The Studio Albums 1969–1983

~ Release by Alice Cooper (see all versions of this release, 2 available)

Tracklist

1▶CD: Pretties for You (1969)
2▶CD: Easy Action (1970)
3▶CD: Love It to Death (1971)
4▶CD: Killer (1971)
5▶CD: School’s Out (1972)
6▶CD: Billion Dollar Babies (1973)
7▶CD: Muscle of Love (1973)
8▶CD: Welcome to My Nightmare (1975)
9▶CD: Alice Cooper Goes to Hell (1976)
10▶CD: Lace and Whiskey (1977)
11▶CD: From the Inside (1978)
12▶CD: Flush the Fashion (1980)
13▶CD: Special Forces (1981)
14▼CD: Zipper Catches Skin (1982)
#TitleRatingLength
1Zorro’s Ascent
additional recording engineer:
Joe Robb
recording engineer and mixer:
Dee Robb
assistant engineer:
Paul Ray (70s/80s US engineer)
producer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Jan Uvena
vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982), WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recorded at and mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Zorro’s Ascent
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present), John Nitzinger, Erik Scott (bassist/producer) and Billy Steele
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Bandwagon Music Co. (from 1982 to present), Billym Music (from 1982 to present), Ezra Music Corp. (from 1982 to present) and Hened Music (from 1982 to present)
1?:??
2Make That Money (Scrooge’s Song)
additional recording engineer:
Joe Robb
recording engineer and mixer:
Dee Robb
assistant engineer:
Paul Ray (70s/80s US engineer)
producer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Jan Uvena
vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1982)
recorded at and mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Make That Money (Scrooge’s Song)
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Dick Wagner
publisher:
Mystery Man Inc., Rightsong Music Inc., Spirit One Music, フジパシフィックミュージック (Fujipacific Music, Inc.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Early Frost Music Corp. (from 1982 to present) and Ezra Music Corp. (from 1982 to present)
2?:??
3I Am the Future
additional recording engineer:
Joe Robb
recording engineer:
Ed Barton (engineer)
assistant engineer:
Paul Ray (70s/80s US engineer)
producer:
Steve Tyrell (American producer and vocalist)
mixer:
Dee Robb and Erik Scott (bassist/producer)
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Jan Uvena
vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982), WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recorded at:
Jennifudy Studios in North Hollywood, Los Angeles, California, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
I Am the Future
writer:
Gary Osborne and Lalo Schifrin (pianist & composer)
publisher:
Ezra Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Ezra Music Corp. (from 1982 to present), Intersong Music (from 1982 to present) and Scherzo Music (from 1982 to present)
3.5?:??
4No Baloney Homosapiens
additional recording engineer:
Joe Robb
recording engineer and mixer:
Dee Robb
assistant engineer:
Paul Ray (70s/80s US engineer)
producer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Jan Uvena
vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1982)
recorded at and mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
No Baloney Homosapiens
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Dick Wagner
publisher:
Rightsong Music Inc., Spirit One Music, フジパシフィックミュージック (Fujipacific Music, Inc.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Early Frost Music Corp. (from 1982 to present) and Ezra Music Corp. (from 1982 to present)
2?:??
5Adaptable (Anything for You)
additional recording engineer:
Joe Robb
recording engineer and mixer:
Dee Robb
assistant engineer:
Paul Ray (70s/80s US engineer)
producer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Jan Uvena
vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1982)
recorded at and mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Adaptable (Anything for You)
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present), Erik Scott (bassist/producer) and Billy Steele
publisher:
Sony/ATV Songs LLC, フジパシフィックミュージック (Fujipacific Music, Inc.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Billym Music (from 1982 to present), Ezra Music Corp. (from 1982 to present) and Hened Music (from 1982 to present)
2?:??
6I Like Girls
additional recording engineer:
Joe Robb
recording engineer and mixer:
Dee Robb
assistant engineer:
Paul Ray (70s/80s US engineer)
producer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Jan Uvena
vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1982)
recorded at and mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
I Like Girls
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present), John Nitzinger and Erik Scott (bassist/producer)
publisher:
Bandwagon Music, Ezra Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Bandwagon Music Co. (from 1982 to present), Ezra Music Corp. (from 1982 to present) and Hened Music (from 1982 to present)
?:??
7Remarkably Insincere
additional recording engineer:
Joe Robb
recording engineer and mixer:
Dee Robb
assistant engineer:
Paul Ray (70s/80s US engineer)
producer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Jan Uvena
vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1982)
recorded at and mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Remarkably Insincere
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present), John Nitzinger and Erik Scott (bassist/producer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Bandwagon Music Co. (from 1982 to present), Ezra Music Corp. (from 1982 to present) and Hened Music (from 1982 to present)
3?:??
8Tag, You’re It
additional recording engineer:
Joe Robb
recording engineer and mixer:
Dee Robb
assistant engineer:
Paul Ray (70s/80s US engineer)
engineer:
Dee Robb and Joe Robb
producer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Jan Uvena
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1982)
recorded at and mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Tag, You’re It
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present), John Nitzinger and Erik Scott (bassist/producer)
publisher:
Bandwagon Music, Ezra Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Bandwagon Music Co. (from 1982 to present), Ezra Music Corp. (from 1982 to present) and Hened Music (from 1982 to present)
4?:??
9I Better Be Good
additional recording engineer:
Joe Robb
recording engineer and mixer:
Dee Robb
assistant engineer:
Paul Ray (70s/80s US engineer)
producer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Jan Uvena
vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1982)
recorded at and mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
I Better Be Good
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present), Erik Scott (bassist/producer) and Dick Wagner
publisher:
Spirit One Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Early Frost Music Corp. (from 1982 to present), Ezra Music Corp. (from 1982 to present) and Hened Music (from 1982 to present)
3?:??
10I’m Alive (That Was the Day My Dead Pet Returned to Save My Life)
additional recording engineer:
Joe Robb
recording engineer and mixer:
Dee Robb
assistant engineer:
Paul Ray (70s/80s US engineer)
producer:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
bass guitar:
Erik Scott (bassist/producer)
drums (drum set):
Jan Uvena
vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) and Erik Scott (bassist/producer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982) and WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1982)
recorded at and mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
I’m Alive (That Was the Day My Dead Pet Returned to Save My Life)
writer:
Alice Cooper (the singer, active as a solo artist 1975‐present), Erik Scott (bassist/producer) and Dick Wagner
publisher:
Spirit One Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Early Frost Music Corp. (from 1982 to present), Ezra Music Corp. (from 1982 to present) and Hened Music (from 1982 to present)
5?:??
15▶CD: DaDa (1983)

Credits

Release

manufactured in:Europe
copyrighted (©) by and phonographic copyright (℗) by:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969, in 1970, in 1971, in 1972, in 1973, in 1975, in 1976, in 1977, in 1978, in 1980, in 1981, in 1982, in 1983)
Discogs:https://www.discogs.com/release/7443953 [info]
ASIN:US: B00ZGVMKU6 [info]

Release group

includes:Alice Cooper Goes to Hell
Billion Dollar Babies by Alice Cooper (the band, active 1964–1974/5)
DaDa
Easy Action by Alice Cooper (the band, active 1964–1974/5)
Flush the Fashion
From the Inside
Killer by Alice Cooper (the band, active 1964–1974/5)
Lace and Whiskey
Love It to Death by Alice Cooper (the band, active 1964–1974/5)
Muscle of Love by Alice Cooper (the band, active 1964–1974/5)
Pretties for You by Alice Cooper (the band, active 1964–1974/5)
School’s Out by Alice Cooper (the band, active 1964–1974/5)
Special Forces
Welcome to My Nightmare
Zipper Catches Skin