Music: An Appreciation, Seventh Edition

~ Veröffentlichung von Roger Kamien (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

ISBN: 0-07-290204-3

Accompanied a textbook of the same name, author Roger Kamien.

Anmerkung zuletzt geändert am 2021-10-03 16:02 UTC.

Titelliste

1▶CD: Elements, Middle Ages, Renaissance
2▼CD: Baroque
Nr.TitelKünstlerBewertungLänge
1Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 1/5
Cembalo:
Trevor Pinnock (conductor / harpsichord)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1982)
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: I. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach0:20
2Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 2/5
Cembalo:
Trevor Pinnock (conductor / harpsichord)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1982)
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: I. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach0:25
3Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 3/5
Cembalo:
Trevor Pinnock (conductor / harpsichord)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1982)
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: I. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach2:10
4Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 4/5
Cembalo:
Trevor Pinnock (conductor / harpsichord)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1982)
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: I. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach3:31
5Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 5/5
Cembalo:
Trevor Pinnock (conductor / harpsichord)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1982)
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: I. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach3:35
6Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 1/5
Cembalo:
Trevor Pinnock (conductor / harpsichord)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1982)
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: II. Adagio
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach0:57
7Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 2/5
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: II. Adagio
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach1:00
8Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 3/5
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: II. Adagio
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach1:13
9Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 4/5
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: II. Adagio
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach1:20
10Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 5/5
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: II. Adagio
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach0:31
11Brandenburg Concerto No. 5, BWV 1050: III. Allegro - Part 1/3
Cembalo:
Trevor Pinnock (conductor / harpsichord)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1982)
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: III. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach1:16
12Brandenburg Concerto No. 5, BWV 1050: III. Allegro - Part 2/3
Cembalo:
Trevor Pinnock (conductor / harpsichord)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1982)
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: III. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach2:29
13Brandenburg Concerto No. 5, BWV 1050: III. Allegro - Part 3/3
Cembalo:
Trevor Pinnock (conductor / harpsichord)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1982)
teilweise recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: III. Allegro
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach1:25
14Tu se' morta - Part 1/1
Claudio Monteverdi2:47
15Dido's Lament - Part 1/2
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto)
Soprangesang:
Dame Janet Baker (mezzo‐soprano and alto)
Orchester:
English Chamber Orchestra
conductor:
Anthony Lewis (conductor and composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
teilweise recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:55
16Dido's Lament - Part 2/2
Mezzosoprangesang:
Janet Baker (mezzo‐soprano and alto)
Soprangesang:
Dame Janet Baker (mezzo‐soprano and alto)
Orchester:
English Chamber Orchestra
conductor:
Anthony Lewis (conductor and composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
teilweise recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:13
17Spring - First Movement - Part 1/5
Orchester:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (conductor/violinist)
teilweise recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi0:32
18Spring - First Movement - Part 2/5
Orchester:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (conductor/violinist)
teilweise recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi0:43
19Spring - First Movement - Part 3/5
Orchester:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (conductor/violinist)
teilweise recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi0:32
20Spring - First Movement - Part 4/5
Orchester:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (conductor/violinist)
teilweise recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi0:38
21Spring - First Movement - Part 5/5
Orchester:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (conductor/violinist)
teilweise recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi1:14
22Spring - Second Movement - Part 1/1
Orchester:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (conductor/violinist)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:33
23Spring - Third Movement - Part 1/3
Orchester:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (conductor/violinist)
teilweise recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi0:49
24Spring - Third Movement - Part 2/3
Orchester:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (conductor/violinist)
teilweise recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi1:19
25Spring - Third Movement - Part 3/3
Orchester:
Tafelmusik (Canadian Baroque orchestra)
conductor:
Jeanne Lamon (conductor/violinist)
teilweise recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi1:24
26Well-Tempered Clavier: Book 1, Prelude in C Minor - Part 1/3
Johann Sebastian Bach0:54
27Well-Tempered Clavier: Book 1, Prelude in C Minor - Part 2/3
Johann Sebastian Bach0:22
28Well-Tempered Clavier: Book 1, Prelude in C Minor - Part 3/3
Johann Sebastian Bach0:31
29Well-Tempered Clavier: Book 1, Fugue in C Minor - Part 1/4
Johann Sebastian Bach0:23
30Well-Tempered Clavier: Book 1, Fugue in C Minor - Part 2/4
Johann Sebastian Bach0:06
31Well-Tempered Clavier: Book 1, Fugue in C Minor - Part 3/4
Johann Sebastian Bach0:25
32Well-Tempered Clavier: Book 1, Fugue in C Minor - Part 4/4
Johann Sebastian Bach0:44
33Orchestral Suite no. 3 in D Major, S. 1068 - Air - Part 1/2
teilweise recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach1:14
34Orchestral Suite no. 3 in D Major, S. 1068 - Air - Part 2/2
teilweise recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach2:38
35Orchestral Suite no. 3 in D Major, S. 1068 - Boureee - Part 1/2
teilweise recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach0:16
36Orchestral Suite no. 3 in D Major, S. 1068 - Boureee - Part 2/2
teilweise recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach0:51
37Orchestral Suite no. 3 in D Major, S. 1068 - Gigue - Part 1/2
teilweise recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach0:49
38Orchestral Suite no. 3 in D Major, S. 1068 - Gigue - Part 2/2
teilweise recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach1:44
39Cantata no. 140 - First Movement - Part 1/3
Orchester:
Stuttgart Chamber Orchestra
conductor:
Karl Münchinger (German conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
teilweise recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
Premiere in:
Leipzig, Sachsen, Deutschland (am 1731-11-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
basiert auf:
Wachet auf, ruft uns die Stimme
Teil von:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach0:28
40Cantata no. 140 - First Movement - Part 2/3
Chorgesang:
Hymnuschor (Stuttgarter Hymnus-Chorknaben)
Orchester:
Stuttgart Chamber Orchestra
conductor:
Karl Münchinger (German conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
teilweise recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
Premiere in:
Leipzig, Sachsen, Deutschland (am 1731-11-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
basiert auf:
Wachet auf, ruft uns die Stimme
Teil von:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach3:28
41Cantata no. 140 - First Movement - Part 3/3
Chorgesang:
Hymnuschor (Stuttgarter Hymnus-Chorknaben)
Orchester:
Stuttgart Chamber Orchestra
conductor:
Karl Münchinger (German conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
teilweise recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
Premiere in:
Leipzig, Sachsen, Deutschland (am 1731-11-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
basiert auf:
Wachet auf, ruft uns die Stimme
Teil von:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach2:10
42Cantata no. 140 - Fourth Movement - Part 1/3
Tenor-Gesang:
Gösta Winbergh (tenor)
Orchester:
Stuttgart Chamber Orchestra
conductor:
Karl Münchinger (German conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
teilweise recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
Premiere in:
Leipzig, Sachsen, Deutschland (am 1731-11-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
basiert auf:
Wachet auf, ruft uns die Stimme
Teil von:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach0:42
43Cantata no. 140 - Fourth Movement - Part 2/3
Tenor-Gesang:
Gösta Winbergh (tenor)
Orchester:
Stuttgart Chamber Orchestra
conductor:
Karl Münchinger (German conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
teilweise recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
Premiere in:
Leipzig, Sachsen, Deutschland (am 1731-11-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
basiert auf:
Wachet auf, ruft uns die Stimme
Teil von:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach2:05
44Cantata no. 140 - Fourth Movement - Part 3/3
Tenor-Gesang:
Gösta Winbergh (tenor)
Orchester:
Stuttgart Chamber Orchestra
conductor:
Karl Münchinger (German conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
teilweise recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
Premiere in:
Leipzig, Sachsen, Deutschland (am 1731-11-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
basiert auf:
Wachet auf, ruft uns die Stimme
Teil von:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:27
45Cantata no. 140 - Seventh Movement - Part 1/1
teilweise recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen”
Premiere in:
Leipzig, Sachsen, Deutschland (am 1731-11-25)
Texter:
Philipp Nicolai
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
Teil von:
Breitkopf 389 Choralgesänge (Nummer: 329)
basiert auf:
Wachet auf, ruft uns die Stimme
Teil von:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:26
46Messiah - Sinfonia - Part 1/2
Georg Friedrich Händel1:51
47Messiah - Sinfonia - Part 2/2
Georg Friedrich Händel2:15
48Messiah - Comfort Ye - Part 1/2
Georg Friedrich Händel2:39
49Messiah - Comfort Ye - Part 2/2
Georg Friedrich Händel0:30
50Messiah - Ev'ry Valley - Part 1/1
Orchester:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:28
51Messiah - For Unto Us a Child Is Born - Part 1/3
Georg Friedrich Händel0:58
52Messiah - For Unto Us a Child Is Born - Part 2/3
Georg Friedrich Händel0:16
53Messiah - For Unto Us a Child Is Born - Part 3/3
Georg Friedrich Händel2:42
54Messiah - Hallelujah - Part 1/6
Chorgesang:
London Symphony Chorus
Orchester:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
teilweise recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:26
55Messiah - Hallelujah - Part 2/6
Chorgesang:
London Symphony Chorus
Orchester:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
teilweise recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:24
56Messiah - Hallelujah - Part 3/6
Chorgesang:
London Symphony Chorus
Orchester:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
teilweise recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:27
57Messiah - Hallelujah - Part 4/6
Chorgesang:
London Symphony Chorus
Orchester:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
teilweise recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:21
58Messiah - Hallelujah - Part 5/6
Chorgesang:
London Symphony Chorus
Orchester:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
teilweise recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:24
59Messiah - Hallelujah - Part 6/6
Chorgesang:
London Symphony Chorus
Orchester:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
teilweise recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:48
3▶CD: Classical
4▶CD: Classical, Romantic
5▶CD: Romantic
6▶CD: Romantic
7▶CD: Twentieth Century
8▶CD: Twentieth Century, Jazz, American Musical, Nonwestern