Hightech Klassik

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Also sprach Zarathustra
recorded in:
Boston, Massachusetts, United States (in 1981-12)
orchestra:
Boston Symphony Orchestra (in 1981-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1981-12)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1982)
recorded at:
Boston Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1981-12)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (in 1981-12)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:52
2Toccata & Fuge d-moll BWV 565
organ:
Daniel Chorzempa (organist) (in 1982-04)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982)
recorded at:
Bovenkerk in Kampen, Overijssel, Netherlands, Kingdom of the Netherlands (in 1982-04)
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565) (in 1982-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
Johann Sebastian Bach11:46
3Die vier Jahreszeiten, "Der Frühling" "La primavera": 1. Allegro
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Albert Kos (engineer/editor)
cello [violoncello]:
Christoph Marks (cellist) (in 1987-02)
harpsichord:
Robert Aldwinckle (in 1987-02)
violin:
Viktoria Mullova (violinist) (in 1987-02)
orchestra:
Chamber Orchestra of Europe (in 1987-02)
conductor:
Claudio Abbado (conductor) (in 1987-02)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1987-02) and Onno Scholtze (sound engineer) (in 1987-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
recorded at:
Théâtre et Salle de musique in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1987-02)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (in 1987-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:21
4Die vier Jahreszeiten, "Der Frühling" "La primavera": 2. Largo
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Albert Kos (engineer/editor)
cello [violoncello]:
Christoph Marks (cellist) (in 1987-02)
harpsichord:
Robert Aldwinckle (in 1987-02)
violin:
Viktoria Mullova (violinist) (in 1987-02)
orchestra:
Chamber Orchestra of Europe (in 1987-02)
conductor:
Claudio Abbado (conductor) (in 1987-02)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1987-02) and Onno Scholtze (sound engineer) (in 1987-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
recorded at:
Théâtre et Salle de musique in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1987-02)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (in 1987-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:02
5Die vier Jahreszeiten, "Der Frühling" "La primavera": 3. Allegro (Danza pastorale
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
editor:
Albert Kos (engineer/editor)
cello [violoncello]:
Christoph Marks (cellist) (in 1987-02)
harpsichord:
Robert Aldwinckle (in 1987-02)
violin:
Viktoria Mullova (violinist) (in 1987-02)
orchestra:
Chamber Orchestra of Europe (in 1987-02)
conductor:
Claudio Abbado (conductor) (in 1987-02)
balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1987-02) and Onno Scholtze (sound engineer) (in 1987-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
recorded at:
Théâtre et Salle de musique in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1987-02)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (in 1987-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi4:03
6Jeux Interdits
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1982-11)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1982-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1983)
recorded at:
Lutherian Church, Haarlem (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1982-07) and Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1982-11)
recording of:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits") (in 1982-07)
composer:
[anonymous] (special purpose artist) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Vicente Gómez (guitarist and composer), Fernando Sor (Ferdinand Sor, Spanish composer) and Narciso Yepes (classical guitarist)
arrangement of:
Romance de Amor
recording of:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits") (in 1982-11)
composer:
[anonymous] (special purpose artist) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Vicente Gómez (guitarist and composer), Fernando Sor (Ferdinand Sor, Spanish composer) and Narciso Yepes (classical guitarist)
arrangement of:
Romance de Amor
[anonymous]1:51
7Bilder einer Ausstellung: Promenade - Gnomus
piano:
Alfred Brendel (Austrian pianist) (in 1985-07)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1985-07)
recording of:
Pictures at an Exhibition: No. 1 “Gnomus” (original piano version) (in 1985-07)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
dedicated to:
Viktor Hartmann (Russian architect and painter)
part of:
Pictures at an Exhibition (original piano version)
Модест Петрович Мусоргский4:02
8Trompetenkonzert Es-dur Hob. VIIe: 1 Allegro
recorded in:
London (Greater London), England, United Kingdom (in 1986-10)
solo trumpet and trumpet:
Håkan Hardenberger (classical trumpeter) (in 1986-10)
orchestra:
Academy of St Martin in the Fields (in 1986-10)
conductor:
Sir Neville Marriner (conductor) (in 1986-10)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
recorded at:
St. John’s Cathedral (London) in London (Greater London), England, United Kingdom (in 1986-10)
recording of:
Cadenza to Haydn’s Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: I. Allegro (Hardenberger) (in 1986-10)
composer:
Håkan Hardenberger (classical trumpeter)
is based on:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1 (Trumpet Concerto in E-flat major)
recording of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: I. Allegro (in 1986-10)
composer:
Joseph Haydn (composer) (in 1796)
is based on:
Cadenza to Haydn’s Trumpet Concerto in E-flat major: I. Allegro
part of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1 (Trumpet Concerto in E-flat major)
recording of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: I. Allegro
composer:
Joseph Haydn (composer) (in 1796)
is based on:
Cadenza to Haydn’s Trumpet Concerto in E-flat major: I. Allegro
part of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1 (Trumpet Concerto in E-flat major)
Joseph Haydn6:20
9Der Messias, Teil 2, Nr. 42: Chorus "Hallelujah" (in engl. Sprache)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1984-10 until 1984-11)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1984-10 until 1984-11)
conductor:
Sir Colin Davis (English conductor) (from 1984-10 until 1984-11)
chorus master:
Hans–Peter Rauscher (from 1984-10 until 1984-11)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1984-10 until 1984-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:55
10Die Zauberflöte, Nur stille, stille - Die Strahlen der Sonne (Schluß 2. A
bass vocals:
Kurt Moll (operatic bass) (in 1984-01)
choir vocals:
Rundfunkchor Leipzig (in 1984-01)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1984-01) and Hanna Schwarz (mezzo soprano) (in 1984-01)
soprano vocals:
Marie McLaughlin (soprano) (in 1984-01) and Luciana Serra (soprano) (in 1984-01)
tenor vocals:
Robert Tear (tenor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1984)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:23
11Ungarischer Tanz (Hungarian Dance) Nr. 6 in D-dur
recorded in:
Leipzig, Sachsen (Saxony), Germany (in 1981-09)
orchestra:
Gewundhaus Orchestra Leipzig (Leipzig Gewandhaus Orchestra) (in 1981-09)
conductor:
Kurt Masur (conductor) (in 1981-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983) and VEB Deutsche Schallplatten Berlin (in 1983)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 2, no. 6 in D major: Vivace (orchestrated by Parlow) (in 1981-09)
orchestrator:
Albert Parlow
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 6 in D-flat major: Vivace
part of:
Hungarian Dances for orchestra (Parlow orchestration)
Johannes Brahms3:36
12Symphonie Nr. 3 c-moll op. 78 "Orgel-Symphonie": Maestoso - Allegro -
organ:
Jean Guillou (French composer and organist) (in 1984-04)
orchestra:
San Francisco Symphony (in 1984-04)
conductor:
Edo de Waart (conductor) (in 1984-04)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recorded at:
Davies Hall in San Francisco, California, United States (in 1984-04)
Camille Saint‐Saëns7:46
13Audio‐Testsignale: Ansage Balance‐Test
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:17
14Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 10 dB
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:11
15Audio‐Testsignale: Ansage
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:05
16Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 10 dB
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:10
17Audio‐Testsignale: Ansage Phasentest
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:10
18Audio‐Testsignale: Phase »ein«
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:14
19Audio‐Testsignale: Phase »aus«
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:12
20Audio‐Testsignale: Ansage
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:40
21Audio‐Testsignale: Ansage Spitzenpegel
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:05
22Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:11
23Audio‐Testsignale: Ansage
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:05
24Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:11
25Audio‐Testsignale: Ansage Gleitfrequenzgang
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:17
26Audio‐Testsignale: Gleitfrequenz linker + rechter Kanal von 20 Hz bis 20 kHz – 20 dB
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:51
27Audio‐Testsignale: Ansage
phonographic copyright (℗) by:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:15

Credits