Let’s Dance Vol. 2: Die Tanzhits zur Show

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Dirty Diana
recording engineer und Mix:
Bruce Swedien
Schlagzeug-Programmierung:
Douglas Getschal
Koproduzent(in):
Michael Jackson (“King of Pop”)
Produzent(in):
Quincy Jones
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist), Steve Stevens (US guitarist and songwriter) und David Williams (session guitarist and songwriter)
Schlagzeug:
John “JR” Robinson (session drummer)
Synclavier:
Christopher Currell (arranger)
Synthesizer:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay), Michael Boddicker, Denny Jaeger und Randy Waldman
Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”)
Synthesizer arranger:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay), Michael Jackson (“King of Pop”) und Quincy Jones
recording of:
Dirty Diana
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Mijac Music und Warner-Tamerlane Publ. Co. (publisher; do NOT use as release label)
Michael Jackson44:42
2Left Outside Alone (radio edit)
Produzent(in):
Dallas Austin und Glen Ballard
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2004)
Musikvideos:
Left Outside Alone von Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
Left Outside Alone (in 2004)
Verfasser(in):
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Dallas Austin und Glen Ballard
publisher:
Aerostation Corporation, Arlovol Music, Cyptron Music, EMI Blackwood Music Inc., Po Ho Productions, Universal Music Corp. (USA, affiliated with ASCAP), Universal Studios, Inc. (formerly known as MCA Inc.) und Universal‐MCA Music Publishing (US)
Anastacia3.63:54
3No No Never
Texas Lightning3:01
4I’m So Excited
Produzent(in):
Richard Perry (producer)
Bassgitarre:
Nathan East
Gitarre:
George Doering und Lee Ritenour
Keyboard [keyboards] und Synthesizer:
Michael Boddicker und Greg Phillinganes
Klavier:
William D. “Smitty” Smith (organist/keyboardist)
Schlagzeug:
John “JR” Robinson (session drummer)
Hintergrundgesang:
June Pointer und Ruth Pointer
Sologesang:
Anita Pointer
phonographisches Urheberrecht (℗) von:
BMG Music (in 1982)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 5) (Nummer: 6) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 258)
recording of:
I’m So Excited
Verfasser(in):
Anita Pointer, June Pointer, Ruth Pointer und Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. und SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (bis 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Pointer Sisters4.83:48
5Le Freak (single version)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
Le Freak (in 1978)
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.43:30
6I Love to Love
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer)
Produzent(in):
Biddu (composer, songwriter, producer and musician)
arranger:
Biddu (composer, songwriter, producer and musician)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976) und Arista Records Ltd. (not for release label use!) (in 1986)
cover recording of:
I Love to Love
Texter:
Philo Jack Robinson (disco songwriter, producer, composer)
Komponist(in):
James Bolden (French singer and songwriter)
publisher:
Mautoglade Music, Robin Song Music (affiliated to SACEM) und Rolf Baierle Music
Tina Charles4.653:06
7Kiss From a Rose
assistierende(r) Produzent(in):
Richard Lowe (UK producer/engineer)
Produzent(in):
Trevor Horn
assistierende(r) Mix:
Tom Elmhirst (mixing engineer)
Mix:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
Sologesang:
Seal (English‐born singer and songwriter)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
aufgenommen bei und mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 308)
recording of:
Kiss From a Rose
Texter und Komponist(in):
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) und SPZ Music Incorporated (BMI affiliated)
Seal3.854:49
8The Voice Within
recording of:
The Voice Within
Verfasser(in):
Christina Aguilera und Glen Ballard
publisher:
Aerostation Corporation, Careers–BMG Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Xtina Music
Christina Aguilera5:03
9Oye mi canto
Programmierung:
Jorge Casas und Clay Ostwald
Techniker(in) und Mix:
Eric Schilling
Produzent(in):
Jorge Casas, Emilio Estefan, Jr. und Clay Ostwald
zusätzliche(r) Mix:
John Haag
Akustikgitarre:
Paco Fonta
Klavier:
Paquito Hechavarría
membranophone:
Robert Rodriguez (American film director, producer and musician)
Solo-Trompete:
Teddy Mulet
Hintergrundgesang:
Jorge Casas, Teddy Mulet, Randy Barlow (of Miami Sound Machine) und Jon Secada
Hintergrundgesang und Sologesang:
Gloria Estefan
Horn arranger:
Jorge Casas, Gloria Estefan, Teddy Mulet und Clay Ostwald
arranger:
Jorge Casas, Gloria Estefan und Clay Ostwald
recording of:
Oye mi canto
Texter:
Gloria Estefan
Komponist(in):
Jorge Casas, Gloria Estefan und Clay Ostwald
publisher:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000) und Foreign Imported Productions & Publishing, Inc.
Gloria Estefan44:56
10La isla bonita
Produzent(in) und Mix:
Groeneveld, van der Zwan, Verrips und Voermans
vocals:
Mad’House (house/dance trio, key tracks “Holiday”, “Like a Prayer”)
arranger:
Groeneveld, van der Zwan, Verrips und Voermans
gemixt für, arranged for und produced for:
Digidance (Dutch dance label)
aufgenommen bei:
Digidance Studios in Niederlande, Kingdom of the Netherlands
cover recording of:
La isla bonita
Verfasser(in):
Bruce Gaitsch (American guitarist, producer, engineer and arranger), Patrick Leonard (producer, songwriter and pianist) und Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co. (publisher), Edge of Fluke Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Johnny Yuma Music (publisher), Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) (, bis 2019-05-28), Webo Girl (publisher), Webo Girl Publishing, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), WC Music Corp. (vom 2019-05-28 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
recording of:
La isla bonita
Verfasser(in):
Bruce Gaitsch (American guitarist, producer, engineer and arranger), Patrick Leonard (producer, songwriter and pianist) und Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co. (publisher), Edge of Fluke Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Johnny Yuma Music (publisher), Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) (, bis 2019-05-28), Webo Girl (publisher), Webo Girl Publishing, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), WC Music Corp. (vom 2019-05-28 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Mad’House3:43
11Waterloo
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Akustikgitarre:
Björn Ulvaeus (am 1973-12-17)
Bassgitarre:
Rutger Gunnarsson (am 1973-12-17)
Gitarre:
Janne Schaffer (am 1973-12-17, am 1974-02-20)
Moog, mellotron und Klavier:
Benny Andersson (ABBA) (am 1973-12-17)
Schlagzeug:
Ola Brunkert (am 1973-12-17, am 1974-02-20)
Tenorsaxophon:
Christer Eklund (am 1974-01-04)
phonographisches Urheberrecht (℗) von:
Polar Music AB (in 1974) und Polar Music International AB (in 2014)
aufgenommen bei:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (am 1973-12-17, am 1974-01-04, am 1974-02-20)
Teil von:
Sweden in the Eurovision Song Contest (Schweden beim Eurovision Song Contest) (Nummer: 1974) und Winners of the Eurovision Song Contest (Die Sieger des Eurovision Song Contest) (Nummer: 1974)
recording of:
Waterloo (English version) (von 1973-12-17 bis 1974-01)
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Overseas Songs (beendet), Polar Music AB (beendet), Bocu Music Ltd., EMI Grove Park Music, Inc., Union Songs Music, Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1974 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1974 bis heute) und Universal/Union Songs Musikförlag AB (vom 1974 bis heute)
übersetzte Version von:
Waterloo (Swedish version)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.752:45
12Black Is Black
recording of:
Black Is Black (in 1966)
Verfasser(in):
Michelle Grainger (UK songwriter, co-wrote “Black is Black”), Tony Hayes (UK songwriter, co-wrote “Black is Black”) und Steve Wadey (UK songwriter, co-wrote “Black is Black”)
publisher:
EMI Music Publishing (do not use as a release label!), Mellin Music, Musica (Musica Schallplatten-Vertrieb Gesellschaft m.b.H.), Robert Mellin Music Publishing Corp. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Los Bravos42:57
13Don’t Let Me Be Misunderstood
cover recording of:
Don’t Let Me Be Misunderstood
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
Santa Esmeralda3:25
14Dancing in the Street
recording of:
Dancing in the Street
Verfasser(in):
I. Hunter, M. Gaye und W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha Reeves and the Vandellas2:38
15Mack the Knife
Produzent(in):
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun und Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
Teil von:
Grammy Award: Record of the Year nominees (Nummer: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 40) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:04
16Stand by Your Man
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Sologesang:
Tammy Wynette (in 1968)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 473)
recording of:
Stand by Your Man (in 1968)
Verfasser(in):
Billy Sherrill (US songwriter/producer/arranger) und Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette3.82:41
17Calling (Au nom de l’amour)
Geri Halliwell4:22
18Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:27
19Goldeneye (single edit)
recorded in:
London (Greater London), England, Vereinigtes Königreich
recording engineer:
Mark “Spike” Stent (producer, engineer)
Programmierung:
Marius de Vries
assistierende(r) Techniker(in):
Paul ‘P Dub’ Walton
leitende(r) Produzent(in):
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
Produzent(in):
Nellee Hooper
Mix:
Nellee Hooper und Mark “Spike” Stent (producer, engineer)
vocals:
Tina Turner
Saiteninstrumente [orchestra] arranger:
Craig Armstrong (Scottish score composer)
recording of:
GoldenEye
Verfasser(in):
Bono (singer of U2) und The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music und Songs of PolyGram International, Inc.
Teil von:
James Bond themes
Tina Turner3.353:29
20(I’ve Had) The Time of My Life
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1987)
recording of:
(I’ve Had) The Time of My Life
Texter:
Franke Previte
Komponist(in):
John DeNicola und Donald Markowitz
publisher:
Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony/ATV Tunes LLC (ASCAP), Donald Jay Music, Ltd. (publisher) (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) und R.U. Cyrius Publishing (in 1987)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (beendet), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1987 winner)
Bill Medley6:47