Music: An Appreciation, Seventh Edition

~ Release by Roger Kamien (see all versions of this release, 1 available)

Annotation

ISBN: 0-07-290204-3

Accompanied a textbook of the same name, author Roger Kamien.

Annotation last modified on 2021-10-03 16:02 UTC.

Tracklist

1▶CD: Elements, Middle Ages, Renaissance

2▼CD: Baroque
#	Title	Artist	Rating	Length
1	Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 1/5 harpsichord: Trevor Pinnock (conductor / harpsichord) orchestra: The English Concert conductor: Trevor Pinnock (conductor / harpsichord) phonographic copyright (℗) by: Polydor International GmbH (not for release label use!) (in 1982) partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		0:20
2	Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 2/5 harpsichord: Trevor Pinnock (conductor / harpsichord) orchestra: The English Concert conductor: Trevor Pinnock (conductor / harpsichord) phonographic copyright (℗) by: Polydor International GmbH (not for release label use!) (in 1982) partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		0:25
3	Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 3/5 harpsichord: Trevor Pinnock (conductor / harpsichord) orchestra: The English Concert conductor: Trevor Pinnock (conductor / harpsichord) phonographic copyright (℗) by: Polydor International GmbH (not for release label use!) (in 1982) partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		2:10
4	Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 4/5 harpsichord: Trevor Pinnock (conductor / harpsichord) orchestra: The English Concert conductor: Trevor Pinnock (conductor / harpsichord) phonographic copyright (℗) by: Polydor International GmbH (not for release label use!) (in 1982) partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		3:31
5	Brandenburg Concerto No. 5, BWV 1050: I. Allegro - Part 5/5 harpsichord: Trevor Pinnock (conductor / harpsichord) orchestra: The English Concert conductor: Trevor Pinnock (conductor / harpsichord) phonographic copyright (℗) by: Polydor International GmbH (not for release label use!) (in 1982) partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		3:35
6	Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 1/5 harpsichord: Trevor Pinnock (conductor / harpsichord) orchestra: The English Concert conductor: Trevor Pinnock (conductor / harpsichord) phonographic copyright (℗) by: Polydor International GmbH (not for release label use!) (in 1982) partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: II. Adagio part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		0:57
7	Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 2/5 partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: II. Adagio part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		1:00
8	Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 3/5 partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: II. Adagio part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		1:13
9	Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 4/5 partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: II. Adagio part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		1:20
10	Brandenburg Concerto No. 5, BWV 1050: II. Affettuoso - Part 5/5 partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: II. Adagio part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		0:31
11	Brandenburg Concerto No. 5, BWV 1050: III. Allegro - Part 1/3 harpsichord: Trevor Pinnock (conductor / harpsichord) orchestra: The English Concert conductor: Trevor Pinnock (conductor / harpsichord) phonographic copyright (℗) by: Polydor International GmbH (not for release label use!) (in 1982) partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: III. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		1:16
12	Brandenburg Concerto No. 5, BWV 1050: III. Allegro - Part 2/3 harpsichord: Trevor Pinnock (conductor / harpsichord) orchestra: The English Concert conductor: Trevor Pinnock (conductor / harpsichord) phonographic copyright (℗) by: Polydor International GmbH (not for release label use!) (in 1982) partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: III. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		2:29
13	Brandenburg Concerto No. 5, BWV 1050: III. Allegro - Part 3/3 harpsichord: Trevor Pinnock (conductor / harpsichord) orchestra: The English Concert conductor: Trevor Pinnock (conductor / harpsichord) phonographic copyright (℗) by: Polydor International GmbH (not for release label use!) (in 1982) partial recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: III. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)	Johann Sebastian Bach		1:25
14	Tu se' morta - Part 1/1	Claudio Monteverdi		2:47
15	Dido's Lament - Part 1/2 mezzo-soprano vocals: Janet Baker (mezzo‐soprano and alto) soprano vocals: Dame Janet Baker (mezzo‐soprano and alto) orchestra: English Chamber Orchestra conductor: Anthony Lewis (conductor and composer) phonographic copyright (℗) by: The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962) partial recording of: Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) composer: Henry Purcell (Baroque composer) (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III	Henry Purcell		0:55
16	Dido's Lament - Part 2/2 mezzo-soprano vocals: Janet Baker (mezzo‐soprano and alto) soprano vocals: Dame Janet Baker (mezzo‐soprano and alto) orchestra: English Chamber Orchestra conductor: Anthony Lewis (conductor and composer) phonographic copyright (℗) by: The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962) partial recording of: Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) composer: Henry Purcell (Baroque composer) (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III	Henry Purcell		4:13
17	Spring - First Movement - Part 1/5 orchestra: Tafelmusik (Canadian Baroque orchestra) conductor: Jeanne Lamon (conductor/violinist) partial recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		0:32
18	Spring - First Movement - Part 2/5 orchestra: Tafelmusik (Canadian Baroque orchestra) conductor: Jeanne Lamon (conductor/violinist) partial recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		0:43
19	Spring - First Movement - Part 3/5 orchestra: Tafelmusik (Canadian Baroque orchestra) conductor: Jeanne Lamon (conductor/violinist) partial recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		0:32
20	Spring - First Movement - Part 4/5 orchestra: Tafelmusik (Canadian Baroque orchestra) conductor: Jeanne Lamon (conductor/violinist) partial recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		0:38
21	Spring - First Movement - Part 5/5 orchestra: Tafelmusik (Canadian Baroque orchestra) conductor: Jeanne Lamon (conductor/violinist) partial recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		1:14
22	Spring - Second Movement - Part 1/1 orchestra: Tafelmusik (Canadian Baroque orchestra) conductor: Jeanne Lamon (conductor/violinist) recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		2:33
23	Spring - Third Movement - Part 1/3 orchestra: Tafelmusik (Canadian Baroque orchestra) conductor: Jeanne Lamon (conductor/violinist) partial recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		0:49
24	Spring - Third Movement - Part 2/3 orchestra: Tafelmusik (Canadian Baroque orchestra) conductor: Jeanne Lamon (conductor/violinist) partial recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		1:19
25	Spring - Third Movement - Part 3/3 orchestra: Tafelmusik (Canadian Baroque orchestra) conductor: Jeanne Lamon (conductor/violinist) partial recording of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)	Antonio Vivaldi		1:24
26	Well-Tempered Clavier: Book 1, Prelude in C Minor - Part 1/3	Johann Sebastian Bach		0:54
27	Well-Tempered Clavier: Book 1, Prelude in C Minor - Part 2/3	Johann Sebastian Bach		0:22
28	Well-Tempered Clavier: Book 1, Prelude in C Minor - Part 3/3	Johann Sebastian Bach		0:31
29	Well-Tempered Clavier: Book 1, Fugue in C Minor - Part 1/4	Johann Sebastian Bach		0:23
30	Well-Tempered Clavier: Book 1, Fugue in C Minor - Part 2/4	Johann Sebastian Bach		0:06
31	Well-Tempered Clavier: Book 1, Fugue in C Minor - Part 3/4	Johann Sebastian Bach		0:25
32	Well-Tempered Clavier: Book 1, Fugue in C Minor - Part 4/4	Johann Sebastian Bach		0:44
33	Orchestral Suite no. 3 in D Major, S. 1068 - Air - Part 1/2 partial recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Johann Sebastian Bach		1:14
34	Orchestral Suite no. 3 in D Major, S. 1068 - Air - Part 2/2 partial recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Johann Sebastian Bach		2:38
35	Orchestral Suite no. 3 in D Major, S. 1068 - Boureee - Part 1/2 partial recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Johann Sebastian Bach		0:16
36	Orchestral Suite no. 3 in D Major, S. 1068 - Boureee - Part 2/2 partial recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Johann Sebastian Bach		0:51
37	Orchestral Suite no. 3 in D Major, S. 1068 - Gigue - Part 1/2 partial recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Johann Sebastian Bach		0:49
38	Orchestral Suite no. 3 in D Major, S. 1068 - Gigue - Part 2/2 partial recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)	Johann Sebastian Bach		1:44
39	Cantata no. 140 - First Movement - Part 1/3 orchestra: Stuttgart Chamber Orchestra conductor: Karl Münchinger (German conductor) phonographic copyright (℗) by: The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985) partial recording of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” premiered in: Leipzig, Sachsen (Saxony), Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) adaptations: Prelude to Peace is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”	Johann Sebastian Bach		0:28
40	Cantata no. 140 - First Movement - Part 2/3 choir vocals: Hymnuschor (Stuttgart Hymnus Boys' Choir) orchestra: Stuttgart Chamber Orchestra conductor: Karl Münchinger (German conductor) phonographic copyright (℗) by: The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985) partial recording of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” premiered in: Leipzig, Sachsen (Saxony), Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) adaptations: Prelude to Peace is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”	Johann Sebastian Bach		3:28
41	Cantata no. 140 - First Movement - Part 3/3 choir vocals: Hymnuschor (Stuttgart Hymnus Boys' Choir) orchestra: Stuttgart Chamber Orchestra conductor: Karl Münchinger (German conductor) phonographic copyright (℗) by: The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985) partial recording of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” premiered in: Leipzig, Sachsen (Saxony), Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) adaptations: Prelude to Peace is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”	Johann Sebastian Bach		2:10
42	Cantata no. 140 - Fourth Movement - Part 1/3 tenor vocals: Gösta Winbergh (tenor) orchestra: Stuttgart Chamber Orchestra conductor: Karl Münchinger (German conductor) phonographic copyright (℗) by: The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985) partial recording of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” premiered in: Leipzig, Sachsen (Saxony), Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”	Johann Sebastian Bach		0:42
43	Cantata no. 140 - Fourth Movement - Part 2/3 tenor vocals: Gösta Winbergh (tenor) orchestra: Stuttgart Chamber Orchestra conductor: Karl Münchinger (German conductor) phonographic copyright (℗) by: The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985) partial recording of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” premiered in: Leipzig, Sachsen (Saxony), Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”	Johann Sebastian Bach		2:05
44	Cantata no. 140 - Fourth Movement - Part 3/3 tenor vocals: Gösta Winbergh (tenor) orchestra: Stuttgart Chamber Orchestra conductor: Karl Münchinger (German conductor) phonographic copyright (℗) by: The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985) partial recording of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” premiered in: Leipzig, Sachsen (Saxony), Germany (on 1731-11-25) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”	Johann Sebastian Bach		1:27
45	Cantata no. 140 - Seventh Movement - Part 1/1 partial recording of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” premiered in: Leipzig, Sachsen (Saxony), Germany (on 1731-11-25) lyricist: Philipp Nicolai composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) part of: Breitkopf 389 Choralgesänge (number: 329) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”	Johann Sebastian Bach		1:26
46	Messiah - Sinfonia - Part 1/2	Georg Friedrich Händel		1:51
47	Messiah - Sinfonia - Part 2/2	Georg Friedrich Händel		2:15
48	Messiah - Comfort Ye - Part 1/2	Georg Friedrich Händel		2:39
49	Messiah - Comfort Ye - Part 2/2	Georg Friedrich Händel		0:30
50	Messiah - Ev'ry Valley - Part 1/1 orchestra: London Symphony Orchestra conductor: Sir Colin Davis (English conductor) recording of: Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		3:28
51	Messiah - For Unto Us a Child Is Born - Part 1/3	Georg Friedrich Händel		0:58
52	Messiah - For Unto Us a Child Is Born - Part 2/3	Georg Friedrich Händel		0:16
53	Messiah - For Unto Us a Child Is Born - Part 3/3	Georg Friedrich Händel		2:42
54	Messiah - Hallelujah - Part 1/6 choir vocals: London Symphony Chorus orchestra: London Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		0:26
55	Messiah - Hallelujah - Part 2/6 choir vocals: London Symphony Chorus orchestra: London Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		0:24
56	Messiah - Hallelujah - Part 3/6 choir vocals: London Symphony Chorus orchestra: London Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		0:27
57	Messiah - Hallelujah - Part 4/6 choir vocals: London Symphony Chorus orchestra: London Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		0:21
58	Messiah - Hallelujah - Part 5/6 choir vocals: London Symphony Chorus orchestra: London Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		0:24
59	Messiah - Hallelujah - Part 6/6 choir vocals: London Symphony Chorus orchestra: London Symphony Orchestra conductor: Sir Colin Davis (English conductor) partial recording of: Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		1:48

3▶CD: Classical

4▶CD: Classical, Romantic

5▶CD: Romantic

6▶CD: Romantic

7▶CD: Twentieth Century

8▶CD: Twentieth Century, Jazz, American Musical, Nonwestern

Music: An Appreciation, Seventh Edition

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