Plácido Domingo: The Opera Collection

~ Release by Plácido Domingo (see all versions of this release, 1 available)

Tracklist

1CD: Carmen: Acts 1 & 2 (beg.)
2CD: Carmen: Acts 2 (cont.) & 3
3CD: Lucia di Lammermoor: Parts 1 & 2 (beg.)
4CD: Lucia di Lammermoor: Part 2 (cont.)
5CD: Pagliacci
6CD: Cavalleria rusticana
7CD: Les Contes d’Hoffmann: Prologue, Acts 1 & 2 (beg.)
8CD: Les Contes d’Hoffmann: Acts 2 (cont.) & 3, Epilogue
9CD: Tosca: Act 1
10CD: Tosca: Acts 2 & 3
11CD: Turandot: Acts 1 & 2 (beg.)
12CD: Turandot: Acts 2 (cont.) & 3
13CD: Il barbiere di Siviglia: Acts 1 & 2 (beg.)
14CD: Il barbiere di Siviglia: Act 2 (cont.)
#TitleArtistRatingLength
1Il barbiere di Siviglia: Act I. “Con la presente il dottor Bartolo” (Bartolo, Conte, Rosina, Berta, Basilio)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
co-producer:
Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (in 1992-02)
baritone vocals [Bartolo, dottore in medicina]:
Lucio Gallo (operatic baritone) (in 1992-02)
bass vocals [Basilio, maestro di musica]:
Ruggero Raimondi (bass-baritone) (in 1992-02)
mezzo-soprano vocals [Berta, cameriera di Bartolo]:
Gabriele Sima (soprano / mezzo-soprano) (in 1992-02)
soprano vocals [Rosina, pupilla di Bartolo]:
Kathleen Battle (soprano) (in 1992-02)
tenor vocals [Il conte d'Almaviva]:
Frank Lopardo (tenor) (in 1992-02)
orchestra:
Chamber Orchestra of Europe (in 1992-02)
conductor:
Claudio Abbado (conductor) (in 1992-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-02)
partial recording of:
Il barbiere di Siviglia: Atto I, N°9a. Finale I “Ehi di casa… buona gente” (Conte, Bartolo, Rosina, Berta, Basilio) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:40
2Il barbiere di Siviglia: Act I. “Che cosa accadde, signori miei?” (Figaro, Bartolo, Conte, Rosina, Berta, Basilio, Un ufficiale, Coro)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
co-producer:
Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (in 1992-02)
baritone vocals [Bartolo, dottore in medicina]:
Lucio Gallo (operatic baritone) (in 1992-02)
bass vocals [Basilio, maestro di musica]:
Ruggero Raimondi (bass-baritone) (in 1992-02)
bass vocals [un ufficiale]:
Goran Simić (operatic bass) (in 1992-02)
choir vocals:
Coro del Teatro La Fenice (in 1992-02)
mezzo-soprano vocals [Berta, cameriera di Bartolo]:
Gabriele Sima (soprano / mezzo-soprano) (in 1992-02)
soprano vocals [Rosina, pupilla di Bartolo]:
Kathleen Battle (soprano) (in 1992-02)
tenor vocals [Figaro, barbiere]:
Plácido Domingo (tenor) (in 1992-02)
tenor vocals [Il conte d'Almaviva]:
Frank Lopardo (tenor) (in 1992-02)
orchestra:
Chamber Orchestra of Europe (in 1992-02)
conductor:
Claudio Abbado (conductor) (in 1992-02)
chorus master:
Marco Ghiglione (chorus master) (in 1992-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-02)
recording of:
Il barbiere di Siviglia: Atto I, N°9b. Finale I “Che cosa accadde, signori miei” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Uffiziale) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:12
3Il barbiere di Siviglia: Act I. Stretta del finale I “Ma signor… Zitto tu!” (Bartolo, Coro, Berta, Basilio, Rosina, Conte, Figaro)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
co-producer:
Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (in 1992-02)
baritone vocals [Bartolo, dottore in medicina]:
Lucio Gallo (operatic baritone) (in 1992-02)
bass vocals [Basilio, maestro di musica]:
Ruggero Raimondi (bass-baritone) (in 1992-02)
choir vocals:
Coro del Teatro La Fenice (in 1992-02)
mezzo-soprano vocals [Berta, cameriera di Bartolo]:
Gabriele Sima (soprano / mezzo-soprano) (in 1992-02)
soprano vocals [Rosina, pupilla di Bartolo]:
Kathleen Battle (soprano) (in 1992-02)
tenor vocals [Figaro, barbiere]:
Plácido Domingo (tenor) (in 1992-02)
tenor vocals [Il conte d'Almaviva]:
Frank Lopardo (tenor) (in 1992-02)
orchestra:
Chamber Orchestra of Europe (in 1992-02)
conductor:
Claudio Abbado (conductor) (in 1992-02)
chorus master:
Marco Ghiglione (chorus master) (in 1992-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-02)
recording of:
Il barbiere di Siviglia: Atto I, N°9e. Finale I “Ma signor… ma un dottor” … “Mi par d'essere con la testa” (Bartolo, Coro, Rosina, Basilio, Berta, Conte, Figaro) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:18
4Il barbiere di Siviglia: Act II. Recitativo “Ma vedi il mio destino!” (Bartolo) – No. 10 Duetto “Pace e gioia sia con voi” (Conte, Bartolo) – Recitativo “Insomma, mio signore” (Bartolo, Conte, Rosina)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
co-producer:
Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (in 1992-02)
baritone vocals [Bartolo, dottore in medicina]:
Lucio Gallo (operatic baritone) (in 1992-02)
soprano vocals [Rosina, pupilla di Bartolo]:
Kathleen Battle (soprano) (in 1992-02)
tenor vocals [Il conte d'Almaviva]:
Frank Lopardo (tenor) (in 1992-02)
orchestra:
Chamber Orchestra of Europe (in 1992-02)
conductor:
Claudio Abbado (conductor) (in 1992-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-02)
recording of:
Il barbiere di Siviglia: Atto II, No. 10. Duetto: “Pace e gioia sia con voi” (Conte, Bartolo) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma, mio signore” (Bartolo, Conte, Rosina) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Ma vedi il mio destino!” (Bartolo) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini6:24
5Il barbiere di Siviglia: Act II. No. 11 Aria “Contro un cor che accende amore” (Rosina, Conte) – Recitativo “Bella voce! Bravissima!” (Conte, Rosina, Bartolo)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
co-producer:
Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (in 1992-02)
baritone vocals [Bartolo, dottore in medicina]:
Lucio Gallo (operatic baritone) (in 1992-02)
soprano vocals [Rosina, pupilla di Bartolo]:
Kathleen Battle (soprano) (in 1992-02)
tenor vocals [Il conte d'Almaviva]:
Frank Lopardo (tenor) (in 1992-02)
orchestra:
Chamber Orchestra of Europe (in 1992-02)
conductor:
Claudio Abbado (conductor) (in 1992-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-02)
recording of:
Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bella voce! Bravissima!” (Conte, Rosina, Bartolo) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini6:49
6Il barbiere di Siviglia: Act II. No. 12 Arietta “Quando mi sei vicina” (Bartolo) – Recitativo “Bravo, signor barbiere” (Bartolo, Figaro, Rosina, Conte)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
co-producer:
Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (in 1992-02)
baritone vocals [Bartolo, dottore in medicina]:
Lucio Gallo (operatic baritone) (in 1992-02)
soprano vocals [Rosina, pupilla di Bartolo]:
Kathleen Battle (soprano) (in 1992-02)
tenor vocals [Figaro, barbiere]:
Plácido Domingo (tenor) (in 1992-02)
tenor vocals [Il conte d'Almaviva]:
Frank Lopardo (tenor) (in 1992-02)
orchestra:
Chamber Orchestra of Europe (in 1992-02)
conductor:
Claudio Abbado (conductor) (in 1992-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-02)
recording of:
Il barbiere di Siviglia: Atto II, No. 12. Arietta “Quando mi sei vicina” (Bartolo) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bravo signor Barbiere” (Bartolo, Figaro, Rosina, Conte) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:39
7Il barbiere di Siviglia: Act II. No. 13 Quintetto “Don Basilio!… Cosa veggo!” (Rosina, Conte, Figaro, Bartolo, Basilio) – Recitativo “Ah! disgraziato me!” (Bartolo, Berta)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
co-producer:
Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (in 1992-02)
baritone vocals [Bartolo, dottore in medicina]:
Lucio Gallo (operatic baritone) (in 1992-02)
bass vocals [Basilio, maestro di musica]:
Ruggero Raimondi (bass-baritone) (in 1992-02)
mezzo-soprano vocals [Berta, cameriera di Bartolo]:
Gabriele Sima (soprano / mezzo-soprano) (in 1992-02)
soprano vocals [Rosina, pupilla di Bartolo]:
Kathleen Battle (soprano) (in 1992-02)
tenor vocals [Figaro, barbiere]:
Plácido Domingo (tenor) (in 1992-02)
tenor vocals [Il conte d'Almaviva]:
Frank Lopardo (tenor) (in 1992-02)
orchestra:
Chamber Orchestra of Europe (in 1992-02)
conductor:
Claudio Abbado (conductor) (in 1992-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-02)
recording of:
Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini10:43
8Il barbiere di Siviglia: Act II. No. 14 Aria “Il vecchiotto cerca moglie” (Berta) – Recitativo “Dunque voi Don Alonso non conoscete affato?” (Bartolo, Basilio, Rosina)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
co-producer:
Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (in 1992-02)
baritone vocals [Bartolo, dottore in medicina]:
Lucio Gallo (operatic baritone) (in 1992-02)
bass vocals [Basilio, maestro di musica]:
Ruggero Raimondi (bass-baritone) (in 1992-02)
mezzo-soprano vocals [Berta, cameriera di Bartolo]:
Gabriele Sima (soprano / mezzo-soprano) (in 1992-02)
soprano vocals [Rosina, pupilla di Bartolo]:
Kathleen Battle (soprano) (in 1992-02)
orchestra:
Chamber Orchestra of Europe (in 1992-02)
conductor:
Claudio Abbado (conductor) (in 1992-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-02)
recording of:
Il barbiere di Siviglia: Atto II, No. 14. Aria “Il vecchiotto cerca moglie” (Berta) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Dunque voi” - “Per forza o per amore” (Bartolo, Basilio, Rosina) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:55
9Il barbiere di Siviglia: Act II. No. 14a Recitativo e aria “Ma forse, ahimè, Lindoro… Ah se è ver” (Rosina)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
co-producer:
Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (in 1992-02)
soprano vocals [Rosina, pupilla di Bartolo]:
Kathleen Battle (soprano) (in 1992-02)
orchestra:
Chamber Orchestra of Europe (in 1992-02)
conductor:
Claudio Abbado (conductor) (in 1992-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-02)
recording of:
Il barbiere di Siviglia: Atto II. “Ah! se è ver che in tal momento…L’innocenza de Lindiro” (Rosina) (in 1992-02)
composer:
Gioachino Rossini (composer)
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini7:04
10Il barbiere di Siviglia: Act II. No. 15 Temporale – Recitativo “Alfine, eccoci qua” (Figaro, Conte, Rosina)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
co-producer:
Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (in 1992-02)
soprano vocals [Rosina, pupilla di Bartolo]:
Kathleen Battle (soprano) (in 1992-02)
tenor vocals [Figaro, barbiere]:
Plácido Domingo (tenor) (in 1992-02)
tenor vocals [Il conte d'Almaviva]:
Frank Lopardo (tenor) (in 1992-02)
orchestra:
Chamber Orchestra of Europe (in 1992-02)
conductor:
Claudio Abbado (conductor) (in 1992-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-02)
recording of:
Il barbiere di Siviglia: Atto II, No. 15. Temporale (Thunderstorm) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Alfine eccoci qua” (Figaro, Conte, Rosina) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:58
11Il barbiere di Siviglia: Act II. No. 16 Terzetto “Ah! qual colpo inaspettato!” (Rosina, Figaro, Conte) – Recitativo “Ah, disgraziati noi!” (Figaro, Conte, Rosina, Basilio, Un notaio, Bartolo, Un ufficiale, Coro)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
co-producer:
Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (in 1992-02)
baritone vocals [Bartolo, dottore in medicina]:
Lucio Gallo (operatic baritone) (in 1992-02)
bass vocals [Basilio, maestro di musica]:
Ruggero Raimondi (bass-baritone) (in 1992-02)
bass vocals [un ufficiale]:
Goran Simić (operatic bass) (in 1992-02)
choir vocals:
Coro del Teatro La Fenice (in 1992-02)
soprano vocals [Rosina, pupilla di Bartolo]:
Kathleen Battle (soprano) (in 1992-02)
tenor vocals [Figaro, barbiere]:
Plácido Domingo (tenor) (in 1992-02)
tenor vocals [Il conte d'Almaviva]:
Frank Lopardo (tenor) (in 1992-02)
orchestra:
Chamber Orchestra of Europe (in 1992-02)
conductor:
Claudio Abbado (conductor) (in 1992-02)
chorus master:
Marco Ghiglione (chorus master) (in 1992-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-02)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Recitativo: “Ah, disgraziati noi! come si fa?” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini8:22
12Il barbiere di Siviglia: Act II. No. 17 Recitativo “Il Conte! Ah, che mai sento!” (Bartolo, Conte, Basilio)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
co-producer:
Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (in 1992-02)
baritone vocals [Bartolo, dottore in medicina]:
Lucio Gallo (operatic baritone) (in 1992-02)
bass vocals [Basilio, maestro di musica]:
Ruggero Raimondi (bass-baritone) (in 1992-02)
tenor vocals [Il conte d'Almaviva]:
Frank Lopardo (tenor) (in 1992-02)
orchestra:
Chamber Orchestra of Europe (in 1992-02)
conductor:
Claudio Abbado (conductor) (in 1992-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-02)
recording of:
Il barbiere di Siviglia: Atto II, No. 17. Recitativo strumentato “Il Conte!” (Bartolo, Conte) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:15
13Il barbiere di Siviglia: Act II. No. 18 Aria con coro “Cessa di più resistere” (Conte, Coro) – Recitativo “Insomma, io ho tutti i torti!” (Bartolo, Figaro, Basilio)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
co-producer:
Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (in 1992-02)
baritone vocals [Bartolo, dottore in medicina]:
Lucio Gallo (operatic baritone) (in 1992-02)
bass vocals [Basilio, maestro di musica]:
Ruggero Raimondi (bass-baritone) (in 1992-02)
choir vocals:
Coro del Teatro La Fenice (in 1992-02)
tenor vocals [Figaro, barbiere]:
Plácido Domingo (tenor) (in 1992-02)
tenor vocals [Il conte d'Almaviva]:
Frank Lopardo (tenor) (in 1992-02)
orchestra:
Chamber Orchestra of Europe (in 1992-02)
conductor:
Claudio Abbado (conductor) (in 1992-02)
chorus master:
Marco Ghiglione (chorus master) (in 1992-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-02)
recording of:
Il barbiere di Siviglia: Atto II, No. 18. Aria “Cessa di più resistere” (Conte, Coro) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma io ho tutti i torti!” (Bartolo, Figaro, Basilio, Conte, Rosina) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini8:00
14Il barbiere di Siviglia: Act II. No. 19 Finaletto II “Di sì felice innesto” (Tutti)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
co-producer:
Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (in 1992-02)
baritone vocals [Bartolo, dottore in medicina]:
Lucio Gallo (operatic baritone) (in 1992-02)
bass vocals [Basilio, maestro di musica]:
Ruggero Raimondi (bass-baritone) (in 1992-02)
choir vocals:
Coro del Teatro La Fenice (in 1992-02)
mezzo-soprano vocals [Berta, cameriera di Bartolo]:
Gabriele Sima (soprano / mezzo-soprano) (in 1992-02)
soprano vocals [Rosina, pupilla di Bartolo]:
Kathleen Battle (soprano) (in 1992-02)
tenor vocals [Figaro, barbiere]:
Plácido Domingo (tenor) (in 1992-02)
tenor vocals [Il conte d'Almaviva]:
Frank Lopardo (tenor) (in 1992-02)
orchestra:
Chamber Orchestra of Europe (in 1992-02)
conductor:
Claudio Abbado (conductor) (in 1992-02)
chorus master:
Marco Ghiglione (chorus master) (in 1992-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-02)
recording of:
Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) (in 1992-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:12
15CD: Samson et Dalila: Act 1
16CD: Samson et Dalila: Acts 2 & 3
17CD: Il trovatore: Parts 1 & 2
18CD: Il trovatore: Parts 3 & 4
19CD: La traviata: Acts 1 & 2 (beg.)
20CD: La traviata: Acts 2 (cont.) & 3
21CD: Otello: Acts 1 & 2
22CD: Otello: Acts 3 & 4
23CD: Lohengrin: Act 1
24CD: Lohengrin: Act 2 (beg.)
25CD: Lohengrin: Act 2 (cont.)
26CD: Lohengrin: Act 3

Credits

Release

ASIN:DE: B0048JGQR0 [info]

Release group

includes:Il trovatore (1983 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer), Coro (Chorus of the National Academy of Santa Cecilia) e Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Carlo Maria Giulini (conductor)
Les Contes D'Hoffmann - Highlights (1971 or 1972 studio cast) by Offenbach (German-French composer, cellist and impresario)
Otello (1993 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) et Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)