The Complete Recordings

~ Release by Elgar; Sir Adrian Boult (see all versions of this release, 1 available)

Annotation

Packaging: box with booklet and 19CDs (each in cardboard sleeve)

Status: All 19 discs now have tracklists entered. All records I could find shared/merged. All ARs entered.

Still to do: Some editing for consistency. Linking (and creating if needed) works.

Annotation last modified on 2017-09-16 05:02 UTC.

Tracklist

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5▶CD
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11▶CD
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15▼CD
#TitleArtistRatingLength
1In the South (Alassio) op. 50 — Concert Overture: Vivace —
producer:
David Bicknell (producer and engineer)
viola:
George Alexander (viola) (from 1955-06-22 until 1955-06-23)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1955-06-22 until 1955-06-23)
conductor:
Sir Adrian Boult (conductor) (from 1955-06-22 until 1955-06-23)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
Testament (UK classical) (in 2001)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1955-06-22 until 1955-06-23)
partial recording of:
In the South (Alassio), op. 50 (from 1955-06-22 until 1955-06-23)
composer:
Edward Elgar (composer) (from 1903 until 1904)
dedicated to:
Frank Schuster
premiered at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (on 1904-03-16)
part of:
Works of Edward Elgar by opus number (number: op. 50)
Sir Edward Elgar6:22
2In the South (Alassio) op. 50 — Concert Overture: Grandioso (fig. 20) —
producer:
David Bicknell (producer and engineer)
viola:
George Alexander (viola) (from 1955-06-22 until 1955-06-23)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1955-06-22 until 1955-06-23)
conductor:
Sir Adrian Boult (conductor) (from 1955-06-22 until 1955-06-23)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
Testament (UK classical) (in 2001)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1955-06-22 until 1955-06-23)
partial recording of:
In the South (Alassio), op. 50 (from 1955-06-22 until 1955-06-23)
composer:
Edward Elgar (composer) (from 1903 until 1904)
dedicated to:
Frank Schuster
premiered at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (on 1904-03-16)
part of:
Works of Edward Elgar by opus number (number: op. 50)
Sir Edward Elgar3:48
3In the South (Alassio) op. 50 — Concert Overture: Meno mosso, molto tranquillo (canto popolare) (fig. 34) —
producer:
David Bicknell (producer and engineer)
viola:
George Alexander (viola) (from 1955-06-22 until 1955-06-23)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1955-06-22 until 1955-06-23)
conductor:
Sir Adrian Boult (conductor) (from 1955-06-22 until 1955-06-23)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
Testament (UK classical) (in 2001)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1955-06-22 until 1955-06-23)
partial recording of:
In the South (Alassio), op. 50 (from 1955-06-22 until 1955-06-23)
composer:
Edward Elgar (composer) (from 1903 until 1904)
dedicated to:
Frank Schuster
premiered at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (on 1904-03-16)
part of:
Works of Edward Elgar by opus number (number: op. 50)
Sir Edward Elgar3:14
4In the South (Alassio) op. 50 — Concert Overture: Tempo I (fig. 40) — Poco meno mosso
producer:
David Bicknell (producer and engineer)
viola:
George Alexander (viola) (from 1955-06-22 until 1955-06-23)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1955-06-22 until 1955-06-23)
conductor:
Sir Adrian Boult (conductor) (from 1955-06-22 until 1955-06-23)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
Testament (UK classical) (in 2001)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1955-06-22 until 1955-06-23)
partial recording of:
In the South (Alassio), op. 50 (from 1955-06-22 until 1955-06-23)
composer:
Edward Elgar (composer) (from 1903 until 1904)
dedicated to:
Frank Schuster
premiered at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (on 1904-03-16)
part of:
Works of Edward Elgar by opus number (number: op. 50)
Sir Edward Elgar6:24
5Falstaff, op. 68 — Symphonic Study in C minor: I. Falstaff and Prince Henry
miscellaneous support:
Elgar Foundation and Elgar Society
producer:
Lawrance Collingwood
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1950-07-17 until 1950-07-19)
conductor:
Sir Adrian Boult (conductor) (from 1950-07-17 until 1950-07-19)
balance engineer:
Laurie Bamber and Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
Testament (UK classical) (in 1997)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1950-07-17 until 1950-07-19)
recording of:
Falstaff, op. 68: I. Falstaff and Prince Henry (from 1950-07-17 until 1950-07-19)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Sir Edward Elgar3:09
6Falstaff, op. 68 — Symphonic Study in C minor: II. Eastcheap — Gadshill — The Boar’s Head, revelry and sleep
miscellaneous support:
Elgar Foundation and Elgar Society
producer:
Lawrance Collingwood
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1950-07-17 until 1950-07-19)
conductor:
Sir Adrian Boult (conductor) (from 1950-07-17 until 1950-07-19)
balance engineer:
Laurie Bamber and Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
Testament (UK classical) (in 1997)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1950-07-17 until 1950-07-19)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) (from 1950-07-17 until 1950-07-19)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Sir Edward Elgar12:44
7Falstaff, op. 68 — Symphonic Study in C minor: II. Dream Interlude: “Jack Falstaff, now Sir John, a boy, and a page to Thomas Mowbray, Duke of Norfolk”: Poco allegretto
miscellaneous support:
Elgar Foundation and Elgar Society
producer:
Lawrance Collingwood
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1950-07-17 until 1950-07-19)
conductor:
Sir Adrian Boult (conductor) (from 1950-07-17 until 1950-07-19)
balance engineer:
Laurie Bamber and Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
Testament (UK classical) (in 1997)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1950-07-17 until 1950-07-19)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) (from 1950-07-17 until 1950-07-19)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Sir Edward Elgar2:32
8Falstaff, op. 68 — Symphonic Study in C minor: III. Falstaff’s march — The return through Gloucestershire —
miscellaneous support:
Elgar Foundation and Elgar Society
producer:
Lawrance Collingwood
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1950-07-17 until 1950-07-19)
conductor:
Sir Adrian Boult (conductor) (from 1950-07-17 until 1950-07-19)
balance engineer:
Laurie Bamber and Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
Testament (UK classical) (in 1997)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1950-07-17 until 1950-07-19)
partial recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London (from 1950-07-17 until 1950-07-19)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Sir Edward Elgar4:07
9Falstaff, op. 68 — Symphonic Study in C minor: III. Interlude: Gloucestershire: Shallow’s orchard: Allegretto — The new king — The hurried trip to London
miscellaneous support:
Elgar Foundation and Elgar Society
producer:
Lawrance Collingwood
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1950-07-17 until 1950-07-19)
conductor:
Sir Adrian Boult (conductor) (from 1950-07-17 until 1950-07-19)
balance engineer:
Laurie Bamber and Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
Testament (UK classical) (in 1997)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1950-07-17 until 1950-07-19)
partial recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London (from 1950-07-17 until 1950-07-19)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Sir Edward Elgar2:37
10Falstaff, op. 68 — Symphonic Study in C minor: IV. King Henry V’s progress — The repudiation of Falstaff, and his death
miscellaneous support:
Elgar Foundation and Elgar Society
producer:
Lawrance Collingwood
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1950-07-17 until 1950-07-19)
conductor:
Sir Adrian Boult (conductor) (from 1950-07-17 until 1950-07-19)
balance engineer:
Laurie Bamber and Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
Testament (UK classical) (in 1997)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1950-07-17 until 1950-07-19)
recording of:
Falstaff, op. 68: IV. King Henry V's Progress – The Repudiation of Falstaff, and His Death (from 1950-07-17 until 1950-07-19)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Sir Edward Elgar8:39
11The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: I. Overture: Allegro molto
producer:
Lawrance Collingwood
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1953-09-28)
conductor:
Sir Adrian Boult (conductor) (on 1953-09-28)
balance engineer:
Edward Huntley and Douglas Larter
phonographic copyright (℗) by:
Warner Classics (in 2013)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1953-09-28)
recording of:
The Wand of Youth Suite no. 1, op. 1a: I. Overture (on 1953-09-28)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar1:35
12The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: II. Serenade: Andantino
producer:
Lawrance Collingwood
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1953-09-28)
conductor:
Sir Adrian Boult (conductor) (on 1953-09-28)
balance engineer:
Edward Huntley and Douglas Larter
phonographic copyright (℗) by:
Warner Classics (in 2013)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1953-09-28)
recording of:
The Wand of Youth Suite no. 1, op. 1a: II. Serenade (on 1953-09-28)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar2:47
13The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: III. Minuet (Old Style): Andante
producer:
Lawrance Collingwood
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1953-09-28)
conductor:
Sir Adrian Boult (conductor) (on 1953-09-28)
balance engineer:
Edward Huntley and Douglas Larter
phonographic copyright (℗) by:
Warner Classics (in 2013)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1953-09-28)
recording of:
The Wand of Youth Suite no. 1, op. 1a: III. Minuet (Old Style) (on 1953-09-28)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar2:32
14The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: IV. Sun Dance: Presto
producer:
Lawrance Collingwood
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1953-09-28)
conductor:
Sir Adrian Boult (conductor) (on 1953-09-28)
balance engineer:
Edward Huntley and Douglas Larter
phonographic copyright (℗) by:
Warner Classics (in 2013)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1953-09-28)
recording of:
The Wand of Youth Suite no. 1, op. 1a: IV. Sun Dance (on 1953-09-28)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar2:43
15The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: V. Fairy Pipers: Allegretto
producer:
Lawrance Collingwood
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1953-09-28)
conductor:
Sir Adrian Boult (conductor) (on 1953-09-28)
balance engineer:
Edward Huntley and Douglas Larter
phonographic copyright (℗) by:
Warner Classics (in 2013)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1953-09-28)
recording of:
The Wand of Youth Suite no. 1, op. 1a: V. Fairy Pipers (on 1953-09-28)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar3:58
16The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: VI. Slumber Scene: Moderato
producer:
Lawrance Collingwood
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1953-09-28)
conductor:
Sir Adrian Boult (conductor) (on 1953-09-28)
balance engineer:
Edward Huntley and Douglas Larter
phonographic copyright (℗) by:
Warner Classics (in 2013)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1953-09-28)
recording of:
The Wand of Youth Suite no. 1, op. 1a: VI. Slumber Scene (on 1953-09-28)
composer:
Edward Elgar (composer)
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar4:00
17The Wand of Youth — Music to a Child’s Play: First Suite, op. 1a: VII. Fairies and Giants: Presto
producer:
Lawrance Collingwood
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1953-09-28)
conductor:
Sir Adrian Boult (conductor) (on 1953-09-28)
balance engineer:
Edward Huntley and Douglas Larter
phonographic copyright (℗) by:
Warner Classics (in 2013)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1953-09-28)
recording of:
The Wand of Youth Suite no. 1, op. 1a: VII. Fairies and Giants (on 1953-09-28)
composer:
Edward Elgar (composer)
is based on:
Humoreske
part of:
The Wand of Youth Suite no. 1, op. 1a
Sir Edward Elgar3:30
16▶CD
17▶CD
18▶CD
19▶CD

Credits

Release

manufactured in:EU (Europe)
printed in:EU (Europe)
photography:Derek Allen (photographer)
liner notes:Martin Cotton (in 2013)
liner notes translator:Dennis Collins (liner notes translator) (in 2013)
Leandra Rhoese (liner notes translator) (in 2013)
compiler:Richard J. Bradburn (compiler)
copyrighted (©) by and phonographic copyright (℗) by:Warner Classics (in 2013)
ASIN:UK: B00C68FJ0K [info]

Release group

includes:Choral Works
Enigma Variations / Pomp & Circumstance Marches Nos. 1–5 by Elgar (Edward Elgar, composer); London Symphony Orchestra, London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
Symphony no. 1 in A-flat / Serenade for Strings / Chanson de nuit / Chanson de matin by Sir Edward Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
Symphony no. 2 in E-flat / Cockaigne Overture by Sir Edward Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)