70s HITS - 100 Greatest Songs of the 1970s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Dreams
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) und Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 9) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 17)
recording of:
Dreams
Texter und Komponist(in):
Stevie Nicks
publisher:
Gentoo Music, Inc., Kobalt Music Publishing Ltd. (publisher) und Welsh Witch Music (BMI affiliated) (in 1977)
Fleetwood Mac4.34:17
2You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (Rolling Stones) (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:18
3Take It Easy
Techniker(in) und Produzent(in):
Glyn Johns
Akustikgitarre und Sologesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) (in 1972)
Banjo und E-Gitarre:
Bernie Leadon (in 1972)
Bassgitarre:
Randy Meisner (in 1972)
Schlagzeug:
Don Henley (in 1972)
Hintergrundgesang:
Don Henley (in 1972), Bernie Leadon (in 1972) und Randy Meisner (in 1972)
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1972)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1972)
recording of:
Take It Easy (in 1972)
Verfasser(in):
Jackson Browne (American singer-songwriter) und Glenn Frey (US musician/singer/songwriter, member of the Eagles)
publisher:
Swallow Turn Music und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Eagles4.13:32
4Young Hearts Run Free
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Bassgitarre:
Scotty Edwards (bassist)
Conga:
Eddie Bongo
Gitarre:
Jay Graydon und Ray Parker
Keyboard:
Michael Boddicker, Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) und Sonny Burke (soul/jazz/funk keyboardist)
Perkussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
Schlagzeug:
Ollie E. Brown (US drummer, session musician & record producer)
Synthesizer:
Monty Stark
Vibraphon:
Vic Feldman
Hintergrundgesang:
Jim Gilstrap, Lani Groves, Angie Johnson, Fleming McWilliams, Rochelle Runnells und June D. Williams
Sologesang:
Candi Staton
arranger:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
aufgenommen bei:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 424)
recording of:
Young Hearts Run Free
Texter und Komponist(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. und IQ Music Ltd.
Candi Staton4.24:09
5I’m Every Woman
Techniker(in):
James Douglass (engineer)
Produzent(in):
Arif Mardin
Hintergrundgesang:
Will Lee (US jazz/rock bassist) (in 1978) und Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (in 1978)
Hintergrundgesang und Sologesang:
Chaka Khan (in 1978)
Blechblasinstrumente arranger, Holzblasinstrumente arranger und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 4)
recording of:
I’m Every Woman (in 1978)
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:07
6Summer Breeze
Produzent(in):
Louie Shelton
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 10)
recording of:
Summer Breeze
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals and Crofts4.353:22
7Into the Mystic
recording of:
Into the Mystic
Texter und Komponist(in):
Van Morrison
publisher:
Caledonia Productions, Inc. (Caledonia Soul Music Division), Warner/Chappell North America, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Caledonia Soul Music (in 1970), WB Music Corp. (1929–2019) (von 1970 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Van Morrison3:28
8Right Down the Line
recording engineer:
Barry Hammond
Produzent(in):
Hugh Murphy (UK producer, engineer) und Gerry Rafferty
Mix:
Declan O’Doherty
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
guitar family:
Hugh Burns
Orgel und Klavier:
Tommy Eyre
Perkussion:
Glen LeFleur
Schlagzeug:
Henry Spinetti
Steel-Gitarre:
Brian Cole
Sologesang:
Gerry Rafferty
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 1)
recording of:
Right Down the Line
Texter und Komponist(in):
Gerry Rafferty
publisher:
Stage Three Music Publishing Limited, Universal–Songs of PolyGram International, Inc. und Music of Stage Three (in 1978)
Gerry Rafferty3.54:28
9Ventura Highway
assistierende(r) Techniker(in):
Chuck Leary
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
America (US folk/soft rock band) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Gitarre:
Gerry Beckley, Dewey Bunnell und Dan Peek
Keyboard:
Gerry Beckley und Dan Peek
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
vocals:
Gerry Beckley, Dewey Bunnell und Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972), Warner Music International (trademark of Warner Music International the company) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
Texter und Komponist(in):
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
America43:32
10We Are Family
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 444)
recording of:
We Are Family
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge43:37
11I’ll Be Around
The Spinners3:09
12Psycho Killer
Techniker(in):
Ed Stasium (US record producer & audio engineer)
zusätzliche(r) Techniker(in):
Matt Cohen (US producer and engineer)
leitende(r) Produzent(in):
Karen Ahmed und Robin Hurley
Produzent(in):
Tony Bongiovi, Lance Quinn und Talking Heads
Bassgitarre:
Tina Weymouth (von 1976 bis 1977)
Gitarre:
David Byrne (Talking Heads) (von 1976 bis 1977) und Jerry Harrison (Talking Heads & producer) (von 1976 bis 1977)
Gitarre und Keyboard und Keyboard:
Jerry Harrison (Talking Heads & producer) (von 1976 bis 1977)
Schlagzeug:
Chris Frantz (von 1976 bis 1977)
Sologesang:
David Byrne (Talking Heads) (von 1976 bis 1977)
vocals:
Jerry Harrison (Talking Heads & producer) (von 1976 bis 1977)
phonographisches Urheberrecht (℗) von:
Sire Records Inc. (in 1977)
aufgenommen bei:
Sundragon Studios in Flatiron District, New York, New York, Vereinigte Staaten (von 1976 bis 1977)
mixed at:
Mediasound Studios in New York, New York, Vereinigte Staaten (in 2005)
Samples von:
Lexicon Valley #190, "Beyond the Five Ws" von John McWhorter
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 108)
recording of:
Psycho Killer (von 1976 bis 1977)
Texter:
David Byrne (Talking Heads), Chris Frantz und Tina Weymouth
Verfasser(in):
David Byrne (Talking Heads), Christopher Frantz und Martina Weymouth
Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music (publisher as Warner/Chappell Music)
Talking Heads3.854:21
13Hooked on a Feeling
Produzent(in):
Bengt Palmers
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1973) und EMI Records Group (in 1973)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 284)
recording of:
Hooked on a Feeling
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
Blue Swede4.052:53
14Long Train Runnin’
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Becken, Conga und Timbales:
Michael Hossack
Gast-Synthesizer:
Malcolm Cecil und Robert Margouleff
Gitarre:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
Keyboard, Klavier und Orgel:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) und Michael Hossack
Mundharmonika:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
Perkussion:
John Hartman (drummer for the Doobie Brothers) und Ted Templeman
Steel-Gitarre:
Jeff “Skunk” Baxter
Synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter und Patrick Simmons
Bass arranger:
Tiran Porter
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Long Train Runnin’
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) und Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:27
15Let It Be
cover recording of:
Let It Be
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
Aretha Franklin3:33
16Ooh La La
assistierende(r) Techniker(in):
Phil Chapman (engineer)
Techniker(in) und Produzent(in):
Glyn Johns
Akustikgitarre:
Ronnie Lane und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Harmonium und Klavier:
Ian McLagan
Perkussion und Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Sologesang:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 246)
recording of:
Ooh La La
Texter:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Komponist(in):
Ronnie Lane und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
WB Music Corp. (1929–2019)
Faces3.753:34
17Fool (If You Think It’s Over)
Techniker(in):
Justin Shirley‐Smith
Produzent(in):
Jon Kelly (engineer at Air London Studios) und Chris Rea
phonographisches Urheberrecht (℗) von:
Magnet Records Ltd. (in 1988)
aufgenommen bei:
Sol Mill Studios (The Sol) in Windsor and Maidenhead, England, Vereinigtes Königreich (in 2007)
recording of:
Fool (If You Think It’s Over) (in 2007)
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea54:07
18Lotta Love
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Akustikgitarre:
Herb Pedersen
Bass:
Bob Glaub
flute:
Plas Johnson
Gitarre:
Dave Kalish
Keyboard:
Mark T. Jordan
Saxophon:
Andrew Love
Schlagzeug:
Rick Schlosser (drummer)
Tamburin:
Nicolette Larson
Hintergrundgesang:
Nicolette Larson und Ted Templeman
conductor:
Jimmie Haskell
Saiteninstrumente arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recording of:
Lotta Love
Texter:
Neil Young (Canadian singer, songwriter & musician)
Komponist(in):
Frank Sampedro und Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Nicolette Larson53:06
19Da Ya Think I’m Sexy
Techniker(in):
Andy Johns
Produzent(in):
Tom Dowd
Mix:
Tom Dowd und Andy Johns
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) und WEA Records B.V. (in 1978)
Musikvideos:
Da Ya Think I'm Sexy? von Rod Stewart
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 301)
recording of:
Da Ya Think I’m Sexy?
Verfasser(in):
Carmine Appice, Duane Hitchings und Rod Stewart
publisher:
Control (German electronic sub-label of edel, inactive for a time, but relaunched in 2015), EMI April Music Inc., EMI Full Keel Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Nitestalk Music, Riva Music Ltd., Warner/Chappell Music, Inc., Warner/Chappell North America, WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Version von:
Taj Mahal
Rod Stewart45:31
20Listen to the Music
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
Bearbeitung von:
Listen to the Music von The Doobie Brothers
recording of:
Listen to the Music
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:47
21Could It Be I’m Falling in Love
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
Bass-Gesang:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) und Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
Verfasser(in):
Melvin Steals und Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:10
22Stay With Me
Faces4:39
23Cold as Ice
recording of:
Cold as Ice
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (bis 2014-12-31), Yamaha Music Publishing (bis 2017-03-31), Fujipacific Music, Inc. (vom 2015-01-01 bis heute) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Foreigner3:20
24Saturday in the Park
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 1972, in 2002)
aufgenommen bei und mixed at:
Columbia Studios in New York, New York, Vereinigte Staaten (von 1971-09-20 bis 1971-09-29)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 9)
recording of:
Saturday in the Park (von 1971-09-20 bis 1971-09-29)
Texter und Komponist(in):
Robert Lamm (in 1971)
publisher:
Big Elk Music, Lamminations Music, Spirit Music Publishing Ltd. und Warner Chappell North America Ltd.
Chicago43:56
25Every 1’s a Winner
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Infinity Records Inc. (in 1978)
recording of:
Every 1’s a Winner
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated) und RAK Music Publishing Ltd.
Hot Chocolate4.154:04
26Helplessly Hoping
Crosby, Stills & Nash2:38
27The Rubberband Man
The Spinners3:33
28Truckin’
Grateful Dead5:07
29Immigrant Song
recording of:
Immigrant Song
Texter:
Robert Plant (of Led Zeppelin)
Komponist(in):
Jimmy Page
publisher:
Superhype Music, Inc.
Led Zeppelin2:26
30La Grange
ZZ Top3:50
31Baker Street
recording engineer:
Barry Hammond
Produzent(in):
Hugh Murphy (UK producer, engineer) und Gerry Rafferty
Mix:
Declan O’Doherty
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
E-Gitarre:
Hugh Burns und Nigel Jenkins
Moog und Keyboard:
Tommy Eyre
Perkussion:
Glen LeFleur
Saxophon:
Raphael Ravenscroft
Schlagzeug:
Henry Spinetti
Sologesang:
Gerry Rafferty
Saiteninstrumente arranger:
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1978), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 26) und Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 89)
recording of:
Baker Street
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.76:11
32The Last Waltz Suite: The Weight
The Band & The Staple Singers4:36
33Just What I Needed
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 112) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 369)
recording of:
Just What I Needed (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
BMG Music Publishing Ltd., Lido Music, Inc. und Lido Music (not for release label use!) (in 1978)
The Cars4.33:46
34Good Times (7” edit)
Bass:
Bernard Edwards (American bassist and record producer) (in 1979)
Gitarre:
Nile Rodgers (in 1979)
Hybrid-Piano:
Raymond Jones (in 1979)
Klavier:
Rob Sabino (in 1979)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC) (in 1979)
Sologesang:
Alfa Anderson (in 1979) und Luci Martin (in 1979)
Interpret(in):
Chic (US disco group) (in 1979)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 68) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 224)
recording of:
Good Times (in 1979)
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Chic53:46
35American Girl
recording of:
American Girl
Texter und Komponist(in):
Tom Petty
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Tom Petty and the Heartbreakers3:35
36A Horse With No Name
Techniker(in):
Robin Black (engineer) und Ken Scott (UK record producer & engineer)
Produzent(in):
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Mix:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Akustikgitarre und Sologesang:
Dewey Bunnell (in 1971)
Bassgitarre:
Dan Peek (in 1971)
Perkussion:
Ray Cooper (percussionist) (in 1971)
Schlagzeug:
Kim Haworth (in 1971)
zwölfsaitige Gitarre:
Gerry Beckley (in 1971)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1971)
recording of:
A Horse With No Name (in 1971)
Texter und Komponist(in):
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
America4.24:12
37I’d Really Love to See You Tonight
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
Texter und Komponist(in):
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing und Sutjujo Music
England Dan & John Ford Coley52:39
38A Song for You
Gram Parsons4:55
39We Don’t Talk Anymore
Produzent(in):
Bruce Welch (English guitarist, singer, songwriter and producer)
vocals:
Cliff Richard (in 1979)
phonographisches Urheberrecht (℗) von:
EMI America (in 1979) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
Musikvideos:
We Don’t Talk Anymore von Cliff Richard
recording of:
We Don’t Talk Anymore (in 1979)
Texter und Komponist(in):
Alan Tarney
publisher:
ATV Music Ltd., Sony/ATV Songs LLC und Warner Chappell
Cliff Richard34:12
40The Air That I Breathe
The Hollies4:13
41Love the One You’re With
Techniker(in):
Andy Johns
Produzent(in):
Bill Halverson und Stephen Stills
Bass:
Calvin Samuels (in 1970-03)
Conga:
Jeff Whittaker (in 1970-03)
Gitarre, Orgel, Perkussion und Sologesang:
Stephen Stills (in 1970-03)
Steel Pan:
Stephen Stills
Hintergrundgesang:
Rita Coolidge (in 1970-03), David Crosby (in 1970-03), Graham Nash (in 1970-03), Priscilla Jones (American folk, rock and pop singer) (in 1970-03) und John Sebastian (in 1970-03)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970-03)
recording of:
Love the One You’re With (in 1970-03)
Texter und Komponist(in):
Stephen Stills
publisher:
Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Gold Hill Music, Inc. (in 1970)
sub-publisher:
EMI Music Publishing Scandinavia AB (in 1997)
Stephen Stills3.53:06
42Rock Steady
recording of:
Rock Steady
Texter und Komponist(in):
Aretha Franklin (von 1970 bis 1971)
publisher:
Carlin Music Corporation, Pundit Music, Inc und Springtime Music, Inc.
Aretha Franklin3:14
432-4-6-8 Motorway
Tom Robinson Band3:17
44So You Win Again
Hot Chocolate4:31
45I Just Want to Make Love to You
Foghat4:21
46Tiger Feet
Mud3:50
47Right Place Wrong Time
recording engineer:
Karl Richardson
Produzent(in):
Allen Toussaint
Mix:
Jimmy Douglass (engineer) und Arif Mardin
Akustikgitarre, Conga, Hybrid-Piano, Klavier und Tamburin:
Allen Toussaint
Bassgitarre:
George Porter, Jr.
Gitarre:
Leo Nocentelli
Orgel:
Art Neville
Saxophon:
Gary Brown (US saxophonist from Louisiana)
Schlagzeug:
Joseph Modeliste
Solo-Gitarre:
David Spinozza
Hintergrundgesang:
Jessie Mae Smith (US R&B vocalist Jessica Mae Smith, 1941–2021), Robbie Montgomery und Allen Toussaint
Sologesang:
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
conductor:
Allen Toussaint
Interpret(in):
The Bonaroo horn section und The Meters
arranger und vocals arranger:
Allen Toussaint
recording of:
Right Place Wrong Time
Texter und Komponist(in):
Mac Rebennack (New Orleans blues pianist, singer and songwriter)
publisher:
Mystical Light Music und Walden Music, Inc.
Dr. John3.652:55
48Tin Town
Seals and Crofts3:16
49Willin’
recording of:
Willin’
Texter und Komponist(in):
Lowell George
publisher:
Abraham Music und Naked Snake Music
Little Feat2:55
50Disco Inferno
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1977)
recording of:
Disco Inferno
Verfasser(in):
Leroy Green (disco/soul songwriter) und Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. und Six Strings Music
The Trammps53:34
51Is It Love You’re After
cover recording of:
Is It Love You’re After
Texter, Verfasser(in) und Komponist(in):
Miles Gregory
publisher:
Sony/ATV Ballad, Warner Chappell North America und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce5:06
52Sailing
Produzent(in):
Tom Dowd
cover recording of:
Sailing
Texter und Komponist(in):
Gavin Sutherland (UK folk rock artist, member of The Sutherland Brothers)
publisher:
Ackee Music Inc., Island Music (Island Music Ltd.) und Melodie der Welt J. Michel KG (German publisher; read annotation)
Rod Stewart3.354:36
53Thank You for Being a Friend
Andrew Gold4:41
54Brass Buttons
Gram Parsons3:30
55I Saw the Light
Produzent(in):
Todd Rundgren
Instrumente und vocals:
Todd Rundgren
arranger:
Todd Rundgren
phonographisches Urheberrecht (℗) von:
Bearsville Records (in 1972)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 452)
recording of:
I Saw the Light
Texter und Komponist(in):
Todd Rundgren
publisher:
Earmark Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Todd Rundgren53:00
56Make It Easy on Yourself
Dionne Warwick2:40
57My Eyes Adored You
Frankie Valli3:33
58Cat’s in the Cradle
Harry Chapin3:46
59Fire and Rain
Techniker(in):
Bill Lazerus (in 1969-12)
Produzent(in):
Peter Asher (in 1969-12)
Akustikgitarre und Sologesang:
James Taylor (singer-songwriter and guitarist) (in 1969-12)
Klavier:
Carole King (in 1969-12)
Kontrabass:
Bobby ‘Wild, Wild’ West (in 1969-12)
Schlagzeug:
Russ Kunkel (session drummer) (in 1969-12)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1969-12)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 146) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 227)
recording of:
Fire and Rain (in 1969-12)
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (beendet), EMI Blackwood Music Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
James Taylor4.33:21
60Killing Me Softly With His Song
Produzent(in):
Joel Dorn
Klavier:
Roberta Flack (singer and pianist)
vocals:
Roberta Flack (singer and pianist)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 273) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 361)
cover recording of:
Killing Me Softly With His Song
Texter:
Norman Gimbel
Komponist(in):
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Platz Music Publishng, Rodali Music, Sony/ATV Songs LLC und Fox-Gimbel Productions Inc. (in 1972)
Roberta Flack3.554:47
61Tush
recording engineer und Mix:
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
Bassgitarre und Sologesang:
Dusty Hill
E-Gitarre:
Billy Gibbons
Schlagzeug:
Frank Beard (ZZ Top drummer)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten und Robin Hood Studios in Tyler, Texas, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 67)
recording of:
Tush
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
Music of Stage Three und Songs of Mosaic
ZZ Top4.652:14
62Werewolves of London
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Jackson Browne (American singer-songwriter) und Waddy Wachtel
Bass:
John McVie
Gitarre [guitars]:
Waddy Wachtel
Klavier:
Warren Zevon
Schlagzeug:
Mick Fleetwood
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und Rhino Entertainment Company (not for release label use!) (vom 2007 bis heute)
aufgenommen bei:
The Sound Factory in Tucson, Arizona, Vereinigte Staaten (in 2007)
recording of:
Werewolves of London
Verfasser(in):
LeRoy P. Marinell, Waddy Wachtel und Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes und Zevon Music Inc. (BMI)
Warren Zevon4.93:29
63Sweet Potato Pie
Al Jarreau3:14
64Cry Baby
Gloria Jones3:12
65Low Rider
War3:11
66Grease
Techniker(in) und Mix:
Karl Richardson
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Gitarre:
Peter Frampton
Hintergrundgesang:
Barry Gibb
Sologesang:
Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
arranger:
Albhy Galuten und Barry Gibb
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 11)
recording of:
Grease (Grease, 1978 film)
Texter und Komponist(in):
Barry Gibb
publisher:
Careers–BMG Music Publishing, Inc. und Gibb Brothers Music
Teil von:
Grease (1978 film)
Frankie Valli4.33:27
67You’ve Got a Friend
Techniker(in):
Richard Sanford Orshoff
Produzent(in):
Peter Asher
Akustikgitarre:
James Taylor (singer-songwriter and guitarist)
Akustikgitarre und Conga:
Danny Kortchmar (Danny Kootch)
Bassgitarre:
Leland Sklar (bassist, session musician)
cabasa, Conga und Schlagzeug:
Russ Kunkel (session drummer)
Hintergrundgesang:
Joni Mitchell und James Taylor (singer-songwriter and guitarist)
cover recording of:
You’ve Got a Friend
Texter und Komponist(in):
Carole King
publisher:
Colgems-EMI Music Inc. und Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
James Taylor4.44:29
68Year of the Cat
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
Al Stewart (UK folk singer/songwriter) (in 1976)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 13)
recording of:
Year of the Cat
Verfasser(in):
Al Stewart (UK folk singer/songwriter) und Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.46:34
69Right Back Where We Started From
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
Verfasser(in):
J. Vincent Edwards und Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Sony/ATV Songs LLC
Maxine Nightingale4.153:12
70Brass in Pocket
zusätzlich recording engineer:
Steve Nye (producer, engineer and pianist)
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Michael Paul Stavrou (producer/engineer)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 389)
recording of:
Brass in Pocket
Verfasser(in):
James Honeyman‐Scott und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music und Modern Music Publishing Co., Inc.
Pretenders4.33:06
71Feel Like Makin’ Love
recording engineer:
Ron Nevison (in 1974-09)
Produzent(in):
Bad Company (British blues-rock supergroup)
Mix:
Ron Nevison
E-Bass:
Boz Burrell (English musician) (in 1974-09)
Gitarre:
Mick Ralphs (in 1974-09) und Paul Rodgers (in 1974-09)
Keyboard:
Mick Ralphs (in 1974-09)
Klavier und Sologesang:
Paul Rodgers (in 1974-09)
Schlagzeug:
Simon Kirke (in 1974-09)
phonographisches Urheberrecht (℗) von:
Swan Song Inc. (in 1975)
aufgenommen bei:
Clearwell Castle in Gloucestershire, England, Vereinigtes Königreich (in 1974-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 78)
recording of:
Feel Like Makin’ Love (in 1974-09)
Verfasser(in):
Mick Ralphs und Paul Rodgers
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Badco Music, Inc. (vom 1974 bis heute)
Bad Company4.255:15
72Midnight at the Oasis
Techniker(in):
Lee Herschberg und Donn Landee
Produzent(in):
Joe Boyd (US producer, founder of Hannibal Records) und Lenny Waronker
Mix:
Lee Herschberg
Akustikgitarre:
David Nichtern
Bassgitarre:
Freebo
E-Gitarre:
Amos Garrett
Klavier:
Mark T. Jordan
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Sprecher:
Greg Prestopino
vocals:
Maria Muldaur
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Midnight at the Oasis
Texter und Komponist(in):
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:50
73Riders on the Storm
recording of:
Riders on the Storm
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company und Rondor Music (London) Ltd.
The Doors7:15
74Your Love
Graham Central Station3:20
75Rainy Night in Georgia
Produzent(in):
Arif Mardin
Bass:
Harold Cowart (am 1969-09-11)
Gitarre:
Cornell Dupree (in 1969) und Jim O’Rourke (US musician & producer, b. 1969) (am 1969-09-11)
Instrumente:
Cold Grits (in 1969)
Klavier:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (am 1969-09-11)
Mundharmonika:
Toots Thielemans (in 1969)
Orgel:
Billy Carter (organ, jazz) (am 1969-09-11)
Schlagzeug:
Ron Ziegler (drummer) (am 1969-09-11)
Hintergrundgesang:
The Sweet Inspirations (am 1969-09-11)
arranger:
Arif Mardin
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1969-09-11)
spätere Veröffentlichungen:
Rainy Night in Georgia von Brook Benton
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 498)
cover recording of:
Rainy Night in Georgia (am 1969-09-11)
Texter und Komponist(in):
Tony Joe White
publisher:
Combine Music Corp. und EMI Songs Limited
Brook Benton43:54
76Go Your Own Way
recording of:
Go Your Own Way
Texter und Komponist(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer)
publisher:
Gentoo Music, Inc. und Now Sounds Music
Fleetwood Mac3:39
77Breakdown
recording engineer und Mix:
Max und Noah Shark
Produzent(in):
Denny Cordell
E-Bass:
Ron Blair
phonographisches Urheberrecht (℗) von:
Gone Gator Records (in 1976)
aufgenommen bei und mixed at:
The Shelter Studio (Leon Russell's second studio) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Breakdown
Texter und Komponist(in):
Tom Petty
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd. und Skyhill Pub. Co., Inc.
Tom Petty and the Heartbreakers4.152:44
78The Right Thing to Do
recording engineer und Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Conga:
Ray Cooper (percussionist) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Schlagzeug:
Andy Newmark (von 1972-09 bis 1972-10)
Hintergrundgesang:
Vicki Brown (English pop, rock & contemporary classical singer) (von 1972-09 bis 1972-10), Carly Simon (von 1972-09 bis 1972-10) und Liza Strike (von 1972-09 bis 1972-10)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Kirby Johnson
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
recording of:
The Right Thing to Do (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’Est Music und Universal Music Corporation (USA, affiliated with ASCAP)
Carly Simon3.53:00
79Sister Golden Hair
assistierende(r) Techniker(in):
Tom Anderson (engineer)
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
andere Instrumente:
America (US folk/soft rock band)
Bassgitarre:
David Dickey (U.S. drummer and bassist)
Schlagzeug und Perkussion:
Willie Leacox
vocals:
America (US folk/soft rock band)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975), Warner Music H.K. Ltd. (in 1997) und Rhino Entertainment Company (not for release label use!) (in 2011)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 12) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 264)
recording of:
Sister Golden Hair
Texter und Komponist(in):
Gerald Beckley
publisher:
Warner/Chappell Music Australia Pty. Ltd.
America4.13:17
80Don’t Stop
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) und Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Stop
Texter und Komponist(in):
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) und Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:14
81Debris
Faces4:36
82Suite: Judy Blue Eyes
Crosby, Stills & Nash7:24
83He’s the Greatest Dancer
recording of:
He’s the Greatest Dancer
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Sister Sledge6:15
84School’s Out
Techniker(in):
Roy Cicala und Shelly Yakus
Produzent(in):
Bob Ezrin
E-Bass:
Dennis Dunaway (original bass player for Alice Cooper)
E-Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Gitarre und Hintergrundgesang:
Reggie Vincent
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Schlagzeug:
Neil Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated und Nimbus 9 Productions
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 293) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 319)
recording of:
School’s Out
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:30
85December, 1963 (Oh What a Night!)
recording of:
December, 1963 (Oh, What a Night)
Texter:
Bob Gaudio und Judy Parker
Komponist(in):
Bob Gaudio
publisher:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. und Seasons Music Co.
The Four Seasons3:21
86Sundown
assistierende(r) Techniker(in):
Chris Skene
Produzent(in):
Lenny Waronker
Akustikgitarre:
Terry Clements und Gordon Lightfoot
Bassgitarre:
John Stockfish
E-Gitarre:
Red Shea
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
phonographisches Urheberrecht (℗) von:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text), Reprise Records (in 1974, in 1975) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
recording of:
Sundown
Texter und Komponist(in):
Gordon Lightfoot
publisher:
Moose Music und WB Music Corp. (1929–2019)
Gordon Lightfoot4.853:33
87Me and You and a Dog Named Boo
Lobo2:58
88Aqualung
Techniker(in):
John Burns (engineer/producer for Genesis)
Produzent(in):
Ian Anderson (of Jethro Tull) und Terry Ellis (UK producer & band manager)
Akustikgitarre und flute:
Ian Anderson (of Jethro Tull) (von 1970-12 bis 1971-02)
Bassgitarre und Altblockflöte:
Jeffrey Hammond Hammond (von 1970-12 bis 1971-02)
E-Gitarre und soprano recorder:
Martin Barre (von 1970-12 bis 1971-02)
mellotron, Orgel und Klavier:
John Evan (von 1970-12 bis 1971-02)
Schlagzeug und Perkussion:
Clive Bunker (von 1970-12 bis 1971-02)
vocals:
Ian Anderson (of Jethro Tull) (von 1970-12 bis 1971-02)
conductor:
Dee Palmer (aka David Palmer, of Jethro Tull) (von 1970-12 bis 1971-02)
Orchestrator(in):
Dee Palmer (aka David Palmer, of Jethro Tull)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 90)
recording of:
Aqualung (Jethro Tull) (am 1971-02-12)
Texter:
Ian Anderson (of Jethro Tull) und Jennie Franks
Komponist(in):
Ian Anderson (of Jethro Tull)
Jethro Tull4.256:35
89Still the One
Sologesang:
Larry Hoppen
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1976) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1976)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 18)
recording of:
Still the One
Verfasser(in):
Johanna Hall und John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
Siren Songs
Orleans53:54
90She’s Gone
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre, mellotron und Synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
Gitarre:
John Oates (in 1973)
Hybrid-Piano:
Daryl Hall (in 1973)
Perkussion:
Ralph MacDonald (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
Tenorsaxophon:
Joe Farrell (in 1973)
Sologesang:
Daryl Hall (in 1973) und John Oates (in 1973)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 336)
recording of:
She’s Gone (in 1973)
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
91Carolina in My Mind
recording of:
Carolina in My Mind
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) und EMI Blackwood Music Inc.
James Taylor3:59
92Casey Jones
Grateful Dead4:25
93Boulder to Birmingham
recording of:
Boulder to Birmingham
Verfasser(in):
Bill Danoff und Emmylou Harris
Emmylou Harris3:33
94Crazy Love
leitende(r) Produzent(in):
Lewis Merenstein
Produzent(in):
Van Morrison
Mix:
Elliot Scheiner (in 1969-12)
Hintergrundgesang:
Judy Clay (American soul and gospel singer) (in 1969), Emily Houston (in 1969) und Jackie Verdell (in 1969)
Sologesang:
Van Morrison (in 1969)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1970)
produced for:
Inherit Productions
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (in 1969)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Vereinigte Staaten (in 1969-12)
recording of:
Crazy Love (in 1969)
Texter und Komponist(in):
Van Morrison
publisher:
Caledonia Soul Music (, in 1970), Van-Jan Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America und WB Music Corp. (1929–2019) (in 1970)
Van Morrison3.72:35
95Sweet Jane
Produzent(in):
Geoffrey Haslam, Shel Kagan und The Velvet Underground (Lou Reed’s seminal rock band)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 335)
recording of:
Sweet Jane
Texter und Komponist(in):
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground54:06
96Love Time
Badfinger2:21
97Can’t Get Enough
Bad Company4:14
98L.A. Woman
recording of:
L.A. Woman
Texter:
Jim Morrison (lead vocalist of the Doors)
Komponist(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company und Rondor Music (London) Ltd.
The Doors7:51
99P.F. Sloan
Jimmy Webb4:17
100Move Me No Mountain
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1980)
cover recording of:
Move Me No Mountain
Verfasser(in):
Jerry Ragovoy und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Dandy Dittys Unlimited
Chaka Khan4:13

Nennungen

Veröffentlichung

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