Jazz From A To Z 3

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Secret Love
recording engineer:
Malcolm Chisholm
leitende(r) Produzent(in):
Dave Grusin (American pianist and score composer) und Larry Rosen
Produzent(in):
Orrin Keepnews und Dave Usher
Klavier:
Ahmad Jamal (am 1958-09-06)
Kontrabass:
Israel Crosby (am 1958-09-06)
Schlagzeug:
Vernell Fournier (jazz drummer) (am 1958-09-06)
aufgenommen bei:
Spotlite Club in Washington, D.C., Vereinigte Staaten (am 1958-09-06)
live instrumental recording of:
Secret Love (song from “Calamity Jane”) (am 1958-09-06)
Texter:
Paul Francis Webster
Komponist(in):
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell North America und Warner Chappell North America Ltd.
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Teil von:
The 26th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1953 winner)
Teil von:
Calamity Jane (stage musical)
Ahmad Jamal3:52
2Star Eyes
alto saxophone:
Art Pepper (in 1957)
Klavier:
Red Garland (in 1957)
Kontrabass:
Paul Chambers (US jazz bassist) (in 1957)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (in 1957)
recording of:
Star Eyes (in 1957)
Komponist(in):
Gene de Paul und Don Raye
publisher:
EMI Feist Catalog Inc. und Red Cape Songs
Teil von:
I Dood It (1943)
Art Pepper5:16
3To Mario Bauzá
Produzent(in):
Paquito D’Rivera (Cuban-American jazz musician and composer)
Bass:
Joe Santiago (latin composer, bassist and trombonist) (in 1994-11)
Blechblasinstrumente [trumpet, flugelhorn]:
Diego Urcola (Argentinian contemporary jazz musician) (in 1994-11)
Gitarre:
Carlos Emilio Morales (Cuban jazz guitarist) (in 1994-11)
Klavier:
Bebo Valdés (in 1994-11)
Perkussion [congas, bongos]:
Gabriel Machado (in 1994-11) und Carlos “Patato” Valdés (in 1994-11)
Perkussion [guiro, maracas, congas]:
Gerardo Rosales (in 1994-11)
Posaune:
Juan Pablo Torres (in 1994-11)
Rohrblattinstrumente [alto saxophone, clarinet]:
Paquito D’Rivera (Cuban-American jazz musician and composer) (in 1994-11)
Timbales:
Amadito Valdés (in 1994-11)
aufgenommen bei:
Bauer Studios (Tonstudio Bauer until 1989) in Ludwigsburg, Baden-Württemberg, Deutschland (in 1994-11)
Bebo Valdés6:05
4Ritmo de Otoño
leitende(r) Produzent(in):
Scott Barber
Produzent(in):
Loren Harriet und Bernie Williams (jazz musician & baseball player)
recording of:
Ritmo de Otoño
Verfasser(in):
Bernie Williams (jazz musician & baseball player)
Bernie Williams5:42
5Foul Play
alto saxophone:
Gigi Gryce (in 1958-02) und Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (in 1958-02)
baritone saxophone:
Sahib Shihab (American jazz musician) (in 1958-02)
Klavier:
Wynton Kelly (in 1958-02)
Kontrabass:
Sam Jones (US jazz bassist) (in 1958-02)
Posaune:
Melba Liston (US jazz trombonist) (in 1958-02)
Schlagzeug:
Specs Wright (in 1958-02)
Tenorsaxophon:
Benny Golson (American jazz saxophonist and composer) (in 1958-02)
Trompete:
Ray Copeland (US jazz trumpeter) (in 1958-02) und Kenny Dorham (US jazz trumpeter, singer, and composer) (in 1958-02)
Sologesang:
Betty Carter (in 1958-02)
recording of:
Foul Play (in 1958-02)
Verfasser(in):
Norman Mapp
Betty Carter2:25
6I've Got My Love to Keep Me Warm
sonstige Unterstützung:
Leroy Lovett (am 1955-02-14)
E-Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1955-02-14)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1955-02-14)
Klavier:
Billy Taylor (jazz/bop pianist) (am 1955-02-14)
Kontrabass:
Leonard Gaskin (am 1955-02-14)
Schlagzeug:
Cozy Cole (am 1955-02-14)
Tenorsaxophon:
Budd Johnson (am 1955-02-14)
Trompete:
Charlie Shavers (am 1955-02-14)
vocals:
Billie Holiday (am 1955-02-14)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955)
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1955-02-14)
recording of:
I’ve Got My Love to Keep Me Warm (am 1955-02-14)
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billie Holiday3.753:59
7Strange Fruit
recording of:
Strange Fruit
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
Billie Holiday3:18
8Outa-Space
recording of:
Outa Space
Komponist(in):
Joe Greene (American songwriter) und Billy Preston
Billy Preston4:11
9Space Race
Techniker(in):
Tommy Vicari
Produzent(in):
Billy Preston
instrumental recording of:
Space Race
Komponist(in):
Billy Preston
publisher:
Irving Music (BMI) und W.E.P. Music Corp.
Billy Preston3:27
10X-Ray Hip
Bona Fide4:19
11Soul-Limbo
Produzent(in):
Booker T. Jones
recording of:
Soul Limbo
Verfasser(in):
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) und Booker T. Jones
publisher:
Al Jackson Jr. Music und Irving Music (BMI)
Booker T. & the MG’s4.52:27
12Time Is Tight
recording of:
Time Is Tight
Komponist(in):
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) und Booker T. Jones
publisher:
Al Jackson Jr. Music und Irving Music (BMI)
Booker T. & the MG’s44:19
13Groovin'
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1967)
Keyboard [organ, electric piano]:
Booker T. Jones (in 1967)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (in 1967)
cover recording of:
Groovin’ (in 1967)
Verfasser(in):
Eddie Brigati und Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
Booker T. & the MG’s2:44
14Mrs. Robinson
instrumental cover recording of:
Mrs. Robinson
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Booker T. & the MG’s3:41
15Green Onions
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1962-06)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre [bass]:
Lewie Steinberg (in 1962-06)
Gitarre:
Steve Cropper (in 1962-06)
Hammond-Orgel:
Booker T. Jones (in 1962-06)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 181) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 418)
recording of:
Green Onions (in 1962-06)
Komponist(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones und Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. und Irving Music (BMI)
Booker T. & the MG’s3.852:56
16The Theme From 'Electric Surfboard"
“Brother” Jack McDuff2:35
17Very Saxy
Buddy Tate8:19
18Heads Up! Feet Down!
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2006)
recording of:
Heads Up! Feet Down! (in 1967-03)
Komponist(in):
Jimmy Heath
The Cannonball Adderley Quintet7:00
19Was Dog a Donut?
recording of:
Was Dog a Doughnut?
Texter:
Bruce Lynch, Jean‐Alain Roussel und Cat Stevens (now known as Yusuf Islam)
Komponist(in):
Bruce Lynch und Cat Stevens (now known as Yusuf Islam)
publisher:
Ashtar Music B.V.
Cat Stevens5:16
20Give It All You Got
recording of:
Give It All You Got
Komponist(in):
Chuck Mangione
publisher:
Primary Wave Music (management, publishing and marketing company)
Chuck Mangione6:11
21Jordu
Klavier:
Richie Powell (am 1954-08-03)
Kontrabass:
George Morrow (am 1954-08-03)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1954-08-03)
Tenorsaxophon:
Harold Land (US jazz tenor saxophonist) (am 1954-08-03)
Trompete:
Clifford Brown (trumpet) (am 1954-08-03)
recording of:
Jordu (am 1954-08-03)
Komponist(in):
Duke Jordan (in 1953)
Clifford Brown & Max Roach7:50
22What Is This Thing Called Love?
Produzent(in):
Bob Shad
Klavier:
Richie Powell (am 1956-02-16)
Kontrabass:
George Morrow (am 1956-02-16)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1956-02-16)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1956-02-16)
Trompete:
Clifford Brown (trumpet) (am 1956-02-16)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1956-02-16)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
Clifford Brown & Max Roach7:40
23Machine Gun
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael
aufgenommen bei und mixed at:
Motown Recording Studios (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Machine Gun
Texter und Komponist(in):
Milan Williams
publisher:
Jobete Music Co., Inc.
Commodores3.752:39
24April in Paris
recording of:
April in Paris
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Count Basie3:49
25Corner Pocket
instrumental recording of:
Corner Pocket (von 1955-07-26 bis 1955-07-27)
Texter:
Donald Wolf (songwriter / composer)
Komponist(in):
Freddie Green
publisher:
Longitude Music
Count Basie5:19
26Bright Mississippi
Assistent recording engineer:
Chris Albert (US engineer)
recording engineer:
Al Schmitt (von 1996-01-03 bis 1996-01-04)
Produzent(in):
Tommy LiPuma
assistierende(r) Mix:
Mike Krowiak
Mix:
Al Schmitt
Bass:
Avishai Cohen (Israeli jazz bassist) (von 1996-01-03 bis 1996-01-04)
Klavier:
Danilo Pérez (von 1996-01-03 bis 1996-01-04)
Schlagzeug:
Terri Lyne Carrington (von 1996-01-03 bis 1996-01-04)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1996-01-03 bis 1996-01-04)
cover recording of:
Bright Mississippi (von 1996-01-03 bis 1996-01-04)
Komponist(in):
Thelonious Monk
Danilo Pérez5:40
27Scorpio
Dennis Coffey4:21
28Taurus
Techniker(in):
Milan Bogdan
Bass:
Bob Babbitt
Gitarre:
Dennis Coffey
conductor:
Mike Theodore
arranger:
Dennis Coffey
recording of:
Taurus
Verfasser(in):
Dennis Coffey
Dennis Coffey3:01
29Whistle Bump
Eumir Deodato7:43
30God Bless the Child
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Records (not for label use; use “Motown” instead) (in 2015)
cover recording of:
God Bless the Child
Texter:
Billie Holiday
Komponist(in):
Arthur Herzog, Jr.
publisher:
Basart Editions (beendet) und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Diana Ross2:43
31Chant
Bass:
Butch Warren (am 1963-01-12)
Gitarre:
Kenny Burrell (am 1963-01-12)
Klavier:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (am 1963-01-12)
membranophone:
Lex Humphries (am 1963-01-12)
Tenorsaxophon:
Hank Mobley (US jazz tenor saxophonist) (am 1963-01-12)
Trompete:
Donald Byrd (American jazz trumpeter) (am 1963-01-12)
Vibraphon:
Donald Best (am 1963-01-12)
arranger:
Duke Pearson
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1963-01-12)
recording of:
Chant
Komponist(in):
Duke Pearson
publisher:
EMI Unart Catalog Inc.
Donald Byrd7:32
32Dance Hall
Donald Harrison6:42
33Sweet Sixteen Bars
Earl Grant4:49
34Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Ella Fitzgerald5:06
35Music Box Dancer
Frank Mills3:22
36Straight Life
Techniker(in):
Rudy van Gelder
Produzent(in):
Creed Taylor
Bass:
Ron Carter (US jazz double-bassist) (am 1970-11-16)
Gitarre:
George Benson (jazz guitarist/singer) (am 1970-11-16)
Hybrid-Piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (am 1970-11-16)
Perkussion:
Richie Landrum (am 1970-11-16)
Schlagzeug:
Jack DeJohnette (am 1970-11-16)
Tamburin:
Weldon Irvine (am 1970-11-16)
Tenorsaxophon:
Joe Henderson (US jazz tenor saxophonist) (am 1970-11-16)
Trompete:
Freddie Hubbard (am 1970-11-16)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1970-11-16)
recording of:
Straight Life (am 1970-11-16)
Komponist(in):
Freddie Hubbard
Freddie Hubbard17:30
37The Battle Scene (From "The Final Comedown")
Grant Green6:45
38This I Dig of You
Hank Mobley6:29
39Axel F
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer6:35
40Delirium
Harold Land6:40
41Rotation
recording of:
Rotation
Komponist(in):
Andy Armer und Randy Alpert
Herb Alpert6:58
42Autodrive
recorded in:
Vereinigte Staaten (in 1983)
recording engineer:
Martin Bisi
Produzent(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Material (group and producer team led by Bill Laswell)
Mix:
Dave Jerden
Bass:
Bill Laswell (US bass guitarist and record producer) (in 1983)
Keyboard:
Michael Beinhorn (in 1983) und Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1983)
aufgenommen bei:
OAO Studio in Brooklyn, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Eldorado Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
Autodrive (in 1983)
Verfasser(in):
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Bill Laswell (US bass guitarist and record producer)
Herbie Hancock6:28
43Rockit
recorded in:
Vereinigte Staaten (in 1983)
recording engineer:
Martin Bisi (in 1983)
Produzent(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Material (group and producer team led by Bill Laswell)
Mix:
Dave Jerden
Bass:
Bill Laswell (US bass guitarist and record producer) (in 1983)
Keyboard:
Michael Beinhorn (in 1983) und Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1983)
Interpret(in):
DXT (US 80s hip hop, aka Grandmixer D.ST) (in 1983)
aufgenommen bei:
OAO Studio in Brooklyn, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Eldorado Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Rockit von Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
recording of:
Rockit (in 1983)
Verfasser(in):
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Bill Laswell (US bass guitarist and record producer)
publisher:
Ensign Music Corporation
Herbie Hancock45:29
44Hold On, I'm Coming
recording engineer und Produzent(in):
Tom Dowd
Bass [electric bass]:
Mike Leach (Nashville session musician and arranger) (am 1968-08-23)
flute:
Herbie Mann (am 1968-08-23)
Gitarre:
Reggie Young (guitarist and songwriter) (am 1968-08-23)
Hybrid-Piano:
Bobby Wood (American pianist, keyboard player and songwriter) (am 1968-08-23)
Orgel:
Bobby Emmons (am 1968-08-23)
Schlagzeug:
Gene Chrisman (am 1968-08-23)
Vibraphon:
Roy Ayers (am 1968-08-23)
aufgenommen bei:
American Sound Studios ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Vereinigte Staaten (am 1968-08-23)
instrumental cover recording of:
Hold On, I’m Comin’ (am 1968-08-23)
Verfasser(in):
Isaac Hayes, Hayes, Porter und David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Herbie Mann8:57
45Popcorn
phonographisches Urheberrecht (℗) von:
Musicor (American record label) (in 1972)
cover recording of:
Popcorn (in 1972)
Komponist(in):
Gershon Kingsley
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Hot Butter4.352:34
46Riot
Hugh Masekela2:00
47Up, Up and Away
Hugh Masekela5:33
48Jackie's Hat
Jackie McLean5:03
49The Plain but the Simple Truth
recording engineer:
James Farber (sound engineer) (am 1997-01-02)
Produzent(in):
Matt Pierson (producer)
Mix:
James Farber (sound engineer)
Bass:
Ben Wolfe (am 1997-01-02)
Klavier:
Larry Goldings (am 1997-01-02)
Schlagzeug:
Clarence Penn (Drummer) (am 1997-01-02)
Tenorsaxophon:
James Moody (jazz saxophonist) (am 1997-01-02) und Mark Turner (saxophone) (am 1997-01-02)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
James Moody & Mark Turner8:31
50The Theme From "Miami Vice"
recording of:
Miami Vice Theme
Komponist(in):
Jan Hammer
Jan Hammer6:53
51Tell Me
Produzent(in):
Branford Marsalis (saxophonist)
Bass:
Orlando Le Fleming (British jazz bassist) (von 2005-03-07 bis 2005-03-08)
Klavier:
Ellis Marsalis (American jazz pianist) (von 2005-03-07 bis 2005-03-08)
Saxophon:
Andrew Speight (von 2005-03-07 bis 2005-03-08)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (von 2005-03-07 bis 2005-03-08)
aufgenommen bei:
UNC Greensboro School of Music in Greensboro, North Carolina, Vereinigte Staaten (von 2005-03-07 bis 2005-03-08)
Jimmy Cobb & Ellis Marsalis5:18
52The Worm
Jimmy McGriff33:25
53Hobo Flats
recorded in:
New York, New York, Vereinigte Staaten (am 1963-03-20)
Techniker(in):
Ray Hall (engineer), Bob Simpson (US jazz engineer/producer) und Val Valentin
Produzent(in):
Creed Taylor
alto saxophone:
George Dorsey (am 1963-03-20) und Phil Woods (US jazz woodwind player) (am 1963-03-20)
baritone saxophone:
Danny Bank (reeds) (am 1963-03-20)
Bassposaune:
Tom Mitchell (US jazz trombonist) (am 1963-03-20)
flute:
Danny Bank (reeds) (am 1963-03-20) und George Dorsey (am 1963-03-20)
Kontrabass:
George Duvivier (am 1963-03-20)
Mundharmonika:
Buddy Lucas (Tenor saxophonist / vocalist / harmonica player) (am 1963-03-20)
Orgel:
Jimmy Smith (US jazz organist) (am 1963-03-20)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1963-03-20), Urbie Green (am 1963-03-20) und Quentin Jackson (am 1963-03-20)
Schlagzeug:
Willie Rodriguez (Latin jazz drummer and percussionist) (am 1963-03-20)
Tenorsaxophon:
Al Cohn (am 1963-03-20) und Zoot Sims (US jazz saxophonist) (am 1963-03-20)
Trompete:
Joe Newman (US jazz trumpeter) (am 1963-03-20), Ernie Royal (am 1963-03-20) und Clark Terry (American swing trumpeter) (am 1963-03-20)
Orchester:
Oliver Nelson’s Orchestra (am 1963-03-20)
conductor:
Oliver Nelson (saxophone, arranger, composer) (am 1963-03-20)
arranger:
Oliver Nelson (saxophone, arranger, composer)
instrumental recording of:
Hobo Flats (von 1963-03-15 bis 1963-03-20)
Komponist(in):
Oliver Nelson (saxophone, arranger, composer)
recording of:
Hobo Flats (am 1963-03-20)
Komponist(in):
Oliver Nelson (saxophone, arranger, composer)
Jimmy Smith4:47
54Walk on the Wild Side
recorded in:
New Jersey, Vereinigte Staaten (am 1962-03-28)
Techniker(in):
Rudy van Gelder
Produzent(in):
Creed Taylor
alto saxophone und alto saxophone, flute und Tenorsaxophon:
Jerry Dodgion (am 1962-03-28) und Phil Woods (US jazz woodwind player) (am 1962-03-28)
baritone saxophone und baritone saxophone, flute und Tenorsaxophon:
George Barrow (am 1962-03-28)
Bassposaune:
Thomas Mitchell (US jazz trombonist) (am 1962-03-28)
flute und Tenorsaxophon:
Robert Ashton (saxophonist) (am 1962-03-28) und Babe Clark (saxophonist) (am 1962-03-28)
Gitarre:
Barry Galbraith (am 1962-03-28)
Hammond-Orgel und Orgel:
Jimmy Smith (US jazz organist) (am 1962-03-28)
Kontrabass:
George Duvivier (am 1962-03-28) und Milt Hinton (am 1962-03-28)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-03-28), Urbie Green (am 1962-03-28) und Britt Woodman (am 1962-03-28)
Schlagzeug und Schlagzeug und Perkussion:
Ed Shaughnessy (am 1962-03-28)
Tenorsaxophon:
Bob Ashton (am 1962-03-28) und Arthur Clarke (baritone saxophonist) (am 1962-03-28)
Trompete:
Joe Newman (US jazz trumpeter) (am 1962-03-28), Ernie Royal (am 1962-03-28), Doc Severinsen (am 1962-03-28) und Joe Wilder (am 1962-03-28)
Orchester:
Oliver Nelson’s Orchestra
conductor:
Oliver Nelson (saxophone, arranger, composer) (am 1962-03-28)
arranger und Orchestrator(in):
Oliver Nelson (saxophone, arranger, composer)
instrumental recording of:
Walk on the Wild Side (am 1962-03-28)
Texter:
Mack David (American lyricist and songwriter)
Komponist(in):
Elmer Bernstein (American score composer)
publisher:
Columbia Pictures
Teil von:
The 35th Academy Award for Best Original Song (Nummer: 2)
Jimmy Smith45:59
55Back at the Chicken Shack
recording engineer:
Rudy van Gelder (am 1960-04-25)
Produzent(in):
Alfred Lion
Gitarre:
Kenny Burrell (am 1960-04-25)
Orgel:
Jimmy Smith (US jazz organist) (am 1960-04-25)
Schlagzeug:
Donald Bailey (drummer and harmonica player) (am 1960-04-25)
Tenorsaxophon:
Stanley Turrentine (am 1960-04-25)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1960-04-25)
recording of:
Back at the Chicken Shack (am 1960-04-25)
Komponist(in):
Jimmy Smith (US jazz organist)
publisher:
Edmy Music
Jimmy Smith, Stanley Turrentine & Kenny Burrell8:06
56Why Am I Treated So Bad?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-03-06)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1991)
Cannonball Adderley7:03
57Silhouette
Techniker(in):
Gerry “The Gov” Brown (engineer & producer) und Steve Smart (Australian mastering engineer)
Produzent(in):
Kenny G (saxophonist)
Mix:
Mick Guzauski
Bass:
Vail Johnson
große Trommel:
Peter Bunetta
Keyboard:
Walter Afanasieff
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1988)
recording of:
Silhouette
Komponist(in):
Kenny G (saxophonist)
publisher:
Brenee Mus., EMI Blackwood Music Inc., High Tech Music, Kenny G Music, Kuzu Music (publisher) und SBK Songs Ltd. (in 1988)
Kenny G5:32
58Everyday
Lambert, Hendricks & Ross5:23
59Ceora
recording engineer:
Rudy van Gelder (am 1965-09-18)
Produzent(in):
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (am 1965-09-18)
Klavier:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (am 1965-09-18)
Kontrabass [bass]:
Larry Ridley (am 1965-09-18)
Schlagzeug:
Billy Higgins (US jazz drummer) (am 1965-09-18)
Tenorsaxophon:
Hank Mobley (US jazz tenor saxophonist) (am 1965-09-18)
Trompete:
Lee Morgan (jazz trumpeter / composer) (am 1965-09-18)
recording of:
Ceora (am 1965-09-18)
Komponist(in):
Lee Morgan (jazz trumpeter / composer)
Lee Morgan6:24
60Zip Code
Produzent(in):
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (am 1965-11-16)
Bass:
Reggie Workman (am 1965-11-16)
Klavier:
Larry Willis (am 1965-11-16)
Schlagzeug:
Billy Higgins (US jazz drummer) (am 1965-11-16)
Trompete:
Lee Morgan (jazz trumpeter / composer) (am 1965-11-16)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1965-11-16)
recording of:
Zip Code (am 1965-11-16)
Komponist(in):
Lee Morgan (jazz trumpeter / composer)
Lee Morgan6:31
61Beaux J. Poo Boo
recording engineer:
Jimmy Douglass (engineer) (am 1971-05-04)
Produzent(in):
Joel Dorn
Bass:
Jimmy Rowser (am 1971-05-04)
Bass [electric bass]:
Bill Salter (songwriter, bassist, producer) (am 1971-05-04)
E-Gitarre:
Cornell Dupree (am 1971-05-04)
Gitarre [guitar, electric guitar]:
David Spinozza (am 1971-05-04)
Harfe:
Corky Hale (am 1971-05-04)
Holzblasinstrumente [tenor saxophone, oboe, flute, pneumatic flute]:
Yusef Lateef (am 1971-05-04)
Hybrid-Piano:
Jodie Christian (am 1971-05-04)
Keyboard [piano, electric piano, moog synthesizer]:
Les McCann (am 1971-05-04)
Perkussion:
Ralph MacDonald (am 1971-05-04)
Perkussion [african drums, percussion]:
William "Buck" Clarke (am 1971-05-04)
Perkussion [drums, percussion]:
Al Mouzon (am 1971-05-04), Bernard Purdie (am 1971-05-04) und Donald Dean (US jazz drummer) (am 1971-05-04)
conductor:
Les McCann (am 1971-05-04)
remixer:
Fred Catero
arranger:
Les McCann
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1971-05-04)
remixed at:
Fred Catero Studios in San Francisco, California (Kalifornien), Vereinigte Staaten
recording of:
Beaux J. Poo Boo (am 1971-05-04)
Komponist(in):
Les McCann
Les McCann13:03
62Poo Pye McGoochie (And His Friends)
recording engineer:
Jimmy Douglass (engineer) (am 1971-05-04)
Produzent(in):
Joel Dorn
Bass:
Jimmy Rowser (am 1971-05-04)
Bass [electric bass]:
Bill Salter (songwriter, bassist, producer) (am 1971-05-04)
E-Gitarre:
Cornell Dupree (am 1971-05-04)
Gitarre [guitar, electric guitar]:
David Spinozza (am 1971-05-04)
Harfe:
Corky Hale (am 1971-05-04)
Holzblasinstrumente [tenor saxophone, oboe, flute, pneumatic flute]:
Yusef Lateef (am 1971-05-04)
Hybrid-Piano:
Jodie Christian (am 1971-05-04)
Keyboard [piano, electric piano, moog synthesizer]:
Les McCann (am 1971-05-04)
Perkussion:
Ralph MacDonald (am 1971-05-04)
Perkussion [african drums, percussion]:
William "Buck" Clarke (am 1971-05-04)
Perkussion [drums, percussion]:
Al Mouzon (am 1971-05-04), Bernard Purdie (am 1971-05-04) und Donald Dean (US jazz drummer) (am 1971-05-04)
conductor:
Les McCann (am 1971-05-04)
remixer:
Fred Catero
arranger:
Les McCann
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1971-05-04)
remixed at:
Fred Catero Studios in San Francisco, California (Kalifornien), Vereinigte Staaten
recording of:
Poo Pye McGoochie (and his friends) (am 1971-05-04)
Komponist(in):
Les McCann
Les McCann12:30
63The Entertainer
Marvin Hamlisch3:05
64Tubular Bells ("The Exorcist" Theme)
teilweise recording of:
Tubular Bells, Part One
Komponist(in):
Mike Oldfield
Mike Oldfield45:00
65The Theme From "Hill Street Blues"
recording of:
Hill Street Blues: Theme
Komponist(in):
Mike Post
publisher:
MTM Music (in 1984)
Mike Post & Larry Carlton3:14
66Cloud Nine
Mongo Santamaría5:45
67El Pussy Cat
Mongo Santamaría2:43
68Signifyin' Monkey
Oscar Brown Jr.4:00
69My Heart Belongs to Daddy
Assistent recording engineer:
Jeff Lippay
recording engineer und Mix:
Joe Ferla
Produzent(in):
Stefan F. Winter (producer)
assistierende(r) Mix:
John Herman (engineer)
E-Gitarre:
Bill Frisell (in 1988-11)
Kontrabass:
Charlie Haden (American jazz bassist) (in 1988-11)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (in 1988-11)
Tenorsaxophon:
Joe Lovano (American jazz artist) (in 1988-11)
instrumental cover recording of:
My Heart Belongs to Daddy (in 1988-11)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
Paul Motian, Bill Frisell, Charlie Haden & Joe Lovano4:55
70You Can't Sit Down
Phil Upchurch4:15
71A Hard Day's Night
cover recording of:
A Hard Day’s Night
Verfasser(in):
John Lennon (The Beatles) (von 1964-04-13 bis 1964-04-14) und Paul McCartney (The Beatles) (von 1964-04-13 bis 1964-04-14)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) und Unart Music Corp.
Ramsey Lewis4:59
72Money in the Pocket
Ramsey Lewis2:58
73Wade in the Water
Ramsey Lewis3:50
74Little Susie
Ray Bryant, Bobby Henderson & Sir Charles Thompson5:21
75Baby It's Cold Otside
Techniker(in):
Steve Hoffman (mastering engineer)
Produzent(in):
Sid Feller
Flügelhorn und Trompete:
Freddie Hubbard
Gitarre:
Jeff Pevar und Kevin Turner
Tenorsaxophon:
Rudy Johnson (1970s jazz saxophone player)
Hintergrundgesang:
The Raeletts
vocals:
Betty Carter und Ray Charles (soul musician, singer and songwriter)
conductor:
Marty Paich
Interpret(in):
Betty Carter
arranger:
Marty Paich
cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1949 winner)
Ray Charles & Betty Carter4:13
76Everybody Loves the Sunshine
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976) und Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1976)
recording of:
Everybody Loves the Sunshine
Texter und Komponist(in):
Roy Ayers
publisher:
Arlovol Music und BMG Monarch
Roy Ayers Ubiquity44:01
77I'm an Old Cowhand (From the Rio Grande)
recording engineer:
Roy Du Nann
Produzent(in):
Lester Koenig
Kontrabass und Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1957-03-07)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1957-03-07)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1957-03-07)
aufgenommen bei:
Contemporary’s Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-03-07)
instrumental recording of:
I’m an Old Cowhand (From the Rio Grande) (am 1957-03-07)
Texter und Komponist(in):
Johnny Mercer
publisher:
The Johnny Mercer Foundation und WC Music Corp.
Sonny Rollins & Ray Brown10:12
78Don't Stop the Carnival
Produzent(in):
Orrin Keepnews
E-Bass:
Jerome Harris (jazz bassist/guitarist) (in 1978-04)
E-Gitarre:
Aurell Ray (von 1978-04-13 bis 1978-04-15)
Klavier:
Mark Soskin (von 1978-04-13 bis 1978-04-15)
Saxophon:
Sonny Rollins (American saxophonist) (von 1978-04-13 bis 1978-04-15)
Schlagzeug:
Tony Williams (American jazz drummer) (von 1978-04-13 bis 1978-04-15)
aufgenommen bei:
Great American Music Hall in San Francisco, California (Kalifornien), Vereinigte Staaten (von 1978-04-13 bis 1978-04-15)
recording of:
Don’t Stop the Carnival (in 1978-04)
Komponist(in):
Sonny Rollins (American saxophonist)
Sonny Rollins8:46
79Brain Training
Stanley Clarke4:53
80EJ
Steve Turre5:11
81A Tisket a Tasket
recording of:
A‐Tisket, A‐Tasket
Texter:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) und Van Alexander (aka Al Feldman)
Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13188)
Take 6 & Ella Fitzgerald2:41
82Over There
Assistent recording engineer:
Glen Pittman
Techniker(in):
Don Murray (producer / engineer)
Produzent(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
assistierende(r) Mix:
Seth Presant
Bass:
Derrick Hodge (von 2004-12-11 bis 2004-12-14)
Gitarre:
Lionel Loueke (von 2004-12-11 bis 2004-12-14)
Klavier:
Aaron Parks (jazz pianist) (von 2004-12-11 bis 2004-12-14)
membranophone:
Kendrick Scott (American jazz drummer, bandleader and composer) (von 2004-12-11 bis 2004-12-14)
Saxophon:
Brice Winston (von 2004-12-11 bis 2004-12-14)
Trompete:
Terence Blanchard (American trumpeter and score composer) (von 2004-12-11 bis 2004-12-14)
vocals:
Gretchen Parlato (von 2004-12-11 bis 2004-12-14)
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”)
aufgenommen bei:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 2004-12-11 bis 2004-12-14)
mixed at:
G Studio Digital in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
Terence Blanchard7:32
83Paraty
Brazilian Trio5:57
84Frankenstein
Produzent(in):
Rick Derringer
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 97)
recording of:
Frankenstein
Komponist(in):
Edgar Winter
publisher:
Longitude Music (beendet), EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Songs, Inc., Hierophant Music, Longitude Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Edgar Winter Group44:45
85Street Dance
recording of:
Street Dance
Verfasser(in):
Bill Curtis (The Fatback Band), Johnny Flippin und Johnny King (The Fatback Band)
Fatback Band3:15
86This Is What It Is
Klavier:
“Sir” Roland Hanna (jazz pianist) (in 1997-02)
Kontrabass:
Percy Heath (in 1997-02)
Posaune:
Slide Hampton (in 1997-02)
Saxophon:
Jimmy Heath (in 1997-02)
Schlagzeug:
Albert “Tootie” Heath (in 1997-02)
Trompete:
Jon Faddis (in 1997-02)
The Heath Brothers8:20
87On the Subway
The Last Poets1:35
88Cissy Strut
recording of:
Cissy Strut
Komponist(in):
Joseph Modeliste, Art Neville, Leo Nocentelli und George Porter, Jr.
The Meters3:07
89Afro Strut
The Nite-Liters2:53
90K-Jee
recording of:
K-Jee
Komponist(in):
Charles Edward Hearndon (Guitarist from Detroit) und Harvey Fuqua
The Nite-Liters4:06
91Hole in the Wall
recording of:
Hole in the Wall
Verfasser(in):
Steve Cropper, Al Jackson, Jr. (Booker T & The MGs drummer) und Booker T. Jones
The Packers2:47
92Soulful Strut
Produzent(in):
Carl Davis (record producer) und Eugene Record
Klavier:
Ken Chaney (jazz pianist and composer) (in 1968)
Saiteninstrumente:
Eldee Young (in 1968)
Schlagzeug:
Red Holt (in 1968)
arranger:
Sonny Sanders
recording of:
Soulful Strut (in 1968)
Komponist(in):
Eugene Record und Sonny Sanders
publisher:
Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Version von:
Am I the Same Girl
Young–Holt Unlimited4.53:02
93Humph
Thelonious Monk2:55
94Summer Samba
Techniker(in):
Rudy van Gelder
Produzent(in):
Creed Taylor
arranger:
Walter Wanderley
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (von 1966-05-16 bis 1966-05-17)
cover recording of:
Samba de verão (von 1966-05-16 bis 1966-05-17)
Texter:
Paulo Sérgio Valle
Komponist(in):
Marcos Valle
publisher:
Costa & Valle Gestão de Direitos Autorais e Produções Artisticas Ltda., Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Walter Wanderley3:07
95Ain't No Stoppin' Us Now
cover recording of:
Ain’t No Stoppin’ Us Now
Verfasser(in):
Jerry Cohen, Gene McFadden und John Whitehead
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wayman Tisdale54:06
96Nu Soul
Techniker(in):
Nick O’Toole (engineer at jazz label Posi-Tone)
Produzent(in):
Marc Free
Gitarre:
Avi Rothbard (am 2008-10-20)
Orgel:
Gary Versace (US jazz pianist, organist, and accordion player) (am 2008-10-20)
Saxophon:
Wayne Escoffery (am 2008-10-20)
Schlagzeug:
Jason Brown (jazz drummer) (am 2008-10-20)
phonographisches Urheberrecht (℗) von:
Posi‐Tone Records (holding company - do not use as release label)
aufgenommen bei:
Kampo Studios in Manhattan, New York, New York, Vereinigte Staaten (am 2008-10-20)
mixed at:
Studio 507 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Nu Soul (am 2008-10-20)
Komponist(in):
Wayne Escoffery
Wayne Escoffery4:42
97Bumpin'
Wes Montgomery6:50
98Tequila
Wes Montgomery3:21
99New Orleans Bump
Wynton Marsalis4:36
100Quarantine
recording engineer:
Jack Higgins (recording engineer) (am 1960-05-09)
Produzent(in):
Orrin Keepnews
Kontrabass:
Herman Wright (Jazz bassist) (am 1960-05-09)
Schlagzeug:
Lex Humphries (am 1960-05-09)
Tenorsaxophon:
Yusef Lateef (am 1960-05-09)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1960-05-09)
recording of:
Quarantine (am 1960-05-09)
Komponist(in):
Abe Woodley
Yusef Lateef7:03