Classic Dinner Party

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Ho Hey
tecnico di registrazione e produttore:
Ryan Hadlock (engineer, producer)
assistente tecnico:
Grant Hathaway
tecnico aggiunto:
Jerry Streeter
tecnico di missaggio:
Kevin Augunas
diritti fonografici (℗) detenuti da:
Dualtone Music Group (not for label use; please use “Dualtone” instead)
registrata presso:
Bear Creek Studios in Woodinville, Washington, Stati Uniti
mixata presso:
Fairfax Recordings Studio in Van Nuys, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2013 (numero: 12), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 17), Billboard Year-End Hot 100 singles of 2012 (numero: 68) e Indie 88: Top 500 Indie Rock Songs (numero: 70)
registrazione di:
Ho Hey
autore:
Jeremiah Fraites e Wesley Schultz
The Lumineers4.252:43
2Don’t Know Why
registrazione cover di:
Don’t Know Why
paroliere e compositore:
Jesse Harris
editore:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Norah Jones3:02
3I Say a Little Prayer
tecnico di registrazione:
Tom Dowd (il 1968-04-17)
produttore:
Jerry Wexler
basso :
Jerry Jemmott (il 1968-04-17)
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-17)
chitarra :
Tommy Cogbill (il 1968-04-17)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-17)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-17)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 117)
registrazione cover di:
I Say a Little Prayer (il 1968-04-17)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:32
4Somewhere Only We Know
programmazione, produttore e tecnico di missaggio:
Paul Beard (violinist)
tecnico:
Joe Kearns (British record producer, writer and engineer)
co-tecnico di missaggio:
Joe Kearns (British record producer, writer and engineer)
chitarra acustica :
Paul Sayer
percussione e pianoforte :
Paul Beard (violinist)
voce principale:
Lily Allen
arrangiatore archi :
James Banbury, Andy Cook (engineer), Matt Doughty e Will Hicks
arrangiatore:
Paul Beard (violinist)
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2014)
registrazione cover di:
Somewhere Only We Know
autore:
Tom Chaplin, Richard Hughes (Keane member) e Tim Rice‐Oxley
editore:
BMG Music Publishing Ltd.
Lily Allen43:28
5(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:46
6In the Waiting Line
produttore e tecnico di missaggio:
Zero 7
compilatore:
Aurore Leblanc
basso :
Pete Trotman
batteria :
Jeremy Stacey
chitarra :
Dedi Madden
voce:
Sophie Barker (UK electronic vocalist)
diritti fonografici (℗) detenuti da:
Ultimate Dilemma Records (nel 2001)
mixata presso:
Shabang Studios
prodotta presso:
Shabang Studios
video musicali:
In the Waiting Line (Music video) di Zero 7
registrazione di:
In the Waiting Line
autore:
Sophie Barker (UK electronic vocalist), Henry Binns e Sam Hardaker
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Zero 74.64:31
7Resolution
Matt Corby4:16
8Steady
assistente tecnico di registrazione:
Christopher Messina
tecnico di registrazione:
Zach Hanson
assistente produttore:
Bradley Cook (member of Megafaun, producer, songwriter)
produttore:
Justin Vernon
tecnico di missaggio:
BJ Burton (engineer), Zach Hanson e Justin Vernon
voce:
Camilla Staveley-Taylor, Emily Staveley-Taylor e Jessica Staveley-Taylor
esecutore:
The Staves (UK folk rock trio)
registrata presso e mixata presso:
April Base in Fall Creek, Wisconsin, Stati Uniti
registrazione di:
Steady
autore:
The Staves (UK folk rock trio)
The Staves3:28
9You Might Need Somebody (acoustic)
registrazione cover di:
You Might Need Somebody
compositore:
Nan O’Byrne (American songwriter and composer) e Tom Snow (US keyboardist/songwriter)
Shola Ama3:25
10Baby
registrazione di:
Baby
autore:
Devendra Banhart (singer-songwriter)
Devendra Banhart3:05
11Walkin Man
registrazione di:
Walkin’ Man
paroliere e compositore:
Steven Wold
Seasick Steve3.42:42
12My Funny Valentine
produttore:
Richard Bock (record producer)
basso :
Carson Smith
batteria :
Bob Neel
pianoforte :
Russ Freeman (pianist)
voce:
Chet Baker (American jazz trumpeter and vocalist)
diritti fonografici (℗) detenuti da:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (dal 1954 a oggi, dal 2004 a oggi)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-02-15)
registrazione di:
My Funny Valentine (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
Chet Baker2:20
13Baby I’m a Fool
arpa :
Amy Shulma (Musican - Harp Player)
basso :
Ken Pendergast (bass player, vocalist)
batteria :
Charlie Patterno (Musician - Drummer)
contrabbasso :
Nico Abandolo (Musician - Bass Player) e Drew Dembowski
viola :
Alma Fernandez, Samuel Formicola (violist), Roland Kato e Dave Walther (Musician - Viola Player)
violino :
Darius Campo, Roberto Cani (violinist), Kevin Connolly (violinist), Joel Derouin, Miran H. Kojian, Natalie Leggett, Liane Mautner, Robin Olson, Katia Popov e Audrey Solomon
violoncello :
Larry Corbett, Christina Soule (cello) e Cécilia Tsan (cellist)
voce:
Melody Gardot
registrazione di:
Baby I'm a Fool
paroliere e compositore:
Melody Gardot
editore:
WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Melody Gardot3.653:30
14The First Time Ever I Saw Your Face
tecnico di registrazione:
William Arlt (il 1969-02-25)
produttore:
Joel Dorn
batteria :
Ray Lucas (il 1969-02-25)
chitarra :
John Pizzarelli (il 1969-02-25)
contrabbasso :
Ron Carter (US jazz double-bassist) (il 1969-02-25)
pianoforte e voce principale:
Roberta Flack (singer and pianist) (il 1969-02-25)
viola :
Alfred Brown (viola) (il 1969-02-25), Selwart Clarke (il 1969-02-25) e Theodore Israel (il 1969-02-25)
violino :
Emanuel Green (il 1969-02-25) e Gene Orloff (il 1969-02-25)
violoncello :
Charles McCracken (cellist) (il 1969-02-25) e George Ricci (il 1969-02-25)
direttore d'orchestra:
William S. Fischer (American keyboardist, saxophonist, arranger, and composer) (il 1969-02-25)
arrangiatore archi :
William S. Fischer (American keyboardist, saxophonist, arranger, and composer)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1969-02-25)
registrazione cover di:
The First Time Ever I Saw Your Face (il 1969-02-25)
paroliere e compositore:
Ewan MacColl (folksinger, songwriter, actor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex Music Publishing, Harmony Music Publishing (subsidiary of Viva Entertainment), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Stormking Music Inc. e Westbury Music Ltd.
Roberta Flack4:20
15The Midnight Sun Will Never Set
registrazione di:
The Midnight Sun Will Never Set (Sarah Vaughan)
paroliere:
Dorcas Cochran
compositore:
Quincy Jones e Henri Salvador
Duke Ellington3:06
16Grounded (acoustic)
Rae Morris4:01
17Voices
registrazione di:
Voices
Dario G3:23
18Ain’t No Mountain High Enough
produttore:
Nickolas Ashford, Henry Cosby e Valerie Simpson
arrangiatore:
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 6)
registrazione cover di:
Ain’t No Mountain High Enough
autore:
Nickolas Ashford e Valerie Simpson
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) e Jobete Music Co., Inc.
sub-editore:
EMI Songs Australia Pty. Ltd. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross4.153:34
19Prayer in C
produttore:
Pierre Guimard
voce:
Lilly Wood and The Prick
remixer:
Robin Schulz
arrangiatore:
Pierre Guimard
diritti fonografici (℗) detenuti da:
Choke Industry (dal 2014 a oggi) e Wagram Music (imprint/distributor) (nel 2014)
remix di:
Prayer in C di Lilly Wood & The Prick
registrazione di:
Prayer in C
autore:
Benjamin Cotto e Nili Hadida
editore:
Choke Industry e Warner Chappell Music France
parte di:
Matuschkes Lieblinge 2014 e Prix Rolf Marbot de la chanson de l’année (numero: 2014)
Lilly Wood & The Prick & Robin Schulz3.63:09
20Omen
tecnico:
Gus Pirelli (Remixer/Producer)
produttore e tecnico di missaggio:
Disclosure (UK electronic duo Guy & Howard Lawrence)
voce di accompagnamento e voce principale:
Sam Smith (English singer‐songwriter)
registrazione di:
Omen
autore:
Guy Lawrence (Disclosure), Howard Lawrence (Disclosure), James Napier e Sam Smith (English singer‐songwriter)
editore:
Naughty Words Limited, Salli Isaak Music Publishing (publisher; do NOT use as release label) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Disclosure3.53:17

Accreditamenti