Hightech Klassik

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Also sprach Zarathustra
recorded in:
Boston, Massachusetts, Vereinigte Staaten (in 1981-12)
Orchester:
Boston Symphony Orchestra (in 1981-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1981-12)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1982)
aufgenommen bei:
Boston Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1981-12)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Also sprach Zarathustra, op. 30: Einleitung, Sonnenaufgang) (in 1981-12)
Komponist(in):
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
Teil von:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:52
2Toccata & Fuge d-moll BWV 565
Orgel:
Daniel Chorzempa (organist) (in 1982-04)
phonographisches Urheberrecht (℗) von:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982)
aufgenommen bei:
Bovenkerk in Kampen, Overijssel, Niederlande, Kingdom of the Netherlands (in 1982-04)
recording of:
Toccata und Fuge d-Moll, BWV 565 (in 1982-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 565) und Bach Compendium (Nummer: BC J 37)
Johann Sebastian Bach11:46
3Die vier Jahreszeiten, "Der Frühling" "La primavera": 1. Allegro
Produzent(in):
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
Editing:
Albert Kos (engineer/editor)
Cello [violoncello]:
Christoph Marks (cellist) (in 1987-02)
Cembalo:
Robert Aldwinckle (in 1987-02)
Geige / Violine:
Viktoria Mullova (violinist) (in 1987-02)
Orchester:
Chamber Orchestra of Europe (in 1987-02)
conductor:
Claudio Abbado (conductor) (in 1987-02)
Tonmeister(in):
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1987-02) und Onno Scholtze (sound engineer) (in 1987-02)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
aufgenommen bei:
Théâtre et Salle de musique in La Chaux-de-Fonds, Neuchâtel (Kanton Neuenburg), Schweiz (in 1987-02)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro) (in 1987-02)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:21
4Die vier Jahreszeiten, "Der Frühling" "La primavera": 2. Largo
Produzent(in):
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
Editing:
Albert Kos (engineer/editor)
Cello [violoncello]:
Christoph Marks (cellist) (in 1987-02)
Cembalo:
Robert Aldwinckle (in 1987-02)
Geige / Violine:
Viktoria Mullova (violinist) (in 1987-02)
Orchester:
Chamber Orchestra of Europe (in 1987-02)
conductor:
Claudio Abbado (conductor) (in 1987-02)
Tonmeister(in):
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1987-02) und Onno Scholtze (sound engineer) (in 1987-02)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
aufgenommen bei:
Théâtre et Salle de musique in La Chaux-de-Fonds, Neuchâtel (Kanton Neuenburg), Schweiz (in 1987-02)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (in 1987-02)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:02
5Die vier Jahreszeiten, "Der Frühling" "La primavera": 3. Allegro (Danza pastorale
Produzent(in):
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
Editing:
Albert Kos (engineer/editor)
Cello [violoncello]:
Christoph Marks (cellist) (in 1987-02)
Cembalo:
Robert Aldwinckle (in 1987-02)
Geige / Violine:
Viktoria Mullova (violinist) (in 1987-02)
Orchester:
Chamber Orchestra of Europe (in 1987-02)
conductor:
Claudio Abbado (conductor) (in 1987-02)
Tonmeister(in):
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1987-02) und Onno Scholtze (sound engineer) (in 1987-02)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
aufgenommen bei:
Théâtre et Salle de musique in La Chaux-de-Fonds, Neuchâtel (Kanton Neuenburg), Schweiz (in 1987-02)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (in 1987-02)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi4:03
6Jeux Interdits
Gitarre:
Pepe Romero (classical and flamenco guitarist) (in 1982-07)
klassiche Gitarre:
Pepe Romero (classical and flamenco guitarist) (in 1982-11)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1983)
aufgenommen bei:
Lutherian Church, Haarlem (Haarlem) in Haarlem, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1982-07) und Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1982-11)
recording of:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits") (in 1982-07)
Komponist(in):
[anonymous] (special purpose artist) und [unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vorher zugeschrieben zu:
Vicente Gómez (guitarist and composer), Fernando Sor (Ferdinand Sor, Spanish composer) und Narciso Yepes (classical guitarist)
Arrangement von:
Romance de Amor
recording of:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits") (in 1982-11)
Komponist(in):
[anonymous] (special purpose artist) und [unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vorher zugeschrieben zu:
Vicente Gómez (guitarist and composer), Fernando Sor (Ferdinand Sor, Spanish composer) und Narciso Yepes (classical guitarist)
Arrangement von:
Romance de Amor
[anonymous]1:51
7Bilder einer Ausstellung: Promenade - Gnomus
Klavier:
Alfred Brendel (Austrian pianist) (in 1985-07)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1985-07)
recording of:
Pictures at an Exhibition: No. 1 “Gnomus” (original piano version) (in 1985-07)
Komponist(in):
Модест Петрович Мусоргский (Modest Mussorgski, composer) (von 1874-06-02 bis 1874-06-22)
gewidmet:
Viktor Hartmann (Wiktor Hartmann, Russian architect and painter)
Teil von:
Pictures at an Exhibition (Bilder einer Ausstellung, original piano version)
Модест Петрович Мусоргский4:02
8Trompetenkonzert Es-dur Hob. VIIe: 1 Allegro
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1986-10)
Solo-Trompete und Trompete:
Håkan Hardenberger (classical trumpeter) (in 1986-10)
Orchester:
Academy of St Martin in the Fields (in 1986-10)
conductor:
Sir Neville Marriner (conductor) (in 1986-10)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1987)
aufgenommen bei:
St. John’s Cathedral (London) in London (Greater London), England, Vereinigtes Königreich (in 1986-10)
recording of:
Cadenza to Haydn’s Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: I. Allegro (Hardenberger) (in 1986-10)
Komponist(in):
Håkan Hardenberger (classical trumpeter)
basiert auf:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1 (Trumpet Concerto in E-flat major)
recording of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: I. Allegro (in 1986-10)
Komponist(in):
Joseph Haydn (composer) (in 1796)
basiert auf:
Cadenza to Haydn’s Trumpet Concerto in E-flat major: I. Allegro
Teil von:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1 (Trumpet Concerto in E-flat major)
recording of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: I. Allegro
Komponist(in):
Joseph Haydn (composer) (in 1796)
basiert auf:
Cadenza to Haydn’s Trumpet Concerto in E-flat major: I. Allegro
Teil von:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1 (Trumpet Concerto in E-flat major)
Joseph Haydn6:20
9Der Messias, Teil 2, Nr. 42: Chorus "Hallelujah" (in engl. Sprache)
Chorgesang:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (von 1984-10 bis 1984-11)
Orchester:
Symphonieorchester des Bayerischen Rundfunks (Symphonie-Orchester des Bayerischen Rundfunks) (von 1984-10 bis 1984-11)
conductor:
Sir Colin Davis (English conductor) (von 1984-10 bis 1984-11)
chorus master:
Hans–Peter Rauscher (von 1984-10 bis 1984-11)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (von 1984-10 bis 1984-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:55
10Die Zauberflöte, Nur stille, stille - Die Strahlen der Sonne (Schluß 2. A
Bass-Gesang:
Kurt Moll (operatic bass) (in 1984-01)
Chorgesang:
Rundfunkchor Leipzig (in 1984-01)
Mezzosoprangesang:
Ann Murray (Irish mezzo-soprano) (in 1984-01) und Hanna Schwarz (mezzo soprano) (in 1984-01)
Soprangesang:
Marie McLaughlin (soprano) (in 1984-01) und Luciana Serra (soprano) (in 1984-01)
Tenor-Gesang:
Robert Tear (tenor) (in 1984-01)
Orchester:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
phonographisches Urheberrecht (℗) von:
VEB Deutsche Schallplatten Berlin (in 1984)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (in 1984-01)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1984-01)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Teil von:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1984-01)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Librettist:
Emanuel Schikaneder
Teil von:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:23
11Ungarischer Tanz (Hungarian Dance) Nr. 6 in D-dur
recorded in:
Leipzig, Sachsen, Deutschland (in 1981-09)
Orchester:
Gewundhaus Orchestra Leipzig (Leipzig Gewandhaus Orchestra) (in 1981-09)
conductor:
Kurt Masur (conductor) (in 1981-09)
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983) und VEB Deutsche Schallplatten Berlin (in 1983)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 2, no. 6 in D major: Vivace (orchestrated by Parlow) (in 1981-09)
Orchestrator(in):
Albert Parlow
Komponist(in):
Johannes Brahms (German composer)
Orchestrierung von:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, No. 6 in D-flat major: Vivace
Teil von:
Hungarian Dances for orchestra (Parlow orchestration)
Johannes Brahms3:36
12Symphonie Nr. 3 c-moll op. 78 "Orgel-Symphonie": Maestoso - Allegro -
Orgel:
Jean Guillou (French composer and organist) (in 1984-04)
Orchester:
San Francisco Symphony (in 1984-04)
conductor:
Edo de Waart (conductor) (in 1984-04)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
aufgenommen bei:
Davies Hall in San Francisco, California (Kalifornien), Vereinigte Staaten (in 1984-04)
Camille Saint‐Saëns7:46
13Audio‐Testsignale: Ansage Balance‐Test
phonographisches Urheberrecht (℗) von:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:17
14Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 10 dB
phonographisches Urheberrecht (℗) von:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:11
15Audio‐Testsignale: Ansage
phonographisches Urheberrecht (℗) von:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:05
16Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 10 dB
phonographisches Urheberrecht (℗) von:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:10
17Audio‐Testsignale: Ansage Phasentest
phonographisches Urheberrecht (℗) von:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:10
18Audio‐Testsignale: Phase »ein«
phonographisches Urheberrecht (℗) von:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:14
19Audio‐Testsignale: Phase »aus«
phonographisches Urheberrecht (℗) von:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:12
20Audio‐Testsignale: Ansage
phonographisches Urheberrecht (℗) von:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:40
21Audio‐Testsignale: Ansage Spitzenpegel
phonographisches Urheberrecht (℗) von:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:05
22Audio‐Testsignale: Linker Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)
phonographisches Urheberrecht (℗) von:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:11
23Audio‐Testsignale: Ansage
phonographisches Urheberrecht (℗) von:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:05
24Audio‐Testsignale: Rechter Kanal – Sinussignal 1 kHz – 0 dB (Maximalpegel)
phonographisches Urheberrecht (℗) von:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:11
25Audio‐Testsignale: Ansage Gleitfrequenzgang
phonographisches Urheberrecht (℗) von:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:17
26Audio‐Testsignale: Gleitfrequenz linker + rechter Kanal von 20 Hz bis 20 kHz – 20 dB
phonographisches Urheberrecht (℗) von:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:51
27Audio‐Testsignale: Ansage
phonographisches Urheberrecht (℗) von:
PolyGram Klassik (not for release label use!) (in 1989)
[unknown]0:15

Nennungen

Veröffentlichung

Teil von:Digital Classics (Philips) (Reihenfolge: 46)
Discogs:https://www.discogs.com/release/4409348 [Info]
andere Datenbanken:http://www.musik-sammler.de/media/875794 [Info]