Plays Cole Porter

~ Veröffentlichung von Charlie Parker (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1I Get a Kick Out of You
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1954-03-31)
Gitarre:
Jerome Darr (am 1954-03-31)
Klavier:
Walter Bishop (American jazz pianist) (am 1954-03-31)
Kontrabass:
Teddy Kotick (am 1954-03-31)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1954-03-31)
instrumental recording of:
I Get a Kick Out of You (am 1954-03-31)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
33:37
2I Get a Kick Out of You [alternate take]
4:58
3Just One of Those Things
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1954-03-31)
Gitarre:
Jerome Darr (am 1954-03-31)
Klavier:
Walter Bishop (American jazz pianist) (am 1954-03-31)
Kontrabass:
Teddy Kotick (am 1954-03-31)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1954-03-31)
instrumental recording of:
Just One of Those Things (am 1954-03-31)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
2:48
4My Heart Belongs to Daddy
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1954-03-31)
Gitarre:
Jerome Darr (am 1954-03-31)
Klavier:
Walter Bishop (American jazz pianist) (am 1954-03-31)
Kontrabass:
Teddy Kotick (am 1954-03-31)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1954-03-31)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1954-03-31)
instrumental cover recording of:
My Heart Belongs to Daddy (am 1954-03-31)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
3:23
5I've Got You Under My Skin
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1954-03-31)
Gitarre:
Jerome Darr (am 1954-03-31)
Klavier:
Walter Bishop (American jazz pianist) (am 1954-03-31)
Kontrabass:
Teddy Kotick (am 1954-03-31)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1954-03-31)
instrumental recording of:
I’ve Got You Under My Skin (am 1954-03-31)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
3:41
6Love for Sale
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1954-12-10)
Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1954-12-10)
Klavier:
Walter Bishop (American jazz pianist) (am 1954-12-10)
Kontrabass:
Teddy Kotick (am 1954-12-10)
Schlagzeug:
Art Taylor (am 1954-12-10)
instrumental recording of:
Love for Sale (am 1954-12-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
5:37
7Love for Sale [alternate take]
5:35
8I Love Paris
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1954-12-10)
Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1954-12-10)
Klavier:
Walter Bishop (American jazz pianist) (am 1954-12-10)
Kontrabass:
Teddy Kotick (am 1954-12-10)
Schlagzeug:
Art Taylor (am 1954-12-10)
instrumental recording of:
I Love Paris (Can-Can [Pistache, Company]) (am 1954-12-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
5:10
9I Love Paris [alternate take]
5:09
10Love For Sale [alternate take #2]
5:50
11Easy to Love
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1950-07-05)
Bratsche / Viola:
Isadore Zor (aka Isadore Zit viola player) (am 1950-07-05)
Cello:
Maurice Brown (jazz cellist) (am 1950-07-05)
Geige / Violine:
Harry Meinikoff (am 1950-07-05), Howard Kay (Violin player) (am 1950-07-05), Sam Rand (violinist) (am 1950-07-05), Sam Coplan (am 1950-07-05) und Zelly Smirnoff (violinist) (am 1950-07-05)
Harfe:
Verley Mills (am 1950-07-05)
Klavier:
Bernie Leighton (am 1950-07-05)
Kontrabass:
Ray Brown (jazz bassist) (am 1950-07-05)
Oboe:
Edwin C. Brown (am 1950-07-05)
Schlagzeug:
Buddy Rich (am 1950-07-05)
conductor:
Joe Lippman (Joseph P. Lippman) (am 1950-07-05)
arranger:
Joe Lippman (Joseph P. Lippman)
instrumental recording of:
Easy to Love (am 1950-07-05)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
3:31
12Begin the Beguine
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1952-01-23)
Bongos [bongo]:
José Mangual (am 1952-01-23)
Conga [conga]:
Luis Miranda (jazz conga player) (am 1952-01-23)
Klavier:
Walter Bishop (American jazz pianist) (am 1952-01-23)
Kontrabass:
Teddy Kotick (am 1952-01-23)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1952-01-23)
instrumental recording of:
Begin the Beguine (am 1952-01-23)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
33:15
13Night and Day
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1952-03-25), Harry Terrill (Musician - Saxophone Player) (am 1952-03-25) und Murray Williams (am 1952-03-25)
baritone saxophone:
Danny Bank (reeds) (am 1952-03-25)
Gitarre:
Freddie Green (am 1952-03-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-03-25)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-03-25)
Posaune:
Bill Harris (jazz trombonist) (am 1952-03-25), Lou McGarity (am 1952-03-25) und Bart Varsalona (am 1952-03-25)
Schlagzeug:
Don Lamond (am 1952-03-25)
Tenorsaxophon:
Flip Phillips (am 1952-03-25) und Hank Ross (am 1952-03-25)
Trompete:
Jimmy Maxwell (Trumpet) (am 1952-03-25), Carl Poole (US trumpeter) (am 1952-03-25), Al Porcino (am 1952-03-25) und Bernie Privin (am 1952-03-25)
conductor:
Joe Lippman (Joseph P. Lippman)
arranger:
Joe Lippman (Joseph P. Lippman)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1952-03-25)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
2:53
14What Is This Thing Called Love?
recorded in:
New York, New York, Vereinigte Staaten (am 1952-03-25)
Produzent(in):
Norman Granz
alto saxophone:
Murray Williamson (am 1952-03-25), Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1952-03-25) und Harry Terrill (Musician - Saxophone Player) (am 1952-03-25)
baritone saxophone:
Danny Bank (reeds) (am 1952-03-25)
Gitarre:
Freddie Green (am 1952-03-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-03-25)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-03-25)
Posaune:
Bill Harris (jazz trombonist) (am 1952-03-25), Lou McGarity (am 1952-03-25) und Bart Varsalona (am 1952-03-25)
Schlagzeug:
Don Lamond (am 1952-03-25)
Tenorsaxophon:
Flip Phillips (am 1952-03-25) und Hank Ross (am 1952-03-25)
Trompete:
Jimmy Maxwell (Trumpet) (am 1952-03-25), Carl Pool (big-band era trumpet player) (am 1952-03-25), Carl Poole (US trumpeter) (am 1952-03-25), Al Porcino (am 1952-03-25) und Bernie Privin (am 1952-03-25)
Orchester:
Joe Lipman & His Orchestra (am 1952-03-25)
conductor:
Joe Lippman (Joseph P. Lippman) (am 1952-03-25)
arranger:
Joe Lippman (Joseph P. Lippman) (am 1952-03-25)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1952-03-25)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1952-03-25)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
2:39
15In the Still of the Night
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1953-05-22)
Fagott:
Manny Thaler (Musician - Bassoon PLayer) (am 1953-05-22)
flute:
Al Block (US jazz flute/saxaphone) (am 1953-05-22)
Klarinette:
Hal McKusick (am 1953-05-22)
Klavier:
Tony Aless (am 1953-05-22)
Kontrabass:
Charles Mingus (am 1953-05-22)
Oboe:
Tommy Mace (am 1953-05-22)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1953-05-22)
Waldhorn:
Junior Collins (am 1953-05-22)
vocals:
The Dave Lambert Singers (am 1953-05-22)
conductor:
Gil Evans (Canadian‐American jazz pianist and composer)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
instrumental recording of:
In the Still of the Night (Cole Porter song) (am 1953-05-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) und Chappell & Co., Inc. (USA)
3:24
16What Is This Thing Called Love? [Jam Session]
alto saxophone:
Johnny Hodges (in 1952-02, am 1952-06-17), Charlie Parker (aka “Bird”, jazz alto saxophonist) (in 1952-02, am 1952-06-17) und Benny Carter (am 1952-06-17, in 1952-07)
Gitarre:
Barney Kessel (in 1952-02, am 1952-06-17)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-06-17)
Kontrabass:
Ray Brown (jazz bassist) (in 1952-02, am 1952-06-17)
Schlagzeug:
J.C. Heard (in 1952-02, am 1952-06-17)
Tenorsaxophon:
Flip Phillips (in 1952-02, am 1952-06-17) und Ben Webster (in 1952-02, am 1952-06-17)
Trompete:
Charlie Shavers (in 1952-02, am 1952-06-17)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1952-06-17)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1952-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
15:52