Jazz From A To Z 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Secret Love
recording engineer:
Malcolm Chisholm
executive producer:
Dave Grusin (American pianist and score composer) and Larry Rosen
producer:
Orrin Keepnews and Dave Usher
double bass:
Israel Crosby (on 1958-09-06)
drums (drum set):
Vernell Fournier (jazz drummer) (on 1958-09-06)
piano:
Ahmad Jamal (on 1958-09-06)
recorded at:
Spotlite Club in Washington, D.C., United States (on 1958-09-06)
live instrumental recording of:
Secret Love (song from “Calamity Jane”) (on 1958-09-06)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell North America and Warner Chappell North America Ltd.
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 26th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1953 winner)
part of:
Calamity Jane (stage musical)
Ahmad Jamal3:52
2Star Eyes
alto saxophone:
Art Pepper (in 1957)
double bass:
Paul Chambers (US jazz bassist) (in 1957)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1957)
piano:
Red Garland (in 1957)
recording of:
Star Eyes (in 1957)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
part of:
I Dood It (1943)
Art Pepper5:16
3To Mario Bauzá
producer:
Paquito D’Rivera (Cuban-American jazz musician and composer)
bass:
Joe Santiago (latin composer, bassist and trombonist) (in 1994-11)
brass [trumpet, flugelhorn]:
Diego Urcola (Argentinian contemporary jazz musician) (in 1994-11)
guitar:
Carlos Emilio Morales (Cuban jazz guitarist) (in 1994-11)
percussion [congas, bongos]:
Gabriel Machado (in 1994-11) and Carlos “Patato” Valdés (in 1994-11)
percussion [guiro, maracas, congas]:
Gerardo Rosales (in 1994-11)
piano:
Bebo Valdés (in 1994-11)
reeds [alto saxophone, clarinet]:
Paquito D’Rivera (Cuban-American jazz musician and composer) (in 1994-11)
timbales:
Amadito Valdés (in 1994-11)
trombone:
Juan Pablo Torres (in 1994-11)
recorded at:
Bauer Studios (Tonstudio Bauer until 1989) in Ludwigsburg, Baden-Württemberg, Germany (in 1994-11)
Bebo Valdés6:05
4Ritmo de Otoño
executive producer:
Scott Barber
producer:
Loren Harriet and Bernie Williams (jazz musician & baseball player)
recording of:
Ritmo de Otoño
writer:
Bernie Williams (jazz musician & baseball player)
Bernie Williams5:42
5Foul Play
alto saxophone:
Gigi Gryce (in 1958-02) and Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (in 1958-02)
baritone saxophone:
Sahib Shihab (American jazz musician) (in 1958-02)
double bass:
Sam Jones (US jazz bassist) (in 1958-02)
drums (drum set):
Specs Wright (in 1958-02)
piano:
Wynton Kelly (in 1958-02)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (in 1958-02)
trombone:
Melba Liston (US jazz trombonist) (in 1958-02)
trumpet:
Ray Copeland (US jazz trumpeter) (in 1958-02) and Kenny Dorham (US jazz trumpeter, singer, and composer) (in 1958-02)
lead vocals:
Betty Carter (in 1958-02)
recording of:
Foul Play (in 1958-02)
writer:
Norman Mapp
Betty Carter2:25
6I've Got My Love to Keep Me Warm
miscellaneous support:
Leroy Lovett (on 1955-02-14)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-02-14)
double bass:
Leonard Gaskin (on 1955-02-14)
drums (drum set):
Cozy Cole (on 1955-02-14)
electric guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-02-14)
piano:
Billy Taylor (jazz/bop pianist) (on 1955-02-14)
tenor saxophone:
Budd Johnson (on 1955-02-14)
trumpet:
Charlie Shavers (on 1955-02-14)
vocals:
Billie Holiday (on 1955-02-14)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-02-14)
recording of:
I’ve Got My Love to Keep Me Warm (on 1955-02-14)
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billie Holiday3.753:59
7Strange Fruit
recording of:
Strange Fruit
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday3:18
8Outa-Space
recording of:
Outa Space
composer:
Joe Greene (American songwriter) and Billy Preston
Billy Preston4:11
9Space Race
engineer:
Tommy Vicari
producer:
Billy Preston
instrumental recording of:
Space Race
composer:
Billy Preston
publisher:
Irving Music (BMI) and W.E.P. Music Corp.
Billy Preston3:27
10X-Ray Hip
Bona Fide4:19
11Soul-Limbo
producer:
Booker T. Jones
recording of:
Soul Limbo
writer:
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) and Booker T. Jones
publisher:
Al Jackson Jr. Music and Irving Music (BMI)
Booker T. & the MG’s4.52:27
12Time Is Tight
recording of:
Time Is Tight
composer:
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) and Booker T. Jones
publisher:
Al Jackson Jr. Music and Irving Music (BMI)
Booker T. & the MG’s44:19
13Groovin'
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1967)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (in 1967)
keyboard [organ, electric piano]:
Booker T. Jones (in 1967)
cover recording of:
Groovin’ (in 1967)
writer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
Booker T. & the MG’s2:44
14Mrs. Robinson
instrumental cover recording of:
Mrs. Robinson
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
Booker T. & the MG’s3:41
15Green Onions
recorded in:
Memphis, Tennessee, United States (in 1962-06)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass guitar [bass]:
Lewie Steinberg (in 1962-06)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
guitar:
Steve Cropper (in 1962-06)
Hammond organ:
Booker T. Jones (in 1962-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 181) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions (in 1962-06)
composer:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. and Irving Music (BMI)
Booker T. & the MG’s3.852:56
16The Theme From 'Electric Surfboard"
“Brother” Jack McDuff2:35
17Very Saxy
Buddy Tate8:19
18Heads Up! Feet Down!
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recording of:
Heads Up! Feet Down! (in 1967-03)
composer:
Jimmy Heath
The Cannonball Adderley Quintet7:00
19Was Dog a Donut?
recording of:
Was Dog a Doughnut?
lyricist:
Bruce Lynch, Jean‐Alain Roussel and Cat Stevens (now known as Yusuf Islam)
composer:
Bruce Lynch and Cat Stevens (now known as Yusuf Islam)
publisher:
Ashtar Music B.V.
Cat Stevens5:16
20Give It All You Got
recording of:
Give It All You Got
composer:
Chuck Mangione
publisher:
Primary Wave Music (management, publishing and marketing company)
Chuck Mangione6:11
21Jordu
double bass:
George Morrow (on 1954-08-03)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1954-08-03)
piano:
Richie Powell (on 1954-08-03)
tenor saxophone:
Harold Land (US jazz tenor saxophonist) (on 1954-08-03)
trumpet:
Clifford Brown (trumpet) (on 1954-08-03)
recording of:
Jordu (on 1954-08-03)
composer:
Duke Jordan (in 1953)
Clifford Brown & Max Roach7:50
22What Is This Thing Called Love?
producer:
Bob Shad
double bass:
George Morrow (on 1956-02-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1956-02-16)
piano:
Richie Powell (on 1956-02-16)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1956-02-16)
trumpet:
Clifford Brown (trumpet) (on 1956-02-16)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1956-02-16)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Clifford Brown & Max Roach7:40
23Machine Gun
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael
recorded at and mixed at:
Motown Recording Studios (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States
recording of:
Machine Gun
lyricist and composer:
Milan Williams
publisher:
Jobete Music Co., Inc.
Commodores3.752:39
24April in Paris
recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
Count Basie3:49
25Corner Pocket
instrumental recording of:
Corner Pocket (from 1955-07-26 until 1955-07-27)
lyricist:
Donald Wolf (songwriter / composer)
composer:
Freddie Green
publisher:
Longitude Music
Count Basie5:19
26Bright Mississippi
assistant recording engineer:
Chris Albert (US engineer)
recording engineer:
Al Schmitt (from 1996-01-03 until 1996-01-04)
producer:
Tommy LiPuma
assistant mixer:
Mike Krowiak
mixer:
Al Schmitt
bass:
Avishai Cohen (Israeli jazz bassist) (from 1996-01-03 until 1996-01-04)
drums (drum set):
Terri Lyne Carrington (from 1996-01-03 until 1996-01-04)
piano:
Danilo Pérez (from 1996-01-03 until 1996-01-04)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1996-01-03 until 1996-01-04)
cover recording of:
Bright Mississippi (from 1996-01-03 until 1996-01-04)
composer:
Thelonious Monk
Danilo Pérez5:40
27Scorpio
Dennis Coffey4:21
28Taurus
engineer:
Milan Bogdan
bass:
Bob Babbitt
guitar:
Dennis Coffey
conductor:
Mike Theodore
arranger:
Dennis Coffey
recording of:
Taurus
writer:
Dennis Coffey
Dennis Coffey3:01
29Whistle Bump
Eumir Deodato7:43
30God Bless the Child
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) and Motown Records (not for label use; use “Motown” instead) (in 2015)
cover recording of:
God Bless the Child
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Diana Ross2:43
31Chant
bass:
Butch Warren (on 1963-01-12)
guitar:
Kenny Burrell (on 1963-01-12)
membranophone:
Lex Humphries (on 1963-01-12)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-01-12)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1963-01-12)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1963-01-12)
vibraphone:
Donald Best (on 1963-01-12)
arranger:
Duke Pearson
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-01-12)
recording of:
Chant
composer:
Duke Pearson
publisher:
EMI Unart Catalog Inc.
Donald Byrd7:32
32Dance Hall
Donald Harrison6:42
33Sweet Sixteen Bars
Earl Grant4:49
34Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Ella Fitzgerald5:06
35Music Box Dancer
Frank Mills3:22
36Straight Life
engineer:
Rudy van Gelder
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (on 1970-11-16)
drums (drum set):
Jack DeJohnette (on 1970-11-16)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1970-11-16)
guitar:
George Benson (jazz guitarist/singer) (on 1970-11-16)
percussion:
Richie Landrum (on 1970-11-16)
tambourine:
Weldon Irvine (on 1970-11-16)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1970-11-16)
trumpet:
Freddie Hubbard (on 1970-11-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1970-11-16)
recording of:
Straight Life (on 1970-11-16)
composer:
Freddie Hubbard
Freddie Hubbard17:30
37The Battle Scene (From "The Final Comedown")
Grant Green6:45
38This I Dig of You
Hank Mobley6:29
39Axel F
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer6:35
40Delirium
Harold Land6:40
41Rotation
recording of:
Rotation
composer:
Andy Armer and Randy Alpert
Herb Alpert6:58
42Autodrive
recorded in:
United States (in 1983)
recording engineer:
Martin Bisi
producer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Material (group and producer team led by Bill Laswell)
mixer:
Dave Jerden
bass:
Bill Laswell (US bass guitarist and record producer) (in 1983)
keyboard:
Michael Beinhorn (in 1983) and Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1983)
recorded at:
OAO Studio in Brooklyn, New York, New York, United States (in 1983)
mixed at:
Eldorado Recording Studios in Burbank, California, United States
recording of:
Autodrive (in 1983)
writer:
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Bill Laswell (US bass guitarist and record producer)
Herbie Hancock6:28
43Rockit
recorded in:
United States (in 1983)
recording engineer:
Martin Bisi (in 1983)
producer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Material (group and producer team led by Bill Laswell)
mixer:
Dave Jerden
bass:
Bill Laswell (US bass guitarist and record producer) (in 1983)
keyboard:
Michael Beinhorn (in 1983) and Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1983)
performer:
DXT (US 80s hip hop, aka Grandmixer D.ST) (in 1983)
recorded at:
OAO Studio in Brooklyn, New York, New York, United States (in 1983)
mixed at:
Eldorado Recording Studios in Burbank, California, United States
music videos:
Rockit by Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
recording of:
Rockit (in 1983)
writer:
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Bill Laswell (US bass guitarist and record producer)
publisher:
Ensign Music Corporation
Herbie Hancock45:29
44Hold On, I'm Coming
recording engineer and producer:
Tom Dowd
bass [electric bass]:
Mike Leach (Nashville session musician and arranger) (on 1968-08-23)
drums (drum set):
Gene Chrisman (on 1968-08-23)
electric piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1968-08-23)
flute:
Herbie Mann (on 1968-08-23)
guitar:
Reggie Young (guitarist and songwriter) (on 1968-08-23)
organ:
Bobby Emmons (on 1968-08-23)
vibraphone:
Roy Ayers (on 1968-08-23)
recorded at:
American Sound Studios ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1968-08-23)
instrumental cover recording of:
Hold On, I’m Comin’ (on 1968-08-23)
writer:
Isaac Hayes, Hayes, Porter and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Herbie Mann8:57
45Popcorn
phonographic copyright (℗) by:
Musicor (American record label) (in 1972)
cover recording of:
Popcorn (in 1972)
composer:
Gershon Kingsley
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Hot Butter4.352:34
46Riot
Hugh Masekela2:00
47Up, Up and Away
Hugh Masekela5:33
48Jackie's Hat
Jackie McLean5:03
49The Plain but the Simple Truth
recording engineer:
James Farber (sound engineer) (on 1997-01-02)
producer:
Matt Pierson (producer)
mixer:
James Farber (sound engineer)
bass:
Ben Wolfe (on 1997-01-02)
drums (drum set):
Clarence Penn (Drummer) (on 1997-01-02)
piano:
Larry Goldings (on 1997-01-02)
tenor saxophone:
James Moody (jazz saxophonist) (on 1997-01-02) and Mark Turner (saxophone) (on 1997-01-02)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
James Moody & Mark Turner8:31
50The Theme From "Miami Vice"
recording of:
Miami Vice Theme
composer:
Jan Hammer
Jan Hammer6:53
51Tell Me
producer:
Branford Marsalis (saxophonist)
bass:
Orlando Le Fleming (British jazz bassist) (from 2005-03-07 until 2005-03-08)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 2005-03-07 until 2005-03-08)
piano:
Ellis Marsalis (American jazz pianist) (from 2005-03-07 until 2005-03-08)
saxophone:
Andrew Speight (from 2005-03-07 until 2005-03-08)
recorded at:
UNC Greensboro School of Music in Greensboro, North Carolina, United States (from 2005-03-07 until 2005-03-08)
Jimmy Cobb & Ellis Marsalis5:18
52The Worm
Jimmy McGriff33:25
53Hobo Flats
recorded in:
New York, New York, United States (on 1963-03-20)
engineer:
Ray Hall (engineer), Bob Simpson (US jazz engineer/producer) and Val Valentin
producer:
Creed Taylor
alto saxophone:
George Dorsey (on 1963-03-20) and Phil Woods (US jazz woodwind player) (on 1963-03-20)
baritone saxophone:
Danny Bank (reeds) (on 1963-03-20)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1963-03-20)
double bass:
George Duvivier (on 1963-03-20)
drums (drum set):
Willie Rodriguez (Latin jazz drummer and percussionist) (on 1963-03-20)
flute:
Danny Bank (reeds) (on 1963-03-20) and George Dorsey (on 1963-03-20)
harmonica:
Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (on 1963-03-20)
organ:
Jimmy Smith (US jazz organist) (on 1963-03-20)
tenor saxophone:
Al Cohn (on 1963-03-20) and Zoot Sims (US jazz saxophonist) (on 1963-03-20)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1963-03-20), Urbie Green (on 1963-03-20) and Quentin Jackson (on 1963-03-20)
trumpet:
Joe Newman (US jazz trumpeter) (on 1963-03-20), Ernie Royal (on 1963-03-20) and Clark Terry (American swing trumpeter) (on 1963-03-20)
orchestra:
Oliver Nelson’s Orchestra (on 1963-03-20)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1963-03-20)
arranger:
Oliver Nelson (saxophone, arranger, composer)
instrumental recording of:
Hobo Flats (from 1963-03-15 until 1963-03-20)
composer:
Oliver Nelson (saxophone, arranger, composer)
recording of:
Hobo Flats (on 1963-03-20)
composer:
Oliver Nelson (saxophone, arranger, composer)
Jimmy Smith4:47
54Walk on the Wild Side
recorded in:
New Jersey, United States (on 1962-03-28)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone and alto saxophone, flute and tenor saxophone:
Jerry Dodgion (on 1962-03-28) and Phil Woods (US jazz woodwind player) (on 1962-03-28)
baritone saxophone and baritone saxophone, flute and tenor saxophone:
George Barrow (on 1962-03-28)
bass trombone:
Thomas Mitchell (US jazz trombonist) (on 1962-03-28)
double bass:
George Duvivier (on 1962-03-28) and Milt Hinton (on 1962-03-28)
drums (drum set) and drums (drum set) and percussion:
Ed Shaughnessy (on 1962-03-28)
flute and tenor saxophone:
Robert Ashton (saxophonist) (on 1962-03-28) and Babe Clark (saxophonist) (on 1962-03-28)
guitar:
Barry Galbraith (on 1962-03-28)
Hammond organ and organ:
Jimmy Smith (US jazz organist) (on 1962-03-28)
tenor saxophone:
Bob Ashton (on 1962-03-28) and Arthur Clarke (baritone saxophonist) (on 1962-03-28)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1962-03-28), Urbie Green (on 1962-03-28) and Britt Woodman (on 1962-03-28)
trumpet:
Joe Newman (US jazz trumpeter) (on 1962-03-28), Ernie Royal (on 1962-03-28), Doc Severinsen (on 1962-03-28) and Joe Wilder (on 1962-03-28)
orchestra:
Oliver Nelson’s Orchestra
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1962-03-28)
arranger and orchestrator:
Oliver Nelson (saxophone, arranger, composer)
instrumental recording of:
Walk on the Wild Side (on 1962-03-28)
lyricist:
Mack David (American lyricist and songwriter)
composer:
Elmer Bernstein (American score composer)
publisher:
Columbia Pictures
part of:
The 35th Academy Award for Best Original Song (number: 2)
Jimmy Smith45:59
55Back at the Chicken Shack
recording engineer:
Rudy van Gelder (on 1960-04-25)
producer:
Alfred Lion
drums (drum set):
Donald Bailey (drummer and harmonica player) (on 1960-04-25)
guitar:
Kenny Burrell (on 1960-04-25)
organ:
Jimmy Smith (US jazz organist) (on 1960-04-25)
tenor saxophone:
Stanley Turrentine (on 1960-04-25)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1960-04-25)
recording of:
Back at the Chicken Shack (on 1960-04-25)
composer:
Jimmy Smith (US jazz organist)
publisher:
Edmy Music
Jimmy Smith, Stanley Turrentine & Kenny Burrell8:06
56Why Am I Treated So Bad?
recorded in:
Los Angeles, California, United States (on 1967-03-06)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1991)
Cannonball Adderley7:03
57Silhouette
engineer:
Gerry “The Gov” Brown (engineer & producer) and Steve Smart (Australian mastering engineer)
producer:
Kenny G (saxophonist)
mixer:
Mick Guzauski
bass:
Vail Johnson
bass drum:
Peter Bunetta
keyboard:
Walter Afanasieff
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1988)
recording of:
Silhouette
composer:
Kenny G (saxophonist)
publisher:
Brenee Mus., EMI Blackwood Music Inc., High Tech Music, Kenny G Music, Kuzu Music (publisher) and SBK Songs Ltd. (in 1988)
Kenny G5:32
58Everyday
Lambert, Hendricks & Ross5:23
59Ceora
recording engineer:
Rudy van Gelder (on 1965-09-18)
producer:
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1965-09-18)
double bass [bass]:
Larry Ridley (on 1965-09-18)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1965-09-18)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1965-09-18)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (on 1965-09-18)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1965-09-18)
recording of:
Ceora (on 1965-09-18)
composer:
Lee Morgan (jazz trumpeter / composer)
Lee Morgan6:24
60Zip Code
producer:
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1965-11-16)
bass:
Reggie Workman (on 1965-11-16)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1965-11-16)
piano:
Larry Willis (on 1965-11-16)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1965-11-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1965-11-16)
recording of:
Zip Code (on 1965-11-16)
composer:
Lee Morgan (jazz trumpeter / composer)
Lee Morgan6:31
61Beaux J. Poo Boo
recording engineer:
Jimmy Douglass (engineer) (on 1971-05-04)
producer:
Joel Dorn
bass:
Jimmy Rowser (on 1971-05-04)
bass [electric bass]:
Bill Salter (songwriter, bassist, producer) (on 1971-05-04)
electric guitar:
Cornell Dupree (on 1971-05-04)
electric piano:
Jodie Christian (on 1971-05-04)
guitar [guitar, electric guitar]:
David Spinozza (on 1971-05-04)
harp:
Corky Hale (on 1971-05-04)
keyboard [piano, electric piano, moog synthesizer]:
Les McCann (on 1971-05-04)
percussion:
Ralph MacDonald (on 1971-05-04)
percussion [african drums, percussion]:
William "Buck" Clarke (on 1971-05-04)
percussion [drums, percussion]:
Al Mouzon (on 1971-05-04), Bernard Purdie (on 1971-05-04) and Donald Dean (US jazz drummer) (on 1971-05-04)
woodwind [tenor saxophone, oboe, flute, pneumatic flute]:
Yusef Lateef (on 1971-05-04)
conductor:
Les McCann (on 1971-05-04)
remixer:
Fred Catero
arranger:
Les McCann
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1971-05-04)
remixed at:
Fred Catero Studios in San Francisco, California, United States
recording of:
Beaux J. Poo Boo (on 1971-05-04)
composer:
Les McCann
Les McCann13:03
62Poo Pye McGoochie (And His Friends)
recording engineer:
Jimmy Douglass (engineer) (on 1971-05-04)
producer:
Joel Dorn
bass:
Jimmy Rowser (on 1971-05-04)
bass [electric bass]:
Bill Salter (songwriter, bassist, producer) (on 1971-05-04)
electric guitar:
Cornell Dupree (on 1971-05-04)
electric piano:
Jodie Christian (on 1971-05-04)
guitar [guitar, electric guitar]:
David Spinozza (on 1971-05-04)
harp:
Corky Hale (on 1971-05-04)
keyboard [piano, electric piano, moog synthesizer]:
Les McCann (on 1971-05-04)
percussion:
Ralph MacDonald (on 1971-05-04)
percussion [african drums, percussion]:
William "Buck" Clarke (on 1971-05-04)
percussion [drums, percussion]:
Al Mouzon (on 1971-05-04), Bernard Purdie (on 1971-05-04) and Donald Dean (US jazz drummer) (on 1971-05-04)
woodwind [tenor saxophone, oboe, flute, pneumatic flute]:
Yusef Lateef (on 1971-05-04)
conductor:
Les McCann (on 1971-05-04)
remixer:
Fred Catero
arranger:
Les McCann
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1971-05-04)
remixed at:
Fred Catero Studios in San Francisco, California, United States
recording of:
Poo Pye McGoochie (and his friends) (on 1971-05-04)
composer:
Les McCann
Les McCann12:30
63The Entertainer
Marvin Hamlisch3:05
64Tubular Bells ("The Exorcist" Theme)
partial recording of:
Tubular Bells, Part One
composer:
Mike Oldfield
Mike Oldfield45:00
65The Theme From "Hill Street Blues"
recording of:
Hill Street Blues: Theme
composer:
Mike Post
publisher:
MTM Music (in 1984)
Mike Post & Larry Carlton3:14
66Cloud Nine
Mongo Santamaría5:45
67El Pussy Cat
Mongo Santamaría2:43
68Signifyin' Monkey
Oscar Brown Jr.4:00
69My Heart Belongs to Daddy
assistant recording engineer:
Jeff Lippay
recording engineer and mixer:
Joe Ferla
producer:
Stefan F. Winter (producer)
assistant mixer:
John Herman (engineer)
double bass:
Charlie Haden (American jazz bassist) (in 1988-11)
drums (drum set):
Paul Motian (US jazz drummer, percussionist & composer) (in 1988-11)
electric guitar:
Bill Frisell (in 1988-11)
tenor saxophone:
Joe Lovano (American jazz artist) (in 1988-11)
instrumental cover recording of:
My Heart Belongs to Daddy (in 1988-11)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. and Chappell Music Ltd.
Paul Motian, Bill Frisell, Charlie Haden & Joe Lovano4:55
70You Can't Sit Down
Phil Upchurch4:15
71A Hard Day's Night
cover recording of:
A Hard Day’s Night
writer:
John Lennon (The Beatles) (from 1964-04-13 until 1964-04-14) and Paul McCartney (The Beatles) (from 1964-04-13 until 1964-04-14)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Unart Music Corp.
Ramsey Lewis4:59
72Money in the Pocket
Ramsey Lewis2:58
73Wade in the Water
Ramsey Lewis3:50
74Little Susie
Ray Bryant, Bobby Henderson & Sir Charles Thompson5:21
75Baby It's Cold Otside
engineer:
Steve Hoffman (mastering engineer)
producer:
Sid Feller
flugelhorn and trumpet:
Freddie Hubbard
guitar:
Jeff Pevar and Kevin Turner
tenor saxophone:
Rudy Johnson (1970s jazz saxophone player)
background vocals:
The Raeletts
vocals:
Betty Carter and Ray Charles (soul musician, singer and songwriter)
conductor:
Marty Paich
performer:
Betty Carter
arranger:
Marty Paich
cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
The 22nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1949 winner)
Ray Charles & Betty Carter4:13
76Everybody Loves the Sunshine
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976) and Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1976)
recording of:
Everybody Loves the Sunshine
lyricist and composer:
Roy Ayers
publisher:
Arlovol Music and BMG Monarch
Roy Ayers Ubiquity44:01
77I'm an Old Cowhand (From the Rio Grande)
recording engineer:
Roy Du Nann
producer:
Lester Koenig
double bass and double bass [bass]:
Ray Brown (jazz bassist) (on 1957-03-07)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1957-03-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1957-03-07)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-03-07)
instrumental recording of:
I’m an Old Cowhand (From the Rio Grande) (on 1957-03-07)
lyricist and composer:
Johnny Mercer
publisher:
The Johnny Mercer Foundation and WC Music Corp.
Sonny Rollins & Ray Brown10:12
78Don't Stop the Carnival
producer:
Orrin Keepnews
drums (drum set):
Tony Williams (American jazz drummer) (from 1978-04-13 until 1978-04-15)
electric bass guitar:
Jerome Harris (jazz bassist/guitarist) (in 1978-04)
electric guitar:
Aurell Ray (from 1978-04-13 until 1978-04-15)
piano:
Mark Soskin (from 1978-04-13 until 1978-04-15)
saxophone:
Sonny Rollins (American saxophonist) (from 1978-04-13 until 1978-04-15)
recorded at:
Great American Music Hall in San Francisco, California, United States (from 1978-04-13 until 1978-04-15)
recording of:
Don’t Stop the Carnival (in 1978-04)
composer:
Sonny Rollins (American saxophonist)
Sonny Rollins8:46
79Brain Training
Stanley Clarke4:53
80EJ
Steve Turre5:11
81A Tisket a Tasket
recording of:
A‐Tisket, A‐Tasket
lyricist:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) and Van Alexander (aka Al Feldman)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13188)
Take 6 & Ella Fitzgerald2:41
82Over There
assistant recording engineer:
Glen Pittman
engineer:
Don Murray (producer / engineer)
producer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
assistant mixer:
Seth Presant
bass:
Derrick Hodge (from 2004-12-11 until 2004-12-14)
guitar:
Lionel Loueke (from 2004-12-11 until 2004-12-14)
membranophone:
Kendrick Scott (American jazz drummer, bandleader and composer) (from 2004-12-11 until 2004-12-14)
piano:
Aaron Parks (jazz pianist) (from 2004-12-11 until 2004-12-14)
saxophone:
Brice Winston (from 2004-12-11 until 2004-12-14)
trumpet:
Terence Blanchard (American trumpeter and score composer) (from 2004-12-11 until 2004-12-14)
vocals:
Gretchen Parlato (from 2004-12-11 until 2004-12-14)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
recorded at:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States (from 2004-12-11 until 2004-12-14)
mixed at:
G Studio Digital in Studio City, Los Angeles, California, United States
Terence Blanchard7:32
83Paraty
Brazilian Trio5:57
84Frankenstein
producer:
Rick Derringer
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 97)
recording of:
Frankenstein
composer:
Edgar Winter
publisher:
Longitude Music (ended), EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Songs, Inc., Hierophant Music, Longitude Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Edgar Winter Group44:45
85Street Dance
recording of:
Street Dance
writer:
Bill Curtis (The Fatback Band), Johnny Flippin and Johnny King (The Fatback Band)
Fatback Band3:15
86This Is What It Is
double bass:
Percy Heath (in 1997-02)
drums (drum set):
Albert “Tootie” Heath (in 1997-02)
piano:
“Sir” Roland Hanna (jazz pianist) (in 1997-02)
saxophone:
Jimmy Heath (in 1997-02)
trombone:
Slide Hampton (in 1997-02)
trumpet:
Jon Faddis (in 1997-02)
The Heath Brothers8:20
87On the Subway
The Last Poets1:35
88Cissy Strut
recording of:
Cissy Strut
composer:
Joseph Modeliste, Art Neville, Leo Nocentelli and George Porter, Jr.
The Meters3:07
89Afro Strut
The Nite-Liters2:53
90K-Jee
recording of:
K-Jee
composer:
Charles Edward Hearndon (Guitarist from Detroit) and Harvey Fuqua
The Nite-Liters4:06
91Hole in the Wall
recording of:
Hole in the Wall
writer:
Steve Cropper, Al Jackson, Jr. (Booker T & The MGs drummer) and Booker T. Jones
The Packers2:47
92Soulful Strut
producer:
Carl Davis (record producer) and Eugene Record
drums (drum set):
Red Holt (in 1968)
piano:
Ken Chaney (jazz pianist and composer) (in 1968)
strings:
Eldee Young (in 1968)
arranger:
Sonny Sanders
recording of:
Soulful Strut (in 1968)
composer:
Eugene Record and Sonny Sanders
publisher:
Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
version of:
Am I the Same Girl
Young–Holt Unlimited4.53:02
93Humph
Thelonious Monk2:55
94Summer Samba
engineer:
Rudy van Gelder
producer:
Creed Taylor
arranger:
Walter Wanderley
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1966-05-16 until 1966-05-17)
cover recording of:
Samba de verão (from 1966-05-16 until 1966-05-17)
lyricist:
Paulo Sérgio Valle
composer:
Marcos Valle
publisher:
Costa & Valle Gestão de Direitos Autorais e Produções Artisticas Ltda., Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Walter Wanderley3:07
95Ain't No Stoppin' Us Now
cover recording of:
Ain’t No Stoppin’ Us Now
writer:
Jerry Cohen, Gene McFadden and John Whitehead
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wayman Tisdale54:06
96Nu Soul
engineer:
Nick O’Toole (engineer at jazz label Posi-Tone)
producer:
Marc Free
drums (drum set):
Jason Brown (jazz drummer) (on 2008-10-20)
guitar:
Avi Rothbard (on 2008-10-20)
organ:
Gary Versace (US jazz pianist, organist, and accordion player) (on 2008-10-20)
saxophone:
Wayne Escoffery (on 2008-10-20)
phonographic copyright (℗) by:
Posi‐Tone Records (holding company - do not use as release label)
recorded at:
Kampo Studios in Manhattan, New York, New York, United States (on 2008-10-20)
mixed at:
Studio 507 in Los Angeles, California, United States
recording of:
Nu Soul (on 2008-10-20)
composer:
Wayne Escoffery
Wayne Escoffery4:42
97Bumpin'
Wes Montgomery6:50
98Tequila
Wes Montgomery3:21
99New Orleans Bump
Wynton Marsalis4:36
100Quarantine
recording engineer:
Jack Higgins (recording engineer) (on 1960-05-09)
producer:
Orrin Keepnews
double bass:
Herman Wright (Jazz bassist) (on 1960-05-09)
drums (drum set):
Lex Humphries (on 1960-05-09)
tenor saxophone:
Yusef Lateef (on 1960-05-09)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1960-05-09)
recording of:
Quarantine (on 1960-05-09)
composer:
Abe Woodley
Yusef Lateef7:03