70s HITS - 100 Greatest Songs of the 1970s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Dreams
assistant engineer:
Chris Morris (LA engineer & producer (late ’70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) and Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 9) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 17)
recording of:
Dreams
lyricist and composer:
Stevie Nicks
publisher:
Gentoo Music, Inc., Kobalt Music Publishing Ltd. (publisher) and Welsh Witch Music (BMI affiliated) (in 1977)
Fleetwood Mac4.34:17
2You’re So Vain
recording engineer:
Robin Geoffrey Cable (from 1972-09 until 1972-10)
engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Klaus Voorman (from 1972-09 until 1972-10)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1972-09 until 1972-10)
guitar:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
percussion:
Richard Perry (producer) (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
additional background vocals:
Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
background vocals:
Mick Jagger (Rolling Stones) (from 1972-09 until 1972-10)
strings arranger:
Carly Simon
orchestrator:
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
recording of:
You’re So Vain (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) and Universal Music Publishing Group
Carly Simon4.554:18
3Take It Easy
engineer and producer:
Glyn Johns
acoustic guitar and lead vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) (in 1972)
banjo and electric guitar:
Bernie Leadon (in 1972)
bass guitar:
Randy Meisner (in 1972)
drums (drum set):
Don Henley (in 1972)
background vocals:
Don Henley (in 1972), Bernie Leadon (in 1972) and Randy Meisner (in 1972)
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1972)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (in 1972)
recording of:
Take It Easy (in 1972)
writer:
Jackson Browne (American singer-songwriter) and Glenn Frey (US musician/singer/songwriter, member of the Eagles)
publisher:
Swallow Turn Music and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Eagles4.13:32
4Young Hearts Run Free
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
bass guitar:
Scotty Edwards (bassist)
congas:
Eddie Bongo
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
guitar:
Jay Graydon and Ray Parker
keyboard:
Michael Boddicker, Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) and Sonny Burke (soul/jazz/funk keyboardist)
percussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
synthesizer:
Monty Stark
vibraphone:
Vic Feldman
background vocals:
Jim Gilstrap, Lani Groves, Angie Johnson, Fleming McWilliams, Rochelle Runnells and June D. Williams
lead vocals:
Candi Staton
arranger:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
recorded at:
Sound City Studios in Van Nuys, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 424)
recording of:
Young Hearts Run Free
lyricist and composer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. and IQ Music Ltd.
Candi Staton4.24:09
5I’m Every Woman
engineer:
James Douglass (engineer)
producer:
Arif Mardin
background vocals:
Will Lee (US jazz/rock bassist) (in 1978) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (in 1978)
background vocals and lead vocals:
Chaka Khan (in 1978)
brass arranger, strings arranger and woodwind arranger:
Arif Mardin
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 4)
recording of:
I’m Every Woman (in 1978)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:07
6Summer Breeze
producer:
Louie Shelton
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 10)
recording of:
Summer Breeze
lyricist:
James Seals
composer:
Dash Crofts and James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals and Crofts4.353:22
7Into the Mystic
recording of:
Into the Mystic
lyricist and composer:
Van Morrison
publisher:
Caledonia Productions, Inc. (Caledonia Soul Music Division), Warner/Chappell North America, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Caledonia Soul Music (in 1970), WB Music Corp. (1929–2019) (from 1970 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Van Morrison3:28
8Right Down the Line
recording engineer:
Barry Hammond
producer:
Hugh Murphy (UK producer, engineer) and Gerry Rafferty
mixer:
Declan O’Doherty
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
drums (drum set):
Henry Spinetti
guitar family:
Hugh Burns
organ and piano:
Tommy Eyre
percussion:
Glen LeFleur
steel guitar:
Brian Cole
lead vocals:
Gerry Rafferty
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 1)
recording of:
Right Down the Line
lyricist and composer:
Gerry Rafferty
publisher:
Stage Three Music Publishing Limited, Universal–Songs of PolyGram International, Inc. and Music of Stage Three (in 1978)
Gerry Rafferty3.54:28
9Ventura Highway
assistant engineer:
Chuck Leary
engineer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
America (US folk/soft rock band) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
guitar:
Gerry Beckley, Dewey Bunnell and Dan Peek
keyboard:
Gerry Beckley and Dan Peek
vocals:
Gerry Beckley, Dewey Bunnell and Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972), Warner Music International (trademark of Warner Music International the company) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
America43:32
10We Are Family
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 444)
recording of:
We Are Family
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge43:37
11I’ll Be Around
The Spinners3:09
12Psycho Killer
additional engineer:
Matt Cohen (US producer and engineer)
engineer:
Ed Stasium (US record producer & audio engineer)
executive producer:
Karen Ahmed and Robin Hurley
producer:
Tony Bongiovi, Lance Quinn and Talking Heads
bass guitar:
Tina Weymouth (from 1976 until 1977)
drums (drum set):
Chris Frantz (from 1976 until 1977)
guitar:
David Byrne (Talking Heads) (from 1976 until 1977) and Jerry Harrison (Talking Heads & producer) (from 1976 until 1977)
guitar and keyboard and keyboard:
Jerry Harrison (Talking Heads & producer) (from 1976 until 1977)
lead vocals:
David Byrne (Talking Heads) (from 1976 until 1977)
vocals:
Jerry Harrison (Talking Heads & producer) (from 1976 until 1977)
phonographic copyright (℗) by:
Sire Records Inc. (in 1977)
recorded at:
Sundragon Studios in Flatiron District, New York, New York, United States (from 1976 until 1977)
mixed at:
Mediasound Studios in New York, New York, United States (in 2005)
samples from:
Lexicon Valley #190, "Beyond the Five Ws" by John McWhorter
part of:
Indie 88: Top 500 Indie Rock Songs (number: 108)
recording of:
Psycho Killer (from 1976 until 1977)
lyricist:
David Byrne (Talking Heads), Chris Frantz and Tina Weymouth
writer:
David Byrne (Talking Heads), Christopher Frantz and Martina Weymouth
composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music (publisher as Warner/Chappell Music)
Talking Heads3.854:21
13Hooked on a Feeling
producer:
Bengt Palmers
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1973) and EMI Records Group (in 1973)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 284)
recording of:
Hooked on a Feeling
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
Blue Swede4.052:53
14Long Train Runnin’
engineer:
Donn Landee
producer:
Ted Templeman
congas, cymbal and timbales:
Michael Hossack
guest synthesizer:
Malcolm Cecil and Robert Margouleff
guitar:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
harmonica:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
keyboard, organ and piano:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) and Michael Hossack
percussion:
John Hartman (drummer for the Doobie Brothers) and Ted Templeman
steel guitar:
Jeff “Skunk” Baxter
synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) and Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter and Patrick Simmons
bass arranger:
Tiran Porter
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recorded at:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
recording of:
Long Train Runnin’
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) and Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:27
15Let It Be
cover recording of:
Let It Be
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
Aretha Franklin3:33
16Ooh La La
assistant engineer:
Phil Chapman (engineer)
engineer and producer:
Glyn Johns
acoustic guitar:
Ronnie Lane and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
drums (drum set) and percussion:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
harmonium and piano:
Ian McLagan
lead vocals:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 246)
recording of:
Ooh La La
lyricist:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
composer:
Ronnie Lane and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
WB Music Corp. (1929–2019)
Faces3.753:34
17Fool (If You Think It’s Over)
engineer:
Justin Shirley‐Smith
producer:
Jon Kelly (engineer at Air London Studios) and Chris Rea
phonographic copyright (℗) by:
Magnet Records Ltd. (in 1988)
recorded at:
Sol Mill Studios (The Sol) in Windsor and Maidenhead, England, United Kingdom (in 2007)
recording of:
Fool (If You Think It’s Over) (in 2007)
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea54:07
18Lotta Love
engineer:
Donn Landee
producer:
Ted Templeman
acoustic guitar:
Herb Pedersen
bass:
Bob Glaub
drums (drum set):
Rick Schlosser (drummer)
flute:
Plas Johnson
guitar:
Dave Kalish
keyboard:
Mark T. Jordan
saxophone:
Andrew Love
tambourine:
Nicolette Larson
background vocals:
Nicolette Larson and Ted Templeman
conductor:
Jimmie Haskell
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recording of:
Lotta Love
lyricist:
Neil Young (Canadian singer, songwriter & musician)
composer:
Frank Sampedro and Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Nicolette Larson53:06
19Da Ya Think I’m Sexy
engineer:
Andy Johns
producer:
Tom Dowd
mixer:
Tom Dowd and Andy Johns
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA Records B.V. (in 1978)
music videos:
Da Ya Think I'm Sexy? by Rod Stewart
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 301)
recording of:
Da Ya Think I’m Sexy?
writer:
Carmine Appice, Duane Hitchings and Rod Stewart
publisher:
Control (German electronic sub-label of edel, inactive for a time, but relaunched in 2015), EMI April Music Inc., EMI Full Keel Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Nitestalk Music, Riva Music Ltd., Warner/Chappell Music, Inc., Warner/Chappell North America, WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
version of:
Taj Mahal
Rod Stewart45:31
20Listen to the Music
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
edit of:
Listen to the Music by The Doobie Brothers
recording of:
Listen to the Music
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:47
21Could It Be I’m Falling in Love
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
bass vocals:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
tenor vocals:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) and Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:10
22Stay With Me
Faces4:39
23Cold as Ice
recording of:
Cold as Ice
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (until 2014-12-31), Yamaha Music Publishing (until 2017-03-31), Fujipacific Music, Inc. (from 2015-01-01 to present) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
Foreigner3:20
24Saturday in the Park
engineer:
Wayne Tarnowski
producer:
James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 1972, in 2002)
recorded at and mixed at:
Columbia Studios in New York, New York, United States (from 1971-09-20 until 1971-09-29)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 9)
recording of:
Saturday in the Park (from 1971-09-20 until 1971-09-29)
lyricist and composer:
Robert Lamm (in 1971)
publisher:
Big Elk Music, Lamminations Music, Spirit Music Publishing Ltd. and Warner Chappell North America Ltd.
Chicago43:56
25Every 1’s a Winner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) and Infinity Records Inc. (in 1978)
recording of:
Every 1’s a Winner
lyricist and composer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated) and RAK Music Publishing Ltd.
Hot Chocolate4.154:04
26Helplessly Hoping
Crosby, Stills & Nash2:38
27The Rubberband Man
The Spinners3:33
28Truckin’
Grateful Dead5:07
29Immigrant Song
recording of:
Immigrant Song
lyricist:
Robert Plant (of Led Zeppelin)
composer:
Jimmy Page
publisher:
Superhype Music, Inc.
Led Zeppelin2:26
30La Grange
ZZ Top3:50
31Baker Street
recording engineer:
Barry Hammond
producer:
Hugh Murphy (UK producer, engineer) and Gerry Rafferty
mixer:
Declan O’Doherty
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
drums (drum set):
Henry Spinetti
electric guitar:
Hugh Burns and Nigel Jenkins
Moog and keyboard:
Tommy Eyre
percussion:
Glen LeFleur
saxophone:
Raphael Ravenscroft
lead vocals:
Gerry Rafferty
strings arranger:
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1978), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 26) and Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 89)
recording of:
Baker Street
lyricist and composer:
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) and Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.76:11
32The Last Waltz Suite: The Weight
The Band & The Staple Singers4:36
33Just What I Needed
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist)
engineer:
Geoff Workman
producer:
Roy Thomas Baker (producer)
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at and mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1978-02)
part of:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 112) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 369)
recording of:
Just What I Needed (in 1978-02)
lyricist and composer:
Ric Ocasek
publisher:
BMG Music Publishing Ltd., Lido Music, Inc. and Lido Music (not for release label use!) (in 1978)
The Cars4.33:46
34Good Times (7” edit)
bass:
Bernard Edwards (American bassist and record producer) (in 1979)
drums (drum set):
Tony Thompson (drummer, best known for his work in CHIC) (in 1979)
electric piano:
Raymond Jones (in 1979)
guitar:
Nile Rodgers (in 1979)
piano:
Rob Sabino (in 1979)
lead vocals:
Alfa Anderson (in 1979) and Luci Martin (in 1979)
performer:
Chic (US disco group) (in 1979)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 68) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 224)
recording of:
Good Times (in 1979)
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs and Tommy Jymi Inc.
Chic53:46
35American Girl
recording of:
American Girl
lyricist and composer:
Tom Petty
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Tom Petty and the Heartbreakers3:35
36A Horse With No Name
engineer:
Robin Black (engineer) and Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
mixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
12 string guitar:
Gerry Beckley (in 1971)
acoustic guitar and lead vocals:
Dewey Bunnell (in 1971)
bass guitar:
Dan Peek (in 1971)
drums (drum set):
Kim Haworth (in 1971)
percussion:
Ray Cooper (percussionist) (in 1971)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971)
recording of:
A Horse With No Name (in 1971)
lyricist and composer:
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
America4.24:12
37I’d Really Love to See You Tonight
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
lyricist and composer:
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing and Sutjujo Music
England Dan & John Ford Coley52:39
38A Song for You
Gram Parsons4:55
39We Don’t Talk Anymore
producer:
Bruce Welch (English guitarist, singer, songwriter and producer)
vocals:
Cliff Richard (in 1979)
phonographic copyright (℗) by:
EMI America (in 1979) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
music videos:
We Don’t Talk Anymore by Cliff Richard
recording of:
We Don’t Talk Anymore (in 1979)
lyricist and composer:
Alan Tarney
publisher:
ATV Music Ltd., Sony/ATV Songs LLC and Warner Chappell
Cliff Richard34:12
40The Air That I Breathe
The Hollies4:13
41Love the One You’re With
engineer:
Andy Johns
producer:
Bill Halverson and Stephen Stills
bass:
Calvin Samuels (in 1970-03)
congas:
Jeff Whittaker (in 1970-03)
guitar, organ, percussion and lead vocals:
Stephen Stills (in 1970-03)
steelpan:
Stephen Stills
background vocals:
Rita Coolidge (in 1970-03), David Crosby (in 1970-03), Graham Nash (in 1970-03), Priscilla Jones (American folk, rock and pop singer) (in 1970-03) and John Sebastian (in 1970-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (in 1970-03)
recording of:
Love the One You’re With (in 1970-03)
lyricist and composer:
Stephen Stills
publisher:
Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Gold Hill Music, Inc. (in 1970)
sub-publisher:
EMI Music Publishing Scandinavia AB (in 1997)
Stephen Stills3.53:06
42Rock Steady
recording of:
Rock Steady
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
publisher:
Carlin Music Corporation, Pundit Music, Inc and Springtime Music, Inc.
Aretha Franklin3:14
432-4-6-8 Motorway
Tom Robinson Band3:17
44So You Win Again
Hot Chocolate4:31
45I Just Want to Make Love to You
Foghat4:21
46Tiger Feet
Mud3:50
47Right Place Wrong Time
recording engineer:
Karl Richardson
producer:
Allen Toussaint
mixer:
Jimmy Douglass (engineer) and Arif Mardin
acoustic guitar, congas, electric piano, piano and tambourine:
Allen Toussaint
bass guitar:
George Porter, Jr.
drums (drum set):
Joseph Modeliste
guitar:
Leo Nocentelli
organ:
Art Neville
saxophone:
Gary Brown (US saxophonist from Louisiana)
solo guitar:
David Spinozza
background vocals:
Jessie Mae Smith (US R&B vocalist Jessica Mae Smith, 1941–2021), Robbie Montgomery and Allen Toussaint
lead vocals:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
conductor:
Allen Toussaint
performer:
The Bonaroo horn section and The Meters
arranger and vocals arranger:
Allen Toussaint
recording of:
Right Place Wrong Time
lyricist and composer:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
publisher:
Mystical Light Music and Walden Music, Inc.
Dr. John3.652:55
48Tin Town
Seals and Crofts3:16
49Willin’
recording of:
Willin’
lyricist and composer:
Lowell George
publisher:
Abraham Music and Naked Snake Music
Little Feat2:55
50Disco Inferno
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) and WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1977)
recording of:
Disco Inferno
writer:
Leroy Green (disco/soul songwriter) and Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. and Six Strings Music
The Trammps53:34
51Is It Love You’re After
cover recording of:
Is It Love You’re After
lyricist, writer and composer:
Miles Gregory
publisher:
Sony/ATV Ballad, Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce5:06
52Sailing
producer:
Tom Dowd
cover recording of:
Sailing
lyricist and composer:
Gavin Sutherland (UK folk rock artist, member of The Sutherland Brothers)
publisher:
Ackee Music Inc., Island Music (Island Music Ltd.) and Melodie der Welt J. Michel KG (German publisher; read annotation)
Rod Stewart3.354:36
53Thank You for Being a Friend
Andrew Gold4:41
54Brass Buttons
Gram Parsons3:30
55I Saw the Light
producer:
Todd Rundgren
instruments and vocals:
Todd Rundgren
arranger:
Todd Rundgren
phonographic copyright (℗) by:
Bearsville Records (in 1972)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 452)
recording of:
I Saw the Light
lyricist and composer:
Todd Rundgren
publisher:
Earmark Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Todd Rundgren53:00
56Make It Easy on Yourself
Dionne Warwick2:40
57My Eyes Adored You
Frankie Valli3:33
58Cat’s in the Cradle
Harry Chapin3:46
59Fire and Rain
engineer:
Bill Lazerus (in 1969-12)
producer:
Peter Asher (in 1969-12)
acoustic guitar and lead vocals:
James Taylor (singer-songwriter and guitarist) (in 1969-12)
double bass:
Bobby ‘Wild, Wild’ West (in 1969-12)
drums (drum set):
Russ Kunkel (session drummer) (in 1969-12)
piano:
Carole King (in 1969-12)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1969-12)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 146) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 227)
recording of:
Fire and Rain (in 1969-12)
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (ended), EMI Blackwood Music Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
James Taylor4.33:21
60Killing Me Softly With His Song
producer:
Joel Dorn
piano:
Roberta Flack (singer and pianist)
vocals:
Roberta Flack (singer and pianist)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 273) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 361)
cover recording of:
Killing Me Softly With His Song
lyricist:
Norman Gimbel
composer:
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC and Fox-Gimbel Productions Inc. (in 1972)
Roberta Flack3.554:47
61Tush
recording engineer and mixer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
bass guitar and lead vocals:
Dusty Hill
drums (drum set):
Frank Beard (ZZ Top drummer)
electric guitar:
Billy Gibbons
recorded at:
Ardent Studios in Memphis, Tennessee, United States and Robin Hood Studios in Tyler, Texas, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 67)
recording of:
Tush
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Music of Stage Three and Songs of Mosaic
ZZ Top4.652:14
62Werewolves of London
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Jackson Browne (American singer-songwriter) and Waddy Wachtel
bass:
John McVie
drums (drum set):
Mick Fleetwood
guitar [guitars]:
Waddy Wachtel
piano:
Warren Zevon
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and Rhino Entertainment Company (not for release label use!) (from 2007 to present)
recorded at:
The Sound Factory in Tucson, Arizona, United States (in 2007)
recording of:
Werewolves of London
writer:
LeRoy P. Marinell, Waddy Wachtel and Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes and Zevon Music Inc. (BMI)
Warren Zevon4.93:29
63Sweet Potato Pie
Al Jarreau3:14
64Cry Baby
Gloria Jones3:12
65Low Rider
War3:11
66Grease
engineer and mixer:
Karl Richardson
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
guitar:
Peter Frampton
background vocals:
Barry Gibb
lead vocals:
Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
arranger:
Albhy Galuten and Barry Gibb
phonographic copyright (℗) by:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 11)
recording of:
Grease (Grease, 1978 film)
lyricist and composer:
Barry Gibb
publisher:
Careers–BMG Music Publishing, Inc. and Gibb Brothers Music
part of:
Grease (1978 film)
Frankie Valli4.33:27
67You’ve Got a Friend
engineer:
Richard Sanford Orshoff
producer:
Peter Asher
acoustic guitar:
James Taylor (singer-songwriter and guitarist)
acoustic guitar and congas:
Danny Kortchmar (Danny Kootch)
bass guitar:
Leland Sklar (bassist, session musician)
cabasa, congas and drums (drum set):
Russ Kunkel (session drummer)
background vocals:
Joni Mitchell and James Taylor (singer-songwriter and guitarist)
cover recording of:
You’ve Got a Friend
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc. and Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
James Taylor4.44:29
68Year of the Cat
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
Al Stewart (UK folk singer/songwriter) (in 1976)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 13)
recording of:
Year of the Cat
writer:
Al Stewart (UK folk singer/songwriter) and Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.46:34
69Right Back Where We Started From
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
writer:
J. Vincent Edwards and Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Sony/ATV Songs LLC
Maxine Nightingale4.153:12
70Brass in Pocket
additional recording engineer:
Steve Nye (producer, engineer and pianist)
engineer:
Bill Price (UK producer/engineer)
producer:
Chris Thomas (UK record producer / remixer)
mixer:
Michael Paul Stavrou (producer/engineer)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
additionally recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 389)
recording of:
Brass in Pocket
writer:
James Honeyman‐Scott and Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music and Modern Music Publishing Co., Inc.
Pretenders4.33:06
71Feel Like Makin’ Love
recording engineer:
Ron Nevison (in 1974-09)
producer:
Bad Company (British blues-rock supergroup)
mixer:
Ron Nevison
drums (drum set):
Simon Kirke (in 1974-09)
electric bass guitar:
Boz Burrell (English musician) (in 1974-09)
guitar:
Mick Ralphs (in 1974-09) and Paul Rodgers (in 1974-09)
keyboard:
Mick Ralphs (in 1974-09)
piano and lead vocals:
Paul Rodgers (in 1974-09)
phonographic copyright (℗) by:
Swan Song Inc. (in 1975)
recorded at:
Clearwell Castle in Gloucestershire, England, United Kingdom (in 1974-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 78)
recording of:
Feel Like Makin’ Love (in 1974-09)
writer:
Mick Ralphs and Paul Rodgers
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Badco Music, Inc. (from 1974 to present)
Bad Company4.255:15
72Midnight at the Oasis
engineer:
Lee Herschberg and Donn Landee
producer:
Joe Boyd (US producer, founder of Hannibal Records) and Lenny Waronker
mixer:
Lee Herschberg
acoustic guitar:
David Nichtern
bass guitar:
Freebo
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
electric guitar:
Amos Garrett
piano:
Mark T. Jordan
spoken vocals:
Greg Prestopino
vocals:
Maria Muldaur
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Midnight at the Oasis
lyricist and composer:
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:50
73Riders on the Storm
recording of:
Riders on the Storm
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company and Rondor Music (London) Ltd.
The Doors7:15
74Your Love
Graham Central Station3:20
75Rainy Night in Georgia
producer:
Arif Mardin
bass:
Harold Cowart (on 1969-09-11)
drums (drum set):
Ron Ziegler (drummer) (on 1969-09-11)
guitar:
Cornell Dupree (in 1969) and Jim O’Rourke (US musician & producer, b. 1969) (on 1969-09-11)
harmonica:
Toots Thielemans (in 1969)
instruments:
Cold Grits (in 1969)
organ:
Billy Carter (organ, jazz) (on 1969-09-11)
piano:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (on 1969-09-11)
background vocals:
The Sweet Inspirations (on 1969-09-11)
arranger:
Arif Mardin
recorded at:
Criteria Studios in Miami, Florida, United States (on 1969-09-11)
later releases:
Rainy Night in Georgia by Brook Benton
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 498)
cover recording of:
Rainy Night in Georgia (on 1969-09-11)
lyricist and composer:
Tony Joe White
publisher:
Combine Music Corp. and EMI Songs Limited
Brook Benton43:54
76Go Your Own Way
recording of:
Go Your Own Way
lyricist and composer:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
publisher:
Gentoo Music, Inc. and Now Sounds Music
Fleetwood Mac3:39
77Breakdown
recording engineer and mixer:
Max and Noah Shark
producer:
Denny Cordell
electric bass guitar:
Ron Blair
phonographic copyright (℗) by:
Gone Gator Records (in 1976)
recorded at and mixed at:
The Shelter Studio (Leon Russell's second studio) in Los Angeles, California, United States
recording of:
Breakdown
lyricist and composer:
Tom Petty
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd. and Skyhill Pub. Co., Inc.
Tom Petty and the Heartbreakers4.152:44
78The Right Thing to Do
recording engineer and engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
congas:
Ray Cooper (percussionist) (from 1972-09 until 1972-10)
drums (drum set):
Andy Newmark (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
background vocals:
Vicki Brown (English pop, rock & contemporary classical singer) (from 1972-09 until 1972-10), Carly Simon (from 1972-09 until 1972-10) and Liza Strike (from 1972-09 until 1972-10)
brass [horns] arranger and strings arranger:
Kirby Johnson
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
recording of:
The Right Thing to Do (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’Est Music and Universal Music Corporation (USA, affiliated with ASCAP)
Carly Simon3.53:00
79Sister Golden Hair
assistant engineer:
Tom Anderson (engineer)
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass guitar:
David Dickey (U.S. drummer and bassist)
drums (drum set) and percussion:
Willie Leacox
other instruments:
America (US folk/soft rock band)
vocals:
America (US folk/soft rock band)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975), Warner Music H.K. Ltd. (in 1997) and Rhino Entertainment Company (not for release label use!) (in 2011)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 12) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 264)
recording of:
Sister Golden Hair
lyricist and composer:
Gerald Beckley
publisher:
Warner/Chappell Music Australia Pty. Ltd.
America4.13:17
80Don’t Stop
assistant engineer:
Chris Morris (LA engineer & producer (late ’70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) and Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
recording of:
Don’t Stop
lyricist and composer:
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) and Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:14
81Debris
Faces4:36
82Suite: Judy Blue Eyes
Crosby, Stills & Nash7:24
83He’s the Greatest Dancer
recording of:
He’s the Greatest Dancer
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Sister Sledge6:15
84School’s Out
engineer:
Roy Cicala and Shelly Yakus
producer:
Bob Ezrin
drums (drum set):
Neil Smith (former Alice Cooper drummer)
electric bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
electric guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
guitar and background vocals:
Reggie Vincent
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated and Nimbus 9 Productions
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 319)
recording of:
School’s Out
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:30
85December, 1963 (Oh What a Night!)
recording of:
December, 1963 (Oh, What a Night)
lyricist:
Bob Gaudio and Judy Parker
composer:
Bob Gaudio
publisher:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. and Seasons Music Co.
The Four Seasons3:21
86Sundown
assistant engineer:
Chris Skene
producer:
Lenny Waronker
acoustic guitar:
Terry Clements and Gordon Lightfoot
bass guitar:
John Stockfish
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
electric guitar:
Red Shea
phonographic copyright (℗) by:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text), Reprise Records (in 1974, in 1975) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
recording of:
Sundown
lyricist and composer:
Gordon Lightfoot
publisher:
Moose Music and WB Music Corp. (1929–2019)
Gordon Lightfoot4.853:33
87Me and You and a Dog Named Boo
Lobo2:58
88Aqualung
engineer:
John Burns (engineer/producer for Genesis)
producer:
Ian Anderson (of Jethro Tull) and Terry Ellis (UK producer & band manager)
acoustic guitar and flute:
Ian Anderson (of Jethro Tull) (from 1970-12 until 1971-02)
bass guitar and treble recorder / alto recorder:
Jeffrey Hammond Hammond (from 1970-12 until 1971-02)
drums (drum set) and percussion:
Clive Bunker (from 1970-12 until 1971-02)
electric guitar and soprano recorder:
Martin Barre (from 1970-12 until 1971-02)
mellotron, organ and piano:
John Evan (from 1970-12 until 1971-02)
vocals:
Ian Anderson (of Jethro Tull) (from 1970-12 until 1971-02)
conductor:
Dee Palmer (aka David Palmer, of Jethro Tull) (from 1970-12 until 1971-02)
orchestrator:
Dee Palmer (aka David Palmer, of Jethro Tull)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 90)
recording of:
Aqualung (Jethro Tull) (on 1971-02-12)
lyricist:
Ian Anderson (of Jethro Tull) and Jennie Franks
composer:
Ian Anderson (of Jethro Tull)
Jethro Tull4.256:35
89Still the One
lead vocals:
Larry Hoppen
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1976) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1976)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 18)
recording of:
Still the One
writer:
Johanna Hall and John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
Siren Songs
Orleans53:54
90She’s Gone
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
guitar:
John Oates (in 1973)
percussion:
Ralph MacDonald (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 336)
recording of:
She’s Gone (in 1973)
lyricist and composer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
91Carolina in My Mind
recording of:
Carolina in My Mind
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) and EMI Blackwood Music Inc.
James Taylor3:59
92Casey Jones
Grateful Dead4:25
93Boulder to Birmingham
recording of:
Boulder to Birmingham
writer:
Bill Danoff and Emmylou Harris
Emmylou Harris3:33
94Crazy Love
executive producer:
Lewis Merenstein
producer:
Van Morrison
mixer:
Elliot Scheiner (in 1969-12)
background vocals:
Judy Clay (American soul and gospel singer) (in 1969), Emily Houston (in 1969) and Jackie Verdell (in 1969)
lead vocals:
Van Morrison (in 1969)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1970)
produced for:
Inherit Productions
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1969)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1969-12)
recording of:
Crazy Love (in 1969)
lyricist and composer:
Van Morrison
publisher:
Caledonia Soul Music (, in 1970), Van-Jan Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America and WB Music Corp. (1929–2019) (in 1970)
Van Morrison3.72:35
95Sweet Jane
producer:
Geoffrey Haslam, Shel Kagan and The Velvet Underground (Lou Reed’s seminal rock band)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 335)
recording of:
Sweet Jane
lyricist and composer:
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground54:06
96Love Time
Badfinger2:21
97Can’t Get Enough
Bad Company4:14
98L.A. Woman
recording of:
L.A. Woman
lyricist:
Jim Morrison (lead vocalist of the Doors)
composer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company and Rondor Music (London) Ltd.
The Doors7:51
99P.F. Sloan
Jimmy Webb4:17
100Move Me No Mountain
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
cover recording of:
Move Me No Mountain
writer:
Jerry Ragovoy and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Dandy Dittys Unlimited
Chaka Khan4:13

Credits

Release

stream for free:https://www.deezer.com/album/507947041 [info] (ended)
https://open.spotify.com/album/3N8mBG9DvFq93X6efNxH0i [info]
streaming page:https://music.apple.com/gb/album/1714781747 [info]