Just Great Jazz Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Don’t It Make My Brown Eyes Blue
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1976) und Capitol Nashville (in 1977, in 1979)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
Texter und Komponist(in):
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Crystal Gayle4.42:32
2More Than This
assistierende(r) Techniker(in):
Reuben Kaller
Techniker(in):
Joe Ferla
Produzent(in):
Joe Ferla und Charlie Hunter
assistierende(r) Mix:
Suzie Barros (engineer)
Gast vocals:
Norah Jones
aufgenommen bei:
Water Music in Hoboken, New Jersey, Vereinigte Staaten
mixed at:
River Sound Studio in New York, New York, Vereinigte Staaten
instrumental cover recording of:
More Than This
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Charlie Hunter & Norah Jones34:11
3’Round Midnight
Gitarre:
John Collins (US jazz guitarist) (am 1963-05-29)
Kontrabass:
Al McKibbon (double bassist) (am 1963-05-29)
Orgel:
Ernie Freeman (am 1963-05-29)
Schlagzeug:
Milt Turner (am 1963-05-29)
Tenorsaxophon:
Teddy Edwards (jazz saxophonist) (am 1963-05-29)
Trompete:
Carmell Jones (am 1963-05-29)
vocals:
Sarah Vaughan (am 1963-05-29)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-05-29)
cover recording of:
’Round Midnight (am 1963-05-29)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Sarah Vaughan3:35
4I Loves You Porgy
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone54:05
5At Last
Dianne Reeves & Lou Rawls3:40
6Nice Work If You Can Get It
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-30)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-30)
cover recording of:
Nice Work If You Can Get It (am 1954-03-30)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
Ella Fitzgerald2:38
7Please Don’t Talk About Me When I’m Gone
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
cover recording of:
Please Don’t Talk About Me When I’m Gone
Texter:
Sidney Clare
Komponist(in):
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Remick Music Corp.
Sammy Davis Jr.42:42
8Bye, Bye Blackbird
recording of:
Bye Bye Blackbird
Texter:
Mort Dixon (in 1926)
Komponist(in):
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
Dean Martin3:04
9What a Little Moonlight Can Do
recording of:
What a Little Moonlight Can Do
Texter und Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) und Warner Brothers Music Inc.
Billie Holiday3:13
10Let’s Get Lost
Bass:
Carson Smith (am 1955-03-07)
Klavier:
Russ Freeman (pianist) (am 1955-03-07)
Schlagzeug:
Bob Neel (am 1955-03-07)
vocals:
Chet Baker (American jazz trumpeter and vocalist) (am 1955-03-07)
phonographisches Urheberrecht (℗) von:
Blue Note (in 1989)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-03-07)
recording of:
Let’s Get Lost (am 1955-03-07)
Texter:
Frank Loesser
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Sony/ATV Harmony (ASCAP)
Chet Baker13:45
11Route 66
recording of:
(Get Your Kicks on) Route 66
Texter und Komponist(in):
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Burke-Van Heusen, Inc. (am 1946-04-22)
Bobby Troup2:40
12Is You Is or Is You Ain’t My Baby?
recording of:
Is You Is or Is You Ain’t My Baby?
Verfasser(in):
Bill Austin (in 1944) und Louis Jordan (US jazz, blues and r&b musician and songwriter) (in 1944)
publisher:
Universal‐MCA Music Publishing (US)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dinah Washington43:24
13Blue Monday
cover recording of:
Blue Monday
Verfasser(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
publisher:
Chappell Music (UK) und Chappell Music Ltd.
Fats Domino2:20
14Honey Honey
recording of:
Honey Honey
Texter und Komponist(in):
Velma Green
Ray Charles2:43
15Love for Sale
Eartha Kitt3:07
16You Don’t Know Me
Dodo Greene2:47
17I Get a Kick Out of You
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-06)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-06)
conductor:
Nelson Riddle (am 1953-11-06)
arranger:
George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-06)
cover recording of:
I Get a Kick Out of You (am 1953-11-06)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Frank Sinatra3.352:55
18Blame It on My Youth
recording of:
Blame It on My Youth
Texter:
Edward Heyman
Komponist(in):
Oscar Levant
publisher:
Oscar Levant Music und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Holly Cole3:01
19Ruler of My Heart
Produzent(in):
Allen Toussaint
recording of:
Ruler of My Heart (am 1962-11-30)
Texter und Komponist(in):
Naomi Neville
Irma Thomas3.52:39
20You Don’t Know What Love Is
recording engineer:
Jamie Staub
assistierende(r) Techniker(in):
Peter Beekerman, Dinji Brown, Bil Emmons, Joe Hogan, Fred Kevorkian und Julio Peralta
Produzent(in):
Craig Street
Mix:
Danny Kopelson
Editing:
Fred Kevorkian
Geige / Violine:
Charles Burnham (violinist) (von 1993-03 bis 1993-07)
Gitarre:
Brandon Ross (von 1993-03 bis 1993-07)
Sologesang:
Cassandra Wilson (von 1993-03 bis 1993-07)
arranger:
Brandon Ross
aufgenommen bei:
Greene St. Recording in SoHo, New York, New York, Vereinigte Staaten (von 1993-03 bis 1993-07)
edited at:
Sear Sound in New York, New York, Vereinigte Staaten
cover recording of:
You Don’t Know What Love Is (von 1993-03 bis 1993-07)
Texter:
Don Raye
Komponist(in):
Gene de Paul
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Cassandra Wilson6:07
3▶CD

Nennungen

Veröffentlichung

ASIN:UK: B0009WWMG4 [Info]