Goldene Oldies

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Walking on Sunshine
recorded in:
England, United Kingdom
assistant engineer:
Jon Goldberger (engineer)
engineer and mixer:
Scott Litt (producer and engineer)
additional producer:
Scott Litt (producer and engineer)
producer:
Pat Collier and Katrina and the Waves (British‐American rock band)
bass guitar:
Vince de la Cruz
drums (drum set) and percussion:
Alex Cooper (drummer, member of “Katrina and the Waves”)
guest brass [Rumour Brass Section]:
Ray Beavis, Dick Hanson and John "Irish" Earl (Irish saxophonist)
guest organ:
Nick Glennie‐Smith
guitar [lead guitar]:
Kimberley Rew
guitar [rhythm guitar] and lead vocals:
Katrina Leskanich
background vocals:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz and Kimberley Rew
brass arranger:
Eamon Fitzpatrick
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recorded at:
Alaska Studios in London (Greater London), England, United Kingdom and Greenhouse Studio (London) in London (Greater London), England, United Kingdom
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 378)
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:59
2Can the Can
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973), RAK Records Ltd. (in 1973) and RAK Records (copyrights holder) (in 1975)
recorded at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
Can the Can
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
BMG Music, Chinnichap (production company and publisher) and Universal Music Publishing MGB Australia
Suzi Quatro4.153:35
3Love Is a Battlefield
assistant engineer:
Dave Hernandez (Dave “Zulu” Hernandez, engineer)
producer and mixer:
Pete Coleman and Neil Giraldo (multi-instrumentalist, songwriter, producer)
assistant mixer:
Murray Dvorkin and Bino Espinoza
bass guitar:
Roger Capps and Donnie Nossov
drums (drum set):
Myron Grombacher
guitar and harmonica:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
keyboard:
Charles Giordano (American keyboardist and accordionist)
percussion:
Charles Giordano (American keyboardist and accordionist), Neil Giraldo (multi-instrumentalist, songwriter, producer) and Myron Grombacher
lead vocals:
Pat Benatar
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, California, United States and The Complex Studios in Los Angeles, California, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 30)
recording of:
Love Is a Battlefield
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing Ltd.
Pat Benatar3.655:24
4Eye in the Sky
additional recording engineer and additional producer:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
assistant engineer:
Tony Richards (recording engineer)
engineer and producer:
Alan Parsons (of The Alan Parsons Project)
executive producer:
Eric Woolfson
acoustic guitar and electric guitar:
Ian Bairnson
bass guitar:
David Paton (of Pilot)
drums (drum set) and percussion:
Stuart Elliott (session drummer, member of Cockney Rebel)
electric piano and lead vocals:
Eric Woolfson
keyboard:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
saxophone:
Mel Collins
synthesizer:
Alan Parsons (of The Alan Parsons Project)
background vocals:
Chris Rainbow
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
chorus master:
Bob Howes (percussionist)
orchestrator:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982), Arista Records, LLC (holding company - file NO releases here!) (in 1982) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982, in 2007)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 21)
recording of:
Eye in the Sky
writer and composer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
publisher:
Careers Music, Inc., Careers–BMG Music Publishing, Inc., Universal Music Publishing International MGB Ltd. and Woolfsongs Ltd.
The Alan Parsons Project4.34:37
5Lay Back in the Arms of Someone
Rick Nelson3:06
6Lucky
producer:
Jack White (German producer Horst Nußbaum)
mixer:
Jürgen Koppers (engineer, producer)
arranger:
Ed Arkin, Charles Blackwell (UK songwriter, arranger & record producer), Ralph Nowy, Uve Schikora and Mark Spiro
mixed at:
Paradise Studio in München (Munich), Bayern (Bavaria), Germany
cover recording of:
Lucky
lyricist and composer:
Stevie Bi
publisher:
Arabella
Audrey Landers3:56
7Smile a Little Smile for Me
cover recording of:
Smile a Little Smile for Me
writer:
Tony Macaulay and Geoff Stephens
Tony Christie2:46
8Puttin’ on the Ritz
tap dance:
Taco (Dutch singer)
music videos:
Puttin’ On the Ritz by Taco (Dutch singer)
cover recording of:
Puttin’ On the Ritz
lyricist and composer:
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
Idiot’s Delight (film)
Taco44:39
9Che sera
recording of:
Che sarà (original Italian version) (in 1971)
lyricist:
Franco Migliacci
composer:
Jimmy Fontana (Italian singer‐songwriter), Lilli Greco and Carlo Pes
publisher:
RCA France Société, Universal Music Publishing Ricordi srl, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), AdD (publisher) (in 1971) and R (publisher) (in 1971)
José Feliciano3:35
10Follow Me
recording of:
Follow Me
lyricist:
Amanda Lear
composer:
Anthony Monn
Amanda Lear43:53
11Samson and Delilah
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1973)
recording of:
Samson & Delilah (Middle of the Road song)
lyricist:
Lally Stott
composer:
Giosy Capuano and Mario Capuano
Middle of the Road33:05
12Sandokan
recording of:
Sandokan
lyricist:
Cesare De Natale, Susan Duncan‐Smith and Sergio Sollima
composer:
Guido De Angelis (singer, composer, arranger and musician) and Maurizio De Angelis
Oliver Onions3:03
13Torn Between Two Lovers
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976) and Arista Records, LLC (holding company - file NO releases here!) (in 1976)
recording of:
Torn Between Two Lovers (There are times when a woman has to say what’s on her mind…)
lyricist:
Phillip Jarrell
composer:
Peter Yarrow
publisher:
Muscle Shoals Sound Publishing, Peermusic France, Peermusic III, Ltd. (BMI), Silver Dawn Music, WB Music Corp. (1929–2019) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Mary MacGregor3:45
14Soley Soley
arranger:
Giosy Capuano and Mario Capuano
phonographic copyright (℗) by:
BMG Ariola Hamburg GmbH (in 1973)
recording of:
Soley Soley (1971 song)
lyricist and composer:
Fernando Arbex
publisher:
Universal Music Publishing S.L. (Spain)
Middle of the Road3:09
15Orzowei
recording of:
Orzowei
lyricist:
Cesare De Natale and Susan Duncan‐Smith
composer:
Guido e Maurizio De Angelis (Guido and Maurizio De Angelis)
Oliver Onions3:45
16Here’s to You
choir vocals:
I cantori moderni di Alessandroni
vocals:
I cantori moderni di Alessandroni and Joan Baez (US folk singer)
conductor:
Ennio Morricone (Italian classical and score composer)
arranger:
Ennio Morricone (Italian classical and score composer)
phonographic copyright (℗) by:
Universal Music Publishing Ricordi srl
compilation of:
Here's to You: Introduction (organ intro) by Ennio Morricone (Italian classical and score composer) and Here's to You (sans organ intro) by Ennio Morricone (Italian classical and score composer) & Joan Baez (US folk singer)
recording of:
Here’s to You (Here’s to you, Nicola and Bart…)
lyricist:
Joan Baez (US folk singer)
composer:
Ennio Morricone (Italian classical and score composer)
publisher:
Universal Music Publishing France (not for release label use!) and Universal Music Publishing Ricordi srl
Joan Baez/Ennio Morricone and His Orchestra4.53:11
17Queen of Chinatown
recording of:
Queen of Chinatown
lyricist:
Amanda Lear
composer:
Anthony Monn
publisher:
Arabella Musikverlag GmbH (in 1977)
Amanda Lear4:17
18Samba d’amour
phonographic copyright (℗) by:
BMG Ariola München GmbH (in 1973)
Middle of the Road2:59