NOW Yearbook ’87

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Faith
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
Bass:
Deon Estus
Gitarre:
Hugh Burns
Orgel [Cathedral Organ]:
Chris Cameron (British pianist, singer-songwriter, arranger and producer)
vocals:
George Michael
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1987, in 2010)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 74) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 104)
recording of:
Faith
Texter und Komponist(in):
George Michael
George Michael3.53:14
2Always on My Mind
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987, in 1991)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 42)
cover recording of:
Always on My Mind
Verfasser(in):
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) und Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) und Screen Gems–EMI Music Ltd.
recording of:
Always on My Mind
Verfasser(in):
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) und Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) und Screen Gems–EMI Music Ltd.
Pet Shop Boys4.33:55
3True Faith (7″ edit)
recording of:
True Faith
Verfasser(in):
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Teil von:
American Psycho
New Order4:12
4Pump Up the Volume
Techniker(in):
John Fryer (British producer and engineer)
Produzent(in):
Martyn Young
Gitarre:
A.R. Kane (British dreampop duo)
Sampler:
John Fryer (British producer and engineer)
turntable:
Dave Dorrell und C.J. Mackintosh
recording of:
Pump Up the Volume
Komponist(in):
Martyn Young und Steven Young (UK musician, member of Colourbox & MARRS)
Teil von:
American Psycho
M|A|R|R|S3.84:08
5Beethoven (I Love to Listen To)
recording engineer:
Fred Defaye
zusätzlich recording engineer:
Manu Guiot (sound engineer)
Programmierung:
Olle Romo (Swedish music producer, songwriter, and drummer)
Produzent(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
assistierende(r) Mix:
Serge Pauchard
Mix:
Manu Guiot (sound engineer)
aufgenommen bei:
Chateau Dangu Normandy in Dangu, Eure, Normandie (Normandy), Frankreich
mixed at:
Grand Armée Studios Paris in Paris, Île-de-France, Frankreich
recording of:
Beethoven
Texter:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
Komponist(in):
David A. Stewart (UK guitarist/singer for Eurythmics), Eurythmics und Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
D’n’A Ltd.
Eurythmics44:49
6Skin Trade (radio cut)
recording of:
Skin Trade
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes und John Taylor (UK bassist for Duran Duran)
Duran Duran4:26
7The Living Daylights (single version)
recording of:
The Living Daylights
Verfasser(in):
Pal Waaktaar (guitarist, songwriter and singer)
zusätzliche(r) Komponist(in):
John Barry (English score composer)
publisher:
ATV Music und BMG Music
Teil von:
James Bond themes
a‐ha4:14
8When Smokey Sings (edit)
recording of:
When Smokey Sings
Verfasser(in):
Martin Fry und Mark White (ABC/Vice Versa)
gewidmet:
Smokey Robinson
publisher:
Neutron Music, Neutron Music Ltd. und 10 Music Ltd. (in 1987)
ABC4:20
9Down to Earth (single version)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1986)
recording of:
Down to Earth
Verfasser(in):
Toby Andersen (keyboardist), Julian Godfrey Brookhouse, Michael Drummond, Nicholas Bernard Thorp und Ben Volpeliere-Pierrot (singer from Curiosity Killed the Cat)
publisher:
Chelsea Music Publishing Co., Ltd., Curio Sounds Ltd. und Warner Bros. (holding: file NO releases)
Curiosity Killed the Cat43:49
10Shattered Dreams
Produzent(in):
Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) und Mike Nocito
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
recording of:
Shattered Dreams
Texter und Komponist(in):
Clark Datchler
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sweet Oily Music
Johnny Hates Jazz4.53:27
11Wishing I Was Lucky (album version)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1987)
recording of:
Wishing I Was Lucky
Verfasser(in):
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell und Marti Pellow
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Precious Music Ltd. (publisher)
Wet Wet Wet33:47
12Stand by Me (stereo)
recording of:
Stand by Me
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King3:00
13When a Man Loves a Woman
recording of:
When a Man Loves a Woman
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge2:51
14Surrender
Produzent(in):
Paul Staveley O’Duffy
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1987) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1987)
recording of:
Surrender (in 1987)
Verfasser(in):
Andy Connell (in 1986), Corinne Drewery (in 1986) und Martin Jackson (in 1986)
publisher:
10 Music Ltd., EMI Virgin Music Publishers, EMI Virgin Music Publishing Italy S.r.l., Handle Music Ltd. und Virgin 10 Music Ltd.
Swing Out Sister43:55
15Is This Love?
recording of:
Is This Love? (Song by Alison Moyet)
Verfasser(in):
Alison Moyet und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Mega Music Ltd., Universal Music Publishing MGB Ltd. und Virgin Music (Publishers) Ltd.
Alison Moyet4:01
16Magic Smile
recording of:
Magic Smile
Texter und Komponist(in):
Rosie Vela
publisher:
Mercury Dime Ltd.
Rosie Vela4:26
17Luka
Sound-Engineering:
Robin Danar
Techniker(in):
Steve Addabbo und Rod O’Brien
Produzent(in):
Steve Addabbo und Lenny Kaye
Mix:
Shelly Yakus
Solo-Gitarre:
Jon Gordon (guitarist, music director, producer, composer)
Hintergrundgesang:
Shawn Colvin
vocals:
Suzanne Vega (American singer-songwriter)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1987)
aufgenommen bei:
duo Music Exchange in Dōgenzaka, Shibuya (Shibuya-ku), Tokyo, Japan
recording of:
Luka
Texter und Komponist(in):
Suzanne Vega (American singer-songwriter)
publisher:
WB Music Corp. (1929–2019)
Suzanne Vega4.353:53
18Wonderful Life
Produzent(in):
Dave Dix (Dave Dix)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1987)
Musikvideos:
Wonderful Life von Black (UK indie pop musician Colin Vearncombe)
recording of:
Wonderful Life
Texter und Komponist(in):
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
Black4.354:47
19Hymn to Her
recording of:
Hymn to Her
Texter und Komponist(in):
Meg Keene
publisher:
Clive Banks Music und Hynde House of Hits Music
Pretenders4:30
20China in Your Hand (single version)
recording of:
China in Your Hand
Verfasser(in):
Carol Decker und Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. und Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau4:00
2▼CD
Nr.TitelKünstlerBewertungLänge
1I Knew You Were Waiting (for Me)
recording of:
I Knew You Were Waiting (for Me)
Verfasser(in):
Simon Climie und Dennis Morgan (US songwriter)
publisher:
BMG Music Publishing Ltd., Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Kobalt Music Publishing Ltd. (UK), Kobalt Music Services Ltd. (UK), Little Shop of Morgansongs (BMI), Rare Blue Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Michael & Aretha Franklin3:59
2I Wanna Dance With Somebody (Who Loves Me)
recording engineer und Mix:
David Frazer (engineer)
Perkussion-Programmierung:
Preston Glass
assistierende(r) Techniker(in):
Dana Jon Chappelle
zusätzliche(r) assistierende(r) Techniker(in):
Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda (engineer) und Ross Williams (engineer)
zusätzliche(r) Techniker(in):
Lincoln Clapp (engineer), Maureen Droney, Ken Kessie, Gordon Lyon und Jay Rifkin
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Narada Michael Walden
alto saxophone:
Marc Russo
Bass-Synthesizer [bass synth]:
Randy Jackson (former bassist with Journey and American Idol judge)
elektronisches Schlagzeug / E-Drums [Simmons]:
Greg “Gigi” Gonaway
Gitarrensynthesizer [Charvel GTM6 midi guitar synth]:
Corrado Rustici
Schlagzeug:
Narada Michael Walden
Synthesizer [synth horns]:
Sterling Smith
Synthesizer [synths]:
Walter Afanasieff
Hintergrundgesang:
Kitty Beethoven, Kevin Dorsey, Jim Gilstrap, Jennifer Hall (backing vocalist) und Myrna Matthews
Hintergrundgesang und Sologesang:
Whitney Houston
arranger:
Narada Michael Walden
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1987)
produced for:
Perfection Light Productions
aufgenommen bei:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Vereinigte Staaten, Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten, Tarpan Studios in San Rafael, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 231)
recording of:
I Wanna Dance With Somebody (Who Loves Me)
Verfasser(in):
George Merrill und Shannon Rubicam
publisher:
Boy Meets Girl Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc. und Rondor Music (London) Ltd.
Whitney Houston4.254:51
3(I’ve Had) The Time of My Life (from “Dirty Dancing” soundtrack)
recording of:
(I’ve Had) The Time of My Life
Texter:
Franke Previte
Komponist(in):
John DeNicola und Donald Markowitz
publisher:
Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony/ATV Tunes LLC (ASCAP), Donald Jay Music, Ltd. (publisher) (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) und R.U. Cyrius Publishing (in 1987)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (beendet), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1987 winner)
Bill Medley & Jennifer Warnes4:49
4Never Gonna Give You Up
Keyboard [Fairlight]-Programmierung:
Ian Curnow (in 1986-10)
assistierende(r) Techniker(in):
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Techniker(in):
Mark McGuire (UK producer/engineer)
zusätzliche(r) Techniker(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) und Karen Hewitt
Produzent(in):
Aitken, Stock (of Stock Aitken Waterman), Stock Aitken Waterman und Waterman
Mix:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (am 1987-01-01)
Gitarre [guitars]:
Matt Aitken (in 1986-10)
Keyboard [keyboards]:
Matt Aitken (in 1986-10) und Mike Stock (of Stock Aitken Waterman) (in 1986-10)
Schlagzeug [drums]:
A Linn (Linn 9000) (in 1986-10)
Hintergrundgesang [backing vocals]:
Dee Lewis (in 1986-10), Shirley Lewis (in 1986-10), Mae McKenna (vocalist) (in 1986-10) und Suzanne Rhatigan (in 1986-10)
Sologesang:
Rick (English singer, songwriter and radio personality) (in 1986-10)
arranger:
Gordon Jenkins
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (vom 1987 bis heute), BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1987), Pete Waterman Ltd. (copyrights holder) (in 1987) und PWL (in 1987)
sonstige Unterstützung:
PWL (Aufgabe: original sound recordings made by)
aufgenommen bei:
PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) und PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich (in 1986-10)
mixed at:
PWL Studio 1 (am 1987-01-01) und PWL Studio 2 (am 1987-01-01)
Musikvideos:
Never Gonna Give You Up von Rick Astley (English singer, songwriter and radio personality)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 48) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 244)
recording of:
Never Gonna Give You Up (in 1986-10)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und Terrace Music (in 1987)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishers MGB Australia Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rick Astley4.353:33
5Love in the First Degree
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
vocals:
Bananarama
phonographisches Urheberrecht (℗) von:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1987)
produced for:
PWL Productions
recording of:
Love in the First Degree
Verfasser(in):
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman und Keren Woodward
publisher:
All Boys Music Ltd., Mike Stock Publishing Limited, Reverb Music Ltd. (Siobhan Fahey), Sid’s Songs Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner/Chappell Music Ltd. (1996–2019)
Bananarama3.353:32
6Respectable
Produzent(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mark McGuire (UK producer/engineer) und Stock Aitken Waterman
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (in 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987) und The Supreme Record Company Ltd. (in 1987)
Musikvideos:
Respectable von Mel & Kim (Appleby sisters)
recording of:
Respectable
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:22
7Toy Boy
recording of:
Toy Boy
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., BMG Music Publishing Ltd., Mike Stock Publishing Limited, SAW songs und Sid’s Songs Limited
Sinitta3:28
8Call Me
recording of:
Call Me
Verfasser(in):
Ivana Spagna, Larry Pignagnoli und Giorgio Spagna
Spagna4:06
9Something in My House (7″ remix)
recording of:
Something in My House
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
Dead or Alive3:50
10Male Stripper
recording of:
Male Stripper
Komponist(in):
Miki Zone
Man 2 Man5:01
11Never Can Say Goodbye
cover recording of:
Never Can Say Goodbye
Texter und Komponist(in):
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. und Portable Music Co., Inc.
The Communards4:28
12Jive Talkin’
cover recording of:
Jive Talkin’
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Flam Music Ltd., Gibb Brothers Music, Songs of Universal, Inc. (BMI) und Universal Music Careers
Boogie Box High4:38
13Living in a Box
Koproduzent(in):
Tom Lord Alge
Produzent(in):
Richard James Burgess
phonographisches Urheberrecht (℗) von:
BMG Ariola München GmbH (in 1987)
produced for:
The Burgess Worldco
recording of:
Living in a Box
Texter und Komponist(in):
Steve Piggott und Marcus Vere
publisher:
Brampton Music International, Brampton Music Ltd. (publisher) und Empire Music Ltd.
Living in a Box3.353:05
14Walk the Dinosaur
recording of:
Walk the Dinosaur
Verfasser(in):
Randy Jacobs (guitarist and songwriter), David Was und Don Was
publisher:
MCA Gilbey, MCA Music Ltd., MCA Music Pub. (renamed since c. 1996 as Universal Music Publishing Group), Monkeys Dogs Cattle Ltd., Semper Fi und Universal Music Corp. (USA, affiliated with ASCAP)
Was (Not Was)3:35
15Who Found Who (edit)
recording of:
Who Found Who
Texter und Komponist(in):
Paul Gurvitz
publisher:
Rare Blue Music Inc
Jellybean & Elisa Fiorillo3:42
16Looking for a New Love (radio edit)
recording engineer:
Erik Zobler
Produzent(in):
André Cymone und David Z. (producer/engineer David Rivkin)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986)
aufgenommen bei:
Mama Jo’s in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 5)
recording of:
Looking for a New Love
Verfasser(in):
André Cymone und Jody Watley
publisher:
EMI April Music Inc., Ultrawave Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1986)
Jody Watley54:00
17Dinner With Gershwin (edit)
phonographisches Urheberrecht (℗) von:
Crimson (UK budget comps; imprint of Crimson Productions Ltd.) (vom 2014 bis heute)
recording of:
Dinner With Gershwin
Verfasser(in):
Brenda Russell (US singer-songwriter & keyboardist)
publisher:
PW Arrangements, Rutland Road Music, Universal Geffen Music (work publisher - do NOT file releases here) und Universal Music Corp. (USA, affiliated with ASCAP)
Donna Summer4:11
18Criticize
recording of:
Criticize
Verfasser(in):
Jellybean Johnson und Alexander O’Neal
Alexander O’Neal4:08
19Stay Out of My Life
recording of:
Stay Out of My Life
Verfasser(in):
Denise Lisa Maria Pearson (English singer, songwriter)
publisher:
Tent Music Ltd. (publisher for the works of Five Star)
Five Star3:57
20Wishing Well
recording engineer und Mix:
Phil Legg
Produzent(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Martyn Ware
baritone saxophone, Keyboard und Perkussion und Hintergrundgesang und Sologesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Bass:
Phil Spalding
Gitarre:
Pete Glenister
Hi-Hat [Wicked Hi-Hat]:
Clive Mngaza
Schlagzeug:
Preston Heyman
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment), CBS Records (2006–2021) (in 1987) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1987)
recording of:
Wishing Well
Texter:
Terence Trent D’Arby (now known as Sananda Maitreya)
Komponist(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Sean Oliver
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music Publishers Ltd. und Young Terence Music (Publisher)
Terence Trent D’Arby3.153:31
3▼CD
Nr.TitelKünstlerBewertungLänge
1This Corrosion
Produzent(in):
Jim Steinman
drum machine:
Doktor Avalanche
Gast Chorgesang:
The New York Choral Society
vocals:
Andrew Eldritch
recording of:
This Corrosion
Texter und Komponist(in):
Andrew Eldritch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Sisters of Mercy4:30
2The Boy in the Bubble
recording of:
The Boy in the Bubble
Texter:
Paul Simon (of Simon & Garfunkel)
Komponist(in):
Forere Motloheloa und Paul Simon (of Simon & Garfunkel)
publisher:
Universal/MCA Music Ltd. (not for release label use!) und Paul Simon Music (in 1986)
Paul Simon4:00
3La Bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:52
4We’ll Be Together
recording of:
We’ll Be Together
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
Sting4:53
5Brilliant Disguise
recording engineer und Techniker(in):
Toby Scott (von 1987-02 bis 1987-03)
Produzent(in):
Jon Landau, Chuck Plotkin und Bruce Springsteen
assistierende(r) Mix:
Mark McKenna (engineer) (in 1987-05)
Mix:
Bob Clearmountain (von 1987-05 bis 1987-07)
Bass, drum machine, Gitarre, Mandoline und Mundharmonika:
Bruce Springsteen (von 1987-02 bis 1987-03)
Keyboard:
Roy Bittan (von 1987-02 bis 1987-03)
Orgel:
Danny Federici (von 1987-02 bis 1987-03)
Perkussion:
Max Weinberg (von 1987-02 bis 1987-03)
vocals:
Bruce Springsteen (von 1987-02 bis 1987-03)
phonographisches Urheberrecht (℗) von:
Bruce Springsteen (in 1987)
phonographisches Urheberrecht (℗) von:
CBS Gramophone Records & Tapes (India) Ltd. (in 1987)
aufgenommen bei:
Thrill Hill Recording, Rumson, New Jersey (Springsteen’s home studios) in Vereinigte Staaten (von 1987-02-05 bis 1987-02-27) und Thrill Hill East (Springsteen’s home studio in Rumson) in Monmouth County, New Jersey, Vereinigte Staaten (von 1987-02 bis 1987-03)
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1987-05)
recording of:
Brilliant Disguise (von 1987-02 bis 1987-03)
publisher:
Bruce Springsteen (, in 1987)
Texter und Komponist(in):
Bruce Springsteen (von 1986 bis 1987)
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Bruce Springsteen4.254:16
6Wanted Dead or Alive
recording of:
Wanted Dead or Alive
Verfasser(in):
Jon Bon Jovi und Richie Sambora
publisher:
PolyGram Music Publishing Ltd., Aggressive Music (vom 1986 bis heute), Bon Jovi Publishing (vom 1986 bis heute), Sony/ATV Tunes LLC (ASCAP) (vom 1986 bis heute), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (von 1986 bis 1998) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1998 bis heute)
Bon Jovi5:08
7Crazy Crazy Nights
recording of:
Crazy Crazy Nights
Verfasser(in):
Adam Mitchell (Scottish-Canadian songwriter) und Paul Stanley (KISS frontman)
publisher:
Downtown DMP Songs, Hori Productions America Inc., Largo Cargo Music, Piccadilly Music Corporation und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und 大洋音楽 (Taiyō Music)
KISS3:47
8Real Wild Child (Real One)
recording of:
Wild One (Real Wild Child)
Verfasser(in):
Johnny Greenan, Johnny O’Keefe und Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Southern Music (publisher)
Iggy Pop3:40
9(You Gotta) Fight for Your Right (to Party!)
Techniker(in):
Steve Ett
Koproduzent(in):
Beastie Boys
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
E-Gitarre:
Kerry King (co‐founder of Slayer)
phonographisches Urheberrecht (℗) von:
Def Jam Recordings (US) (in 1986)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 49) und Indie 88: Top 500 Indie Rock Songs (Nummer: 269)
recording of:
Fight for Your Right (to Party)
Texter:
Adam Horovitz, Rick Rubin (US record producer, former co‐president of Columbia Records) und Adam Yauch
Komponist(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
publisher:
Brooklyn Dust Music und Def Jam Music
Beastie Boys3.853:29
10This Wheel’s on Fire (single version)
cover recording of:
This Wheel’s on Fire
Texter:
Bob Dylan (in 1967)
Komponist(in):
Rick Danko (in 1967)
publisher:
Dwarf Music (vom 1967 bis heute)
Siouxsie and the Banshees4:04
11April Skies
recording of:
April Skies
Verfasser(in):
Jim Reid (Jesus and Mary Chain) und William Reid (guitarist, The Jesus and Mary Chain)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) (in 1987)
The Jesus and Mary Chain3:12
12Why Can’t I Be You?
assistierende(r) Produzent(in):
Sean Burrows, Michel Dierickx (Belgian producer & engineer, aka ‘Shelle’) und Jacques Hermet
Produzent(in) und Mix:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
E-Bass:
Simon Gallup
E-Gitarre:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Porl Thompson
Keyboard:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson und Lol Tolhurst
Perkussion und Schlagzeug:
Boris Williams
Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1987)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, ICP Recording Studios in Brussels (Region Brüssel-Hauptstadt), Belgien und Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, Frankreich
Musikvideos:
Why Can’t I Be You? von The Cure
recording of:
Why Can’t I Be You?
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst und Boris Williams
publisher:
APB Music Co.
The Cure43:14
13Mony Mony
cover recording of:
Mony Mony
Verfasser(in):
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry und Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Planetary Nom (London) Ltd.
Billy Idol4:10
14What You Get Is What You See
recording of:
What You Get Is What You See (Some boys got the look of a Greek Adonis…)
Verfasser(in):
Terry Britten und Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Myaxe Music Ltd., Rondor Music, Taiyō Music, Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Tina Turner3:57
15Valerie (remix)
recording of:
Valerie
Verfasser(in):
Will Jennings und Steve Winwood
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner Chappell North America
Steve Winwood4:08
16Don’t Dream It’s Over
recording engineer:
Tchad Blake und Dennis Kirk
assistierende(r) Techniker(in):
Glen Holguin (engineer)
Produzent(in):
Mitchell Froom
Mix:
Michael Frondelli
Bass:
Nick Seymour (Nicholas More Seymour)
Conga, Mbira [kalimba] und shakers:
Jorge Bermudez
E-Gitarre [Gibson Les Paul Goldtop] und Sologesang:
Neil Finn
E-Gitarre [Tom Anderson “S” Style]:
Tim Pierce (US session guitarist)
Keyboard und Orgel:
Mitchell Froom
Schlagzeug:
Paul Hester (Australian drummer for Crowded House/Split Enz)
Hintergrundgesang:
Noel Crombie, Jim Gilstrap, Andy Milton und Joe Satriani
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 5)
recording of:
Don’t Dream It’s Over
Texter und Komponist(in):
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing und Roundhead Music (Neil Finn)
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 2)
Crowded House3.93:52
17Sugar Mice (radio edit)
Assistent recording engineer:
Richard Sullivan (engineer)
recording engineer:
Nick Davis (producer, engineer)
Produzent(in):
Chris Kimsey
assistierende(r) Mix:
Avril Macintosh
Mix:
David Jacob
E-Bass:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
Gitarre:
Steve Rothery
Keyboard:
Mark Kelly (Marillion keyboardist)
Perkussion und Schlagzeug:
Ian Mosley
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman)
phonographisches Urheberrecht (℗) von:
Charisma Music Publishing Ltd
aufgenommen bei:
Westside Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Sugar Mice
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
Marillion5:00
18No More the Fool
recording of:
No More the Fool
Texter und Komponist(in):
Russ Ballard
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Russell Ballard Ltd und Virgin Music (Publishers) Ltd.
Elkie Brooks4:57
19Love Letters
cover recording of:
Love Letters
Texter:
Edward Heyman
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony und Warner/Chappell Music Ltd. (1996–2019)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
Alison Moyet2:51
20Ev’ry Time We Say Goodbye
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Simply Red3:25
4▼CD
Nr.TitelKünstlerBewertungLänge
1What Have I Done to Deserve This?
recording of:
What Have I Done to Deserve This?
Texter:
Neil Tennant und Allee Willis
Komponist(in):
Chris Lowe (1/2 of Pet Shop Boys), Neil Tennant und Allee Willis
publisher:
10 Music Ltd., Cage Music Ltd. und MCA Music Ltd.
Pet Shop Boys & Dusty Springfield4:21
2Cry Wolf
recording of:
Cry Wolf
Texter und Verfasser(in):
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Komponist(in):
Magne Furuholmen
publisher:
ATV Music
a‐ha4:07
3Watching the Wildlife
assistierende(r) Techniker(in):
Heff Moraes
leitende(r) Produzent(in):
Trevor Horn
Produzent(in):
Stephen Lipson
Bass:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
zusätzlich Gitarre:
Stephen Lipson
zusätzlich Keyboard:
Stephen Lipson, Peter Vetesse (British keyboardist, songwriter, arranger and record producer) und Andy Richards (Strawbs keyboard player/record producer)
vocals:
Holly Johnson
zusätzlich Hintergrundgesang:
Betsy Cooke
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Richard Niles
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1986)
aufgenommen bei:
Maison Rouge in London (Greater London), England, Vereinigtes Königreich, Ridge Farm in Dorking, Surrey, England, Vereinigtes Königreich, Sarm West Studio in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Wisseloord in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
recording of:
Watching the Wildlife (in 1986)
Texter und Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) (in 1987)
Frankie Goes to Hollywood4:17
4Crockett’s Theme (from “Miami Vice II” soundtrack)
recording of:
Crockett’s Theme (Miami Vice)
Komponist(in):
Jan Hammer
publisher:
Involved Publishing Ltd, MCA Music Inc. (Universal Music Philippines’ legal name) und Universal/MCA Music Ltd. (not for release label use!)
Jan Hammer3:26
5Ever Fallen in Love
Techniker(in):
John Potoker (producer/engineer aka Tokes)
Koproduzent(in):
Fine Young Cannibals und Jerry Harrison (Talking Heads & producer)
Bass, drum machine und Keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, Gitarre und Tamburin:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographisches Urheberrecht (℗) von:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988)
cover recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
Texter und Komponist(in):
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
Fine Young Cannibals3.23:56
6Running in the Family (7″ version)
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
recording of:
Running in the Family
Verfasser(in):
Wally Badarou, Phil Gould und Mark King (bass guitarist and vocalist)
Level 423.43:58
7It Doesn’t Have to Be This Way
Produzent(in):
Michael Baker (producer)
phonographisches Urheberrecht (℗) von:
RCA/Ariola Ltd. (in 1987)
produced for:
Simple Simon Inc.
recording of:
It Doesn’t Have to Be This Way
Texter und Komponist(in):
Robert Howard (pop songwriter)
publisher:
RCA Music Ltd. (publisher)
The Blow Monkeys3.354:03
8Labour of Love (edit)
Produzent(in):
The Was Bros
recording of:
Labour of Love
Verfasser(in):
Gregory Kane und Patrick Kane
Hue & Cry3.23:33
9Respect Yourself
Bassgitarre:
Dave Chamberlain (Guitarist and bassist)
Gitarre:
Danny Grenier und Duane Sciacqua
Keyboard:
Steve Thoma
Saxophon:
Chris Mostert
Schlagzeug:
Marty Fera
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1986, in 1987)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 38)
cover recording of:
Respect Yourself
Texter und Komponist(in):
Luther Ingram und Sir Mack Rice
publisher:
Irving Music (BMI) (in 1988) und Klondike Enterprises (publisher) (in 1988)
Bruce Willis43:52
10Some Guys Have All the Luck
recording of:
Some Guys Have All the Luck
Texter und Komponist(in):
Jeff Fortgang
Maxi Priest3:35
11Everything I Own
Produzent(in):
Stewart Levine (record producer and saxophonist)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
cover recording of:
Everything I Own
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. und Sony/ATV Music Publishing (UK) Ltd.
recording of:
Everything I Own
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. und Sony/ATV Music Publishing (UK) Ltd.
Boy George2.83:57
12I Heard a Rumour
Produzent(in):
Stock Aitken Waterman
vocals:
Bananarama
phonographisches Urheberrecht (℗) von:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1987) und London Records Ltd. (not release label) (in 1987)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 80)
recording of:
I Heard a Rumour
Verfasser(in):
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman und Keren Woodward
publisher:
All Boys Music Ltd., Grow Your Own Music, Mike Stock Publishing Limited, Reverb Music Ltd., Sid’s Songs Limited, Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC, Universal Music Careers, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Bananarama43:25
13Heartache
recording of:
Heartache
Verfasser(in):
Wayne Brown, Iris Fernando und Tambi Fernando
Pepsi & Shirlie23:36
14Another Step (Closer to You) (single version)
recording of:
Another Step (Closer to You)
Verfasser(in):
Steve Byrd und Kim Wilde
Kim Wilde & Junior3:25
15Loving You Is Sweeter Than Ever
cover recording of:
Loving You Is Sweeter Than Ever
Texter:
Ivy Jo Hunter
Komponist(in):
Ivy Jo Hunter und Stevie Wonder
publisher:
Black Bull Music Ltd., Black Bull Music, Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., 大洋音楽 (Taiyō Music) und Screen Gems-Columbia (publisher) (in 1967)
Nick Kamen3:46
16Hey Matthew
recording of:
Hey Matthew
Texter und Komponist(in):
Karel Fialka
publisher:
Illegal Music Ltd. (publisher; not for release label use!) (in 1987)
Karel Fialka3:32
17Some People
recording of:
Some People
Texter und Komponist(in):
Alan Tarney
Cliff Richard3:52
18Let It Be
cover recording of:
Let It Be
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
Ferry Aid4:38
19Once Upon a Long Ago
recording of:
Once Upon a Long Ago
Texter und Komponist(in):
Paul McCartney (The Beatles)
Paul McCartney4:09
20Fairytale of New York
recording of:
Fairytale of New York
Komponist(in):
Jeremy Fax Miner und Shane MacGowan
publisher:
BMG Music Publishing Ltd. und Perfect Songs Ltd. (UK publisher, affiliated with PRS)
The Pogues feat. Kirsty MacColl4:32

Nennungen

Veröffentlichungsgruppe

Teil von:Now Yearbook (UK Now subseries) (Nummer: 1987) (Reihenfolge: 31)