NOW Yearbook ’87

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1CD
#TitoloArtistaValutazioneDurata
1Faith
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
basso :
Deon Estus
chitarra :
Hugh Burns
organo [Cathedral Organ] :
Chris Cameron (British pianist, singer-songwriter, arranger and producer)
voce:
George Michael
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1987, nel 2010)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 74) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 104)
registrazione di:
Faith
paroliere e compositore:
George Michael
George Michael3.53:14
2Always on My Mind
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987, nel 1991)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 42)
registrazione cover di:
Always on My Mind
autore:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) e Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sebanine Music
sub-editore:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) e Screen Gems–EMI Music Ltd.
registrazione di:
Always on My Mind
autore:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) e Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sebanine Music
sub-editore:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) e Screen Gems–EMI Music Ltd.
Pet Shop Boys4.33:55
3True Faith (7″ edit)
registrazione di:
True Faith
autore:
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
parte di:
American Psycho
New Order4:12
4Pump Up the Volume
tecnico:
John Fryer (British producer and engineer)
produttore:
Martyn Young
campionatore :
John Fryer (British producer and engineer)
chitarra :
A.R. Kane (British dreampop duo)
piatto (giradischi) :
Dave Dorrell e C.J. Mackintosh
registrazione di:
Pump Up the Volume
compositore:
Martyn Young e Steven Young (UK musician, member of Colourbox & MARRS)
parte di:
American Psycho
M|A|R|R|S3.84:08
5Beethoven (I Love to Listen To)
tecnico di registrazione:
Fred Defaye
tecnico di registrazione aggiunto:
Manu Guiot (sound engineer)
programmazione:
Olle Romo (Swedish music producer, songwriter, and drummer)
produttore:
David A. Stewart (UK guitarist/singer for Eurythmics)
assistente tecnico di missaggio:
Serge Pauchard
tecnico di missaggio:
Manu Guiot (sound engineer)
registrata presso:
Chateau Dangu Normandy in Dangu, Eure, Normandie (Normandy), Francia
mixata presso:
Grand Armée Studios Paris in Paris, Île-de-France, Francia
registrazione di:
Beethoven
paroliere:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
compositore:
David A. Stewart (UK guitarist/singer for Eurythmics), Eurythmics e Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
editore:
D’n’A Ltd.
Eurythmics44:49
6Skin Trade (radio cut)
registrazione di:
Skin Trade
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes e John Taylor (UK bassist for Duran Duran)
Duran Duran4:26
7The Living Daylights (single version)
registrazione di:
The Living Daylights
autore:
Pal Waaktaar (guitarist, songwriter and singer)
compositore aggiunto:
John Barry (English score composer)
editore:
ATV Music e BMG Music
parte di:
James Bond themes
a‐ha4:14
8When Smokey Sings (edit)
registrazione di:
When Smokey Sings
autore:
Martin Fry e Mark White (ABC/Vice Versa)
dedicata a:
Smokey Robinson
editore:
Neutron Music, Neutron Music Ltd. e 10 Music Ltd. (nel 1987)
ABC4:20
9Down to Earth (single version)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1986)
registrazione di:
Down to Earth
autore:
Toby Andersen (keyboardist), Julian Godfrey Brookhouse, Michael Drummond, Nicholas Bernard Thorp e Ben Volpeliere-Pierrot (singer from Curiosity Killed the Cat)
editore:
Chelsea Music Publishing Co., Ltd., Curio Sounds Ltd. e Warner Bros. (holding: file NO releases)
Curiosity Killed the Cat43:49
10Shattered Dreams
produttore:
Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) e Mike Nocito
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1987)
registrazione di:
Shattered Dreams
paroliere e compositore:
Clark Datchler
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sweet Oily Music
Johnny Hates Jazz4.53:27
11Wishing I Was Lucky (album version)
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1987)
registrazione di:
Wishing I Was Lucky
autore:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell e Marti Pellow
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) e Precious Music Ltd. (publisher)
Wet Wet Wet33:47
12Stand by Me (stereo)
registrazione di:
Stand by Me
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King3:00
13When a Man Loves a Woman
registrazione di:
When a Man Loves a Woman
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge2:51
14Surrender
produttore:
Paul Staveley O’Duffy
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1987) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1987)
registrazione di:
Surrender (nel 1987)
autore:
Andy Connell (nel 1986), Corinne Drewery (nel 1986) e Martin Jackson (nel 1986)
editore:
10 Music Ltd., EMI Virgin Music Publishers, EMI Virgin Music Publishing Italy S.r.l., Handle Music Ltd. e Virgin 10 Music Ltd.
Swing Out Sister43:55
15Is This Love?
registrazione di:
Is This Love? (Song by Alison Moyet)
autore:
Alison Moyet e Dave Stewart (UK guitarist/singer for Eurythmics)
editore:
BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Mega Music Ltd., Universal Music Publishing MGB Ltd. e Virgin Music (Publishers) Ltd.
Alison Moyet4:01
16Magic Smile
registrazione di:
Magic Smile
paroliere e compositore:
Rosie Vela
editore:
Mercury Dime Ltd.
Rosie Vela4:26
17Luka
tecnico audio:
Robin Danar
tecnico:
Steve Addabbo e Rod O’Brien
produttore:
Steve Addabbo e Lenny Kaye
tecnico di missaggio:
Shelly Yakus
chitarra solista :
Jon Gordon (guitarist, music director, producer, composer)
voce:
Suzanne Vega (American singer-songwriter)
voce di accompagnamento:
Shawn Colvin
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1987)
registrata presso:
duo Music Exchange in Dōgenzaka, Shibuya (Shibuya-ku), Tokyo, Giappone
registrazione di:
Luka
paroliere e compositore:
Suzanne Vega (American singer-songwriter)
editore:
WB Music Corp. (1929–2019)
Suzanne Vega4.353:53
18Wonderful Life
produttore:
Dave Dix (Dave Dix)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1987)
video musicali:
Wonderful Life di Black (UK indie pop musician Colin Vearncombe)
registrazione di:
Wonderful Life
paroliere e compositore:
Colin Vearncombe
editore:
Rondor Music Ltd. (publisher)
Black4.354:47
19Hymn to Her
registrazione di:
Hymn to Her
paroliere e compositore:
Meg Keene
editore:
Clive Banks Music e Hynde House of Hits Music
Pretenders4:30
20China in Your Hand (single version)
registrazione di:
China in Your Hand
autore:
Carol Decker e Ron Rogers (Ronald Phillip Rogers, T'Pau)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. e Virgin Music (Publ.) Ltd. (publisher) (nel 1987)
T’Pau4:00
2CD
#TitoloArtistaValutazioneDurata
1I Knew You Were Waiting (for Me)
registrazione di:
I Knew You Were Waiting (for Me)
autore:
Simon Climie e Dennis Morgan (US songwriter)
editore:
BMG Music Publishing Ltd., Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Kobalt Music Publishing Ltd. (UK), Kobalt Music Services Ltd. (UK), Little Shop of Morgansongs (BMI), Rare Blue Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Michael & Aretha Franklin3:59
2I Wanna Dance With Somebody (Who Loves Me)
tecnico di registrazione e tecnico di missaggio:
David Frazer (engineer)
programmazione degli strumenti:
Preston Glass
assistente tecnico:
Dana Jon Chappelle
assistente tecnico aggiunto:
Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda (engineer) e Ross Williams (engineer)
tecnico aggiunto:
Lincoln Clapp (engineer), Maureen Droney, Ken Kessie, Gordon Lyon e Jay Rifkin
produttore:
Narada Michael Walden
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
batteria :
Narada Michael Walden
batteria elettronica [Simmons] :
Greg “Gigi” Gonaway
chitarra synth [Charvel GTM6 midi guitar synth] :
Corrado Rustici
sassofono contralto :
Marc Russo
sintetizzatore [synth horns] :
Sterling Smith
sintetizzatore [synths] :
Walter Afanasieff
sintetizzatore basso [bass synth] :
Randy Jackson (former bassist with Journey and American Idol judge)
voce di accompagnamento:
Kitty Beethoven, Kevin Dorsey, Jim Gilstrap, Jennifer Hall (backing vocalist) e Myrna Matthews
voce di accompagnamento e voce principale:
Whitney Houston
arrangiatore:
Narada Michael Walden
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1987)
è stato produttore per:
Perfection Light Productions
registrata presso:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Stati Uniti, Right Track Recording in Manhattan, New York, New York, Stati Uniti, Tarpan Studios in San Rafael, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 231)
registrazione di:
I Wanna Dance With Somebody (Who Loves Me)
autore:
George Merrill e Shannon Rubicam
editore:
Boy Meets Girl Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc. e Rondor Music (London) Ltd.
Whitney Houston4.254:51
3(I’ve Had) The Time of My Life (from “Dirty Dancing” soundtrack)
registrazione di:
(I’ve Had) The Time of My Life
paroliere:
Franke Previte
compositore:
John DeNicola e Donald Markowitz
editore:
Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony/ATV Tunes LLC (ASCAP), Donald Jay Music, Ltd. (publisher) (nel 1987), Jemava Music Corp. (nel 1987), Knockout Music Inc. (nel 1987) e R.U. Cyrius Publishing (nel 1987)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (conclusa), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック (Fujipacific Music, Inc.)
parte di:
The 60th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1987 winner)
Bill Medley & Jennifer Warnes4:49
4Never Gonna Give You Up
programmazione degli strumenti:
Ian Curnow (nel 1986-10)
assistente tecnico:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
tecnico:
Mark McGuire (UK producer/engineer)
tecnico aggiunto:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) e Karen Hewitt
produttore:
Aitken, Stock (of Stock Aitken Waterman), Stock Aitken Waterman e Waterman
tecnico di missaggio:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (il 1987-01-01)
batteria [drums] :
A Linn (Linn 9000) (nel 1986-10)
chitarra [guitars] :
Matt Aitken (nel 1986-10)
tastiera [keyboards] :
Matt Aitken (nel 1986-10) e Mike Stock (of Stock Aitken Waterman) (nel 1986-10)
voce di accompagnamento [backing vocals]:
Dee Lewis (nel 1986-10), Shirley Lewis (nel 1986-10), Mae McKenna (vocalist) (nel 1986-10) e Suzanne Rhatigan (nel 1986-10)
voce principale:
Rick (English singer, songwriter and radio personality) (nel 1986-10)
arrangiatore:
Gordon Jenkins
diritti fonografici (℗) detenuti da:
BMG Records (UK) Ltd. (1987–1996) (dal 1987 a oggi), BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 1987), Pete Waterman Ltd. (copyrights holder) (nel 1987) e PWL (nel 1987)
supporto a vario titolo:
PWL (incarico: original sound recordings made by)
registrata presso:
PWL Studio 1 (nel 1986-10), PWL Studio 2 (nel 1986-10) e PWL Studios (London) in London (Greater London), England, Regno Unito (nel 1986-10)
mixata presso:
PWL Studio 1 (il 1987-01-01) e PWL Studio 2 (il 1987-01-01)
video musicali:
Never Gonna Give You Up di Rick Astley (English singer, songwriter and radio personality)
parte di:
Cachitos Nochevieja 2022 (numero: 48) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 244)
registrazione di:
Never Gonna Give You Up (nel 1986-10)
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. e Terrace Music (nel 1987)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishers MGB Australia Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rick Astley4.353:33
5Love in the First Degree
produttore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
voce:
Bananarama
diritti fonografici (℗) detenuti da:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (nel 1987)
è stato produttore per:
PWL Productions
registrazione di:
Love in the First Degree
autore:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman e Keren Woodward
editore:
All Boys Music Ltd., Mike Stock Publishing Limited, Reverb Music Ltd. (Siobhan Fahey), Sid’s Songs Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner/Chappell Music Ltd. (1996–2019)
Bananarama3.353:32
6Respectable
produttore:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mark McGuire (UK producer/engineer) e Stock Aitken Waterman
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (nel 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987) e The Supreme Record Company Ltd. (nel 1987)
video musicali:
Respectable di Mel & Kim (Appleby sisters)
registrazione di:
Respectable
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:22
7Toy BoySinitta3:28
8Call MeSpagna4:06
9Something in My House (7″ remix)Dead or Alive3:50
10Male Stripper
registrazione di:
Male Stripper
compositore:
Miki Zone
Man 2 Man5:01
11Never Can Say Goodbye
registrazione cover di:
Never Can Say Goodbye
paroliere e compositore:
Clifton Davis (musical theatre actor, singer and songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. e Portable Music Co., Inc.
The Communards4:28
12Jive Talkin’Boogie Box High4:38
13Living in a Box
co-produttore:
Tom Lord Alge
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
BMG Ariola München GmbH (nel 1987)
è stato produttore per:
The Burgess Worldco
registrazione di:
Living in a Box
paroliere e compositore:
Steve Piggott e Marcus Vere
editore:
Brampton Music International, Brampton Music Ltd. (publisher) e Empire Music Ltd.
Living in a Box3.353:05
14Walk the Dinosaur
registrazione di:
Walk the Dinosaur
autore:
Randy Jacobs (guitarist and songwriter), David Was e Don Was
editore:
MCA Gilbey, MCA Music Ltd., MCA Music Pub. (renamed since c. 1996 as Universal Music Publishing Group), Monkeys Dogs Cattle Ltd., Semper Fi e Universal Music Corp. (USA, affiliated with ASCAP)
Was (Not Was)3:35
15Who Found Who (edit)
registrazione di:
Who Found Who
paroliere e compositore:
Paul Gurvitz
editore:
Rare Blue Music Inc
Jellybean & Elisa Fiorillo3:42
16Looking for a New Love (radio edit)
tecnico di registrazione:
Erik Zobler
produttore:
André Cymone e David Z. (producer/engineer David Rivkin)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1986)
registrata presso:
Mama Jo’s in Hollywood, Los Angeles, California, Stati Uniti
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 3) (numero: 5)
registrazione di:
Looking for a New Love
autore:
André Cymone e Jody Watley
editore:
EMI April Music Inc., Ultrawave Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1986)
Jody Watley54:00
17Dinner With Gershwin (edit)
diritti fonografici (℗) detenuti da:
Crimson (UK budget comps; imprint of Crimson Productions Ltd.) (dal 2014 a oggi)
registrazione di:
Dinner With Gershwin
autore:
Brenda Russell (US singer-songwriter & keyboardist)
editore:
PW Arrangements, Rutland Road Music, Universal Geffen Music (work publisher - do NOT file releases here) e Universal Music Corp. (USA, affiliated with ASCAP)
Donna Summer4:11
18CriticizeAlexander O’Neal4:08
19Stay Out of My Life
registrazione di:
Stay Out of My Life
autore:
Denise Lisa Maria Pearson (English singer, songwriter)
editore:
Tent Music Ltd. (publisher for the works of Five Star)
Five Star3:57
20Wishing Well
tecnico di registrazione e tecnico di missaggio:
Phil Legg
produttore:
Terence Trent D’Arby (now known as Sananda Maitreya) e Martyn Ware
basso :
Phil Spalding
batteria :
Preston Heyman
charleston [Wicked Hi-Hat] :
Clive Mngaza
chitarra :
Pete Glenister
sassofono baritono, tastiera e percussione e voce di accompagnamento e voce principale:
Terence Trent D’Arby (now known as Sananda Maitreya)
arrangiatore:
Terence Trent D’Arby (now known as Sananda Maitreya)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment), CBS Records (2006–2021) (nel 1987) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1987)
registrazione di:
Wishing Well
paroliere:
Terence Trent D’Arby (now known as Sananda Maitreya)
compositore:
Terence Trent D’Arby (now known as Sananda Maitreya) e Sean Oliver
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music Publishers Ltd. e Young Terence Music (Publisher)
Terence Trent D’Arby3.153:31
3CD
#TitoloArtistaValutazioneDurata
1This Corrosion
produttore:
Jim Steinman
drum machine :
Doktor Avalanche
cori ospite:
The New York Choral Society
voce:
Andrew Eldritch
registrazione di:
This Corrosion
paroliere e compositore:
Andrew Eldritch
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Sisters of Mercy4:30
2The Boy in the Bubble
registrazione di:
The Boy in the Bubble
paroliere:
Paul Simon (of Simon & Garfunkel)
compositore:
Forere Motloheloa e Paul Simon (of Simon & Garfunkel)
editore:
Universal/MCA Music Ltd. (not for release label use!) e Paul Simon Music (nel 1986)
Paul Simon4:00
3La Bamba
produttore:
Mitchell Froom
esecutore:
Los Lobos (Chicano rock band)
arrangiatore:
Ritchie Valens
diritti fonografici (℗) detenuti da:
FFRR Records Ltd. (company name, NOT a label!) (nel 1987) e Slash Records (company, do not use as release label!) (nel 1987)
registrazione cover di:
La bamba (additional lyrics by Ritchie Valens)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Los Lobos4.152:52
4We’ll Be Together
registrazione di:
We’ll Be Together
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
Sting4:53
5Brilliant Disguise
tecnico di registrazione e tecnico:
Toby Scott (dal 1987-02 al 1987-03)
produttore:
Jon Landau, Chuck Plotkin e Bruce Springsteen
assistente tecnico di missaggio:
Mark McKenna (engineer) (nel 1987-05)
tecnico di missaggio:
Bob Clearmountain (dal 1987-05 al 1987-07)
armonica (a bocca) , basso , chitarra , drum machine e mandolino :
Bruce Springsteen (dal 1987-02 al 1987-03)
organo :
Danny Federici (dal 1987-02 al 1987-03)
percussione :
Max Weinberg (dal 1987-02 al 1987-03)
tastiera :
Roy Bittan (dal 1987-02 al 1987-03)
voce:
Bruce Springsteen (dal 1987-02 al 1987-03)
diritti fonografici (℗) detenuti da:
Bruce Springsteen (nel 1987)
diritti fonografici (℗) detenuti da:
CBS Gramophone Records & Tapes (India) Ltd. (nel 1987)
registrata presso:
Thrill Hill Recording, Rumson, New Jersey (Springsteen’s home studios) in Stati Uniti (dal 1987-02-05 al 1987-02-27) e Thrill Hill East (Springsteen’s home studio in Rumson) in Monmouth County, New Jersey, Stati Uniti (dal 1987-02 al 1987-03)
mixata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1987-05)
registrazione di:
Brilliant Disguise (dal 1987-02 al 1987-03)
editore:
Bruce Springsteen (, nel 1987)
paroliere e compositore:
Bruce Springsteen (dal 1986 al 1987)
editore:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Bruce Springsteen4.254:16
6Wanted Dead or Alive
registrazione di:
Wanted Dead or Alive
autore:
Jon Bon Jovi e Richie Sambora
editore:
PolyGram Music Publishing Ltd., Aggressive Music (dal 1986 a oggi), Bon Jovi Publishing (dal 1986 a oggi), Sony/ATV Tunes LLC (ASCAP) (dal 1986 a oggi), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (dal 1986 al 1998) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (dal 1998 a oggi)
Bon Jovi5:08
7Crazy Crazy Nights
registrazione di:
Crazy Crazy Nights
autore:
Adam Mitchell (Scottish-Canadian songwriter) e Paul Stanley (KISS frontman)
editore:
Downtown DMP Songs, Hori Productions America Inc., Largo Cargo Music, Piccadilly Music Corporation e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e 大洋音楽 (Taiyō Music)
KISS3:47
8Real Wild Child (Real One)
registrazione di:
Wild One (Real Wild Child)
autore:
Johnny Greenan, Johnny O’Keefe e Dave Owens (US songwriter, known for "Wild One")
editore:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited e Southern Music (publisher)
Iggy Pop3:40
9(You Gotta) Fight for Your Right (to Party!)
tecnico:
Steve Ett
co-produttore:
Beastie Boys
produttore:
Rick Rubin (US record producer, former co‐president of Columbia Records)
chitarra elettrica :
Kerry King (co‐founder of Slayer)
diritti fonografici (℗) detenuti da:
Def Jam Recordings (US) (nel 1986)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 49) e Indie 88: Top 500 Indie Rock Songs (numero: 269)
registrazione di:
Fight for Your Right (to Party)
paroliere:
Adam Horovitz, Rick Rubin (US record producer, former co‐president of Columbia Records) e Adam Yauch
compositore:
Rick Rubin (US record producer, former co‐president of Columbia Records)
editore:
Brooklyn Dust Music e Def Jam Music
Beastie Boys3.853:29
10This Wheel’s on Fire (single version)
registrazione cover di:
This Wheel’s on Fire
paroliere:
Bob Dylan (nel 1967)
compositore:
Rick Danko (nel 1967)
editore:
Dwarf Music (dal 1967 a oggi)
Siouxsie and the Banshees4:04
11April Skies
registrazione di:
April Skies
autore:
Jim Reid (Jesus and Mary Chain) e William Reid (guitarist, The Jesus and Mary Chain)
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) (nel 1987)
The Jesus and Mary Chain3:12
12Why Can’t I Be You?
assistente produttore:
Sean Burrows, Michel Dierickx (Belgian producer & engineer, aka ‘Shelle’) e Jacques Hermet
produttore e tecnico di missaggio:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) e Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
basso elettrico :
Simon Gallup
batteria e percussione :
Boris Williams
chitarra elettrica :
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Porl Thompson
tastiera :
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson e Lol Tolhurst
voce principale:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1987)
registrata presso:
Compass Point Studios in Nassau, Bahamas, ICP Recording Studios in Brussels (Brussels-Capital Region), Belgio e Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, Francia
video musicali:
Why Can’t I Be You? di The Cure
registrazione di:
Why Can’t I Be You?
paroliere:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
compositore:
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst e Boris Williams
editore:
APB Music Co.
The Cure43:14
13Mony Mony
registrazione cover di:
Mony Mony
autore:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry e Tommy James (American musician, singer, songwriter and record producer)
editore:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Planetary Nom (London) Ltd.
Billy Idol4:10
14What You Get Is What You See
registrazione di:
What You Get Is What You See (Some boys got the look of a Greek Adonis…)
autore:
Terry Britten e Graham Lyle
editore:
Goodsingle Ltd. (publisher), Myaxe Music Ltd., Rondor Music, Taiyō Music, Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
Tina Turner3:57
15Valerie (remix)
registrazione di:
Valerie
autore:
Will Jennings e Steve Winwood
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner Chappell North America
Steve Winwood4:08
16Don’t Dream It’s Over
tecnico di registrazione:
Tchad Blake e Dennis Kirk
assistente tecnico:
Glen Holguin (engineer)
produttore:
Mitchell Froom
tecnico di missaggio:
Michael Frondelli
basso :
Nick Seymour (Nicholas More Seymour)
batteria :
Paul Hester (Australian drummer for Crowded House/Split Enz)
chitarra elettrica [Gibson Les Paul Goldtop] e voce principale:
Neil Finn
chitarra elettrica [Tom Anderson “S” Style] :
Tim Pierce (US session guitarist)
congas , mbira [kalimba] e shaker :
Jorge Bermudez
organo e tastiera :
Mitchell Froom
voce di accompagnamento:
Noel Crombie, Jim Gilstrap, Andy Milton e Joe Satriani
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1986)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti e Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 5)
registrazione di:
Don’t Dream It’s Over
paroliere e compositore:
Neil Finn
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing e Roundhead Music (Neil Finn)
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 2)
Crowded House3.93:52
17Sugar Mice (radio edit)
assistente tecnico di registrazione:
Richard Sullivan (engineer)
tecnico di registrazione:
Nick Davis (producer, engineer)
produttore:
Chris Kimsey
assistente tecnico di missaggio:
Avril Macintosh
tecnico di missaggio:
David Jacob
basso elettrico :
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
batteria e percussione :
Ian Mosley
chitarra :
Steve Rothery
tastiera :
Mark Kelly (Marillion keyboardist)
voce principale:
Fish (Derek William Dick, ex‐Marillion frontman)
diritti fonografici (℗) detenuti da:
Charisma Music Publishing Ltd
registrata presso:
Westside Studios in London (Greater London), England, Regno Unito
mixata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
registrazione di:
Sugar Mice
paroliere:
Derek William Dick
compositore:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery e Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
Marillion5:00
18No More the Fool
registrazione di:
No More the Fool
paroliere e compositore:
Russ Ballard
editore:
EMI Virgin Music Ltd. (do not use this as a release label!), Russell Ballard Ltd e Virgin Music (Publishers) Ltd.
Elkie Brooks4:57
19Love Letters
registrazione cover di:
Love Letters
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony e Warner/Chappell Music Ltd. (1996–2019)
parte di:
The 18th Academy Award for Best Original Song (numero: 2)
Alison Moyet2:51
20Ev’ry Time We Say Goodbye
registrazione cover di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Simply Red3:25
4CD
#TitoloArtistaValutazioneDurata
1What Have I Done to Deserve This?Pet Shop Boys & Dusty Springfield4:21
2Cry Wolf
registrazione di:
Cry Wolf
paroliere e autore:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
compositore:
Magne Furuholmen
editore:
ATV Music
a‐ha4:07
3Watching the Wildlife
assistente tecnico:
Heff Moraes
produttore:
Stephen Lipson
produttore esecutivo:
Trevor Horn
basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
chitarra aggiunto:
Stephen Lipson
tastiera aggiunto:
Stephen Lipson, Peter Vetesse (British keyboardist, songwriter, arranger and record producer) e Andy Richards (Strawbs keyboard player/record producer)
voce:
Holly Johnson
voce di accompagnamento aggiuntiva:
Betsy Cooke
arrangiatore archi e arrangiatore ottoni :
Richard Niles
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1986)
registrata presso:
Maison Rouge in London (Greater London), England, Regno Unito, Ridge Farm in Dorking, Surrey, England, Regno Unito, Sarm West Studio in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito e Wisseloord in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
registrazione di:
Watching the Wildlife (nel 1986)
paroliere e compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) (nel 1987)
Frankie Goes to Hollywood4:17
4Crockett’s Theme (from “Miami Vice II” soundtrack)
registrazione di:
Crockett’s Theme (Miami Vice)
compositore:
Jan Hammer
editore:
Involved Publishing Ltd, MCA Music Inc. (Universal Music Philippines’ legal name) e Universal/MCA Music Ltd. (not for release label use!)
Jan Hammer3:26
5Ever Fallen in Love
tecnico:
John Potoker (producer/engineer aka Tokes)
co-produttore:
Fine Young Cannibals e Jerry Harrison (Talking Heads & producer)
basso, drum machine e tastiera :
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, chitarra e tamburello :
Andy Cox (of The Beat)
voce:
Roland Gift
diritti fonografici (℗) detenuti da:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (nel 1988)
registrazione cover di:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
paroliere e compositore:
Pete Shelley (Buzzcocks lead singer) (nel 1977-11)
editore:
Complete Music Ltd.
Fine Young Cannibals3.23:56
6Running in the Family (7″ version)
tecnico e tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
assistente produttore:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Wally Badarou e Level 42
registrazione di:
Running in the Family
autore:
Wally Badarou, Phil Gould e Mark King (bass guitarist and vocalist)
Level 423.43:58
7It Doesn’t Have to Be This Way
produttore:
Michael Baker (producer)
diritti fonografici (℗) detenuti da:
RCA/Ariola Ltd. (nel 1987)
è stato produttore per:
Simple Simon Inc.
registrazione di:
It Doesn’t Have to Be This Way
paroliere e compositore:
Robert Howard (pop songwriter)
editore:
RCA Music Ltd. (publisher)
The Blow Monkeys3.354:03
8Labour of Love (edit)
produttore:
The Was Bros
registrazione di:
Labour of Love
autore:
Gregory Kane e Patrick Kane
Hue & Cry3.23:33
9Respect Yourself
batteria :
Marty Fera
chitarra :
Danny Grenier e Duane Sciacqua
chitarra basso :
Dave Chamberlain (Guitarist and bassist)
sassofono :
Chris Mostert
tastiera :
Steve Thoma
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1986, nel 1987)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 38)
registrazione cover di:
Respect Yourself
paroliere e compositore:
Luther Ingram e Sir Mack Rice
editore:
Irving Music (BMI) (nel 1988) e Klondike Enterprises (publisher) (nel 1988)
Bruce Willis43:52
10Some Guys Have All the Luck
registrazione di:
Some Guys Have All the Luck
paroliere e compositore:
Jeff Fortgang
Maxi Priest3:35
11Everything I Own
produttore:
Stewart Levine (record producer and saxophonist)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1987)
registrazione cover di:
Everything I Own
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. e Sony/ATV Music Publishing (UK) Ltd.
registrazione di:
Everything I Own
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. e Sony/ATV Music Publishing (UK) Ltd.
Boy George2.83:57
12I Heard a Rumour
produttore:
Stock Aitken Waterman
voce:
Bananarama
diritti fonografici (℗) detenuti da:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (nel 1987) e London Records Ltd. (not release label) (nel 1987)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 80)
registrazione di:
I Heard a Rumour
autore:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman e Keren Woodward
editore:
All Boys Music Ltd., Grow Your Own Music, Mike Stock Publishing Limited, Reverb Music Ltd., Sid’s Songs Limited, Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC, Universal Music Careers, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Bananarama43:25
13HeartachePepsi & Shirlie23:36
14Another Step (Closer to You) (single version)Kim Wilde & Junior3:25
15Loving You Is Sweeter Than EverNick Kamen3:46
16Hey Matthew
registrazione di:
Hey Matthew
paroliere e compositore:
Karel Fialka
editore:
Illegal Music Ltd. (publisher; not for release label use!) (nel 1987)
Karel Fialka3:32
17Some People
registrazione di:
Some People
paroliere e compositore:
Alan Tarney
Cliff Richard3:52
18Let It Be
registrazione cover di:
Let It Be
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP)
Ferry Aid4:38
19Once Upon a Long Ago
registrazione di:
Once Upon a Long Ago
paroliere e compositore:
Paul McCartney (The Beatles)
Paul McCartney4:09
20Fairytale of New York
registrazione di:
Fairytale of New York
compositore:
Jeremy Fax Miner e Shane MacGowan
editore:
BMG Music Publishing Ltd. e Perfect Songs Ltd. (UK publisher, affiliated with PRS)
The Pogues feat. Kirsty MacColl4:32

Accreditamenti

Gruppo di pubblicazioni

parte di:Now Yearbook (UK Now subseries) (numero: 1987) (ordine: 31)