1958-11-28) und Louis Singer (percussionist) (am 1958-11-28)
Posaune:
Milt Bernhart (am 1958-11-28), Joe Howard (american trombone player) (am 1958-11-28), Dick Nash (am 1958-11-28) und Lloyd Ulyate (am 1958-11-28)
Schlagzeug:
Frank Capp (am 1958-11-28)
Trompete:
Frank Beach (trombone, trumpet) (am 1958-11-28), Don Fagerquist (am 1958-11-28), Al Porcino (am 1958-11-28) und Uan Rasey (am 1958-11-28)
Tuba:
Phil Stevens (tuba) (am 1958-11-28)
Vibraphon:
Larry Bunker (am 1958-11-28)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-11-28)
recording of:
Mad About the Boy (am 1958-11-28)
Texter und Komponist(in):
Noël Coward
publisher:
Chappell & Co. und Chappell Music Ltd.
Teil von:
Words and Music
2:20
A6Angel Eyes
Produzent(in):
Simon Rady
Bass:
Joe Mondragon (am 1958-11-03)
Bassposaune:
George Roberts (american bass trombone) (am 1958-11-03)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1958-11-03)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-11-03)
Harfe:
Kathryn Julye (am 1958-11-03)
Holzblasinstrumente:
Jules Jacob (US jazz woodwind player) (am 1958-11-03)
Perkussion:
Frank Flynn (am 1958-11-03), Ralph Hansell (am 1958-11-03), Milt Holland (am 1958-11-03) und Louis Singer (percussionist) (am 1958-11-03)
Posaune:
Milt Bernhart (am 1958-11-03), Joe Howard (american trombone player) (am 1958-11-03), Ed Kusby (am 1958-11-03) und Tommy Pederson (am 1958-11-03)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-11-03)
Trompete:
Don Fagerquist (am 1958-11-03)
Tuba:
Red Callender (am 1958-11-03)
Vibraphon:
Larry Bunker (am 1958-11-03)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-11-03)
recording of:
Angel Eyes (1946 jazz standard) (am 1958-11-03)
Texter:
Earl Brent (in 1946)
Komponist(in):
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) und Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:58
A7Peek‐A‐Boo
Produzent(in):
Simon Rady
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1958-11-28)
Bassposaune:
George Roberts (american bass trombone) (am 1958-11-28)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-11-28)
Holzblasinstrumente:
Ronnie Lang (am 1958-11-28)
Perkussion:
Ralph Hansell (am 1958-11-28), Milt Holland (am 1958-11-28), Bernie Mattinson (am 1958-11-28) und Louis Singer (percussionist) (am 1958-11-28)
Posaune:
Milt Bernhart (am 1958-11-28), Joe Howard (american trombone player) (am 1958-11-28), Dick Nash (am 1958-11-28) und Lloyd Ulyate (am 1958-11-28)
Schlagzeug:
Frank Capp (am 1958-11-28)
Trompete:
Frank Beach (trombone, trumpet) (am 1958-11-28), Don Fagerquist (am 1958-11-28), Al Porcino (am 1958-11-28) und Uan Rasey (am 1958-11-28)
Tuba:
Phil Stevens (tuba) (am 1958-11-28)
Vibraphon:
Larry Bunker (am 1958-11-28)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-11-28)
recording of:
Peek‐A‐Boo (am 1958-11-28)
Komponist(in):
Bob Thompson ("space age pop" composer, arranger, and orchestra leader)
2:37
B1It Might as Well Be Spring
Produzent(in):
Simon Rady
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1958-11-10)
Bassposaune:
Kenny Shroyer (trombonist) (am 1958-11-10)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1958-11-10)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-11-10)
Harfe:
Kathryn Julye (am 1958-11-10)
Holzblasinstrumente:
Gene Cipriano (am 1958-11-10)
Perkussion:
Frank Flynn (am 1958-11-10), Ralph Hansell (am 1958-11-10), Milt Holland (am 1958-11-10) und Louis Singer (percussionist) (am 1958-11-10)
Posaune:
Ed Kusby (am 1958-11-10), Dick Nash (am 1958-11-10), Tommy Pederson (am 1958-11-10) und Lloyd Ulyate (am 1958-11-10)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-11-10)
Trompete:
Pete Candoli (am 1958-11-10)
Tuba:
Red Callender (am 1958-11-10)
Vibraphon:
Larry Bunker (am 1958-11-10)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-11-10)
recording of:
It Might as Well Be Spring (State Fair) (am 1958-11-10)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
2:23
B2All of You
Produzent(in):
Simon Rady
Bass:
Joe Mondragon (am 1958-11-03)
Bassposaune:
George Roberts (american bass trombone) (am 1958-11-03)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1958-11-03)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-11-03)
Harfe:
Kathryn Julye (am 1958-11-03)
Holzblasinstrumente:
Jules Jacob (US jazz woodwind player) (am 1958-11-03)
Perkussion:
Frank Flynn (am 1958-11-03), Ralph Hansell (am 1958-11-03), Milt Holland (am 1958-11-03) und Louis Singer (percussionist) (am 1958-11-03)
Posaune:
Milt Bernhart (am 1958-11-03), Joe Howard (american trombone player) (am 1958-11-03), Ed Kusby (am 1958-11-03) und Tommy Pederson (am 1958-11-03)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-11-03)
Trompete:
Don Fagerquist (am 1958-11-03)
Tuba:
Red Callender (am 1958-11-03)
Vibraphon:
Larry Bunker (am 1958-11-03)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-11-03)
recording of:
All of You (Silk Stockings musical) (am 1958-11-03)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
2:22
B3It’s All Right With Me
Produzent(in):
Simon Rady
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1958-11-28)
Bassposaune:
George Roberts (american bass trombone) (am 1958-11-28)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-11-28)
Holzblasinstrumente:
Ronnie Lang (am 1958-11-28)
Perkussion:
Ralph Hansell (am 1958-11-28), Milt Holland (am 1958-11-28), Bernie Mattinson (am 1958-11-28) und Louis Singer (percussionist) (am 1958-11-28)
Posaune:
Milt Bernhart (am 1958-11-28), Joe Howard (american trombone player) (am 1958-11-28), Dick Nash (am 1958-11-28) und Lloyd Ulyate (am 1958-11-28)
Schlagzeug:
Frank Capp (am 1958-11-28)
Trompete:
Frank Beach (trombone, trumpet) (am 1958-11-28), Don Fagerquist (am 1958-11-28), Al Porcino (am 1958-11-28) und Uan Rasey (am 1958-11-28)
Tuba:
Phil Stevens (tuba) (am 1958-11-28)
Vibraphon:
Larry Bunker (am 1958-11-28)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-11-28)
recording of:
It’s All Right with Me (Can‐Can musical) (am 1958-11-28)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
2:23
B4Diga Diga Doo
Produzent(in):
Simon Rady
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1958-11-10)
Bassposaune:
Kenny Shroyer (trombonist) (am 1958-11-10)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1958-11-10)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-11-10)
Harfe:
Kathryn Julye (am 1958-11-10)
Holzblasinstrumente:
Gene Cipriano (am 1958-11-10)
Perkussion:
Frank Flynn (am 1958-11-10), Ralph Hansell (am 1958-11-10), Milt Holland (am 1958-11-10) und Louis Singer (percussionist) (am 1958-11-10)
Posaune:
Ed Kusby (am 1958-11-10), Dick Nash (am 1958-11-10), Tommy Pederson (am 1958-11-10) und Lloyd Ulyate (am 1958-11-10)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-11-10)
Trompete:
Pete Candoli (am 1958-11-10)
Tuba:
Red Callender (am 1958-11-10)
Vibraphon:
Larry Bunker (am 1958-11-10)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-11-10)
recording of:
Diga Diga Doo (am 1958-11-10)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
2:44
B5Bye Bye Blackbird
Produzent(in):
Simon Rady
Bass:
Joe Mondragon (am 1958-11-03)
Bassposaune:
George Roberts (american bass trombone) (am 1958-11-03)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1958-11-03)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-11-03)
Harfe:
Kathryn Julye (am 1958-11-03)
Holzblasinstrumente:
Jules Jacob (US jazz woodwind player) (am 1958-11-03)
Perkussion:
Frank Flynn (am 1958-11-03), Ralph Hansell (am 1958-11-03), Milt Holland (am 1958-11-03) und Louis Singer (percussionist) (am 1958-11-03)
Posaune:
Milt Bernhart (am 1958-11-03), Joe Howard (american trombone player) (am 1958-11-03), Ed Kusby (am 1958-11-03) und Tommy Pederson (am 1958-11-03)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-11-03)
Trompete:
Don Fagerquist (am 1958-11-03)
Tuba:
Red Callender (am 1958-11-03)
Vibraphon:
Larry Bunker (am 1958-11-03)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-11-03)
recording of:
Bye Bye Blackbird (am 1958-11-03)
Texter:
Mort Dixon (in 1926)
Komponist(in):
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
2:27
B6Why Do I Love You
Produzent(in):
Simon Rady
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1958-11-17)
Bassposaune:
Kenny Shroyer (trombonist) (am 1958-11-17)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-11-17)
Holzblasinstrumente:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1958-11-17)
Perkussion:
Frank Flynn (am 1958-11-17), Ralph Hansell (am 1958-11-17), Milt Holland (am 1958-11-17) und Louis Singer (percussionist) (am 1958-11-17)
Posaune:
Milt Bernhart (am 1958-11-17), Nick DiMaio (am 1958-11-17), Ed Kusby (am 1958-11-17) und Dick Noel (trombone) (am 1958-11-17)
Schlagzeug:
Frank Capp (am 1958-11-17)
Trompete:
Don Fagerquist (am 1958-11-17), Uan Rasey (am 1958-11-17), Manny Stevens (am 1958-11-17) und Ray Triscari (am 1958-11-17)
Tuba:
Red Callender (am 1958-11-17)
Vibraphon:
Larry Bunker (am 1958-11-17)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-11-17)
recording of:
Why Do I Love You? (Show Boat) (am 1958-11-17)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
Medley von:
Selections from "Show boat"
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act II
2:30
B7Just for Kicks
Produzent(in):
Simon Rady
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1958-11-17)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-11-17)
Perkussion:
Ralph Hansell (am 1958-11-17), Milt Holland (am 1958-11-17) und Louis Singer (percussionist) (am 1958-11-17)
Posaune:
Milt Bernhart (am 1958-11-17)
Schlagzeug:
Frank Capp (am 1958-11-17)
Trompete:
Don Fagerquist (am 1958-11-17) und Uan Rasey (am 1958-11-17)
Vibraphon:
Larry Bunker (am 1958-11-17)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-11-17)
recording of:
Just for Kicks (am 1958-11-17)
Komponist(in):
Bob Thompson ("space age pop" composer, arranger, and orchestra leader)
2:27

Nennungen

Veröffentlichung

liner notes:Bill Olofson
Discogs:https://www.discogs.com/release/4524398 [Info]