Plays Cole Porter

~ Release by Charlie Parker (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1I Get a Kick Out of You
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop (American jazz pianist) (on 1954-03-31)
instrumental recording of:
I Get a Kick Out of You (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
33:37
2I Get a Kick Out of You [alternate take]
4:58
3Just One of Those Things
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop (American jazz pianist) (on 1954-03-31)
instrumental recording of:
Just One of Those Things (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
2:48
4My Heart Belongs to Daddy
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop (American jazz pianist) (on 1954-03-31)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-03-31)
instrumental recording of:
My Heart Belongs to Daddy (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
3:23
5I've Got You Under My Skin
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1954-03-31)
double bass:
Teddy Kotick (on 1954-03-31)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1954-03-31)
guitar:
Jerome Darr (on 1954-03-31)
piano:
Walter Bishop (American jazz pianist) (on 1954-03-31)
instrumental recording of:
I’ve Got You Under My Skin (on 1954-03-31)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
3:41
6Love for Sale
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1954-12-10)
double bass:
Teddy Kotick (on 1954-12-10)
drums (drum set):
Art Taylor (on 1954-12-10)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1954-12-10)
piano:
Walter Bishop (American jazz pianist) (on 1954-12-10)
instrumental recording of:
Love for Sale (on 1954-12-10)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
5:37
7Love for Sale [alternate take]
5:35
8I Love Paris
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1954-12-10)
double bass:
Teddy Kotick (on 1954-12-10)
drums (drum set):
Art Taylor (on 1954-12-10)
guitar:
Billy Bauer (US cool jazz guitarist) (on 1954-12-10)
piano:
Walter Bishop (American jazz pianist) (on 1954-12-10)
instrumental recording of:
I Love Paris (Can-Can [Pistache, Company]) (on 1954-12-10)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
5:10
9I Love Paris [alternate take]
5:09
10Love For Sale [alternate take #2]
5:50
11Easy to Love
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1950-07-05)
cello:
Maurice Brown (jazz cellist) (on 1950-07-05)
double bass:
Ray Brown (jazz bassist) (on 1950-07-05)
drums (drum set):
Buddy Rich (on 1950-07-05)
harp:
Verley Mills (on 1950-07-05)
oboe:
Edwin C. Brown (on 1950-07-05)
piano:
Bernie Leighton (on 1950-07-05)
viola:
Isadore Zor (aka Isadore Zit viola player) (on 1950-07-05)
violin:
Harry Meinikoff (on 1950-07-05), Howard Kay (Violin player) (on 1950-07-05), Sam Rand (violinist) (on 1950-07-05), Sam Coplan (on 1950-07-05) and Zelly Smirnoff (violinist) (on 1950-07-05)
conductor:
Joe Lippman (Joseph P. Lippman) (on 1950-07-05)
arranger:
Joe Lippman (Joseph P. Lippman)
instrumental recording of:
Easy to Love (on 1950-07-05)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
3:31
12Begin the Beguine
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1952-01-23)
bongos [bongo]:
José Mangual (on 1952-01-23)
congas [conga]:
Luis Miranda (jazz conga player) (on 1952-01-23)
double bass:
Teddy Kotick (on 1952-01-23)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-01-23)
piano:
Walter Bishop (American jazz pianist) (on 1952-01-23)
instrumental recording of:
Begin the Beguine (on 1952-01-23)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
33:15
13Night and Day
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1952-03-25), Harry Terrill (Musician - Saxophone Player) (on 1952-03-25) and Murray Williams (on 1952-03-25)
baritone saxophone:
Danny Bank (reeds) (on 1952-03-25)
double bass:
Ray Brown (jazz bassist) (on 1952-03-25)
drums (drum set):
Don Lamond (on 1952-03-25)
guitar:
Freddie Green (on 1952-03-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-25)
tenor saxophone:
Flip Phillips (on 1952-03-25) and Hank Ross (on 1952-03-25)
trombone:
Bill Harris (jazz trombonist) (on 1952-03-25), Lou McGarity (on 1952-03-25) and Bart Varsalona (on 1952-03-25)
trumpet:
Jimmy Maxwell (Trumpet) (on 1952-03-25), Carl Poole (US trumpeter) (on 1952-03-25), Al Porcino (on 1952-03-25) and Bernie Privin (on 1952-03-25)
conductor:
Joe Lippman (Joseph P. Lippman)
arranger:
Joe Lippman (Joseph P. Lippman)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1952-03-25)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
2:53
14What Is This Thing Called Love?
recorded in:
New York, New York, United States (on 1952-03-25)
producer:
Norman Granz
alto saxophone:
Murray Williamson (on 1952-03-25), Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1952-03-25) and Harry Terrill (Musician - Saxophone Player) (on 1952-03-25)
baritone saxophone:
Danny Bank (reeds) (on 1952-03-25)
double bass:
Ray Brown (jazz bassist) (on 1952-03-25)
drums (drum set):
Don Lamond (on 1952-03-25)
guitar:
Freddie Green (on 1952-03-25)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-25)
tenor saxophone:
Flip Phillips (on 1952-03-25) and Hank Ross (on 1952-03-25)
trombone:
Bill Harris (jazz trombonist) (on 1952-03-25), Lou McGarity (on 1952-03-25) and Bart Varsalona (on 1952-03-25)
trumpet:
Jimmy Maxwell (Trumpet) (on 1952-03-25), Carl Pool (big-band era trumpet player) (on 1952-03-25), Carl Poole (US trumpeter) (on 1952-03-25), Al Porcino (on 1952-03-25) and Bernie Privin (on 1952-03-25)
orchestra:
Joe Lipman & His Orchestra (on 1952-03-25)
conductor:
Joe Lippman (Joseph P. Lippman) (on 1952-03-25)
arranger:
Joe Lippman (Joseph P. Lippman) (on 1952-03-25)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1952-03-25)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1952-03-25)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
2:39
15In the Still of the Night
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1953-05-22)
bassoon:
Manny Thaler (Musician - Bassoon PLayer) (on 1953-05-22)
clarinet:
Hal McKusick (on 1953-05-22)
double bass:
Charles Mingus (on 1953-05-22)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1953-05-22)
flute:
Al Block (US jazz flute/saxaphone) (on 1953-05-22)
French horn:
Junior Collins (on 1953-05-22)
oboe:
Tommy Mace (on 1953-05-22)
piano:
Tony Aless (on 1953-05-22)
vocals:
The Dave Lambert Singers (on 1953-05-22)
conductor:
Gil Evans (Canadian‐American jazz pianist and composer)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
instrumental recording of:
In the Still of the Night (Cole Porter song) (on 1953-05-22)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
3:24
16What Is This Thing Called Love? [Jam Session]
alto saxophone:
Johnny Hodges (in 1952-02, on 1952-06-17), Charlie Parker (aka “Bird”, jazz alto saxophonist) (in 1952-02, on 1952-06-17) and Benny Carter (on 1952-06-17, in 1952-07)
double bass:
Ray Brown (jazz bassist) (in 1952-02, on 1952-06-17)
drums (drum set):
J.C. Heard (in 1952-02, on 1952-06-17)
guitar:
Barney Kessel (in 1952-02, on 1952-06-17)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-06-17)
tenor saxophone:
Flip Phillips (in 1952-02, on 1952-06-17) and Ben Webster (in 1952-02, on 1952-06-17)
trumpet:
Charlie Shavers (in 1952-02, on 1952-06-17)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1952-06-17)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1952-07)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
15:52