Goldene Oldies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Walking on Sunshine
recorded in:
England, Vereinigtes Königreich
assistierende(r) Techniker(in):
Jon Goldberger (engineer)
Techniker(in) und Mix:
Scott Litt (producer and engineer)
Produzent(in):
Pat Collier und Katrina and the Waves (British‐American rock band)
zusätzliche(r) Produzent(in):
Scott Litt (producer and engineer)
Bassgitarre:
Vince de la Cruz
Gast-Blechblasinstrumente [Rumour Brass Section]:
Ray Beavis, Dick Hanson und John "Irish" Earl (Irish saxophonist)
Gast-Orgel:
Nick Glennie‐Smith
Gitarre [lead guitar]:
Kimberley Rew
Gitarre [rhythm guitar] und Sologesang:
Katrina Leskanich
Perkussion und Schlagzeug:
Alex Cooper (drummer, member of “Katrina and the Waves”)
Hintergrundgesang:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz und Kimberley Rew
Blechblasinstrumente arranger:
Eamon Fitzpatrick
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
aufgenommen bei:
Alaska Studios in London (Greater London), England, Vereinigtes Königreich und Greenhouse Studio (London) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1984-12 bis 1985-03)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 91) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 378)
recording of:
Walking on Sunshine
Texter:
Kimberley Rew (in 1983)
Komponist(in):
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:59
2Can the Can
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973), RAK Records Ltd. (in 1973) und RAK Records (copyrights holder) (in 1975)
aufgenommen bei:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Can the Can
Texter:
Nicky Chinn
Komponist(in):
Mike Chapman (Australian producer and songwriter)
publisher:
BMG Music, Chinnichap (production company and publisher) und Universal Music Publishing MGB Australia
Suzi Quatro4.153:35
3Love Is a Battlefield
assistierende(r) Techniker(in):
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
Produzent(in) und Mix:
Pete Coleman und Neil Giraldo (multi-instrumentalist, songwriter, producer)
assistierende(r) Mix:
Murray Dvorkin und Bino Espinoza
Bassgitarre:
Roger Capps und Donnie Nossov
Gitarre und Mundharmonika:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
Keyboard:
Charles Giordano (American keyboardist and accordionist)
Perkussion:
Charles Giordano (American keyboardist and accordionist), Neil Giraldo (multi-instrumentalist, songwriter, producer) und Myron Grombacher
Schlagzeug:
Myron Grombacher
Sologesang:
Pat Benatar
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, California (Kalifornien), Vereinigte Staaten und The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 30)
recording of:
Love Is a Battlefield
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing Ltd.
Pat Benatar3.655:24
4Eye in the Sky
zusätzlich recording engineer und zusätzliche(r) Produzent(in):
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
assistierende(r) Techniker(in):
Tony Richards (recording engineer)
Techniker(in) und Produzent(in):
Alan Parsons (of The Alan Parsons Project)
leitende(r) Produzent(in):
Eric Woolfson
Akustikgitarre und E-Gitarre:
Ian Bairnson
Bassgitarre:
David Paton (of Pilot)
Hybrid-Piano und Sologesang:
Eric Woolfson
Keyboard:
Alan Parsons (of The Alan Parsons Project) und Eric Woolfson
Perkussion und Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel)
Saxophon:
Mel Collins
Synthesizer:
Alan Parsons (of The Alan Parsons Project)
Hintergrundgesang:
Chris Rainbow
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
chorus master:
Bob Howes (percussionist)
Orchestrator(in):
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982), Arista Records, LLC (holding company - file NO releases here!) (in 1982) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982, in 2007)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 21)
recording of:
Eye in the Sky
Verfasser(in) und Komponist(in):
Alan Parsons (of The Alan Parsons Project) und Eric Woolfson
publisher:
Careers Music, Inc., Careers–BMG Music Publishing, Inc., Universal Music Publishing International MGB Ltd. und Woolfsongs Ltd.
The Alan Parsons Project4.34:37
5Lay Back in the Arms of Someone
Rick Nelson3:06
6Lucky
Produzent(in):
Jack White (German producer Horst Nußbaum)
Mix:
Jürgen Koppers (engineer, producer)
arranger:
Ed Arkin, Charles Blackwell (UK songwriter, arranger & record producer), Ralph Nowy, Uve Schikora und Mark Spiro
mixed at:
Paradise Studio in München, Bayern, Deutschland
cover recording of:
Lucky
Texter und Komponist(in):
Stevie Bi
publisher:
Arabella (ARABELLA MUSIC EDITION MUENCHEN)
Audrey Landers3:56
7Smile a Little Smile for Me
cover recording of:
Smile a Little Smile for Me
Verfasser(in):
Tony Macaulay und Geoff Stephens
Tony Christie2:46
8Puttin’ on the Ritz
tap dance:
Taco (Dutch singer)
Musikvideos:
Puttin’ On the Ritz von Taco (Dutch singer)
cover recording of:
Puttin’ On the Ritz
Texter und Komponist(in):
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
Idiot’s Delight (film)
Taco44:39
9Che sera
recording of:
Che sarà (original Italian version) (in 1971)
Texter:
Franco Migliacci
Komponist(in):
Jimmy Fontana (Italian singer‐songwriter), Lilli Greco und Carlo Pes
publisher:
RCA France Société, Universal Music Publishing Ricordi srl, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), AdD (publisher) (in 1971) und R (publisher) (in 1971)
José Feliciano3:35
10Follow Me
recording of:
Follow Me
Texter:
Amanda Lear
Komponist(in):
Anthony Monn
Amanda Lear43:53
11Samson and Delilah
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1973)
recording of:
Samson & Delilah (Middle of the Road song)
Texter:
Lally Stott
Komponist(in):
Giosy Capuano und Mario Capuano
Middle of the Road33:05
12Sandokan
recording of:
Sandokan
Texter:
Cesare De Natale, Susan Duncan‐Smith und Sergio Sollima
Komponist(in):
Guido De Angelis (singer, composer, arranger and musician) und Maurizio De Angelis
Oliver Onions3:03
13Torn Between Two Lovers
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976) und Arista Records, LLC (holding company - file NO releases here!) (in 1976)
recording of:
Torn Between Two Lovers (There are times when a woman has to say what’s on her mind…)
Texter:
Phillip Jarrell
Komponist(in):
Peter Yarrow
publisher:
Muscle Shoals Sound Publishing, Peermusic France, Peermusic III, Ltd. (BMI), Silver Dawn Music, WB Music Corp. (1929–2019) und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Mary MacGregor3:45
14Soley Soley
arranger:
Giosy Capuano und Mario Capuano
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1973)
recording of:
Soley Soley (1971 song)
Texter und Komponist(in):
Fernando Arbex
publisher:
Universal Music Publishing S.L. (Spain)
Middle of the Road3:09
15Orzowei
recording of:
Orzowei
Texter:
Cesare De Natale und Susan Duncan‐Smith
Komponist(in):
Guido e Maurizio De Angelis (Guido and Maurizio De Angelis)
Oliver Onions3:45
16Here’s to You
Chorgesang:
I cantori moderni di Alessandroni
vocals:
I cantori moderni di Alessandroni und Joan Baez (US folk singer)
conductor:
Ennio Morricone (Italian classical and score composer)
arranger:
Ennio Morricone (Italian classical and score composer)
phonographisches Urheberrecht (℗) von:
Universal Music Publishing Ricordi srl
Kompilation von:
Here's to You: Introduction (organ intro) von Ennio Morricone (Italian classical and score composer) und Here's to You (sans organ intro) von Ennio Morricone (Italian classical and score composer) & Joan Baez (US folk singer)
recording of:
Here’s to You (Here’s to you, Nicola and Bart…)
Texter:
Joan Baez (US folk singer)
Komponist(in):
Ennio Morricone (Italian classical and score composer)
publisher:
Universal Music Publishing France (not for release label use!) und Universal Music Publishing Ricordi srl
Joan Baez/Ennio Morricone and His Orchestra4.53:11
17Queen of Chinatown
recording of:
Queen of Chinatown
Texter:
Amanda Lear
Komponist(in):
Anthony Monn
publisher:
Arabella Musikverlag GmbH (ARABELLA MUSIC EDITION MUENCHEN) (in 1977)
Amanda Lear4:17
18Samba d’amour
phonographisches Urheberrecht (℗) von:
BMG Ariola München GmbH (in 1973)
Middle of the Road2:59

Nennungen