Let’s Dance Vol. 2: Die Tanzhits zur Show

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1Dirty Diana
tecnico di registrazione e tecnico di missaggio:
Bruce Swedien
programmazione degli strumenti:
Douglas Getschal
co-produttore:
Michael Jackson (“King of Pop”)
produttore:
Quincy Jones
batteria :
John “JR” Robinson (session drummer)
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist), Steve Stevens (US guitarist and songwriter) e David Williams (session guitarist and songwriter)
sintetizzatore :
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay), Michael Boddicker, Denny Jaeger e Randy Waldman
synclavier :
Christopher Currell (arranger)
voce di accompagnamento e voce principale:
Michael Jackson (“King of Pop”)
arrangiatore sintetizzatore :
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay), Michael Jackson (“King of Pop”) e Quincy Jones
registrazione di:
Dirty Diana
paroliere e compositore:
Michael Jackson (“King of Pop”)
editore:
Mijac Music e Warner-Tamerlane Publ. Co. (publisher; do NOT use as release label)
Michael Jackson44:42
2Left Outside Alone (radio edit)
produttore:
Dallas Austin e Glen Ballard
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 2004)
video musicali:
Left Outside Alone di Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
registrazione di:
Left Outside Alone (nel 2004)
autore:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Dallas Austin e Glen Ballard
editore:
Aerostation Corporation, Arlovol Music, Cyptron Music, EMI Blackwood Music Inc., Po Ho Productions, Universal Music Corp. (USA, affiliated with ASCAP), Universal Studios, Inc. (formerly known as MCA Inc.) e Universal‐MCA Music Publishing (US)
Anastacia3.63:54
3No No Never
Texas Lightning3:01
4I’m So Excited
produttore:
Richard Perry (producer)
batteria :
John “JR” Robinson (session drummer)
chitarra :
George Doering e Lee Ritenour
chitarra basso :
Nathan East
pianoforte :
William D. “Smitty” Smith (organist/keyboardist)
sintetizzatore e tastiera [keyboards] :
Michael Boddicker e Greg Phillinganes
voce di accompagnamento:
June Pointer e Ruth Pointer
voce principale:
Anita Pointer
diritti fonografici (℗) detenuti da:
BMG Music (nel 1982)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 5) (numero: 6) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 258)
registrazione di:
I’m So Excited
autore:
Anita Pointer, June Pointer, Ruth Pointer e Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
editore:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. e SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-editore:
Fujipacific Music Inc. SBK Division (fino al 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Pointer Sisters4.83:48
5Le Freak (single version)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrazione di:
Le Freak (nel 1978)
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.43:30
6I Love to Love
tecnico:
Richard Dodd (mastering engineer, producer and engineer)
produttore:
Biddu (composer, songwriter, producer and musician)
arrangiatore:
Biddu (composer, songwriter, producer and musician)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1976) e Arista Records Ltd. (not for release label use!) (nel 1986)
registrazione cover di:
I Love to Love
paroliere:
Philo Jack Robinson (disco songwriter, producer, composer)
compositore:
James Bolden (French singer and songwriter)
editore:
Mautoglade Music, Robin Song Music (affiliated to SACEM) e Rolf Baierle Music
Tina Charles4.653:06
7Kiss From a Rose
assistente produttore:
Richard Lowe (UK producer/engineer)
produttore:
Trevor Horn
assistente tecnico di missaggio:
Tom Elmhirst (mixing engineer)
tecnico di missaggio:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
voce principale:
Seal (English‐born singer and songwriter)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1994), Warner Music Argentina S.A. (nel 2009) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2009)
è stato produttore per:
Horn Productions
registrata presso e mixata presso:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 308)
registrazione di:
Kiss From a Rose
paroliere e compositore:
Seal (English‐born singer and songwriter) (nel 1987)
editore:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) e SPZ Music Incorporated (BMI affiliated)
Seal3.854:49
8The Voice Within
registrazione di:
The Voice Within
autore:
Christina Aguilera e Glen Ballard
editore:
Aerostation Corporation, Careers–BMG Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Xtina Music
Christina Aguilera5:03
9Oye mi canto
programmazione:
Jorge Casas e Clay Ostwald
tecnico e tecnico di missaggio:
Eric Schilling
produttore:
Jorge Casas, Emilio Estefan, Jr. e Clay Ostwald
tecnico di missaggio aggiunto:
John Haag
chitarra acustica :
Paco Fonta
membranofono :
Robert Rodriguez (American film director, producer and musician)
pianoforte :
Paquito Hechavarría
tromba solista :
Teddy Mulet
voce di accompagnamento:
Jorge Casas, Teddy Mulet, Randy Barlow (of Miami Sound Machine) e Jon Secada
voce di accompagnamento e voce principale:
Gloria Estefan
arrangiatore corno :
Jorge Casas, Gloria Estefan, Teddy Mulet e Clay Ostwald
arrangiatore:
Jorge Casas, Gloria Estefan e Clay Ostwald
registrazione di:
Oye mi canto
paroliere:
Gloria Estefan
compositore:
Jorge Casas, Gloria Estefan e Clay Ostwald
editore:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000) e Foreign Imported Productions & Publishing, Inc.
Gloria Estefan44:56
10La isla bonita
produttore e tecnico di missaggio:
Groeneveld, van der Zwan, Verrips e Voermans
voce:
Mad’House (house/dance trio, key tracks “Holiday”, “Like a Prayer”)
arrangiatore:
Groeneveld, van der Zwan, Verrips e Voermans
mixata per, arrangiata per e è stato produttore per:
Digidance (Dutch dance label)
registrata presso:
Digidance Studios in Paesi Bassi, Kingdom of the Netherlands
registrazione cover di:
La isla bonita
autore:
Bruce Gaitsch (American guitarist, producer, engineer and arranger), Patrick Leonard (producer, songwriter and pianist) e Madonna (“Queen of Pop”)
editore:
Bleu Disque Music Co. (publisher), Edge of Fluke Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Johnny Yuma Music (publisher), Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) (, fino al 2019-05-28), Webo Girl (publisher), Webo Girl Publishing, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), WC Music Corp. (dal 2019-05-28 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
registrazione di:
La isla bonita
autore:
Bruce Gaitsch (American guitarist, producer, engineer and arranger), Patrick Leonard (producer, songwriter and pianist) e Madonna (“Queen of Pop”)
editore:
Bleu Disque Music Co. (publisher), Edge of Fluke Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Johnny Yuma Music (publisher), Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) (, fino al 2019-05-28), Webo Girl (publisher), Webo Girl Publishing, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), WC Music Corp. (dal 2019-05-28 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Mad’House3:43
11Waterloo
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
batteria :
Ola Brunkert (il 1973-12-17, il 1974-02-20)
chitarra :
Janne Schaffer (il 1973-12-17, il 1974-02-20)
chitarra acustica :
Björn Ulvaeus (il 1973-12-17)
chitarra basso :
Rutger Gunnarsson (il 1973-12-17)
moog, mellotron e pianoforte :
Benny Andersson (ABBA) (il 1973-12-17)
sassofono tenore :
Christer Eklund (il 1974-01-04)
diritti fonografici (℗) detenuti da:
Polar Music AB (nel 1974) e Polar Music International AB (nel 2014)
registrata presso:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Svezia (il 1973-12-17, il 1974-01-04, il 1974-02-20)
parte di:
Sweden in the Eurovision Song Contest (Svezia all'Eurovision Song Contest) (numero: 1974) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1974)
registrazione di:
Waterloo (English version) (dal 1973-12-17 al 1974-01)
autore:
Stig Anderson (Stikkan), Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Overseas Songs (conclusa), Polar Music AB (conclusa), Bocu Music Ltd., EMI Grove Park Music, Inc., Union Songs Music, Universal–Songs of PolyGram International, Inc., EMI Waterford Music (dal 1974 a oggi), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (dal 1974 a oggi) e Universal/Union Songs Musikförlag AB (dal 1974 a oggi)
versione tradotta di:
Waterloo (Swedish version)
parte di:
Mamma Mia! (1999 musical)
ABBA3.752:45
12Black Is Black
registrazione di:
Black Is Black (nel 1966)
autore:
Michelle Grainger (UK songwriter, co-wrote “Black is Black”), Tony Hayes (UK songwriter, co-wrote “Black is Black”) e Steve Wadey (UK songwriter, co-wrote “Black is Black”)
editore:
EMI Music Publishing (do not use as a release label!), Mellin Music, Musica (Musica Schallplatten-Vertrieb Gesellschaft m.b.H.), Robert Mellin Music Publishing Corp. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Los Bravos42:57
13Don’t Let Me Be Misunderstood
registrazione cover di:
Don’t Let Me Be Misunderstood
autore:
Bennie Benjamin, Gloria Caldwell, Sol Marcus e Horace Ott
editore:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) e Unichappell Music, Inc. (nel 1981)
Santa Esmeralda3:25
14Dancing in the Street
registrazione di:
Dancing in the Street
autore:
I. Hunter, M. Gaye e W. Stevenson (Motown songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha Reeves and the Vandellas2:38
15Mack the Knife
produttore:
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun e Jerry Wexler
voce:
Bobby Darin
direttore d'orchestra:
Richard Wess
arrangiatore:
Richard Wess
parte di:
Grammy Award: Record of the Year nominees (numero: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (numero: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 40) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 251)
registrazione cover di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:04
16Stand by Your Man
produttore:
Billy Sherrill (US songwriter/producer/arranger)
voce principale:
Tammy Wynette (nel 1968)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 473)
registrazione di:
Stand by Your Man (nel 1968)
autore:
Billy Sherrill (US songwriter/producer/arranger) e Tammy Wynette
editore:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. e EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette3.82:41
17Calling (Au nom de l’amour)
Geri Halliwell4:22
18Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:27
19Goldeneye (single edit)
registrata a:
London (Greater London), England, Regno Unito
tecnico di registrazione:
Mark “Spike” Stent (producer, engineer)
programmazione:
Marius de Vries
assistente tecnico:
Paul ‘P Dub’ Walton
produttore:
Nellee Hooper
produttore esecutivo:
Bono (singer of U2) e The Edge (U2 guitarist David Evans)
tecnico di missaggio:
Nellee Hooper e Mark “Spike” Stent (producer, engineer)
voce:
Tina Turner
arrangiatore archi [orchestra] :
Craig Armstrong (Scottish score composer)
registrazione di:
GoldenEye
autore:
Bono (singer of U2) e The Edge (U2 guitarist David Evans)
editore:
Blue Mountain Music e Songs of PolyGram International, Inc.
parte di:
James Bond themes
Tina Turner3.353:29
20(I’ve Had) The Time of My Life
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1987)
registrazione di:
(I’ve Had) The Time of My Life
paroliere:
Franke Previte
compositore:
John DeNicola e Donald Markowitz
editore:
Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony/ATV Tunes LLC (ASCAP), Donald Jay Music, Ltd. (publisher) (nel 1987), Jemava Music Corp. (nel 1987), Knockout Music Inc. (nel 1987) e R.U. Cyrius Publishing (nel 1987)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (conclusa), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック (Fujipacific Music, Inc.)
parte di:
The 60th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1987 winner)
Bill Medley6:47