Classic Dinner Party

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Ho Hey
recording engineer und Produzent(in):
Ryan Hadlock (engineer, producer)
assistierende(r) Techniker(in):
Grant Hathaway
zusätzliche(r) Techniker(in):
Jerry Streeter
Mix:
Kevin Augunas
phonographisches Urheberrecht (℗) von:
Dualtone Music Group (not for label use; please use “Dualtone” instead)
aufgenommen bei:
Bear Creek Studios in Woodinville, Washington, Vereinigte Staaten
mixed at:
Fairfax Recordings Studio in Van Nuys, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 12), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 17), Billboard Year-End Hot 100 singles of 2012 (Nummer: 68) und Indie 88: Top 500 Indie Rock Songs (Nummer: 70)
recording of:
Ho Hey
Verfasser(in):
Jeremiah Fraites und Wesley Schultz
The Lumineers4.252:43
2Don’t Know Why
cover recording of:
Don’t Know Why
Texter und Komponist(in):
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Norah Jones3:02
3I Say a Little Prayer
recording engineer:
Tom Dowd (am 1968-04-17)
Produzent(in):
Jerry Wexler
Bass:
Jerry Jemmott (am 1968-04-17)
Gitarre:
Tommy Cogbill (am 1968-04-17)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-17)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-17)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 117)
cover recording of:
I Say a Little Prayer (am 1968-04-17)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) und Windswept Pacific Music Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.33:32
4Somewhere Only We Know
Programmierung, Produzent(in) und Mix:
Paul Beard (violinist)
Techniker(in):
Joe Kearns (British record producer, writer and engineer)
Ko-Mix:
Joe Kearns (British record producer, writer and engineer)
Akustikgitarre:
Paul Sayer
Klavier und Perkussion:
Paul Beard (violinist)
Sologesang:
Lily Allen
Saiteninstrumente arranger:
James Banbury, Andy Cook (engineer), Matt Doughty und Will Hicks
arranger:
Paul Beard (violinist)
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2014)
cover recording of:
Somewhere Only We Know
Verfasser(in):
Tom Chaplin, Richard Hughes (Keane member) und Tim Rice‐Oxley
publisher:
BMG Music Publishing Ltd.
Lily Allen43:28
5(Sittin’ on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:46
6In the Waiting Line
Produzent(in) und Mix:
Zero 7
Zusammensteller:
Aurore Leblanc
Bass:
Pete Trotman
Gitarre:
Dedi Madden
Schlagzeug:
Jeremy Stacey
vocals:
Sophie Barker (UK electronic vocalist)
phonographisches Urheberrecht (℗) von:
Ultimate Dilemma Records (in 2001)
mixed at:
Shabang Studios
produced at:
Shabang Studios
Musikvideos:
In the Waiting Line (Music video) von Zero 7
recording of:
In the Waiting Line
Verfasser(in):
Sophie Barker (UK electronic vocalist), Henry Binns und Sam Hardaker
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Zero 74.64:31
7Resolution
Matt Corby4:16
8Steady
Assistent recording engineer:
Christopher Messina
recording engineer:
Zach Hanson
assistierende(r) Produzent(in):
Bradley Cook (member of Megafaun, producer, songwriter)
Produzent(in):
Justin Vernon
Mix:
BJ Burton (engineer), Zach Hanson und Justin Vernon
vocals:
Camilla Staveley-Taylor, Emily Staveley-Taylor und Jessica Staveley-Taylor
Interpret(in):
The Staves (UK folk rock trio)
aufgenommen bei und mixed at:
April Base in Fall Creek, Wisconsin, Vereinigte Staaten
recording of:
Steady
Verfasser(in):
The Staves (UK folk rock trio)
The Staves3:28
9You Might Need Somebody (acoustic)
cover recording of:
You Might Need Somebody
Komponist(in):
Nan O’Byrne (American songwriter and composer) und Tom Snow (US keyboardist/songwriter)
Shola Ama3:25
10Baby
recording of:
Baby
Verfasser(in):
Devendra Banhart (singer-songwriter)
Devendra Banhart3:05
11Walkin Man
recording of:
Walkin’ Man
Texter und Komponist(in):
Steven Wold
Seasick Steve3.42:42
12My Funny Valentine
Produzent(in):
Richard Bock (record producer)
Bass:
Carson Smith
Klavier:
Russ Freeman (pianist)
Schlagzeug:
Bob Neel
vocals:
Chet Baker (American jazz trumpeter and vocalist)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (vom 1954 bis heute, vom 2004 bis heute)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-02-15)
recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Chet Baker2:20
13Baby I’m a Fool
Bass:
Ken Pendergast (bass player, vocalist)
Bratsche / Viola:
Alma Fernandez, Samuel Formicola (violist), Roland Kato und Dave Walther (Musician - Viola Player)
Cello:
Larry Corbett, Christina Soule (cello) und Cécilia Tsan (cellist)
Geige / Violine:
Darius Campo, Roberto Cani (violinist), Kevin Connolly (violinist), Joel Derouin, Miran H. Kojian, Natalie Leggett, Liane Mautner, Robin Olson, Katia Popov und Audrey Solomon
Harfe:
Amy Shulma (Musican - Harp Player)
Kontrabass:
Nico Abandolo (Musician - Bass Player) und Drew Dembowski
Schlagzeug:
Charlie Patterno (Musician - Drummer)
vocals:
Melody Gardot
recording of:
Baby I'm a Fool
Texter und Komponist(in):
Melody Gardot
publisher:
WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Melody Gardot3.653:30
14The First Time Ever I Saw Your Face
recording engineer:
William Arlt (am 1969-02-25)
Produzent(in):
Joel Dorn
Bratsche / Viola:
Alfred Brown (viola) (am 1969-02-25), Selwart Clarke (am 1969-02-25) und Theodore Israel (am 1969-02-25)
Cello:
Charles McCracken (cellist) (am 1969-02-25) und George Ricci (am 1969-02-25)
Geige / Violine:
Emanuel Green (am 1969-02-25) und Gene Orloff (am 1969-02-25)
Gitarre:
John Pizzarelli (am 1969-02-25)
Klavier und Sologesang:
Roberta Flack (singer and pianist) (am 1969-02-25)
Kontrabass:
Ron Carter (US jazz double-bassist) (am 1969-02-25)
Schlagzeug:
Ray Lucas (am 1969-02-25)
conductor:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer) (am 1969-02-25)
Saiteninstrumente arranger:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1969-02-25)
cover recording of:
The First Time Ever I Saw Your Face (am 1969-02-25)
Texter und Komponist(in):
Ewan MacColl (folksinger, songwriter, actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex Music Publishing, Harmony Music Publishing (subsidiary of Viva Entertainment), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Stormking Music Inc. und Westbury Music Ltd.
Roberta Flack4:20
15The Midnight Sun Will Never Set
recording of:
The Midnight Sun Will Never Set (Sarah Vaughan)
Texter:
Dorcas Cochran
Komponist(in):
Quincy Jones und Henri Salvador
Duke Ellington3:06
16Grounded (acoustic)
Rae Morris4:01
17Voices
recording of:
Voices
Dario G3:23
18Ain’t No Mountain High Enough
Produzent(in):
Nickolas Ashford, Henry Cosby und Valerie Simpson
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 6)
cover recording of:
Ain’t No Mountain High Enough
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
sub-publisher:
EMI Songs Australia Pty. Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross4.153:34
19Prayer in C
Produzent(in):
Pierre Guimard
vocals:
Lilly Wood and The Prick
remixer:
Robin Schulz
arranger:
Pierre Guimard
phonographisches Urheberrecht (℗) von:
Choke Industry (vom 2014 bis heute) und Wagram Music (imprint/distributor) (in 2014)
Remix von:
Prayer in C von Lilly Wood & The Prick
recording of:
Prayer in C
Verfasser(in):
Benjamin Cotto und Nili Hadida
publisher:
Choke Industry und Warner Chappell Music France
Teil von:
Matuschkes Lieblinge 2014 und Prix Rolf Marbot de la chanson de l’année (Nummer: 2014)
Lilly Wood & The Prick & Robin Schulz3.63:09
20Omen
Techniker(in):
Gus Pirelli (Remixer/Producer)
Produzent(in) und Mix:
Disclosure (UK electronic duo Guy & Howard Lawrence)
Hintergrundgesang und Sologesang:
Sam Smith (English singer‐songwriter)
recording of:
Omen
Verfasser(in):
Guy Lawrence (Disclosure), Howard Lawrence (Disclosure), James Napier und Sam Smith (English singer‐songwriter)
publisher:
Naughty Words Limited, Salli Isaak Music Publishing (publisher; do NOT use as release label) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Disclosure3.53:17

Nennungen