Plays Cole Porter

~ Pubblicazione di Charlie Parker (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1I Get a Kick Out of You
batteria :
Roy Haynes (American jazz drummer and bandleader) (il 1954-03-31)
chitarra :
Jerome Darr (il 1954-03-31)
contrabbasso :
Teddy Kotick (il 1954-03-31)
pianoforte :
Walter Bishop (American jazz pianist) (il 1954-03-31)
sassofono contralto :
Charlie Parker (aka “Bird”, jazz alto saxophonist) (il 1954-03-31)
registrazione strumentale di:
I Get a Kick Out of You (il 1954-03-31)
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell e Chappell (nel 1974)
parte di:
Anything Goes
33:37
2I Get a Kick Out of You [alternate take]
4:58
3Just One of Those Things
batteria :
Roy Haynes (American jazz drummer and bandleader) (il 1954-03-31)
chitarra :
Jerome Darr (il 1954-03-31)
contrabbasso :
Teddy Kotick (il 1954-03-31)
pianoforte :
Walter Bishop (American jazz pianist) (il 1954-03-31)
sassofono contralto :
Charlie Parker (aka “Bird”, jazz alto saxophonist) (il 1954-03-31)
registrazione strumentale di:
Just One of Those Things (il 1954-03-31)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
2:48
4My Heart Belongs to Daddy
batteria :
Roy Haynes (American jazz drummer and bandleader) (il 1954-03-31)
chitarra :
Jerome Darr (il 1954-03-31)
contrabbasso :
Teddy Kotick (il 1954-03-31)
pianoforte :
Walter Bishop (American jazz pianist) (il 1954-03-31)
sassofono contralto :
Charlie Parker (aka “Bird”, jazz alto saxophonist) (il 1954-03-31)
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti (il 1954-03-31)
registrazione strumentale di:
My Heart Belongs to Daddy (il 1954-03-31)
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (company that specialized in library and production music), Chappell & Co. e Chappell Music Ltd.
3:23
5I've Got You Under My Skin
batteria :
Roy Haynes (American jazz drummer and bandleader) (il 1954-03-31)
chitarra :
Jerome Darr (il 1954-03-31)
contrabbasso :
Teddy Kotick (il 1954-03-31)
pianoforte :
Walter Bishop (American jazz pianist) (il 1954-03-31)
sassofono contralto :
Charlie Parker (aka “Bird”, jazz alto saxophonist) (il 1954-03-31)
registrazione strumentale di:
I’ve Got You Under My Skin (il 1954-03-31)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
3:41
6Love for Sale
batteria :
Art Taylor (il 1954-12-10)
chitarra :
Billy Bauer (US cool jazz guitarist) (il 1954-12-10)
contrabbasso :
Teddy Kotick (il 1954-12-10)
pianoforte :
Walter Bishop (American jazz pianist) (il 1954-12-10)
sassofono contralto :
Charlie Parker (aka “Bird”, jazz alto saxophonist) (il 1954-12-10)
registrazione strumentale di:
Love for Sale (il 1954-12-10)
paroliere e compositore:
Cole Porter (composer) (nel 1930)
editore:
Chappell & Co., Chappell Music Ltd., Harms, Inc. e Warner Bros., Inc. (not for release label use!)
5:37
7Love for Sale [alternate take]
5:35
8I Love Paris
batteria :
Art Taylor (il 1954-12-10)
chitarra :
Billy Bauer (US cool jazz guitarist) (il 1954-12-10)
contrabbasso :
Teddy Kotick (il 1954-12-10)
pianoforte :
Walter Bishop (American jazz pianist) (il 1954-12-10)
sassofono contralto :
Charlie Parker (aka “Bird”, jazz alto saxophonist) (il 1954-12-10)
registrazione strumentale di:
I Love Paris (Can-Can [Pistache, Company]) (il 1954-12-10)
paroliere e compositore:
Cole Porter (composer) (nel 1953)
editore:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
Can‐Can
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
5:10
9I Love Paris [alternate take]
5:09
10Love For Sale [alternate take #2]
5:50
11Easy to Love
arpa :
Verley Mills (il 1950-07-05)
batteria :
Buddy Rich (il 1950-07-05)
contrabbasso :
Ray Brown (jazz bassist) (il 1950-07-05)
oboe :
Edwin C. Brown (il 1950-07-05)
pianoforte :
Bernie Leighton (il 1950-07-05)
sassofono contralto :
Charlie Parker (aka “Bird”, jazz alto saxophonist) (il 1950-07-05)
viola :
Isadore Zor (aka Isadore Zit viola player) (il 1950-07-05)
violino :
Harry Meinikoff (il 1950-07-05), Howard Kay (Violin player) (il 1950-07-05), Sam Rand (violinist) (il 1950-07-05), Sam Coplan (il 1950-07-05) e Zelly Smirnoff (violinist) (il 1950-07-05)
violoncello :
Maurice Brown (jazz cellist) (il 1950-07-05)
direttore d'orchestra:
Joe Lippman (Joseph P. Lippman) (il 1950-07-05)
arrangiatore:
Joe Lippman (Joseph P. Lippman)
registrazione strumentale di:
Easy to Love (il 1950-07-05)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Anything Goes
parte di:
Born to Dance
3:31
12Begin the Beguine
batteria :
Max Roach (20th century US jazz drummer & composer) (il 1952-01-23)
bonghi [bongo] :
José Mangual (il 1952-01-23)
congas [conga] :
Luis Miranda (jazz conga player) (il 1952-01-23)
contrabbasso :
Teddy Kotick (il 1952-01-23)
pianoforte :
Walter Bishop (American jazz pianist) (il 1952-01-23)
sassofono contralto :
Charlie Parker (aka “Bird”, jazz alto saxophonist) (il 1952-01-23)
registrazione strumentale di:
Begin the Beguine (il 1952-01-23)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jubilee
33:15
13Night and Day
batteria :
Don Lamond (il 1952-03-25)
chitarra :
Freddie Green (il 1952-03-25)
contrabbasso :
Ray Brown (jazz bassist) (il 1952-03-25)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1952-03-25)
sassofono baritono :
Danny Bank (reeds) (il 1952-03-25)
sassofono contralto :
Charlie Parker (aka “Bird”, jazz alto saxophonist) (il 1952-03-25), Harry Terrill (Musician - Saxophone Player) (il 1952-03-25) e Murray Williams (il 1952-03-25)
sassofono tenore :
Flip Phillips (il 1952-03-25) e Hank Ross (il 1952-03-25)
tromba :
Jimmy Maxwell (Trumpet) (il 1952-03-25), Carl Poole (US trumpeter) (il 1952-03-25), Al Porcino (il 1952-03-25) e Bernie Privin (il 1952-03-25)
trombone :
Bill Harris (jazz trombonist) (il 1952-03-25), Lou McGarity (il 1952-03-25) e Bart Varsalona (il 1952-03-25)
direttore d'orchestra:
Joe Lippman (Joseph P. Lippman)
arrangiatore:
Joe Lippman (Joseph P. Lippman)
registrazione strumentale di:
Night and Day (Cole Porter; from “The Gay Divorce”) (il 1952-03-25)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
2:53
14What Is This Thing Called Love?
registrata a:
New York, New York, Stati Uniti (il 1952-03-25)
produttore:
Norman Granz
batteria :
Don Lamond (il 1952-03-25)
chitarra :
Freddie Green (il 1952-03-25)
contrabbasso :
Ray Brown (jazz bassist) (il 1952-03-25)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1952-03-25)
sassofono baritono :
Danny Bank (reeds) (il 1952-03-25)
sassofono contralto :
Murray Williamson (il 1952-03-25), Charlie Parker (aka “Bird”, jazz alto saxophonist) (il 1952-03-25) e Harry Terrill (Musician - Saxophone Player) (il 1952-03-25)
sassofono tenore :
Flip Phillips (il 1952-03-25) e Hank Ross (il 1952-03-25)
tromba :
Jimmy Maxwell (Trumpet) (il 1952-03-25), Carl Pool (big-band era trumpet player) (il 1952-03-25), Carl Poole (US trumpeter) (il 1952-03-25), Al Porcino (il 1952-03-25) e Bernie Privin (il 1952-03-25)
trombone :
Bill Harris (jazz trombonist) (il 1952-03-25), Lou McGarity (il 1952-03-25) e Bart Varsalona (il 1952-03-25)
orchestra:
Joe Lipman & His Orchestra (il 1952-03-25)
direttore d'orchestra:
Joe Lippman (Joseph P. Lippman) (il 1952-03-25)
arrangiatore:
Joe Lippman (Joseph P. Lippman) (il 1952-03-25)
registrata presso:
Reeves Sound Studios in New York, New York, Stati Uniti (il 1952-03-25)
registrazione strumentale di:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (il 1952-03-25)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
2:39
15In the Still of the Night
batteria :
Max Roach (20th century US jazz drummer & composer) (il 1953-05-22)
clarinetto :
Hal McKusick (il 1953-05-22)
contrabbasso :
Charles Mingus (il 1953-05-22)
corno francese :
Junior Collins (il 1953-05-22)
fagotto :
Manny Thaler (Musician - Bassoon PLayer) (il 1953-05-22)
flauto :
Al Block (US jazz flute/saxaphone) (il 1953-05-22)
oboe :
Tommy Mace (il 1953-05-22)
pianoforte :
Tony Aless (il 1953-05-22)
sassofono contralto :
Charlie Parker (aka “Bird”, jazz alto saxophonist) (il 1953-05-22)
voce:
The Dave Lambert Singers (il 1953-05-22)
direttore d'orchestra:
Gil Evans (Canadian‐American jazz pianist and composer)
arrangiatore:
Gil Evans (Canadian‐American jazz pianist and composer)
registrazione strumentale di:
In the Still of the Night (Cole Porter song) (il 1953-05-22)
paroliere e compositore:
Cole Porter (composer) (nel 1937)
editore:
Chappell (company that specialized in library and production music) e Chappell & Co., Inc. (USA)
3:24
16What Is This Thing Called Love? [Jam Session]
batteria :
J.C. Heard (nel 1952-02, il 1952-06-17)
chitarra :
Barney Kessel (nel 1952-02, il 1952-06-17)
contrabbasso :
Ray Brown (jazz bassist) (nel 1952-02, il 1952-06-17)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1952-06-17)
sassofono contralto :
Johnny Hodges (nel 1952-02, il 1952-06-17), Charlie Parker (aka “Bird”, jazz alto saxophonist) (nel 1952-02, il 1952-06-17) e Benny Carter (il 1952-06-17, nel 1952-07)
sassofono tenore :
Flip Phillips (nel 1952-02, il 1952-06-17) e Ben Webster (nel 1952-02, il 1952-06-17)
tromba :
Charlie Shavers (nel 1952-02, il 1952-06-17)
registrazione strumentale di:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (il 1952-06-17)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
registrazione strumentale di:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (nel 1952-07)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
15:52